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a christmas carol alexa annie miller aspecta medusa baron von gloeden beata beatrix birchington bocca baciata burden burn-jones burne-jones camille bonard carlisle wall christina georgina rossetti christina rossetti christina rossetti. clark dante gabriel rossetti dudley gallery edward poynter edward robert hughes eleanor fortescue-brickdale elizabeth siddal eugene onegin feet fetish fiammetta francois-joseph navez frank cadogan cowper gabriel charls dante rossetti gg augustus leopold girls goblin market hannibal lecter henry david thoreau honesuckle j.r.herbert jan marsh jane morris jodie john everett millais john inchbold john melhuish strudwick kelmscort manor la pia de' tolomei lady later rossetti lawrence leda mit dem lempica louis de taeye madox brown maria rossetti mariana mary magdalene at the door of simon the pharisee morris naked nude orient goods painting palazzo del padesta pansy pre-raphaelite preiss robert browning rossetti russian simeon solomon st. reparata stacy marks study tasso and leonora the germ the third reich's nu the annunciation the beloved the blessed damozel the music master the rossetti family vampyre venus verticordia walter deverell water willow william holman hunt william michael rossetti willian allinham woman in yellow women working men's college à.ñ. ïóøêèí àâòîïîðòðåò àðòóð õüþç á¸ðäåí á¸ðí-äæîíñ áàëåò áåàòðè÷å áîéñ âèëüãåëüì õåìïôèíã âèëüÿì ðîññåòòè âîçëþáëåííàÿ ãàííèáàë ëåêòåð ãåíèàëüíàÿ ãåíðè äæîðäæ õîëèäåé ãåíðè òðåôôðè äóí ãîìèêè ãðàíò âóä äàíòå äàíòå ãàáðèýëü ðîññåòòè äæ. êîòìåí äæåéí äæåéí ìîððèñ äæåéí ìîððèñ á¸ðäåí äæîí ìåëõèø ñòðàäâèê äæîí ý́âåðåòò ìèëëǻ äýíèåë ìàêëàéç æèâîïèñü èñêàòåëü èñêóññòâî êàðë òðóïï êåííåò êëàðê êîëåãîâà êîðîëåâà ãâèíåâðà êðèñòèíà ðîññåòòè êýððîëë ëåìïèêà ëåìïèöêà ëåìïèöêàÿ ìàíå ìàðèèíñêèé ìàðèÿ ìàãäàëèíà ìåíàäû ìîððèñ ìóçåè íàãîòà íàñèëèå íîâûé äåòåêòèâ íîâûé ðîìàí íîæêè îáíàæ¸ííàÿ ïåéçàæ ïèÿ äå òîëîìåè ïîçäíèé ðîññåòòè ïîýçèÿ ðîññåòòè ïîýçèÿ. christina rossetti poems ïðåêðàñíûå ðó÷êè ïðåðàôàýëèòû ïðåðàôàýëèòû ðîññåòòè ìóçåé äåëàâàðàñêèé ïðîçåðïèíà ðåòåëü. íåìåçèäà ðèñóþùèé àíãåëà ðîìàí ðîìåî ðîññåòòè ñåêñ ñèääàë ñìîòðåòü ñîìîâà ñîöðåàëèçì òåðåøêîâà òî́ìàñ êàðëǻéëü óîòåðõàóç ôàííè êîðíôîðò ôåòèø ôèàìåòòà ôî́ðä ìý́äîêñ áðà́óí ôîòîèñêóññòâî ôðèäåðèê ëåéòîí õàíò õüþç ÷ààäàåâ ýäâàðä ðîáåðò õüþç ýëèçàáåò ñèääàë ýïèãðàô

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Ñîçäàí: 27.08.2009
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ÐÎÑÑÅÒÒÈ 1875 -77

Âîñêðåñåíüå, 14 Ôåâðàëÿ 2021 ã. 18:13 + â öèòàòíèê

 

 

ÐÎÑÑÅÒÒÈ 1875 -77

 


 

 (406x700, 177Kb)

 

