(è åùå 486 çàïèñÿì íà ñàéòå ñîïîñòàâëåíà òàêàÿ ìåòêà)
Äðóãèå ìåòêè ïîëüçîâàòåëÿ ↓
7249 all saints church annie miller art and poetry baron von gloeden beata beatrix beatrice meeting dante at a marriage feast bluebird carlisle wall christina georgina rossetti clark dante gabriel rossetti dudley gallery edward poynter eleanor fortescue-brickdale elizabeth siddal feet ferdinand preiss fetish gabriel charls dante rossetti girls goblin market grave of dante gabriel rossetti john byam shaw karl truppe kelmscort manor la pia de' tolomei lady louis de taeye mariana mary magdalene at the door of simon the pharisee morris naked nude oxfordshire painting raphaelite brotherhood regent street rossetti study the blessed damozel the glacier of roselaui ulalume vampyre william holman hunt william michael women working men's college à.ñ. ïóøêèí àíþòèíû ãëàçêè áàëåò äàíòå äàíòå ãàáðèýëü ðîññåòòè äæåéí ìîððèñ åâãåíèé îíåãèí æèâîïèñü èñêàòåëü èñêóññòâî êåííåò êëàðê êîëåãîâà êðèñòèíà ðîññåòòè ëåìïèöêà ëåìïèöêàÿ ìàðèèíñêèé ìåíàäû ìîððèñ íàñèëèå íîâûé ðîìàí íîæêè îáíàæ¸ííàÿ ïèÿ äå òîëîìåè ïðåðàôàýëèòû ðîìàí ðîññåòòè ñåêñ ñèääàë òàìàðà ëåìïèöêà óèëüÿì ìîððèñ óîë ôåòèø ôðèäåðèê ëåéòîí õàíò õðèñòîôîð õüþç ÷ààäàåâ ýëèçàáåò ñèääàë
ÑÒÎÏÛ È ÊÈÑÒÈ. FEET and HANDS. |
Äíåâíèê |
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ÑÒÎÏÛ È ÊÈÑÒÈ.
FEET and HANDS.
Feet in painting.


There are some examples of feet as they were depicted by the greate painters. Leonardo da Vinci's The Virgin and Child with St Anne
Let us look closer at them.
I would try to do an essay on my criteria of the ideal foot, but did not find enough enthusiasm to begin. One evening I have been watching TV, the anchor woman
certain Ulia Menshova ( the rare silly woman) was sweeping high heel shoe.
My enthusiasm rose at once. What instep!! Such graceful feet!
Now about criteria:
The ideal foot must have
1. High instep, hump of it!


Long, fanning toes.

Tiny toenails ( not log it is ugly)


