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ÇÅ˨ÍÛÅ ÐÓÊÀÂÀ GREENSLEEVES

Äíåâíèê

Âîñêðåñåíüå, 04 Àâãóñòà 2013 ã. 11:15 + â öèòàòíèê

   

    Ñìîòðåë Òþäîðîâ ñåðèàë ÂÂÑ è îáðàòèë âíèìàíèå íà ýòó ìóçûêó, î÷åíü ÷àñòî öèòèðóåòñÿ â ñâÿçè ñî ñðåäíåâåêîâüåì. Èíòåðåñíåéøàÿ èñòîðèÿ è ìóçûêà õîðîøàÿ, à Ðîññåòòè (è ìíîãèå äðóãèå) êàðòèíó íàïèñàë.

File1 (336x396, 21Kb)

Date: 1863 May
Model: Mrs. W. J. Knewstub (The model for this painting was Mrs. W. J. Knewstub, the wife of Rossetti's assistant.)

Production History

DGR made at least two pencil studies around 1854 and 1855 for this composition, both using Ellen Smith as the model: one is a sketch for the head of the girl, the otheris a finished drawing of the entire compostion. When he returned to the subject in 1863 he made another studyfor the finished oil on panel, which DGR completed in May.

George Boyce thought the picture was intended for him and was extremely displeased to learn that DGR was sending it to the dealer Ernest Gambart. In fact DGR still had it on hand in December 1863, when he offered it to George Rae (see letter to Rae 28 December 1863,Correspondence, 63. 117). It eventually passed to Mrs. Plint after her husband's death.

  «Çåë¸íûå ðóêàâà» (àíãë. Greensleeves) — àíãëèéñêàÿ ôîëüêëîðíàÿ ïåñíÿ, èçâåñòíàÿ ñ XVI âåêà. Äâàæäû óïîìèíàåòñÿ â ïðîèçâåäåíèÿõ Óèëüÿìà Øåêñïèðà, â òîì  ÷èñëå â êîìåäèè «Âèíäçîðñêèå íàñìåøíèöû».

http://muzofon.com/search/greensleeves

        Íàçâàíèå ïåñíè îòðàæàåò ïðîçâèùå íåâåðíîé âîçëþáëåííîé, ê êîòîðîé îáðàùàåòñÿ àâòîð. Ñ÷èòàåòñÿ, ÷òî çåë¸íûå ðóêàâà ìîãëè ÿâëÿòüñÿ àòðèáóòîì îäåæäû êóðòèçàíîê â ñðåäíåâåêîâîé Àíãëèè.

 

         Ìåëîäèÿ, íàïèñàííàÿ àíîíèìíûì êîìïîçèòîðîì XVI âåêà íà ãàðìîíè÷åñêóþ ìîäåëü ðîìàíåñêè, ñòàëà îñíîâîé äëÿ ìíîãî÷èñëåííûõ âàðèàöèé. Íàïèñàíèå òåêñòà áàëëàäû ÷àñòî ïðèïèñûâàþò àíãëèéñêîìó êîðîëþ Ãåíðèõó VIII, êîòîðûé ÿêîáû àäðåñîâàë ýòè ñòèõè ñâîåé âîçëþáëåííîé, ïðåäïîëîæèòåëüíî Àííå Áîëåéí, ñòàâøåé âòîðîé æåíîé Ãåíðèõà. Îíà íå ïîääàëàñü ïîïûòêàì êîðîëÿ ñîâðàòèòü å¸, è ýòîò îòêàç îòðàæ¸í â ñëîâàõ ïåñíè. Îäíàêî òàêæå åñòü ìíåíèå, ÷òî ïåñíÿ îòíîñèòñÿ ê ïåðèîäó ïðàâëåíèÿ êîðîëåâû Åëèçàâåòû I, ïîñêîëüêó èòàëüÿíñêèé ñòèëü êîìïîçèöèè, â êîòîðîì îíà íàïèñàíà, ïîïàë â Àíãëèþ ëèøü ïîñëå ñìåðòè êîðîëÿ.

Âïåðâûå òåêñò «Greensleeves» áûë îïóáëèêîâàí â 1566 ãîäó â Ëîíäîíå â ñáîðíèêå «Ïðèÿòíûå ñîíåòû è èñòîðèè», êîòîðûé áûë ïåðåèçäàí ïîä íàçâàíèåì «Ãîðñòü ïðèÿòíûõ íàñëàæäåíèé» â 1584 ãîäó. Ýòîò âàðèàíò, äîøåäøèé äî íàøèõ äíåé, âêëþ÷àåò 18 ÷åòâåðîñòèøèé è ðåôðåí, îäíàêî îáû÷íî ïðèíÿòî ñ÷èòàòü, ÷òî òîëüêî ÷åòûðå ÷åòâåðîñòèøèÿ è ðåôðåí ÿâëÿþòñÿ ïîäëèííûìè. Âñåãî æå ñóùåñòâóåò îãðîìíîå ÷èñëî êóïëåòîâ (ïî íåêîòîðûì îöåíêàì äî 1800), îáûãðûâàþùèõ îäíó è òó æå òåìó — ñåòîâàíèÿ àâòîðà íà âîçëþáëåííóþ, ïîêèíóâøóþ åãî íåñìîòðÿ íà âñå åãî ñòàðàíèÿ.

http://ru.wikipedia.org/wiki/%D0%97%D0%B5%D0%BB%D1%91%D0%BD%D1%8B%D0%B5_%D1%80%D1%83%D0%BA%D0%B0%D0%B2%D0%B0

Alas, my love, you do me wrong,
To cast me off discourteously.
For I have loved you well and long,
Delighting in your company.

Chorus:
Greensleeves was all my joy
Greensleeves was my delight,
Greensleeves was my heart of gold,
And who but my lady greensleeves.

Your vows you’ve broken, like my heart,
Oh, why did you so enrapture me?
Now I remain in a world apart
But my heart remains in captivity.

Chorus

I have been ready at your hand,
To grant whatever you would crave,
I have both wagered life and land,
Your love and good-will for to have.

Chorus

If you intend thus to disdain,
It does the more enrapture me,
And even so, I still remain
A lover in captivity.

Chorus

My men were clothed all in green,
And they did ever wait on thee;
All this was gallant to be seen,
And yet thou wouldst not love me.

Chorus

Thou couldst desire no earthly thing,
but still thou hadst it readily.
Thy music still to play and sing;
And yet thou wouldst not love me.

Chorus

Well, I will pray to God on high,
that thou my constancy mayst see,
And that yet once before I die,
Thou wilt vouchsafe to love me.

Chorus

Ah, Greensleeves, now farewell, adieu,
To God I pray to prosper thee,
For I am still thy lover true,
Come once again and love me.

Ðóáðèêè:  ÊÀÐÒÈÍÛ ÐÎÑÑÅÒÒÈ/ÇÅ˨ÍÛÅ ÐÓÊÀÂÀ


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