     Áëàãîñëîâåííàÿ.
Fogg Art Museum - Harvard University - Cambridge, MA
The Blessed Damozel (1875-78)

68 l/2 x 37 inches

 
 

                    Õóäîæíèê Äàíòå Ãàáðèåëü Ðîññåòòè, ðèñóÿ ýòó êàðòèíó, âäîõíîâëÿëñÿ îäíèì èç ñâîèõ ñîáñòâåííûõ ïîýòè÷åñêèõ òâîðåíèé äâàäöàòèïÿòèëåòíåé äàâíîñòè. Ïåðâûé âàðèàíò "Äàìû" áûë íàïèñàí â 1847 ãîäó, åù¸ äëÿ æóðíàëà "Ãåðì".

 

Ñâÿùåííûé æåíñêèé ëèê ñêëîí¸í

Íàä âõîäîì òàéíûì â íåáåñà.

Â å¸ ãëàçàõ ãëóáèíû âîä,

Çàñòûâøèõ íà âåêà.

Íàä ãîëîâîé ñåìü ÿðêèõ çâ¸çä, Òðè ëèëèè â ðóêàõ.

"ß æäó, ÷òî îí ïðèä¸ò êî ìíå,

Íî îí íåéä¸ò íèêàê".

Âåäü îí ìîëèëñÿ íà çåìëå,

À ÿ íà íåáåñàõ.

À äâå ìîëèòâû, ñäà¸òñÿ ìíå, ñèëüíåå, ÷åì îäíà.

                     (ïåðåâîä Â.Øåñòàêîâà)

                1870 ãîäó ïîýìà Blessed Damozel ïåðåèçäà¸òñÿ â ñîáðàíèè ñî÷èíåíèé Ðîññåòòè. Óèëüÿì Ãðåõåì, ïàòðîí Ðîññåòòè, çàêàçûâàåò åìó êàðòèíó ïî ýòîìó ñþæåòó. Ðîññåòòè ïèøåò êàðòèíó íà ìàíåð èòàëüÿíñêèõ àëòàðíûõ èêîí 14-15 âåêîâ.  âåðõíåé ÷àñòè, ñèìâîëèçèðóþùåé íåáåñíóþ, âå÷íóþ æèçíü, èçîáðàæåíà ïðåêðàñíàÿ æåíùèíà, ñìîòðÿùàÿ âíèç ñ íåáåñíîãî áàëêîíà, âîêðóã íå¸ çàêëþ÷àþò äðóã äðóãà â îáúÿòüÿ ñðåäè íåâÿíóùèõ ðàéñêèõ ðîç âíîâü ñîåäèíèâøèåñÿ íà íåáåñàõ àíãåëû - âîçëþáëåííûå.  íèæíåé ÷àñòè, èçîáðàæàþùåé çåìíóþ þäîëü, âîçëåæèò ìîëîäîé âîçëþáëåííûé, îáðàòèâøèé âçîð íà íåáåñà. Îí ìå÷òàåò î ñìåðòè è âñòðå÷å ñ ëþáèìîé.   Ìîäåëü - Àëåêñà Âàéëäèíã. Êàðòèíà ïðåäñòàâëÿåò õàðàêòåðíûé äëÿ Ðîññåòòè âàðèàíò ýðîòè÷åñêîãî ìèñòèöèçìà. 

ÌÈÔÎËÎÃÈß è ñèìâîëû:

     ðóêàõ æåíùèíû òðè ëèëè, ñèìâîëèçèðóþùèå ÷èñòîòó. Ñåìü çâ¸çä - ýòî ñîçâåçäèå Ïëåÿäû, îäíà çâåçäà ñêðûòà çà ãîëîâîé Äàìû. Ïëåÿäû - ñåìü äî÷åðåé Àòëàñà è Pleione. Ñêðûòàÿ  ïëåÿäà, ýòî Ýëåêòðà, êîòîðàÿ çàêðûëà ëèöî ïðè âèäå ïûëàþùåé Òðîè, ïîòîì îíà ÿâëÿëàñü ñìåðòíûì òîëüêî êàê êîìåòà.