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Ìåòêè: FEET painting Leonardo da Vinci The Virgin and Child with St Anne |
THE BODY PARTS |
Äíåâíèê |
×ÀÑÒÈ ÒÅËÀ.
THE BODY PARTS.
Ãëàâà 1 "Âîæäåëåíèå".
Chapter 1 " LUST".
Áîëüøàÿ ÷àñòü òîãî, ÷òî ÿ çäåñü íàïèøó, áåçóñëîâíî, êðàéíå áàíàëüíî è íå ÿâëÿåòñÿ èíòåëëåêòóàëüíûì ïðîðûâîì â íåèçâåäàííîå, íî ìíå èíòåðåñíî ðàçîáðàòüñÿ èìåííî â äåòñêèõ âîïðîñàõ. Êòî çíàåò áîëåå ìåíÿ, ïóñòü ïèøåò äàëåå ìåíÿ. À êòî íåäîâîëåí, ïóñòü èä¸ò â çàäíèöó, åãî ñþäà íèêòî íå çâàë.
Undoutedly, the most part of this writing is extrimly banal and it is not an itellectual breakthrough in the unknown. But I like to assertain to myself the childish questions. Let one who knows more to write further. Ahd who is dissatisfied may go up the asshole because one comes here without any invitation and at his own risk.
Âîïðîñ - ïî÷åìó îäíà êàðòèíêà (èëè ÷åëîâåê â íàòóðå), âèäåîðÿä, èçîáðàæåíèå, êîðî÷å, èçëó÷àåò sex-appeal è âûçûâàåò æèâîå îòâåòíîå ÷óâñòâî, à äðóãîå èçîáðàæåíèå, íåñìîòðÿ íà àãðåññèâíóþ äåìîíñòðàöèþ âòîðè÷íûõ ïîëîâûõ ïðèçíàêîâ, ñïîñîáíî âçâîëíîâàòü òîëüêî ïÿòèêëàññíèêà, äà è òî ïðè ïåðâîì ïðåäúÿâëåíèè, äëÿ ìåíÿ ðàçðåøèëñÿ êðàéíå ïðîñòî.
There is a question. Why the one kind of the picture, the videos, any images of the human body radiates sex-appeal and more so provokes vivid response and other, while demonstrates naked sex parts can only inspire excitement of fifth grade common Scholl pupil?
For me it is simple. I decide it for myself as follows:
Ñåêñóàëüíîñòü íå â îáúåêòå, à â ñóáúåêòå. Òîëüêî ëè÷íîñòíîå âîñïðèÿòèå äåëàåò îáúåêò ñåêñóàëüíûì. À ñóáúåêòèâíî-ëè÷íîñòíîå âîñïðèÿòèå åñòü ïðåðîãàòèâà êîíêðåòíîé ëè÷íîñòè, îñíàù¸ííîé ðåìèíèñöåíöèÿìè, ôðåéäèñòñêèì ïîäñîçíàíèåì, êóëüòóðíî-èíòåëëåêòóàëüíûì àïïàðàòîì è ò.ï. Èç-çà îòñóòñòâèÿ âñåãî ïåðå÷èñëåííîãî ó æèâîòíûõ ñåêñà íåò. (Òàê çàõîòåëîñü ïëþíóòü â ñòîðîíó þíîøåñòâà ó áîëüøèíñòâà èç êîòîðûõ (íå ó âñåõ ñëàâà Áîãó) òîæå ñåêñà íåò). Õîòÿ ïðèÿòíîñòü ïðîöåññà îíè ïðåêðàñíî îñîçíàþò. Ó ñâèíüè îðãàçì áîëåå ïîëó÷àñà. Êîãäà ñ öåëüþ ñîêðàòèòü ïîïóëÿöèþ ñëîíèõàì â àôðèêå äàëè ïðîòèâîçà÷àòî÷íîå, íîðìàëüíàÿ æèçíü â ñòàäå ïðåêðàòèëàñü, âñå ðàçáèëèñü íà êó÷êè è áåñïðåðûâíî òðàõàëèñü, õîòÿ îáû÷íî íàõîäèëè áîëåå ïîëåçíîå âðåìÿïðîâîæäåíèå. Âîïðîñ ñåêñóàëüíûõ ïðåäïî÷òåíèé êðàéíå äèâåðñèôèöèðîâàí, îäíîìó íðàâèòñÿ ïîï, äðóãîìó ïîïîâà äî÷êà, à òðåòüåìó è âîâñå ñâèíîé õðÿùèê.

Çàòåì åé ïðèøëà â ãîëîâó ãåíèàëüíàÿ èäåÿ. Îíà íàíåñëà íà íîãîòêè ìàëèíîâî-êðàñíûé ëàê è âñòðåòèëà åãî áîñèêîì.
Ó íå¸ áûëè äëèííûå íîãè, â ñîâåðøåííîé ïðîïîðöèè ê òîðñó, îíà áûëà áîñèêîì è íîãòè íå áûëè íàêðàøåíû.
Ïîñëåäíèé äîí. Ìàðèî Ïüþçî.
Then she had a stroke of genius. She painted her toenails a scarlet red and greeted him barefoot.
Her legs were long in proportion to her torso, her feet were bare, there was not polish on her toenailes.
The Last Don.
She came to me, and before she knelt, I could see that her feet were bare, small and beautifully formed. The toenails were painted dark red.
Fools Die. Mario Puzo.
Èç âûøåïåðå÷èñëåííûõ âûäåðæåê ñëåäóåò, ÷òî àâòîðó ïîñòà, êàê è Ïüþçî, íðàâÿòñÿ feet ñêîðåå ÷åì legs.
ß íå çðÿ ïîìåñòèë ôîòî (äîáûòûå òàéêîì ñ íåïðèëè÷íûõ ñàéòîâ) â òàêîé ïîñëåäîâàòåëüíîñòè, ÷òîáû ïîðàäîâàòüñÿ ìíå äîñòàòî÷íî ïåðâîãî, íî èíòåðåñíî óãàäàòü òðåòüå, íå ïðàâäà ëè?


