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a revery annie miller arthur hughes aspecta medusa baron von gloeden beata beatrix bluebird burne-jones carlisle wall christina georgina rossetti christina rossetti clark cristina rossetti dante gabriel rossetti dr john polidori dudley gallery edward poynter eleanor fortescue-brickdale elizabeth eleanor siddal elizabeth siddal english version eugene onegin fanny co feet fetish fiammetta first anniversary ford madox brown found francois-joseph navez frederic william burton gabriel charles dante gabriel charls dante rossetti george price boyce girls goblin market hans suren he story of st. george and the dragon holy grail jacques-louis david john byam shaw john everett millais john roddam spencer stanhope karl truppe kelmscort manor kent la pia de' tolomei lady lawrence lempica liberty list of pre-raphaelite paintings louis de taeye magdalene maria francesca mariana mary magdalene at the door of simon the pharisee mary nazarene moore morris naked nude orient goods oxfordshire painting pallas pansy patricia peasant venus pre-raphaelite raphaelite brotherhood rayskin reich rossett rossetti self portrait sevenoaks sir john everett millais soviet study the third reich the blessed damozel the raven vampyre vanitas vision of fiammetta w b scott william holman hunt women working men's college àä äàíòå / dante's inferno 1967 àðòóð õüþç áàëåðèíû áàëåò áåëûå ðîçû áåñïëàòíî áëàæåííàÿ áåàòðè÷å âîðîí ãåòåðà ãîëóáü ãðàíò âóä äàíòå äàíòå ãàáðèýëü ðîññåòòè äâåíàäöàòàÿ íî÷ü äæåéí ìîððèñ äæåéí ìîððèñ á¸ðäåí äæîí óèëüÿì ïîëèäîðè åâãåíèé îíåãèí æèâîïèñü æèâîòíûå èíòåðíåò èñêàòåëü èñêóññòâî êåííåò êèíî êëàðê êîëåãîâà êîðîëåâà êðèñòèíà ðîññåòòè ëàðåö êîðîëÿ ðåíå? ëåìïèöêà ëåìïèöêàÿ ëåðìîíòîâ ìàðèèíñêèé ìàðèÿ ôðàí÷åñêà ìåíàäû ìåíäåëååâ ìîððèñ ìóçåè ìýäîêñ áðàóí íàãîòà íàéäåíà íàéäåííàÿ íàñèëèå íîâûé ðîìàí íîæêè îáíàæ¸ííàÿ îíëàéí ïèÿ äå òîëîìåè ïîýçèÿ ðîññåòòè ïîýçèÿ ðîññåòòè ïðåðàôàýëèòû ïðîçåðïèíà ðîìàí ðîññåòòè ñàìîõâàëîâ ñåêñ ñèääàë ñêîòò ôèòöæåðàëüä ñìîòðåòü ñîìîâà ñîöðåàëèçì ñòàñîâ ñòèõè òàìàðà ëåìïèöêà òðåòèé ðåéõ óèëüÿì ìîððèñ óîòåðõàóç ôàííè êîðíôîðò ôåòèø ôèàìåòòà ôîòî ôðèäåðèê ëåéòîí õàíò õüþç ÷ààäàåâ øàðëîò ñòðèò ý ë á å ð ò ã ð ý ì ýâåëèí äå ìîðãàí ýêçèñòåíöèÿ ýëèçàáåò ñèääàë ýïèãðàô ýññå

 -Ðóáðèêè

 -Ïîèñê ïî äíåâíèêó

Ïîèñê ñîîáùåíèé â ëþäàí_êóïîë

 -Ïîäïèñêà ïî e-mail

 

 -Ñîîáùåñòâà

Ó÷àñòíèê ñîîáùåñòâ (Âñåãî â ñïèñêå: 1) Live_Memory

 -Ñòàòèñòèêà

Ñòàòèñòèêà LiveInternet.ru: ïîêàçàíî êîëè÷åñòâî õèòîâ è ïîñåòèòåëåé
Ñîçäàí: 27.08.2009
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(è åùå 56 çàïèñÿì íà ñàéòå ñîïîñòàâëåíà òàêàÿ ìåòêà)

