ÐÎÑÑÅÒÒÈ 1875 -77 |

Áëàãîñëîâåííàÿ.
Fogg Art Museum - Harvard University - Cambridge, MA
The Blessed Damozel (1875-78)
68 l/2 x 37 inches
Õóäîæíèê Äàíòå Ãàáðèåëü Ðîññåòòè, ðèñóÿ ýòó êàðòèíó, âäîõíîâëÿëñÿ îäíèì èç ñâîèõ ñîáñòâåííûõ ïîýòè÷åñêèõ òâîðåíèé äâàäöàòèïÿòèëåòíåé äàâíîñòè. Ïåðâûé âàðèàíò "Äàìû" áûë íàïèñàí â 1847 ãîäó, åù¸ äëÿ æóðíàëà "Ãåðì".
Ñâÿùåííûé æåíñêèé ëèê ñêëîí¸í
Íàä âõîäîì òàéíûì â íåáåñà.
Â å¸ ãëàçàõ ãëóáèíû âîä,
Çàñòûâøèõ íà âåêà.
Íàä ãîëîâîé ñåìü ÿðêèõ çâ¸çä, Òðè ëèëèè â ðóêàõ.
"ß æäó, ÷òî îí ïðèä¸ò êî ìíå,
Íî îí íåéä¸ò íèêàê".
Âåäü îí ìîëèëñÿ íà çåìëå,
À ÿ íà íåáåñàõ.
À äâå ìîëèòâû, ñäà¸òñÿ ìíå, ñèëüíåå, ÷åì îäíà.
(ïåðåâîä Â.Øåñòàêîâà)
 1870 ãîäó ïîýìà Blessed Damozel ïåðåèçäà¸òñÿ â ñîáðàíèè ñî÷èíåíèé Ðîññåòòè. Óèëüÿì Ãðåõåì, ïàòðîí Ðîññåòòè, çàêàçûâàåò åìó êàðòèíó ïî ýòîìó ñþæåòó. Ðîññåòòè ïèøåò êàðòèíó íà ìàíåð èòàëüÿíñêèõ àëòàðíûõ èêîí 14-15 âåêîâ.  âåðõíåé ÷àñòè, ñèìâîëèçèðóþùåé íåáåñíóþ, âå÷íóþ æèçíü, èçîáðàæåíà ïðåêðàñíàÿ æåíùèíà, ñìîòðÿùàÿ âíèç ñ íåáåñíîãî áàëêîíà, âîêðóã íå¸ çàêëþ÷àþò äðóã äðóãà â îáúÿòüÿ ñðåäè íåâÿíóùèõ ðàéñêèõ ðîç âíîâü ñîåäèíèâøèåñÿ íà íåáåñàõ àíãåëû - âîçëþáëåííûå.  íèæíåé ÷àñòè, èçîáðàæàþùåé çåìíóþ þäîëü, âîçëåæèò ìîëîäîé âîçëþáëåííûé, îáðàòèâøèé âçîð íà íåáåñà. Îí ìå÷òàåò î ñìåðòè è âñòðå÷å ñ ëþáèìîé. Ìîäåëü - Àëåêñà Âàéëäèíã. Êàðòèíà ïðåäñòàâëÿåò õàðàêòåðíûé äëÿ Ðîññåòòè âàðèàíò ýðîòè÷åñêîãî ìèñòèöèçìà.
ÌÈÔÎËÎÃÈß è ñèìâîëû:
 ðóêàõ æåíùèíû òðè ëèëè, ñèìâîëèçèðóþùèå ÷èñòîòó. Ñåìü çâ¸çä - ýòî ñîçâåçäèå Ïëåÿäû, îäíà çâåçäà ñêðûòà çà ãîëîâîé Äàìû. Ïëåÿäû - ñåìü äî÷åðåé Àòëàñà è Pleione. Ñêðûòàÿ ïëåÿäà, ýòî Ýëåêòðà, êîòîðàÿ çàêðûëà ëèöî ïðè âèäå ïûëàþùåé Òðîè, ïîòîì îíà ÿâëÿëàñü ñìåðòíûì òîëüêî êàê êîìåòà.
Rossetti used his most famous poem as the inspiration for this painting 25 yearsafter publishing it. He wrote the first version of \\'The Blessed Damozel\\' in 1847.The theme was inspired by Dante Alighieri.The maiden leans out of her balcony in heaven while behind her newly reconciled lovers embrace one another among the deathless roses of heaven. She seesher lover lying fully corporal on earth and yearns for his death, so that he mightjoin her forever in heaven.The seven stars are The Pleiads. One star is hidden behind her head.
Mythology:
The Pleiads were the seven daughters of Atlas and Pleione. "The lost pleiad"is Electra, who veiled her face at the burning of Troy, appearing to mortals
afterwards only as a comet...
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Âëþáë¸ííûé, îïëàêèâàþùèé óòðà÷åííóþ âîçëþáëåííóþ. Mourning lover.