Ýòà ÷àñòü òåëà ðåäêî áûâàåò ñîâåðøåííîé èëè äàæå ïðèâëåêàòåëüíîé ôîðìû, ê òîìó æå ó äåâóøåê ñìîëîäó óðîäóåòñÿ îáóâüþ. Õóäîæíèêè êðàéíå ðåäêî èçîáðàæàþò ñòîïû, à óæ åñëè èçîáðàçÿò, òî õîòü ñâÿòûõ âûíîñè. ß ïîéìàë ñåáÿ íà ìûñëè, ÷òî íà ìîèõ ïîëîòíàõ íîãè òîæå âûåçæàþò çà ïîëîòíî, êàê ïðàâèëî. Äà, ýòî òðóäíî ðèñîâàòü, ëåã÷å ñêîíöåíòðèðîâàòüñÿ íà ïîíÿòíûõ ìîìåíòàõ, ñðàçó ïðèêîâûâàþùèõ âíèìàíèå. Î÷åíü äàâíî áûë ïðîâåä¸í ýêñïåðèìåíò. Íà ðîãîâèöó ãëàçà ïðèêëåèâàëè ìàëåíüêîå çåðêàëüöå è äàâàëè ïîñìîòðåòü èçîáðàæåíèå îáíàæ¸ííîãî òåëà, äâèæåíèÿ ãëàç ôèêñèðîâàëîñü. Êàðòèíà ïåðåìåùåíèÿ ãëàçà ïî èçîáðàæåíèþ îêàçàëàñü ïðåäñêàçóåìà. Ìàêñèìóì íà ïîëîâûõ îðãàíàõ, çàòåì êîëåíè, çàòåì áþñò è ãëàçà. Íèæå êîëåíà ïðàêòè÷åñêè íèêòî íå ñìîòðèò.

Çà óçêîé è äëèííîé ñòîïîé ñëåäóåò äëèííàÿ ãîëåíü è ñòðîéíîå áåäðî. Ìàëåíüêèõ íîæåê ó âûñîêèõ, àñòåíè÷íûõ ìîäåëåé íå áûâàåò. Ìàëåíüêàÿ ñòîïà ïðåäïîëàãàåò áîëåå øèðîêèå á¸äðà, íî ïðè ýòîì íå èñêëþ÷åíà óçêàÿ òàëèÿ.
She unbolted the door. Her hair was gathered up and she was gloriously barefoot.
Thomas Harris. Hannibal Rising. 274p.

Ñëåäóåò óñòðåìèòü ñâîé âçãëÿä íà Âåíåðó, òî åñòü íà Humanitas. Ÿ äóøà è ðàçóì ñóòü Ëþáîâü è ìèëîñåðäèå, å¸ ãëàçà ñóòü Äîñòîèíñòâî è Âåëèêîäóøèå, ðóêè – Ùåäðîñòü è Âåëèêîëåïèå, ñòîïû – Ìèëîâèäíîñòü è Ñêðîìíîñòü.
Ìàðñèëèî Ôè÷èíî. Ïèñüìà ê Ëîðåíöî äè Ïüåðôðàí÷åñêî Ìåäè÷è. Êåííåò Êëàðê. Íàãîòà â èñêóññòâå.


" Áàðîí òåàòðàëüíûì æåñòîì óêàçàë íà íîãè Ôðîíû.
- Î, âîäà îòõëûíóëà, íî çäåñü îñòàëîñü ñîêðîâèùå, áåñöåííàÿ æåì÷óæèíà!
Ïîíîøåííûå ìîêàñèíû Ôðîíû ðàçëåçëèñü îò âîäû, è ìàëåíüêèé áåëûé ïàëåö âûãëÿíóë íàðóæó.
- Çíà÷èò, ÿ î÷åíü áîãàòàÿ, áàðîí. Âåäü ó ìåíÿ èõ åù¸ äåâÿòü
- Êòî ñ ýòèì íå ñîãëàñèòñÿ! Êòî ñ ýòèì íå ñîãëàñèòñÿ! - ïûëêî âîñêëèêíóë îí".
Äæåê Ëîíäîí "Äî÷ü ñíåãîâ"


Ñîãëàñèòåñü, ýòî ïðîñòî ïðàçäíèê êàêîé-òî, áàëåò. Êñòàòè î áàëåòå, ýòîò âèä èñêóññòâà, ñòîëü ãîðÿ÷¸ ìíîþ ëþáèìûé, íåíàâèäèò ñòîïó. Çà÷åì áàëåðèíà âñòà¸ò íà ïóàíòû? Äà ÷òîáû îñòàëàñü îäíà ãîëåíü è äëèííàÿ íîãà. Î òîì, ÷òî ïðîèñõîäèò ñ íîãàìè áàëåðèíû, ÿ óæ ìîë÷ó.
HEROD: Ah, you are going to dance with naked feet. ‘Tis well! ‘Tis well. Your little feet will be like white doves. They will be like little white flowers that dance upon the trees… 736.
Salome by Oskar Wilde



Èòàê, Òàìàðà Ëåìïèöêà. Íà êàðòèíå ñåìü æåíùèí è òîëüêî òðè ñòóïíè, îäíà íå ïðîðèñîâàíà. Îá èçÿùåñòâå îñòàëüíûõ ìîæåòå ñóäèòü ñàìè.