Äðóãèå ìåòêè ïîëüçîâàòåëÿ ↓

annie miller aspecta medusa baron von gloeden beata beatrix carlisle wall christina rossetti clark dante gabriel rossetti dr john polidori eleanor fortescue-brickdale elizabeth siddal eugene onegin fanny co feet fetish fiammetta found francois-joseph navez gabriel charls dante rossetti george price boyce he story of st. george and the dragon john everett millais kelmscort manor la pia de' tolomei lempica louis de taeye mary magdalene at the door of simon the pharisee moore morris naked nude reich rossetti self portrait sevenoaks sir john everett millais soviet study the blessed damozel vampyre william holman hunt women working men's college áàëåò âîðîí äàíòå äàíòå ãàáðèýëü ðîññåòòè äæåéí ìîððèñ äæåéí ìîððèñ á¸ðäåí äæîí óèëüÿì ïîëèäîðè æèâîïèñü æèâîòíûå èñêàòåëü èñêóññòâî êèíî êîëåãîâà êðèñòèíà ðîññåòòè ëåìïèöêàÿ ìàðèèíñêèé ìóçåè íàñèëèå íîâûé ðîìàí íîæêè îáíàæ¸ííàÿ îíëàéí ïîýçèÿ ðîññåòòè ïðåðàôàýëèòû ïðîçåðïèíà ðîìàí ðîññåòòè ñèääàë ñêîòò ôèòöæåðàëüä ñîöðåàëèçì ñòàñîâ óîòåðõàóç ôàííè êîðíôîðò ôèàìåòòà õàíò õüþç ÷ààäàåâ ýëèçàáåò ñèääàë ýïèãðàô
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ÐÎÑÑÅÒÒÈ 1875 -77

Äíåâíèê

Âîñêðåñåíüå, 14 Ôåâðàëÿ 2021 ã. 18:13 + â öèòàòíèê

 

 

ÐÎÑÑÅÒÒÈ 1875 -77

 


 

 (406x700, 177Kb)

 

     Áëàãîñëîâåííàÿ.
Fogg Art Museum - Harvard University - Cambridge, MA
The Blessed Damozel (1875-78)

68 l/2 x 37 inches

 
 

                    Õóäîæíèê Äàíòå Ãàáðèåëü Ðîññåòòè, ðèñóÿ ýòó êàðòèíó, âäîõíîâëÿëñÿ îäíèì èç ñâîèõ ñîáñòâåííûõ ïîýòè÷åñêèõ òâîðåíèé äâàäöàòèïÿòèëåòíåé äàâíîñòè. Ïåðâûé âàðèàíò "Äàìû" áûë íàïèñàí â 1847 ãîäó, åù¸ äëÿ æóðíàëà "Ãåðì".

 

Ñâÿùåííûé æåíñêèé ëèê ñêëîí¸í

Íàä âõîäîì òàéíûì â íåáåñà.

Â å¸ ãëàçàõ ãëóáèíû âîä,

Çàñòûâøèõ íà âåêà.

Íàä ãîëîâîé ñåìü ÿðêèõ çâ¸çä, Òðè ëèëèè â ðóêàõ.

"ß æäó, ÷òî îí ïðèä¸ò êî ìíå,

Íî îí íåéä¸ò íèêàê".

Âåäü îí ìîëèëñÿ íà çåìëå,

À ÿ íà íåáåñàõ.

À äâå ìîëèòâû, ñäà¸òñÿ ìíå, ñèëüíåå, ÷åì îäíà.

                     (ïåðåâîä Â.Øåñòàêîâà)

                1870 ãîäó ïîýìà Blessed Damozel ïåðåèçäà¸òñÿ â ñîáðàíèè ñî÷èíåíèé Ðîññåòòè. Óèëüÿì Ãðåõåì, ïàòðîí Ðîññåòòè, çàêàçûâàåò åìó êàðòèíó ïî ýòîìó ñþæåòó. Ðîññåòòè ïèøåò êàðòèíó íà ìàíåð èòàëüÿíñêèõ àëòàðíûõ èêîí 14-15 âåêîâ.  âåðõíåé ÷àñòè, ñèìâîëèçèðóþùåé íåáåñíóþ, âå÷íóþ æèçíü, èçîáðàæåíà ïðåêðàñíàÿ æåíùèíà, ñìîòðÿùàÿ âíèç ñ íåáåñíîãî áàëêîíà, âîêðóã íå¸ çàêëþ÷àþò äðóã äðóãà â îáúÿòüÿ ñðåäè íåâÿíóùèõ ðàéñêèõ ðîç âíîâü ñîåäèíèâøèåñÿ íà íåáåñàõ àíãåëû - âîçëþáëåííûå.  íèæíåé ÷àñòè, èçîáðàæàþùåé çåìíóþ þäîëü, âîçëåæèò ìîëîäîé âîçëþáëåííûé, îáðàòèâøèé âçîð íà íåáåñà. Îí ìå÷òàåò î ñìåðòè è âñòðå÷å ñ ëþáèìîé.   Ìîäåëü - Àëåêñà Âàéëäèíã. Êàðòèíà ïðåäñòàâëÿåò õàðàêòåðíûé äëÿ Ðîññåòòè âàðèàíò ýðîòè÷åñêîãî ìèñòèöèçìà. 

