-Ðóáðèêè

 -Ìåòêè

99961 a christmas carol annie miller aspecta medusa baron von gloeden beata beatrix birchington bocca baciata burden burn-jones burne-jones camille bonard carlisle wall christina georgina rossetti christina rossetti clark dante gabriel rossetti delahayer dudley gallery edward edward poynter edward robert hughes eleanor fortescue-brickdale elizabeth siddal eugene onegin feet fetish fiammetta francois-joseph navez frank cadogan cowper gabriel charls dante rossetti gg augustus leopold girls goblin market grosvenor gallery hannibal lecter henry david thoreau honesuckle j.r.herbert jane morris john everett millais john inchbold john melhuish strudwick kelmscort manor la pia de' tolomei lady later rossetti lawrence leda mit dem leda mit dem schwan lempica lempicka louis de taeye madox brown maria rossetti mariana marie spartali mary magdalene at the door of simon the pharisee medusa morris naked nude orient goods painting palazzo del padesta pansy pre-raphaelite women robert browning rossetti simeon solomon st. reparata stacy marks study tamara lempicka tasso and leonora the germ the third reich's nu the annunciation the beloved the blessed damozel the maids of elfen-mere the music master the rossetti family the titan's goblet vampyre venus verticordia walter deverell water willow water willow william holman hunt william michael rossetti willian allinham woman in yellow women working men's college Àëèíà àëåêñà âàéëäèíã àííà òèõîìèðîâà àðòóð õüþç á¸ðäåí á¸ðí-äæîíñ áàëåò áåàòðè÷å áîéñ âîçëþáëåííàÿ âûñòàâêè ãàííèáàë ëåêòåð ãåíðè äæîðäæ õîëèäåé ãåíðè òðåôôðè äóí ãîëóáü ãðàíò âóä äàíòå äàíòå ãàáðèýëü ðîññåòòè äæ. êîòìåí äæåéí äæåéí ìîððèñ äæåéí ìîððèñ á¸ðäåí äæîí ìåëõèø ñòðàäâèê äæîí ý́âåðåòò ìèëëǻ äýíèåë ìàêëàéç æèâîïèñü èñêàòåëü èñêóññòâî êàðë òðóïï êåííåò êëàðê êîëåãîâà êîðîëåâà ãâèíåâðà êðèñòèíà ðîññåòòè êýððîëë ëåìïèêà ëåìïèöêà ëåìïèöêàÿ ìàíå ìàðèèíñêèé ìåíàäû ìîððèñ ìóçåè ìóïàêàìè íàãîòà íàñèëèå íîâûé äåòåêòèâ íîâûé ðîìàí íîæêè îáíàæ¸ííàÿ ïèÿ äå òîëîìåè ïîçäíèé ðîññåòòè ïîýçèÿ ðîññåòòè ïðåðàôàýëèòû ïðîçåðïèíà ðèñóþùèé àíãåëà ðîìàí ðîññåòòè ñåêñ ñèääàë ñêóëüïòóðà ñîìîâà ñîöðåàëèçì òî́ìàñ êàðëǻéëü óîòåðõàóç ôàííè êîðíôîðò ôåòèø ôåòèøèçì ôèàìåòòà ôî́ðä ìý́äîêñ áðà́óí ôîòîèñêóññòâî ôðèäåðèê ëåéòîí õàíò õüþç ÷ààäàåâ ýäâàðä ðîáåðò õüþç ýëèçàáåò ñèääàë ýïèãðàô

 -Ïîèñê ïî äíåâíèêó

Ïîèñê ñîîáùåíèé â ëþäàí_êóïîë

 -Ïîäïèñêà ïî e-mail

 

 -Ñîîáùåñòâà

Ó÷àñòíèê ñîîáùåñòâ (Âñåãî â ñïèñêå: 1) Live_Memory

 -Ñòàòèñòèêà

Ñòàòèñòèêà LiveInternet.ru: ïîêàçàíî êîëè÷åñòâî õèòîâ è ïîñåòèòåëåé
Ñîçäàí: 27.08.2009
Çàïèñåé: 336
Êîììåíòàðèåâ: 57
Íàïèñàíî: 559

Çàïèñè ñ ìåòêîé fetish

(è åùå 873 çàïèñÿì íà ñàéòå ñîïîñòàâëåíà òàêàÿ ìåòêà)