Òèïè÷íîå íþ, íå òîëüêî äëÿ Òàìàðû - äèñòàëüíàÿ òðåòü ãîëåíè è ñòóïíè çàêðûòû, èëè âûâåäåíû çà îáðåç êàðòèíû. Ïðèìåðû ñòîëü ìíîãî÷èñëåííû, ÷òî öèòèðîâàòü íå áóäó. À âåäü ýòî îäíà èç å¸ èçâåñòíåéøèõ êàðòèí "Ïðåêðàñíàÿ Ðàôàýëà".

Âîò íå õîòåë, à åù¸ îäíó òèïè÷íóþ êàðòèíêó âñòàâëþ:"Áàíÿ" Çèíàèäû Ñåðåáðÿêîâîé. 11 æåíùèí è ïîëòîðû ñòóïíè. Ïðàâäà, ýòî ìî¸ ëè÷íîå ìíåíèå, Ñåðåáðÿêîâà â ãîëûõ æåíùèíàõ íè÷åãî íå ïîíèìàëà, õîòÿ è òèðàæèðîâàëà èõ âñþ æèçíü. Ëåìïèöêîé ïðîñòèòåëüíî, ó íå¸ ñòèëü òàêîé - æåíùèíà èç áåòîíà èëè íåðæàâåþùåé ñòàëè, à Ñåðåáðÿêîâà ïðåòåíäîâàëà íà íàòóðàëèçì, ëèðèçì, ðîìàíòèçì, ýðîòèçì è òï. Ýòî íå æåíñêàÿ áàíÿ, à êóçíèöà Ãåôåñòà êàêàÿ-òî. Êòî âèäåë ýñêèçû ôðåñîê Ñåðåáðÿêîâîé íà âûñòàâêå â Ðóññêîì, òîò ñî ìíîé ñîãëàñèòñÿ. Ôîíòàí Äðóæáà íàðîäîâ íà ÂÄÍÕ åé óêðàøàòü. Êñòàòè, íå ìîãó óäåðæàòüñÿ, â áóêèíèñòè÷åñêîì ìàãàçèíå ñìîòðåë êíèãó "Ôåíîìåí ïîðíîãðàôèè", òàê òàì îáå âûøå âûëîæåííûå êàðòèíû Ëåìïèöêîé çàïèñàíû â ïîðíîãðàôèþ. ß áû òóäà æå è ïîðòðåò àâòîðà ïðè÷èñëèë, íåëüçÿ æå òàê íå ÷óâñòâîâàòü ïðåäìåò, ñòûäíî.
Ýíãð íàêîíåö ïîçâîëèë ñåáå äàòü âîëþ ÷óâñòâàì, è âñ¸, ÷òî êîñâåííî âûðàæàëà ðóêà Òåòèè èëè ñòóïíÿ îäàëèñêè, òåïåðü (Òóðåöêàÿ áàíÿ) îáðåëî îòêðûòîå âîïëîùåíèå â ïûøíûõ á¸äðàõ, ãðóäÿõ è ðîñêîøíûõ ñëàäîñòðàñòíûõ ïîçàõ.
Êåííåò Êëàðê Íàãîòà â èñêóññòâå. 186 ñòð.
Òàê âîò, ñòóïíÿ îäàëèñêè ïî Êëàðêó âûðàæàåò ÷óâñòâåííîñòü! Âîò òà ñàìàÿ ñòóïíÿ:

Íà ìîé âçãëÿä êàêàÿ-òî íåâûðàçèòåëüíàÿ, àìîðôíàÿ. Ïðîñìîòðèòå ìîþ êîëëåêöèþ, âîò ãäå âûðàçèòåëüíûå ýêçåìïëÿðû, êàê ðåçöîì âûòî÷åíû.
À ýòî ÷üè ëàïêè? Íó, ñëàáî?