ÌÈÔÎËÎÃÈß è ñèìâîëû:

     ðóêàõ æåíùèíû òðè ëèëè, ñèìâîëèçèðóþùèå ÷èñòîòó. Ñåìü çâ¸çä - ýòî ñîçâåçäèå Ïëåÿäû, îäíà çâåçäà ñêðûòà çà ãîëîâîé Äàìû. Ïëåÿäû - ñåìü äî÷åðåé Àòëàñà è Pleione. Ñêðûòàÿ  ïëåÿäà, ýòî Ýëåêòðà, êîòîðàÿ çàêðûëà ëèöî ïðè âèäå ïûëàþùåé Òðîè, ïîòîì îíà ÿâëÿëàñü ñìåðòíûì òîëüêî êàê êîìåòà.

            Rossetti used his most famous poem as the inspiration for this painting 25 yearsafter publishing it. He wrote the first version of \\'The Blessed Damozel\\' in 1847.The theme was inspired by Dante Alighieri.The maiden leans out of her balcony in heaven while behind her newly reconciled lovers embrace one another among the deathless roses of heaven. She seesher lover lying fully corporal on earth and yearns for his death, so that he mightjoin her forever in heaven.The seven stars are The Pleiads. One star is hidden behind her head.

 

Mythology:

        The Pleiads were the seven daughters of Atlas and Pleione. "The lost pleiad"is Electra, who veiled her face at the burning of Troy, appearing to mortals
afterwards only as a comet... 

 

  Âëþáë¸ííûé, îïëàêèâàþùèé óòðà÷åííóþ âîçëþáëåííóþ. Mourning lover. 

Lovers in heaven.     Âëþáë¸ííûå íà íåáåñàõ.

Ïîðòðåò Ðóò Ãåðáåðò, 1876, 32×39 ñì.Áåç íàçâàíèÿ (199x253, 4Kb)

«Ìîðñêèå ÷àðû» —  1877 ãîä.  íàñòîÿùåå âðåìÿ êàðòèíà íàõîäèòñÿ â ñîáðàíèè Õóäîæåñòâåííîãî ìóçåÿ Ôîããà.

Íàòóðùèöåé äëÿ êàðòèíû,  ñòàëà Àëåêñà Óàéëäèíã. Ñèðåíà îäåòà â âåíåö èç öâåòîâ è èãðàåò íà àðôå; å¸ ìå÷òàòåëüíûé âèä è îñàíêà ïðåäïîëàãàþò, ÷òî îíà òîæå áûëà çàêîëäîâàíà ìóçûêîé è àðîìàòîì îêðóæàþùèõ öâåòîâ. Èçíà÷àëüíî Ðîññåòòè áûë âäîõíîâë¸í ñòðîêàìè èç ïîýìû Ñýìþýëà Òýéëîðà Êîëüðèäæà «Êóáëà-õàí», íî çàòåì, â ïðîöåññå ñîçäàíèÿ, êàðòèíà ñòàëà èëëþñòðàöèåé äëÿ åãî ñîáñòâåííîãî ñîíåòà, ñòðîêè èç êîòîðîãî îí íàïèñàë íà ðàìå.  ñòèõîòâîðåíèè óïîìèíàåòñÿ, ÷òî ìóçûêà ñèðåí çàâëåêàåò ìóæ÷èí è óáèâàåò èõ, à â îïèñàíèè îáðàçà ãåðîèíè åñòü îòñûëêè ê ôèãóðå Ëèëèò, ñàì ñîíåò ïåðåêëèêàåòñÿ ñ ñîíåòîì Ðîññåòòè, ïîñâÿù¸ííûì Ëèëèò è äàæå íàïðÿìóþ çàèìñòâóåò åãî îáðàçû, òàêèì îáðàçîì Ðîññåòòè âíîâü îáðàùàåòñÿ ê òèïàæó Femme fatale.