Äðóãèå ìåòêè ïîëüçîâàòåëÿ ↓

annie miller baron von gloeden beata beatrix carlisle wall christina georgina rossetti christina rossetti. clark dante gabriel rossetti dudley gallery edward poynter eleanor fortescue-brickdale elizabeth siddal feet fetish fiammetta gabriel charls dante rossetti girls goblin market hannibal lecter heartsease pansy jane morris joanna mary boyce kelmscort manor la girlandata la pia de' tolomei lady lempicka louis de taeye mary magdalene at the door of simon the pharisee morris naked nude orient goods painting robert buchanan rossetti simeon solomon stacy marks study the blessed damozel vampyre venus verticordia vita nuova william holman hunt william michael rossetti women working men's college áàëåò áåàòðè÷å áîéñ äàíòå äàíòå ãàáðèýëü ðîññåòòè äæ. êîòìåí äæåéí ìîððèñ æèâîïèñü èåãóäà ëåéá øâàðöìàí èñêàòåëü èñêóññòâî êåííåò êëàðê êîëåãîâà êðèñòèíà ðîññåòòè ëåìïèêà ëåìïèöêà ëåìïèöêàÿ ìàðèèíñêèé ìåíàäû ìèêåëàíäæåëî ìîððèñ íàñèëèå íîâûé äåòåêòèâ íîâûé ðîìàí íîæêè îáíàæ¸ííàÿ ïèÿ äå òîëîìåè ïðåðàôàýëèòû ðèñóþùèé àíãåëà ðîìàí ðîññåòòè ñåêñ ñèääàë ôåòèø ôèàìåòòà ôðèäåðèê ëåéòîí õàíò õüþç ÷ààäàåâ ýëèçàáåò ñèääàë
Êîììåíòàðèè (1)

ÊÎËËÅÊÖÈß ÔÅÒÈØÈÑÒÀ

Äíåâíèê

×åòâåðã, 28 Îêòÿáðÿ 2010 ã. 15:28 + â öèòàòíèê

Íàñòðîåíèå ñåé÷àñ - îïóïåííîå

 

ÊÎËËÅÊÖÈß  ÇÀÑÊÎÐÓÇËÎÃΠ ÔÅÒÈØÈÑÒÀ.

 

 

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       He had a fetish for her toes, and insisted on doing the nails with bright red polish at least twice a month. They'd seen it in Bull Durham, and though he wasn't as neat and sober as Kevin Costner, she had grown to enjoy the intimacy of it.

 "The Pelican Brief" John Grisham.

 

     Ïàëü÷èêè å¸ íîã áûëè åãî ôåòèøåì è îí íàñòàèâàë, ÷òîáû íîãîòêè ïîêðûâàëèñü ÿðêî êðàñíûì ëàêîì íå ðåæå, ÷åì äâà ðàçà â ìåñÿö. Îíè âèäåëè ýòî â  Bull Durham, è õîòÿ îí íå áûë ñòîëü àêêóðàòåí è òðåçâ, êàê Êåâèí ʸñòíåð, ñî âðåìåíåì åé íà÷àëà íðàâèòüñÿ èíòèìíîñòü ïðîöåäóðû.

  Darby sat in a chair and pulled her feet under her. Red toenails.

....................

  He lifted her feet and sat at the end of it. They were in his lap. red toenails. He rubbed her ankles and tought only of this first major event - the holding of the feet. It was terribly intimate for him, but didn't seem to faze her.

"The Pelican Brief" John Grisham.

 

 

 

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You may ask: what is so interesting about these feet? What is all this fuss about?

Every human organ is beautiful. I believe this contention is true for my favorite feet. But when the beauty of an organ is at its maximum? I think an organ is most beautiful when it is at high point of its function. The second acme of beauty is the moment of maximal relaxation.

Look at this: the strenuous acrhs and curves, the dinamic creases of skin, the pads of toes so flat, the ball of the heel raised! The feet will fly next moment.

 

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          Âîò òåáå è toes, õîòü íà ïèàíèíå íàèãðûâàé. Çäîðîâî, êòî ïîíèìàåò. 

 

 

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            Íèêàê îòîðâàòüñÿ íå ìîãó, ñàìó äåâóøêó äàæå ïîìåùàòü íå õî÷ó (êîøìàðà âåñíóùàòàÿ), íî êàêèå íîæêè!