À ýòî ïî õîäó Ìåðëèí Ìîíðî. Æåíùèíà ðîäîíà÷àëüíèöà âñåõ Áàðáè, ôèãóðó êîòîðîé ëè÷íî ÿ (è ÷òî õàðàêòåðíî âñå îñòàëüíûå ìóæèêè) ñ÷èòàþò íåïîâòîð¸ííîé äî íûíå.


Õîðîøà, åäðè å¸ êî÷åð¸æêó. Ñíèìàëàñü ÷åðåç íåäåëþ ïîñëå îïåðàöèè àïïåíäèöèòà, øðàì çàìàçàëè ãðèìîì. Ôîòîøîïîâ-òî íå áûëî.

He had a fetish for her toes, and insisted on doing the nails with bright red polish at least twice a month. They'd seen it in Bull Durham, and though he wasn't as neat and sober as Kevin Costner, she had grown to enjoy the intimacy of it.
"The Pelican Brief" John Grisham.
Ïàëü÷èêè å¸ íîã áûëè åãî ôåòèøåì è îí íàñòàèâàë, ÷òîáû íîãîòêè ïîêðûâàëèñü ÿðêî êðàñíûì ëàêîì íå ðåæå, ÷åì äâà ðàçà â ìåñÿö. Îíè âèäåëè ýòî â Bull Durham, è õîòÿ îí íå áûë ñòîëü àêêóðàòåí è òðåçâ, êàê Êåâèí ʸñòíåð, ñî âðåìåíåì åé íà÷àëà íðàâèòüñÿ èíòèìíîñòü ïðîöåäóðû.
Darby sat in a chair and pulled her feet under her. Red toenails.
....................
He lifted her feet and sat at the end of it. They were in his lap. red toenails. He rubbed her ankles and tought only of this first major event - the holding of the feet. It was terribly intimate for him, but didn't seem to faze her.
"The Pelican Brief" John Grisham.
The human foot and ankle is a strong and complex mechanical structure containing exactly 26 bones, 33 joints (20 of which are actively articulated), and more than a hundred muscles, tendons, and ligaments.[1]
An anthropometric study of 1197 North American adult Caucasian males (mean age 35.5 years) found that a man's foot length was 26.3 cm with a standard deviation of 1.2 cm.[2]
The foot can be subdivided into the hindfoot, the midfoot, and the forefoot:
The hindfoot is composed of the talus (or ankle bone) and the calcaneus (or heel bone). The two long bones of the lower leg, the tibia and fibula, are connected to the top of the talus to form the ankle. Connected to the talus at the subtalar joint, the calcaneus, the largest bone of the foot, is cushioned inferiorly by a layer of fat.[1]
The five irregular bones of the midfoot, the cuboid, navicular, and three cuneiform bones, form the arches of the foot which serves as a shock absorber. The midfoot is connected to the hind- and fore-foot by muscles and the plantar fascia.[1]
The forefoot is composed of five toes and the corresponding five proximal long bones forming the metatarsus. Similar to the fingers of the hand, the bones of the toes are called phalanges and the big toe has two phalanges while the other four toes have three phalanges. The joints between the phalanges are called interphalangeal and those between the metatarsus and phalanges are called metatarsophalangeal (MTP).[1]
Both the midfoot and forefoot constitute the dorsum (the area facing upwards while standing) and the planum (the area facing downwards while standing).
The instep is the arched part of the top of the foot between the toes and the ankle.
There can be many sesamoid bones near the metatarsophalangeal joints, although they are only regularly present in the distal portion of the first metatarsal bone.[3]
The human foot has two longitudinal arches and a transverse arch maintained by the interlocking shapes of the foot bones, strong ligaments, and pulling muscles during activity. The slight mobility of these arches when weight is applied to and removed from the foot makes walking and running more economical in terms of energy. As can be examined in a footprint, the medial longitudinal arch curves above the ground. This arch stretches from the heel bone over the "keystone" ankle bone to the three medial metatarsals. In contrast, the lateral longitudinal arch is very low. With the cuboid serving as its keystone, it redistributes part of the weight to the calcaneus and the distal end of the fifth metatarsal. The two longitudinal arches serve as pillars for the transverse arch which run obliquely across the tarsometatarsal joints. Excessive strain on the tendons and ligaments of the feet can result in fallen arches or flat feet.[4]
I have decided to order this post at last . First: to make headings in gallery, then to define the preferences and vice versa.
Ìåòêè: Mario Puzo feet legs The Last Don Fools Die |
ÊÎËËÅÊÖÈß ÔÅÒÈØÈÑÒÀ |
Äíåâíèê |
Íàñòðîåíèå ñåé÷àñ - îïóïåííîå
ÊÎËËÅÊÖÈß ÇÀÑÊÎÐÓÇËÎÃÎ ÔÅÒÈØÈÑÒÀ.

