-Ìåòêè

a revery annie miller arthur hughes aspecta medusa baron von gloeden beata beatrix bluebird burne-jones carlisle wall christina georgina rossetti christina rossetti clark cristina rossetti dante gabriel rossetti dr john polidori dudley gallery edward poynter eleanor fortescue-brickdale elizabeth eleanor siddal elizabeth siddal english version eugene onegin fanny co feet fetish fiammetta first anniversary ford madox brown found francois-joseph navez frederic william burton gabriel charles dante gabriel charls dante rossetti george price boyce girls goblin market hans suren he story of st. george and the dragon holy grail jacques-louis david john byam shaw john everett millais john roddam spencer stanhope karl truppe kelmscort manor kent la pia de' tolomei lady lawrence lempica liberty list of pre-raphaelite paintings louis de taeye magdalene maria francesca mariana mary magdalene at the door of simon the pharisee mary nazarene moore morris naked nude orient goods oxfordshire painting pallas pansy patricia peasant venus pre-raphaelite raphaelite brotherhood rayskin reich rossett rossetti self portrait sevenoaks sir john everett millais soviet study the third reich the blessed damozel the raven vampyre vanitas vision of fiammetta w b scott william holman hunt women working men's college àä äàíòå / dante's inferno 1967 àðòóð õüþç áàëåðèíû áàëåò áåëûå ðîçû áåñïëàòíî áëàæåííàÿ áåàòðè÷å âîðîí ãåòåðà ãîëóáü ãðàíò âóä äàíòå äàíòå ãàáðèýëü ðîññåòòè äâåíàäöàòàÿ íî÷ü äæåéí ìîððèñ äæåéí ìîððèñ á¸ðäåí äæîí óèëüÿì ïîëèäîðè åâãåíèé îíåãèí æèâîïèñü æèâîòíûå èíòåðíåò èñêàòåëü èñêóññòâî êåííåò êèíî êëàðê êîëåãîâà êîðîëåâà êðèñòèíà ðîññåòòè ëàðåö êîðîëÿ ðåíå? ëåìïèöêà ëåìïèöêàÿ ëåðìîíòîâ ìàðèèíñêèé ìàðèÿ ôðàí÷åñêà ìåíàäû ìåíäåëååâ ìîððèñ ìóçåè ìýäîêñ áðàóí íàãîòà íàéäåíà íàéäåííàÿ íàñèëèå íîâûé ðîìàí íîæêè îáíàæ¸ííàÿ îíëàéí ïèÿ äå òîëîìåè ïîýçèÿ ðîññåòòè ïîýçèÿ ðîññåòòè ïðåðàôàýëèòû ïðîçåðïèíà ðîìàí ðîññåòòè ñàìîõâàëîâ ñåêñ ñèääàë ñêîòò ôèòöæåðàëüä ñìîòðåòü ñîìîâà ñîöðåàëèçì ñòàñîâ ñòèõè òàìàðà ëåìïèöêà òðåòèé ðåéõ óèëüÿì ìîððèñ óîòåðõàóç ôàííè êîðíôîðò ôåòèø ôèàìåòòà ôîòî ôðèäåðèê ëåéòîí õàíò õüþç ÷ààäàåâ øàðëîò ñòðèò ý ë á å ð ò ã ð ý ì ýâåëèí äå ìîðãàí ýêçèñòåíöèÿ ýëèçàáåò ñèääàë ýïèãðàô ýññå

 -Ðóáðèêè

 -Ïîèñê ïî äíåâíèêó

Ïîèñê ñîîáùåíèé â ëþäàí_êóïîë

 -Ïîäïèñêà ïî e-mail

 

 -Ñîîáùåñòâà

Ó÷àñòíèê ñîîáùåñòâ (Âñåãî â ñïèñêå: 1) Live_Memory

 -Ñòàòèñòèêà

Ñòàòèñòèêà LiveInternet.ru: ïîêàçàíî êîëè÷åñòâî õèòîâ è ïîñåòèòåëåé
Ñîçäàí: 27.08.2009
Çàïèñåé:
Êîììåíòàðèåâ:
Íàïèñàíî: 559


×åì âëàäåë Ðîññåòòè

Ïîíåäåëüíèê, 16 Ñåíòÿáðÿ 2013 ã. 21:53 + â öèòàòíèê

×ÅÌ ÂËÀÄÅË ÐÎÑÑÅÒÒÈ 

      Ðîññåòòè áûë îäíèì èç ïåðâûõ èëëþñòðàòîðîâ Ïî, êîòîðîãî ïðåðàôàýëèòû ïîìåñòèëè â ñïèñîê Áåññìåðòíûõ.

 Ðîññåòòè âëàäåë àííîòèðîâàííûì ýêçåìïëÿðîì Po's The raven and other Poems. 1846.