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       Ïðè ýòîì ïàëüöû å¸ íîã ïðèïîäíèìàëè îäåÿëî âñåãî â íåñêîëüêèõ äþéìàõ îò ìîèõ ïàëüöåâ, è çðåëèùå ýòîãî ñîñåäñòâà, ê ñîæàëåíèþ, ïîëíîñòüþ âûòåñíèëî èç ìîåãî ñîçíàíèÿ ðàññêàç Èçàáåëü. ß áûë òàê ïîãëîù¸í ñâîèìè îùóùåíèÿìè, ÷òî íå ñëûøàë íè îäíîãî ñëîâà.

 Àëåí äå Áîòòîí "Èíòèìíûå ïîäðîáíîñòè".

 

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   Íîæíîé ôåòèøèçì îïðåäåëÿåòñÿ êàê âûðàæåííûé èíòåðåñ ê ñòóïíÿì èëè îáóâè. Ôðåéä îòíîñèë ê äàííîìó ôåòèøèçìó òàêæå ñâÿçûâàíèå íîã. Äëÿ íîæíîãî ôåòèøèñòà ïðèâëåêàòåëüíû ôîðìà èëè ðàçìåð ñòîïû è ïàëüöåâ íîã (íàïðèìåð, äëèííûå ïàëüöû, êîðîòêèå ïàëüöû, íàêðàøåííûå íîãòè, âûñîêèé ïîäú¸ì, óçêèå ñòîïû, ïóõëûå ïàëüöû, äëèííûå íîãòè, êîðîòêèå íîãòè, ìàëåíüêèå íîæêè, öâåò íîãòåé), þâåëèðíûå óêðàøåíèÿ, êîëüöà íà ïàëüöàõ íîã, áðàñëåòû íà ëîäûæêàõ,

 

 

        Foot fetishism has been defined as a pronounced sexual interest in the feet or footwear. Freud considered foot binding as a form of fetishism. For a foot fetishist, points of attraction include the shape and size of the foot and toes (e.g., long toes, short toes, painted toes, high arches, slender soles, fat toes, long toenails, short toenails, small feet, toenail color), jewelry, toe rings, ankle bracelets, treatments e.g. French pedicure, state of dress (e.g., barefoot, flip flops, or clad in socks or nylons), odor, and any form of sensory interaction, e.g. licking, kissing, sucking, tickling, person giving foot jobs, pedal pumping or trampling/stomping and shoeplay.

 

 

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Êîïèÿ 4313703_large (283x611, 78Kb)4321380_large (328x610, 69Kb)

                                               

 

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Êîïèÿ 4214997_large (254x650, 46Kb)4214997_large (286x590, 46Kb)

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   Ñêóëüïòóðíûå ñòóïíè ñðàâíèòü.

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Ðóáðèêè:  ×ÀÑÒÈ ÒÅËÀ. THE BODY PARTS./ÊÎËËÅÊÖÈß ÔÅÒÈØÈÑÒÀ

Ìåòêè:  
Êîììåíòàðèè (1)

×ÀÑÒÈ ÒÅËÀ. THE BODY PARTS.

Äíåâíèê

Ñóááîòà, 01 Ìàÿ 2010 ã. 13:16 + â öèòàòíèê
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               ÊÎËËÅÊÖÈß  ÇÀÑÊÎÐÓÇËÎÃΠ ÔÅÒÈØÈÑÒÀ.

 ÊÎËËÅÊÖÈß ÔÅÒÈØÈÑÒÀ

 

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ÍÎÆÊÈ  ÈÇ  ÏÎÄ....

 

 

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ÊÎÍÊÐÅÒÍÛÅ  ÍÎÆÊÈ.ÊÎÍÊÐÅÒÍÛÅ ÍÎÆÊÈ.

 

 ýòîì ðàçäåëå íîæêè êîíêðåòíûõ äàì, íåêîòîðûå âûçûâàþò ó ìåíÿ æèâîé èíòåðåñ, äðóãèå íåò. Âûáîð â îáùåì ñëó÷àéíûé.

                                                           

                                                                                                                                                                                                   ÍÎÃÈ  ÊÐÓÏÍÎ,  ÄÛØÈÒÅ  ÃËÓÁÆÅ,  ÂÛ  ÂÇÂÎËÍÎÂÀÍÛ.