He had a fetish for her toes, and insisted on doing the nails with bright red polish at least twice a month. They'd seen it in Bull Durham, and though he wasn't as neat and sober as Kevin Costner, she had grown to enjoy the intimacy of it.
"The Pelican Brief" John Grisham.
Ïàëü÷èêè å¸ íîã áûëè åãî ôåòèøåì è îí íàñòàèâàë, ÷òîáû íîãîòêè ïîêðûâàëèñü ÿðêî êðàñíûì ëàêîì íå ðåæå, ÷åì äâà ðàçà â ìåñÿö. Îíè âèäåëè ýòî â Bull Durham, è õîòÿ îí íå áûë ñòîëü àêêóðàòåí è òðåçâ, êàê Êåâèí ʸñòíåð, ñî âðåìåíåì åé íà÷àëà íðàâèòüñÿ èíòèìíîñòü ïðîöåäóðû.
Darby sat in a chair and pulled her feet under her. Red toenails.
....................
He lifted her feet and sat at the end of it. They were in his lap. red toenails. He rubbed her ankles and tought only of this first major event - the holding of the feet. It was terribly intimate for him, but didn't seem to faze her.
"The Pelican Brief" John Grisham.

You may ask: what is so interesting about these feet? What is all this fuss about?
Every human organ is beautiful. I believe this contention is true for my favorite feet. But when the beauty of an organ is at its maximum? I think an organ is most beautiful when it is at high point of its function. The second acme of beauty is the moment of maximal relaxation.
Look at this: the strenuous acrhs and curves, the dinamic creases of skin, the pads of toes so flat, the ball of the heel raised! The feet will fly next moment.





Âîò òåáå è toes, õîòü íà ïèàíèíå íàèãðûâàé. Çäîðîâî, êòî ïîíèìàåò.

Íèêàê îòîðâàòüñÿ íå ìîãó, ñàìó äåâóøêó äàæå ïîìåùàòü íå õî÷ó (êîøìàðà âåñíóùàòàÿ), íî êàêèå íîæêè!


Ïðè ýòîì ïàëüöû å¸ íîã ïðèïîäíèìàëè îäåÿëî âñåãî â íåñêîëüêèõ äþéìàõ îò ìîèõ ïàëüöåâ, è çðåëèùå ýòîãî ñîñåäñòâà, ê ñîæàëåíèþ, ïîëíîñòüþ âûòåñíèëî èç ìîåãî ñîçíàíèÿ ðàññêàç Èçàáåëü. ß áûë òàê ïîãëîù¸í ñâîèìè îùóùåíèÿìè, ÷òî íå ñëûøàë íè îäíîãî ñëîâà.
Àëåí äå Áîòòîí "Èíòèìíûå ïîäðîáíîñòè".


Íîæíîé ôåòèøèçì îïðåäåëÿåòñÿ êàê âûðàæåííûé èíòåðåñ ê ñòóïíÿì èëè îáóâè. Ôðåéä îòíîñèë ê äàííîìó ôåòèøèçìó òàêæå ñâÿçûâàíèå íîã. Äëÿ íîæíîãî ôåòèøèñòà ïðèâëåêàòåëüíû ôîðìà èëè ðàçìåð ñòîïû è ïàëüöåâ íîã (íàïðèìåð, äëèííûå ïàëüöû, êîðîòêèå ïàëüöû, íàêðàøåííûå íîãòè, âûñîêèé ïîäú¸ì, óçêèå ñòîïû, ïóõëûå ïàëüöû, äëèííûå íîãòè, êîðîòêèå íîãòè, ìàëåíüêèå íîæêè, öâåò íîãòåé), þâåëèðíûå óêðàøåíèÿ, êîëüöà íà ïàëüöàõ íîã, áðàñëåòû íà ëîäûæêàõ,
Foot fetishism has been defined as a pronounced sexual interest in the feet or footwear. Freud considered foot binding as a form of fetishism. For a foot fetishist, points of attraction include the shape and size of the foot and toes (e.g., long toes, short toes, painted toes, high arches, slender soles, fat toes, long toenails, short toenails, small feet, toenail color), jewelry, toe rings, ankle bracelets, treatments e.g. French pedicure, state of dress (e.g., barefoot, flip flops, or clad in socks or nylons), odor, and any form of sensory interaction, e.g. licking, kissing, sucking, tickling, person giving foot jobs, pedal pumping or trampling/stomping and shoeplay.