 

Rossetti owned a copy of

Title: The generall history of vvomen containing the lives of the most holy and prophane, the most famous and infamous in all ages, exactly described not only from poeticall fictions, but from the most ancient, modern, and admired historians, to our times
Author: Heywood, Thomas, d. 1641.
https://quod.lib.umich.edu/e/eebo/A43596.0001.001?view=toc

âçÿë îòñþäà èñòîðèþ Ïàíäîðû.

Þâåëèðíûå èçäåëèÿ, ïðèíàäëåæàùèå Ðîññåòòè, íà åãî ïîëîòíàõ.

 

s178.bifa (300x366, 26Kb)

1865

Heart broach, silver and paste.

s178.bifa - êîïèÿ (112x114, 3Kb)

 

The Beloved

Dragon-headed bangles.

141253665_s182 (164x198, 7Kb)

 

Mariana

1870

 

 

s213 (506x607, 192Kb)

 

Golden chain and ring.

s213 - êîïèÿ (298x290, 20Kb)

 

Êâàðòèðû è ñòóäèè Ðîññåòòè.

      After a courtship lasting nearly ten years Rossetti married his beautiful pupil. They lived in a quaint house overlooking the Thames where Blackfriars Bridge stands. Their life was very Bohemian. Elizabeth was frail and consumptive. Rossetti's work and friendships took him much from home; these years were the busiest in his life and at the best of times he was unconventional, though he neither drank nor smoked nor gambled.

          In 1862 Boyce took over his friend Rossetti's studio and living quarters at 14 Chatham Place, overlooking the Thames near Blackfriars Bridge. A drawing of c.1861 by Rossetti of Elizabeth Siddal standing in the studio at Chatham Place shows Blackfriars Bridge in the distance

 

 

Botticelli,_Sandro_-_Portrait_of_a_Lady_known_as_Smeralda_Bandinelli_-_Google_Art_Project (379x599, 66Kb)

Botticelli, Sandro - Portrait of a Lady known as Smeralda Bandinelli

     Êðóã Ðîññåòòè íàøåë âèçóàëüíûé ýêâèâàëåíò ïîýçèè Äàíòå â æèâîïèñè Áîòòè÷åëëè. Ðîññåòòè â 1867 ãîäó êóïèë è ñîõðàíÿë äî 1880 ãîäà.  ýòî âðåìÿ Áîòòè÷åëëè áûë ïëîõî èçâåñòåí â Àíãëèè, ïåðâàÿ ñòàòüÿ î í¸ì íà àíãëèéñêîì ÿçûêå îïóáëèêîâàíà ëèøü â 1870 ãîäó.

 Portrait of a Lady known as Smeralda Bandinelli by Botticelli. Íàì¸êè íà ýòó êîìïîçèöèþ ìîæíî ïðîñëåäèòü âî ìíîãèõ ðàáîòàõ Ðîññåòòè, ãäå ïðåêðàñíàÿ æåíùèíà, çàêëþ÷¸ííàÿ â óçêîå ïðîñòðàíñòâî õîëñòà ñìîòðèò íà íàñ èç-çà ïàðàïåòà.

Ðîññåòòè  áûë ñðåäè ïåðâûõ ïîêëîííèêîâ è ïðîïàãàíäèñòîâ Áîòòè÷åëëè â Âèêòîðèàíñêîé Àíãëèè. Îùóùåíèå è èçîáðàæåíèå ìèðà Ïðå-Ðàôàýëèòàìè áûëî ñîçâó÷íî ìàíåðå Áîòòè÷åëëè, ïîýòîìó îíè ñðàçó îáðàòèëè âíèìàíèå íà åãî ðàáîòû â Ëóâðå.

Ðîññåòòè êóïèë çà 20 ôóíòîâ ñòåðëèíãîâ êàðòèíó Áîòòè÷åëëè «Ñìåðàëüäà Áðàíäèíè», êîòîðàÿ ñåé÷àñ ñðåäè ñàìûõ áîëüøèõ ñîêðîâèù â ìóçåå Âèêòîðèè è Àëüáåðòà â Ëîíäîíå.

 1867 ãîäó å¸ êóïèëè íà «Êðèñòèñ» äëÿ Äàíòå Ãàáðèýëÿ Ðîññåòòè, ïî åãî ñëîâàì — çà 20 ôóíòîâ.

 

 

 

 

 

 

 

 

Âîñòî÷íûé ìóçûêàëüíûé èíñòðóìåíò, èçîáðàæ¸ííûé íà êàðòèíå, ïðèíàäëåæàë ñàìîìó Ðîññåòòè. 

æèâîòíûå

       155 ëåò íàçàä — 6 íîÿáðÿ 1869 ãîäà — óìåð ëþáèìûé âîìáàò ïîýòà è õóäîæíèêà Äàíòå Ãàáðèýëÿ Ðîññåòòè. Ýòà äàòà óêàçàíà íà åãî àâòîïîðòðåòå ñ óìåðøèì âîìáàòîì:

 DdPW3f0_c9M (288x448, 30Kb)     Çíàìåíèòûé àâòîïîðòðåò ñ óìåðøèì âîìáàòîì ñàòèðè÷åí, íî Ðîññåòòè áûë îõâà÷åí ïîäëèííûì ãîðåì. Òðàóðíûé àâòîïîðòðåò îí ñîïðîâîäèë ìðà÷íûìè ñòèõàìè. À èç ëþáèìîãî ïèòîìöà ñäåëàë ÷ó÷åëî è âûñòàâèë åãî â õîëëå ñâîåãî äîìà. 