 Èíîãäà ñòîïû âûðàæàþò íàñòðîåíèÿ è ïåðåæèâàíèÿ, íåò âåðèòå, ñìîòðèòå ñàìè:

 

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Íèæå èçîáðàæ¸ííûå ÷àñòè òåëà âíå êðèòèêè, íó, âû ìåíÿ ïîíèìàåòå.

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Ðóáðèêè:  ×ÀÑÒÈ ÒÅËÀ. THE BODY PARTS.

Ìåòêè:  
Êîììåíòàðèè (3)

ÊÎÍÊÐÅÒÍÛÅ ÍÎÆÊÈ.

Äíåâíèê

Âòîðíèê, 13 Àïðåëÿ 2010 ã. 13:52 + â öèòàòíèê

 

 

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ÊÎÍÊÐÅÒÍÛÅ  ÍÎÆÊÈ.

CONCRETE  FEET.

 ýòîì ðàçäåëå íîæêè êîíêðåòíûõ äàì, íåêîòîðûå âûçûâàþò ó ìåíÿ æèâîé èíòåðåñ, äðóãèå íåò. Âûáîð â îáùåì ñëó÷àéíûé.

In thise part  there are some feet of the particular dames. Some of them exite my vivid interest, the other do not. The choice is a random one.

   

 

ÏÀÒÐÈÑÈß  ÊÀÀÑ è å¸ íîæêè.          PATRICIA  KAAS and her feet.

         Ïîñìîòðåë ýïèçîäû êîíöåðòà Ïàòðèñèè Êààñ 8 ìàðòà, ÿ íå ïîêëîííèê ïåâèöû è å¸ æåíñêèõ ïðåëåñòåé, íî âûñòóïàëà îíà áîñèêîì. Ïîíèìàåò, ñòàðàÿ êîçà. Âîçíèê âîïðîñ, à êàê ðàçíûå äàìû îòíîñÿòñÿ ê ñâîèì íèæíèì îêîíå÷íîñòÿì? Âîò òà æå Êààñ, âçãëÿíèòå íà îáëîæêó å¸ ïåðâîãî àëüáîìà. Èçîáðàæåíà ñòîïà (ñèìâîë ñåêñóàëüíîñòè) è êðàñíàÿ ðîçà - ñèìâîë ëþáâè.

 

          Some day I had watched by TV some episodes of her concert dedicated to 8th March. I am not her talent and woman’s charm admirer, but she appeared on the stage barefoot. Understands, old she-goat! The question arose – how different women  treat  their low extremities?   Kaas again. Let us look at the cover of her first album. There are depicted the bare foot (the symbol of sexuality) and the red rose – the symbol of love.

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 Ïàòðèñèÿ  îòíîñèòñÿ ê ñâîèì ñòîïàì òðåïåòíî, ÷òî ëåãêî äîêàçóåìî :

1.ëîäûæêè ïîñòîÿííî óêðàøåíû. 2. ëîñèíû äî ëîäûæåê, ÷òî âûäåëÿåò ñòîïó. 3.Íà ôîòî êðóïíûì ïëàíîì ñòîïà âñåãäà âïåðåäè.

Patricia lovingly treats her feet. It may be easy demonstrated:

 

1.Her ankles are always decorated.

2.The tights up to ankles only, so the feet are singled out.

3.The foot is on the close-up photo foreground always.

 

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Êàê èç ïîä ïîïêè ñåêñóàëüíî íîæêè âûãëÿäûâàþò! Ïîçà, êñòàòè ñòàíäàðòíàÿ äëÿ íþ.

 Íà ýòîì ôîòî ÷òî âû äóìàåòå âûñòàâëåíî íà ïåðåäíèå ïîçèöèè? Áåäðî? Îñòðûå êîëåíêè? Íåò, ýòî âû÷óðíî ïîñòàâëåííûå ñòîïû.

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  Âîò òàêèå îíè áûëè ó Êààñ, êîãäà áûëà ïîìîëîæå. Äàëåå èññëåäóþ âîïðîñ î ñîîòíîøåíèè ñòîï è ïðîïîðöèé òåëà. Íàïðèìåð ëåãêî ñêàçàòü, êàêîâ ó äàìû áþñò, èëè á¸äðà, òîëüêî âçãëÿíóâ íà ñòîïû.

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ÄÆÎÄÈ  ÔÎÑÒÅÐ.  JODIE  FOSTER.