            Rossetti used his most famous poem as the inspiration for this painting 25 yearsafter publishing it. He wrote the first version of \\'The Blessed Damozel\\' in 1847.The theme was inspired by Dante Alighieri.The maiden leans out of her balcony in heaven while behind her newly reconciled lovers embrace one another among the deathless roses of heaven. She seesher lover lying fully corporal on earth and yearns for his death, so that he mightjoin her forever in heaven.The seven stars are The Pleiads. One star is hidden behind her head.

 

Mythology:

        The Pleiads were the seven daughters of Atlas and Pleione. "The lost pleiad"is Electra, who veiled her face at the burning of Troy, appearing to mortals
afterwards only as a comet... 

 

  Âëþáë¸ííûé, îïëàêèâàþùèé óòðà÷åííóþ âîçëþáëåííóþ. Mourning lover. 

Lovers in heaven.     Âëþáë¸ííûå íà íåáåñàõ.

Ïîðòðåò Ðóò Ãåðáåðò, 1876, 32×39 ñì.Áåç íàçâàíèÿ (199x253, 4Kb)

«Ìîðñêèå ÷àðû» —  1877 ãîä.  íàñòîÿùåå âðåìÿ êàðòèíà íàõîäèòñÿ â ñîáðàíèè Õóäîæåñòâåííîãî ìóçåÿ Ôîããà.

Íàòóðùèöåé äëÿ êàðòèíû,  ñòàëà Àëåêñà Óàéëäèíã. Ñèðåíà îäåòà â âåíåö èç öâåòîâ è èãðàåò íà àðôå; å¸ ìå÷òàòåëüíûé âèä è îñàíêà ïðåäïîëàãàþò, ÷òî îíà òîæå áûëà çàêîëäîâàíà ìóçûêîé è àðîìàòîì îêðóæàþùèõ öâåòîâ. Èçíà÷àëüíî Ðîññåòòè áûë âäîõíîâë¸í ñòðîêàìè èç ïîýìû Ñýìþýëà Òýéëîðà Êîëüðèäæà «Êóáëà-õàí», íî çàòåì, â ïðîöåññå ñîçäàíèÿ, êàðòèíà ñòàëà èëëþñòðàöèåé äëÿ åãî ñîáñòâåííîãî ñîíåòà, ñòðîêè èç êîòîðîãî îí íàïèñàë íà ðàìå.  ñòèõîòâîðåíèè óïîìèíàåòñÿ, ÷òî ìóçûêà ñèðåí çàâëåêàåò ìóæ÷èí è óáèâàåò èõ, à â îïèñàíèè îáðàçà ãåðîèíè åñòü îòñûëêè ê ôèãóðå Ëèëèò, ñàì ñîíåò ïåðåêëèêàåòñÿ ñ ñîíåòîì Ðîññåòòè, ïîñâÿù¸ííûì Ëèëèò è äàæå íàïðÿìóþ çàèìñòâóåò åãî îáðàçû, òàêèì îáðàçîì Ðîññåòòè âíîâü îáðàùàåòñÿ ê òèïàæó Femme fatale.

 òðàäèöèîííûõ îïèñàíèÿõ ó ñèðåí ïðèñóòñòâóþò ãîëîâû èëè òåëà ïòèö, îäíàêî ó Ðîññåòòè îíà âîïëîùàåòñÿ â ÷åëîâå÷åñêîé ôîðìå. Âìåñòå ñ èñêëþ÷èòåëüíî òùàòåëüíî âûïèñàííûì ëèöîì è òÿæ¸ëîé øååé îòìå÷àåòñÿ íåñêîëüêî íååñòåñòâåííàÿ ïîçà äåâóøêè, ÷òî õàðàêòåðíî äëÿ ìíîãèõ ðàáîò ïîçäíåãî ïåðèîäà òâîð÷åñòâà Ðîññåòòè

Áåç íàçâàíèÿ (3) (200x251, 10Kb)

Ðóáðèêè:  ÐÎÑÑÅÒÒÈ. ROSSETTI./ÐÎÑÑÅÒÒÈ ÆÈÇÍÜ ROSSETTI LIFE
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