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Ñêóëüïòóðíûå ñòóïíè ñðàâíèòü.

Ìåòêè: girls fetish ôåòèø naked íîæêè feet |
×ÀÑÒÈ ÒÅËÀ. THE BODY PARTS. |
Äíåâíèê |
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ÊÎËËÅÊÖÈß ÇÀÑÊÎÐÓÇËÎÃÎ ÔÅÒÈØÈÑÒÀ.

ÍÎÆÊÈ ÈÇ ÏÎÄ....
















ÊÎÍÊÐÅÒÍÛÅ ÍÎÆÊÈ.ÊÎÍÊÐÅÒÍÛÅ ÍÎÆÊÈ.
 ýòîì ðàçäåëå íîæêè êîíêðåòíûõ äàì, íåêîòîðûå âûçûâàþò ó ìåíÿ æèâîé èíòåðåñ, äðóãèå íåò. Âûáîð â îáùåì ñëó÷àéíûé.
ÍÎÃÈ ÊÐÓÏÍÎ, ÄÛØÈÒÅ ÃËÓÁÆÅ, ÂÛ ÂÇÂÎËÍÎÂÀÍÛ.
Èíîãäà ñòîïû âûðàæàþò íàñòðîåíèÿ è ïåðåæèâàíèÿ, íåò âåðèòå, ñìîòðèòå ñàìè:



Íèæå èçîáðàæ¸ííûå ÷àñòè òåëà âíå êðèòèêè, íó, âû ìåíÿ ïîíèìàåòå.
Ìåòêè: äåâóøêè òåëî girls fetish ôåòèø body nude naked íîæêè feet |
ÊÎÍÊÐÅÒÍÛÅ ÍÎÆÊÈ. |
Äíåâíèê |

ÊÎÍÊÐÅÒÍÛÅ ÍÎÆÊÈ.
CONCRETE FEET.
 ýòîì ðàçäåëå íîæêè êîíêðåòíûõ äàì, íåêîòîðûå âûçûâàþò ó ìåíÿ æèâîé èíòåðåñ, äðóãèå íåò. Âûáîð â îáùåì ñëó÷àéíûé.
In thise part there are some feet of the particular dames. Some of them exite my vivid interest, the other do not. The choice is a random one.
ÏÀÒÐÈÑÈß ÊÀÀÑ è å¸ íîæêè. PATRICIA KAAS and her feet.
Ïîñìîòðåë ýïèçîäû êîíöåðòà Ïàòðèñèè Êààñ 8 ìàðòà, ÿ íå ïîêëîííèê ïåâèöû è å¸ æåíñêèõ ïðåëåñòåé, íî âûñòóïàëà îíà áîñèêîì. Ïîíèìàåò, ñòàðàÿ êîçà. Âîçíèê âîïðîñ, à êàê ðàçíûå äàìû îòíîñÿòñÿ ê ñâîèì íèæíèì îêîíå÷íîñòÿì? Âîò òà æå Êààñ, âçãëÿíèòå íà îáëîæêó å¸ ïåðâîãî àëüáîìà. Èçîáðàæåíà ñòîïà (ñèìâîë ñåêñóàëüíîñòè) è êðàñíàÿ ðîçà - ñèìâîë ëþáâè.
Some day I had watched by TV some episodes of her concert dedicated to 8th March. I am not her talent and woman’s charm admirer, but she appeared on the stage barefoot. Understands, old she-goat! The question arose – how different women treat their low extremities? Kaas again. Let us look at the cover of her first album. There are depicted the bare foot (the symbol of sexuality) and the red rose – the symbol of love.


Ïàòðèñèÿ îòíîñèòñÿ ê ñâîèì ñòîïàì òðåïåòíî, ÷òî ëåãêî äîêàçóåìî :
1.ëîäûæêè ïîñòîÿííî óêðàøåíû. 2. ëîñèíû äî ëîäûæåê, ÷òî âûäåëÿåò ñòîïó. 3.Íà ôîòî êðóïíûì ïëàíîì ñòîïà âñåãäà âïåðåäè.
Patricia lovingly treats her feet. It may be easy demonstrated:
1.Her ankles are always decorated.
2.The tights up to ankles only, so the feet are singled out.
3.The foot is on the close-up photo foreground always.