 òðàäèöèîííûõ îïèñàíèÿõ ó ñèðåí ïðèñóòñòâóþò ãîëîâû èëè òåëà ïòèö, îäíàêî ó Ðîññåòòè îíà âîïëîùàåòñÿ â ÷åëîâå÷åñêîé ôîðìå. Âìåñòå ñ èñêëþ÷èòåëüíî òùàòåëüíî âûïèñàííûì ëèöîì è òÿæ¸ëîé øååé îòìå÷àåòñÿ íåñêîëüêî íååñòåñòâåííàÿ ïîçà äåâóøêè, ÷òî õàðàêòåðíî äëÿ ìíîãèõ ðàáîò ïîçäíåãî ïåðèîäà òâîð÷åñòâà Ðîññåòòè

Áåç íàçâàíèÿ (3) (200x251, 10Kb)

Ðóáðèêè:  ÐÎÑÑÅÒÒÈ. ROSSETTI./ÐÎÑÑÅÒÒÈ ÆÈÇÍÜ ROSSETTI LIFE

Ìåòêè:  
Êîììåíòàðèè (0)

ÐÎÑÑÅÒÒÈ 1875 -77

Äíåâíèê

Âîñêðåñåíüå, 14 Ôåâðàëÿ 2021 ã. 18:13 + â öèòàòíèê

 

 

ÐÎÑÑÅÒÒÈ 1875 -77

 


 

 (406x700, 177Kb)

 

     Áëàãîñëîâåííàÿ.
Fogg Art Museum - Harvard University - Cambridge, MA
The Blessed Damozel (1875-78)

68 l/2 x 37 inches

 
 

                    Õóäîæíèê Äàíòå Ãàáðèåëü Ðîññåòòè, ðèñóÿ ýòó êàðòèíó, âäîõíîâëÿëñÿ îäíèì èç ñâîèõ ñîáñòâåííûõ ïîýòè÷åñêèõ òâîðåíèé äâàäöàòèïÿòèëåòíåé äàâíîñòè. Ïåðâûé âàðèàíò "Äàìû" áûë íàïèñàí â 1847 ãîäó, åù¸ äëÿ æóðíàëà "Ãåðì".

 

Ñâÿùåííûé æåíñêèé ëèê ñêëîí¸í

Íàä âõîäîì òàéíûì â íåáåñà.

Â å¸ ãëàçàõ ãëóáèíû âîä,

Çàñòûâøèõ íà âåêà.

Íàä ãîëîâîé ñåìü ÿðêèõ çâ¸çä, Òðè ëèëèè â ðóêàõ.

"ß æäó, ÷òî îí ïðèä¸ò êî ìíå,

Íî îí íåéä¸ò íèêàê".

Âåäü îí ìîëèëñÿ íà çåìëå,

À ÿ íà íåáåñàõ.

À äâå ìîëèòâû, ñäà¸òñÿ ìíå, ñèëüíåå, ÷åì îäíà.

                     (ïåðåâîä Â.Øåñòàêîâà)

                1870 ãîäó ïîýìà Blessed Damozel ïåðåèçäà¸òñÿ â ñîáðàíèè ñî÷èíåíèé Ðîññåòòè. Óèëüÿì Ãðåõåì, ïàòðîí Ðîññåòòè, çàêàçûâàåò åìó êàðòèíó ïî ýòîìó ñþæåòó. Ðîññåòòè ïèøåò êàðòèíó íà ìàíåð èòàëüÿíñêèõ àëòàðíûõ èêîí 14-15 âåêîâ.  âåðõíåé ÷àñòè, ñèìâîëèçèðóþùåé íåáåñíóþ, âå÷íóþ æèçíü, èçîáðàæåíà ïðåêðàñíàÿ æåíùèíà, ñìîòðÿùàÿ âíèç ñ íåáåñíîãî áàëêîíà, âîêðóã íå¸ çàêëþ÷àþò äðóã äðóãà â îáúÿòüÿ ñðåäè íåâÿíóùèõ ðàéñêèõ ðîç âíîâü ñîåäèíèâøèåñÿ íà íåáåñàõ àíãåëû - âîçëþáëåííûå.  íèæíåé ÷àñòè, èçîáðàæàþùåé çåìíóþ þäîëü, âîçëåæèò ìîëîäîé âîçëþáëåííûé, îáðàòèâøèé âçîð íà íåáåñà. Îí ìå÷òàåò î ñìåðòè è âñòðå÷å ñ ëþáèìîé.   Ìîäåëü - Àëåêñà Âàéëäèíã. Êàðòèíà ïðåäñòàâëÿåò õàðàêòåðíûé äëÿ Ðîññåòòè âàðèàíò ýðîòè÷åñêîãî ìèñòèöèçìà. 