 Êèíîàêòðèñà áîëüøå âñåãî ìíå ïîíðàâèâøàÿñÿ â Ìàâåðèêå, íî âîîáùå êðàñèâàÿ, õîòÿ ìíîãèå íå ñîãëàñíû. À ìíå íðàâèòñÿ.

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 ÄÆÓËÈÀÍ  ÌÓÐ. JULIANNE  MOOR.

 

 

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      Ïî ïðàâäå ãîâîðÿ, Ìóð ïîïàëà ñþäà ïî áëàòó, ñìîòðþ ÿ íà íî÷ü ñâîé ëþáèìûé ôèëüì Ãàííèáàë (ïî HDMI , ÷¸òêîñòü îáàëäåííàÿ, âñå âåñíóøêè íà Ìóð âèäíû, äèñê ñòîèë 400 ðóáëåé), à Ãàííèáàë è ãîâîðèò, ëþáëþ çà òîáîé íàáëþäàòü, çà ñïÿùåé, ó òåáÿ êðàñèâûå ñòîïû, Êëàðèññà.  Ðåøèë ÿ ïîñìîòðåòü, êàêèå òàêèå ñòîïû ó ñàìîé àêòðèñû. À âû çíàåòå, íè÷åãî. Íî ÷óäåñà ôîòîãðàôèè, îáðàòèòå âíèìàíèå ó íå¸ ïî æèçíè è ñ íîãàìè ïëîõî è ñ ôèãóðîé, à òóò íîãè îò øåè. Áðàâî, ôîòîãðàô!

 

      To say truth - Moor got here by protection. One day as usually before sleep I had been watching my favorite DVD movie Hannibal (I use NDMI, so the quality is very high. DVD costed me 400 rub. You can discern all freckles on the actress face.). And Hannibal said: I like to watch you sleeping, Klarissa. You have got so nice feet”. And I decided to ascertain what kind of feet the actress has got herself. And do you know? Not bad, not bad.

 

 (366x600, 20Kb)Âîò òóò áëèæå ê ïðàâäå æèçíè.

It is more close to the life truth.

 

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Ýíãðîâñêàÿ îäàëèñêà èç Ìóð, êàê èç ïîâèäëà ïóëÿ, íî ñòàðàåòñÿ æåíùèíà, äîñòîéíî óâàæåíèÿ.

 (468x636, 38Kb)È ÷åãî ÿ òàêàÿ ñòðàøíàÿ, Ãîñïîäè!

O my! Why I am so ugly ?!

 

ÊÈÐÑÒÅÍ ÄÀÍÑÒ 

 

  Ïîñìîòðåë òóò Äåâñòâåííèöû ñàìîóáèéöû, ãäå Êèðñòåí â ìîëîäîñòè. Ìíå îíà î÷åíü íðàâèòñÿ, íî êàêèå óðîäëèâûå ñòîïû ó íå¸!!! Êñòàòè, íà âñåõ ôîòî îíà "áåç íîã". À â ôèëüìå îíà åù¸ íîæêîé ïî ñòîëó ñêðåá¸ò äëÿ ñîáëàçíà. 

 

The Virgin Suicides 18 - êîïèÿ (448x160, 9Kb)

 

ïîäðîáíîñòè ôóò-ôåòèøèçìà â ×ÀÑÒÈ ÒÅËÀ. THE BODY PARTS.

 

 

 

ÅËÅÍÀ  ËÅÒÓ×Àß

 Âîò ýòî ïîäú¸ì!!!

 

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Ðóáðèêè:  ×ÀÑÒÈ ÒÅËÀ. THE BODY PARTS./ÊÎÍÊÐÅÒÍÛÅ ÍÎÆÊÈ.

Ìåòêè:  
Êîììåíòàðèè (1)

ÑÊÎÂÀÍÍÛÅ ÎÄÍÎÉ ÖÅÏÜÞ.

Äíåâíèê

Ñðåäà, 03 Ìàðòà 2010 ã. 19:58 + â öèòàòíèê

 

 

ÑÒÎÏÛ  È  ÊÈÑÒÈ. 

FEET  and  HANDS.

 

                                                                                                            

 

 

 

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Ðóáðèêè:  ×ÀÑÒÈ ÒÅËÀ. THE BODY PARTS./ÑÒÎÏÛ È ÊÈÑÒÈ ñêîâàííûå îäíîé öåïüþ.

Ìåòêè:  

 Ñòðàíèöû: [1]