Lovers in heaven. Âëþáë¸ííûå íà íåáåñàõ.

«Ìîðñêèå ÷àðû» — 1877 ãîä.  íàñòîÿùåå âðåìÿ êàðòèíà íàõîäèòñÿ â ñîáðàíèè Õóäîæåñòâåííîãî ìóçåÿ Ôîããà.
Íàòóðùèöåé äëÿ êàðòèíû, ñòàëà Àëåêñà Óàéëäèíã. Ñèðåíà îäåòà â âåíåö èç öâåòîâ è èãðàåò íà àðôå; å¸ ìå÷òàòåëüíûé âèä è îñàíêà ïðåäïîëàãàþò, ÷òî îíà òîæå áûëà çàêîëäîâàíà ìóçûêîé è àðîìàòîì îêðóæàþùèõ öâåòîâ. Èçíà÷àëüíî Ðîññåòòè áûë âäîõíîâë¸í ñòðîêàìè èç ïîýìû Ñýìþýëà Òýéëîðà Êîëüðèäæà «Êóáëà-õàí», íî çàòåì, â ïðîöåññå ñîçäàíèÿ, êàðòèíà ñòàëà èëëþñòðàöèåé äëÿ åãî ñîáñòâåííîãî ñîíåòà, ñòðîêè èç êîòîðîãî îí íàïèñàë íà ðàìå.  ñòèõîòâîðåíèè óïîìèíàåòñÿ, ÷òî ìóçûêà ñèðåí çàâëåêàåò ìóæ÷èí è óáèâàåò èõ, à â îïèñàíèè îáðàçà ãåðîèíè åñòü îòñûëêè ê ôèãóðå Ëèëèò, ñàì ñîíåò ïåðåêëèêàåòñÿ ñ ñîíåòîì Ðîññåòòè, ïîñâÿù¸ííûì Ëèëèò è äàæå íàïðÿìóþ çàèìñòâóåò åãî îáðàçû, òàêèì îáðàçîì Ðîññåòòè âíîâü îáðàùàåòñÿ ê òèïàæó Femme fatale.
 òðàäèöèîííûõ îïèñàíèÿõ ó ñèðåí ïðèñóòñòâóþò ãîëîâû èëè òåëà ïòèö, îäíàêî ó Ðîññåòòè îíà âîïëîùàåòñÿ â ÷åëîâå÷åñêîé ôîðìå. Âìåñòå ñ èñêëþ÷èòåëüíî òùàòåëüíî âûïèñàííûì ëèöîì è òÿæ¸ëîé øååé îòìå÷àåòñÿ íåñêîëüêî íååñòåñòâåííàÿ ïîçà äåâóøêè, ÷òî õàðàêòåðíî äëÿ ìíîãèõ ðàáîò ïîçäíåãî ïåðèîäà òâîð÷åñòâà Ðîññåòòè

| Ðóáðèêè: | ÐÎÑÑÅÒÒÈ. ROSSETTI./ÐÎÑÑÅÒÒÈ ÆÈÇÍÜ ROSSETTI LIFE |
| Êîììåíòèðîâàòü | « Ïðåä. çàïèñü — Ê äíåâíèêó — Ñëåä. çàïèñü » | Ñòðàíèöû: [1] [Íîâûå] |