×åì âëàäåë Ðîññåòòè |
Ðîññåòòè âëàäåë àííîòèðîâàííûì ýêçåìïëÿðîì Po's The raven and other Poems. 1846.
Rossetti owned a copy of
âçÿë îòñþäà èñòîðèþ Ïàíäîðû.
Þâåëèðíûå èçäåëèÿ, ïðèíàäëåæàùèå Ðîññåòòè, íà åãî ïîëîòíàõ.

1865
Heart broach, silver and paste.

Dragon-headed bangles.


Golden chain and ring.

Êâàðòèðû è ñòóäèè Ðîññåòòè.
After a courtship lasting nearly ten years Rossetti married his beautiful pupil. They lived in a quaint house overlooking the Thames where Blackfriars Bridge stands. Their life was very Bohemian. Elizabeth was frail and consumptive. Rossetti's work and friendships took him much from home; these years were the busiest in his life and at the best of times he was unconventional, though he neither drank nor smoked nor gambled.
In 1862 Boyce took over his friend Rossetti's studio and living quarters at 14 Chatham Place, overlooking the Thames near Blackfriars Bridge. A drawing of c.1861 by Rossetti of Elizabeth Siddal standing in the studio at Chatham Place shows Blackfriars Bridge in the distance

Êðóã Ðîññåòòè íàøåë âèçóàëüíûé ýêâèâàëåíò ïîýçèè Äàíòå â æèâîïèñè Áîòòè÷åëëè. Ðîññåòòè â 1867 ãîäó êóïèë è ñîõðàíÿë äî 1880 ãîäà.  ýòî âðåìÿ Áîòòè÷åëëè áûë ïëîõî èçâåñòåí â Àíãëèè, ïåðâàÿ ñòàòüÿ î í¸ì íà àíãëèéñêîì ÿçûêå îïóáëèêîâàíà ëèøü â 1870 ãîäó.
Ðîññåòòè áûë ñðåäè ïåðâûõ ïîêëîííèêîâ è ïðîïàãàíäèñòîâ Áîòòè÷åëëè â Âèêòîðèàíñêîé Àíãëèè. Îùóùåíèå è èçîáðàæåíèå ìèðà Ïðå-Ðàôàýëèòàìè áûëî ñîçâó÷íî ìàíåðå Áîòòè÷åëëè, ïîýòîìó îíè ñðàçó îáðàòèëè âíèìàíèå íà åãî ðàáîòû â Ëóâðå.
Ðîññåòòè êóïèë çà 20 ôóíòîâ ñòåðëèíãîâ êàðòèíó Áîòòè÷åëëè «Ñìåðàëüäà Áðàíäèíè», êîòîðàÿ ñåé÷àñ ñðåäè ñàìûõ áîëüøèõ ñîêðîâèù â ìóçåå Âèêòîðèè è Àëüáåðòà â Ëîíäîíå.
 1867 ãîäó å¸ êóïèëè íà «Êðèñòèñ» äëÿ Äàíòå Ãàáðèýëÿ Ðîññåòòè, ïî åãî ñëîâàì — çà 20 ôóíòîâ.
Âîñòî÷íûé ìóçûêàëüíûé èíñòðóìåíò, èçîáðàæ¸ííûé íà êàðòèíå, ïðèíàäëåæàë ñàìîìó Ðîññåòòè.
155 ëåò íàçàä — 6 íîÿáðÿ 1869 ãîäà — óìåð ëþáèìûé âîìáàò ïîýòà è õóäîæíèêà Äàíòå Ãàáðèýëÿ Ðîññåòòè. Ýòà äàòà óêàçàíà íà åãî àâòîïîðòðåòå ñ óìåðøèì âîìáàòîì:
Çíàìåíèòûé àâòîïîðòðåò ñ óìåðøèì âîìáàòîì ñàòèðè÷åí, íî Ðîññåòòè áûë îõâà÷åí ïîäëèííûì ãîðåì. Òðàóðíûé àâòîïîðòðåò îí ñîïðîâîäèë ìðà÷íûìè ñòèõàìè. À èç ëþáèìîãî ïèòîìöà ñäåëàë ÷ó÷åëî è âûñòàâèë åãî â õîëëå ñâîåãî äîìà. «Ðîññåòòè äàæå ïîñâÿùàë ëþáèìîìó âîìáàòó ñòèõè:
Oh! How the family affections combat
Within this heart; and each hour flings a bomb at
My burning soul; neither from owl nor from bat
Can peace be gained, until I clasp my wombat!
(Ëþáîâü íà ÷àñòè ñåðäöå ðâåò, çàòåÿâ æàðêèé áîé.
Íå ìîæåò áûòü îáåùàí ìèð íè ìûøüþ, íè ñîâîé.
È áóäåò äî òåõ ïîð äóøà îãíåì îáúÿòà,
Ïîêà ÿ íå ïðèæìó ê ãðóäè ëþáèìîãî âîìáàòà!)»
Åëèçàâåòà Êëèìîâà.
Ðîññåòòè íàçâàë âîìáàòà Òîïîì â ÷åñòü ñâîåãî êîëëåãè Óèëüÿìà Ìîððèñà ïî ïðîçâèùó Òîïñè è èçîáðàçèë âìåñòå ñ ìóçîé è ëþáîâíèöåé, à òàêæå ïî ñîâìåñòèòåëüñòâó æåíîé Ìîððèñà — Äæåéí Á¸ðäåí:
«Îäíàêî ñóäüáà Òîïà ñëîæèëàñü íå ñàìûì ñ÷àñòëèâûì îáðàçîì: Ðîññåòòè ñîâñåì íå ñëåäèë çà åãî ïèòàíèåì, áåäíîå æèâîòíîå åëî ÷òî ïîïàëî, âêëþ÷àÿ îêóðêè ñèãàð. ×åðåç íåñêîëüêî ìåñÿöåâ ó âîìáàòà íà÷àëà âûïàäàòü øåðñòü, ïîòîì îí îñëåï è ñêîí÷àëñÿ».


Ñïèðàëüíàÿ æåì÷óæíàÿ çàêîëêà. Êîðàëëîâîå îæåðåëüå. Çîëîòîé áèðìàíñêèé áðàñëåò ñ ãîëîâîé ÷óäîâèùà. Ïåðñòåíü â âèäå çåë¸íîãî ëèñòà. Âèñÿ÷èå ñåðüãè. Õðóñòàëüíûé êóëîí. Ïëàòüå ñîîðóæåíî èç øàëè, ïðèíàäëåæàâøåé õóäîæíèêó.
Roccetti has the Dante's death mask and used it in many works.

ßùèê, èçîáðàæ¸ííûé íà êàðòèíå, ñóùåñòâîâàë â ðåàëüíîñòè è áûë ñäåëàí ñàìèì Ðîññåòòè.

Âàçà èç êîëëåêöèè ôàðôîðà Ðîññåòòè
| Ðóáðèêè: | ÐÎÑÑÅÒÒÈ. ROSSETTI./ÐÎÑÑÅÒÒÈ ÆÈÇÍÜ ROSSETTI LIFE |
| Êîììåíòèðîâàòü | « Ïðåä. çàïèñü — Ê äíåâíèêó — Ñëåä. çàïèñü » | Ñòðàíèöû: [1] [Íîâûå] |