Êàê èç ïîä ïîïêè ñåêñóàëüíî íîæêè âûãëÿäûâàþò! Ïîçà, êñòàòè ñòàíäàðòíàÿ äëÿ íþ.
Íà ýòîì ôîòî ÷òî âû äóìàåòå âûñòàâëåíî íà ïåðåäíèå ïîçèöèè? Áåäðî? Îñòðûå êîëåíêè? Íåò, ýòî âû÷óðíî ïîñòàâëåííûå ñòîïû.

Âîò òàêèå îíè áûëè ó Êààñ, êîãäà áûëà ïîìîëîæå. Äàëåå èññëåäóþ âîïðîñ î ñîîòíîøåíèè ñòîï è ïðîïîðöèé òåëà. Íàïðèìåð ëåãêî ñêàçàòü, êàêîâ ó äàìû áþñò, èëè á¸äðà, òîëüêî âçãëÿíóâ íà ñòîïû.

ÄÆÎÄÈ ÔÎÑÒÅÐ. JODIE FOSTER.
Êèíîàêòðèñà áîëüøå âñåãî ìíå ïîíðàâèâøàÿñÿ â Ìàâåðèêå, íî âîîáùå êðàñèâàÿ, õîòÿ ìíîãèå íå ñîãëàñíû. À ìíå íðàâèòñÿ.



ÄÆÓËÈÀÍ ÌÓÐ. JULIANNE MOOR.

Ïî ïðàâäå ãîâîðÿ, Ìóð ïîïàëà ñþäà ïî áëàòó, ñìîòðþ ÿ íà íî÷ü ñâîé ëþáèìûé ôèëüì Ãàííèáàë (ïî HDMI , ÷¸òêîñòü îáàëäåííàÿ, âñå âåñíóøêè íà Ìóð âèäíû, äèñê ñòîèë 400 ðóáëåé), à Ãàííèáàë è ãîâîðèò, ëþáëþ çà òîáîé íàáëþäàòü, çà ñïÿùåé, ó òåáÿ êðàñèâûå ñòîïû, Êëàðèññà. Ðåøèë ÿ ïîñìîòðåòü, êàêèå òàêèå ñòîïû ó ñàìîé àêòðèñû. À âû çíàåòå, íè÷åãî. Íî ÷óäåñà ôîòîãðàôèè, îáðàòèòå âíèìàíèå ó íå¸ ïî æèçíè è ñ íîãàìè ïëîõî è ñ ôèãóðîé, à òóò íîãè îò øåè. Áðàâî, ôîòîãðàô!
To say truth - Moor got here by protection. One day as usually before sleep I had been watching my favorite DVD movie Hannibal (I use NDMI, so the quality is very high. DVD costed me 400 rub. You can discern all freckles on the actress face.). And Hannibal said: I like to watch you sleeping, Klarissa. You have got so nice feet”. And I decided to ascertain what kind of feet the actress has got herself. And do you know? Not bad, not bad.
Âîò òóò áëèæå ê ïðàâäå æèçíè.
It is more close to the life truth.

Ýíãðîâñêàÿ îäàëèñêà èç Ìóð, êàê èç ïîâèäëà ïóëÿ, íî ñòàðàåòñÿ æåíùèíà, äîñòîéíî óâàæåíèÿ.
È ÷åãî ÿ òàêàÿ ñòðàøíàÿ, Ãîñïîäè!
O my! Why I am so ugly ?!
Ïîñìîòðåë òóò Äåâñòâåííèöû ñàìîóáèéöû, ãäå Êèðñòåí â ìîëîäîñòè. Ìíå îíà î÷åíü íðàâèòñÿ, íî êàêèå óðîäëèâûå ñòîïû ó íå¸!!! Êñòàòè, íà âñåõ ôîòî îíà "áåç íîã". À â ôèëüìå îíà åù¸ íîæêîé ïî ñòîëó ñêðåá¸ò äëÿ ñîáëàçíà.

ïîäðîáíîñòè ôóò-ôåòèøèçìà â ×ÀÑÒÈ ÒÅËÀ. THE BODY PARTS.
Âîò ýòî ïîäú¸ì!!!

Ìåòêè: fetish ôåòèøèçì íîæêè êààñ foster patricia kaas ôîñòåð feet moor jodie julianne |
ÑÊÎÂÀÍÍÛÅ ÎÄÍÎÉ ÖÅÏÜÞ. |
Äíåâíèê |
ÑÒÎÏÛ È ÊÈÑÒÈ.
FEET and HANDS.











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Ìåòêè: fetish naked feet |
| Ñòðàíèöû: | [1] |