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7249 Jane a christmas carol albert moore algernon swinburn all saints church annie miller art and poetry arthur hughes aspecta medusa baron von gloeden beata beatrix beatrice meeting dante at a marriage feast birchington bluebird bocca baciata burne-jones carlisle wall chatham place christina georgina christina georgina rossetti christina rossetti clark cristina rossetti dante gabriel rossetti dudley gallery edward poynter eleanor fortescue-brickdale elizabeth eleanor siddal elizabeth siddal eugene onegin feet ferdinand preiss fetish fools die francois-joseph navez gabriel charls dante rossetti girls goblin market grave of dante gabriel rossetti grosvenor galery hans suren j.r.herbert john byam shaw john everett millais john inchbold john melhuish strudwick karl truppe kelmscort manor kelmscott mano kent la pia de' tolomei lady lawrence lempica liberty louis de taeye mariana mary magdalene at the door of simon the pharisee mary magdelene moore morris naked nude oxfordshire painting palace palazzo del padesta pallas pansy pre-raphaelite raphaelite brotherhood regent street robert browning rossetti rossetti 1856-57. siddal sing song a nursery rhyme book study the germ the third reich the third reich's nu the beloved the blessed damozel the glacier of roselaui the lady of shalott the maids of elfen-mere the music master the raven the rossetti family ulalume vampyre william holman hunt william michael women working men's college à.ñ. ïóøêèí àä äàíòå / dante's inferno 1967 àíþòèíû ãëàçêè àðòóð õüþç á¸ðí-äæîíñ áàëåò áåëûå ðîçû âîçëþáëåííàÿ ãåíðè äæîðäæ õîëèäåé ãîëóáü ãðàíò âóä äàíòå äàíòå ãàáðèýëü ðîññåòòè äâåíàäöàòàÿ íî÷ü äæåéí äæåéí ìîððèñ äæåéí ìîððèñ á¸ðäåí äæîí ìåëõèø ñòðàäâèê äæîí ðîääýì ñïåíñåð ñòåíõîóï äæîí ý́âåðåòò ìèëëǻ äæóëüåòòà åâãåíèé îíåãèí æèâîïèñü èåãóäà ëåéá øâàðöìàí èñêàòåëü èñêóññòâî êàíóí ñâ. àãíåññû êåííåò êëàðê êîëåãîâà êðèñòèíà ðîññåòòè ëåìïèöêà ëåìïèöêàÿ ëåðìîíòîâ ìàíå ìàðèèíñêèé ìåíàäû ìåíäåëååâ ìèêåëàíäæåëî ìîððèñ ìóçåè íàãîòà íàñèëèå íîâûé ðîìàí íîæêè îáíàæ¸ííàÿ ïèÿ äå òîëîìåè ïîýçèÿ ðîññåòòè ïðåðàôàýëèòû ïðîçåðïèíà ïóøêèíñêèé ìóçåé ðîìàí ðîññåòòè ðóññî ñåêñ ñèääàë ñìîòðåòü ñîìîâà ñîöðåàëèçì ñòàðàÿ íàöèîíàëüíàÿ ãàëåðåÿ â áåðëèíå òåð¸øèíàëèáðåòòî áàëåòà áàÿäåðêà óèëüÿì áåëë ñêîòò óîë óîòåðõàóç ó÷èòåëü ôàíè êîðíôîðò ôàííè êîðíôîðò ôåòèø ôî́ðä ìý́äîêñ áðà́óí ôðèäåðèê ëåéòîí ôðýìïòîí õàíò õüþç ÷ààäàåâ ÷àñîâíÿ ïîäåñòà ýãã ýëèçàáåò ñèääàë ýïèãðàô

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ÑÒÎÏÛ È ÊÈÑÒÈ. FEET and HANDS.

Ïîíåäåëüíèê, 19 Èþíÿ 2017 ã. 22:44 + â öèòàòíèê
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ÑÒÎÏÛ  È  ÊÈÑÒÈ. 

FEET  and  HANDS.

Feet in painting. 

ëåîí (448x277, 51Kb)

 

 

 

 

 

 

 

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There are some  examples of feet as they were depicted by the greate painters. Leonardo da Vinci's The Virgin and Child with St Anne 

 Let us look closer at them. 

 

 

 

 

 

 

 

 

 

 

 

 

 

             

I would try to do an essay on my criteria of the ideal foot, but did not find enough enthusiasm to begin. One evening I have been watching TV, the anchor woman

certain Ulia Menshova ( the rare silly woman) was sweeping high heel shoe.

My enthusiasm rose at once. What instep!! Such graceful feet!

Now about criteria:

The ideal foot must have

 

  • High instep, hump of it!
  • Long, fanningtoes.
  • Tiny toenails ( not log it is ugly)
  • Ends of the toes must form the flat curve.
  • Foot sole must form the abrupt arch.
  • On instep the veins can be visible.
  • And round pink heel.

 

 

 

 

1. High instep, hump of it!

 

 

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Long, fanning toes.

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Tiny toenails ( not log it is ugly)

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  • Ends of the toes must form the flat curve.
  • Foot sole must form the abrupt arch.
  • On instep the veins can be visible.
  • And round pink heel.

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Ðóáðèêè:  ×ÀÑÒÈ ÒÅËÀ. THE BODY PARTS./ÑÒÎÏÛ È ÊÈÑÒÈ ñêîâàííûå îäíîé öåïüþ.
Ìåòêè:  

 

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