«Ðîññåòòè äàæå ïîñâÿùàë ëþáèìîìó âîìáàòó ñòèõè:

Oh! How the family affections combat
Within this heart; and each hour flings a bomb at
My burning soul; neither from owl nor from bat
Can peace be gained, until I clasp my wombat!

(Ëþáîâü íà ÷àñòè ñåðäöå ðâåò, çàòåÿâ æàðêèé áîé.
Íå ìîæåò áûòü îáåùàí ìèð íè ìûøüþ, íè ñîâîé.
È áóäåò äî òåõ ïîð äóøà îãíåì îáúÿòà,
Ïîêà ÿ íå ïðèæìó ê ãðóäè ëþáèìîãî âîìáàòà!)»
                                                                  Åëèçàâåòà Êëèìîâà.

Ðîññåòòè íàçâàë âîìáàòà Òîïîì â ÷åñòü ñâîåãî êîëëåãè Óèëüÿìà Ìîððèñà ïî ïðîçâèùó Òîïñè è èçîáðàçèë âìåñòå ñ ìóçîé è ëþáîâíèöåé, à òàêæå ïî ñîâìåñòèòåëüñòâó æåíîé Ìîððèñà — Äæåéí Á¸ðäåí:

c6z0SR4k7jk (281x448, 31Kb)«Îäíàêî ñóäüáà Òîïà ñëîæèëàñü íå ñàìûì ñ÷àñòëèâûì îáðàçîì: Ðîññåòòè ñîâñåì íå ñëåäèë çà åãî ïèòàíèåì, áåäíîå æèâîòíîå åëî ÷òî ïîïàëî, âêëþ÷àÿ îêóðêè ñèãàð. ×åðåç íåñêîëüêî ìåñÿöåâ ó âîìáàòà íà÷àëà âûïàäàòü øåðñòü, ïîòîì îí îñëåï è ñêîí÷àëñÿ».

 

Êàíàäñêèé ñóðîê. 

Áåç íàçâàíèÿ (275x183, 9Kb)

 

2973680_original (564x638, 342Kb)

 

 

 

 

Ñïèðàëüíàÿ æåì÷óæíàÿ çàêîëêà. Êîðàëëîâîå îæåðåëüå. Çîëîòîé áèðìàíñêèé áðàñëåò ñ ãîëîâîé ÷óäîâèùà. Ïåðñòåíü â âèäå çåë¸íîãî ëèñòà. Âèñÿ÷èå ñåðüãè. Õðóñòàëüíûé êóëîí. Ïëàòüå ñîîðóæåíî èç øàëè, ïðèíàäëåæàâøåé õóäîæíèêó.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

    Ïîñìåðòíàÿ ìàñêà Äàíòå õðàíèòñÿ â Ïàëàööî Âåêêèî âî Ôëîðåíöèè. Ðîññåòòè âëàäåë êîïèåé, êîòîðóþ èñïîëüçîâàë â íàïèñàíèè êàðòèí íà Äàíòîâñêóþ òåìàòèêó.

Roccetti has the Dante's death mask and used it in many works.

u6AZUyOjAqgui2-Aa8dDhd42pYecUlELQsuGmxUUsjLWglkR9EEhzrxSVwiPeCRBj8gqvEKqziLp-mX4F1pI9S-m (372x500, 58Kb)

 

ßùèê, èçîáðàæ¸ííûé íà êàðòèíå, ñóùåñòâîâàë â ðåàëüíîñòè è áûë ñäåëàí ñàìèì Ðîññåòòè. 

Dante_Gabriel_Rossetti_-_Pandora (250x412, 18Kb)

 

Dante_Gabriel_Rossetti_-_Monna_Rosa_(1867) (250x350, 39Kb)Âàçà èç êîëëåêöèè ôàðôîðà Ðîññåòòè

Ðóáðèêè:  ÐÎÑÑÅÒÒÈ. ROSSETTI./ÐÎÑÑÅÒÒÈ ÆÈÇÍÜ ROSSETTI LIFE
Ìåòêè:  

 

Äîáàâèòü êîììåíòàðèé:
Òåêñò êîììåíòàðèÿ: ñìàéëèêè

Ïðîâåðêà îðôîãðàôèè: (íàéòè îøèáêè)

Ïðèêðåïèòü êàðòèíêó:

 Ïåðåâîäèòü URL â ññûëêó
 Ïîäïèñàòüñÿ íà êîììåíòàðèè
 Ïîäïèñàòü êàðòèíêó