ÌÈÔÎËÎÃÈß è ñèìâîëû:

     ðóêàõ æåíùèíû òðè ëèëè, ñèìâîëèçèðóþùèå ÷èñòîòó. Ñåìü çâ¸çä - ýòî ñîçâåçäèå Ïëåÿäû, îäíà çâåçäà ñêðûòà çà ãîëîâîé Äàìû. Ïëåÿäû - ñåìü äî÷åðåé Àòëàñà è Pleione. Ñêðûòàÿ  ïëåÿäà, ýòî Ýëåêòðà, êîòîðàÿ çàêðûëà ëèöî ïðè âèäå ïûëàþùåé Òðîè, ïîòîì îíà ÿâëÿëàñü ñìåðòíûì òîëüêî êàê êîìåòà.

            Rossetti used his most famous poem as the inspiration for this painting 25 yearsafter publishing it. He wrote the first version of \\'The Blessed Damozel\\' in 1847.The theme was inspired by Dante Alighieri.The maiden leans out of her balcony in heaven while behind her newly reconciled lovers embrace one another among the deathless roses of heaven. She seesher lover lying fully corporal on earth and yearns for his death, so that he mightjoin her forever in heaven.The seven stars are The Pleiads. One star is hidden behind her head.

 

Mythology:

        The Pleiads were the seven daughters of Atlas and Pleione. "The lost pleiad"is Electra, who veiled her face at the burning of Troy, appearing to mortals
afterwards only as a comet... 

 

  Âëþáë¸ííûé, îïëàêèâàþùèé óòðà÷åííóþ âîçëþáëåííóþ. Mourning lover. 

Lovers in heaven.     Âëþáë¸ííûå íà íåáåñàõ.

Ïîðòðåò Ðóò Ãåðáåðò, 1876, 32×39 ñì.Áåç íàçâàíèÿ (199x253, 4Kb)

«Ìîðñêèå ÷àðû» —  1877 ãîä.  íàñòîÿùåå âðåìÿ êàðòèíà íàõîäèòñÿ â ñîáðàíèè Õóäîæåñòâåííîãî ìóçåÿ Ôîããà.

Íàòóðùèöåé äëÿ êàðòèíû,  ñòàëà Àëåêñà Óàéëäèíã. Ñèðåíà îäåòà â âåíåö èç öâåòîâ è èãðàåò íà àðôå; å¸ ìå÷òàòåëüíûé âèä è îñàíêà ïðåäïîëàãàþò, ÷òî îíà òîæå áûëà çàêîëäîâàíà ìóçûêîé è àðîìàòîì îêðóæàþùèõ öâåòîâ. Èçíà÷àëüíî Ðîññåòòè áûë âäîõíîâë¸í ñòðîêàìè èç ïîýìû Ñýìþýëà Òýéëîðà Êîëüðèäæà «Êóáëà-õàí», íî çàòåì, â ïðîöåññå ñîçäàíèÿ, êàðòèíà ñòàëà èëëþñòðàöèåé äëÿ åãî ñîáñòâåííîãî ñîíåòà, ñòðîêè èç êîòîðîãî îí íàïèñàë íà ðàìå.  ñòèõîòâîðåíèè óïîìèíàåòñÿ, ÷òî ìóçûêà ñèðåí çàâëåêàåò ìóæ÷èí è óáèâàåò èõ, à â îïèñàíèè îáðàçà ãåðîèíè åñòü îòñûëêè ê ôèãóðå Ëèëèò, ñàì ñîíåò ïåðåêëèêàåòñÿ ñ ñîíåòîì Ðîññåòòè, ïîñâÿù¸ííûì Ëèëèò è äàæå íàïðÿìóþ çàèìñòâóåò åãî îáðàçû, òàêèì îáðàçîì Ðîññåòòè âíîâü îáðàùàåòñÿ ê òèïàæó Femme fatale.

 òðàäèöèîííûõ îïèñàíèÿõ ó ñèðåí ïðèñóòñòâóþò ãîëîâû èëè òåëà ïòèö, îäíàêî ó Ðîññåòòè îíà âîïëîùàåòñÿ â ÷åëîâå÷åñêîé ôîðìå. Âìåñòå ñ èñêëþ÷èòåëüíî òùàòåëüíî âûïèñàííûì ëèöîì è òÿæ¸ëîé øååé îòìå÷àåòñÿ íåñêîëüêî íååñòåñòâåííàÿ ïîçà äåâóøêè, ÷òî õàðàêòåðíî äëÿ ìíîãèõ ðàáîò ïîçäíåãî ïåðèîäà òâîð÷åñòâà Ðîññåòòè

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Ðóáðèêè:  ÐÎÑÑÅÒÒÈ. ROSSETTI./ÐÎÑÑÅÒÒÈ ÆÈÇÍÜ ROSSETTI LIFE

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