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annie miller arie spartali stillman aspecta medusa baron von gloeden beata beatrix birchington carlisle wall christina rossetti clark dante gabriel ross dante gabriel rossetti eleanor fortescue-brickdale eugene onegin feet fetish francois-joseph navez frank cadogan cowper gabriel charls dante rossetti j.r.herbert jane morris john everett millais john melhuish strudwick kelmscort manor kelmscott mano la girlandata la pia de' tolomei leda mit dem lempica liberty louis de taeye madox brown mary magdalene at the door of simon the pharisee morris naked nude oxfordshire robert browning rossetti study the annunciation the blessed damozel the blue silk dress the maids of elfen-mere vampyre vita nuova william holman hunt william michael rossetti woman in yellow women working men's college . ́ ́ ́
1851 - 1852 |
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St. Elizabeth of Hungary Kneeling with her Companions 1852
Black chalk and slight wash, on paper.
Width: 492 mm
Height: 690 mm
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One of Rossetti's rare life studies, this seems to relate to the drawing of St Elizabeth of Hungary. On the reverse of the sheet is a larger drawing of a seated male nude, which appears to be a study for Dante in the 1852 watercolour 'Giotto Painting the Portrait of Dante' (Private Collection).
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Other than the drawing that DGR exhibited in late 1852, this watercolour is the only finished version of the work that DGR had intended to complete in oil. The work was to have been part of a triptych, with the other two panels showing Dante as a Florentine magistrate sentencing Cavalcanti to exile, and Dante at the court of Can Grande della Scala. Sketches toward the latter survive as Dante at Verona
Giotto Painting the Portrait of DanteGiotto is painting the portrait of Dante on a chapel wall, while Beatrice moves below in a procession of women. Cimabue stands nearby, but Cavalcanti—who is present in the Fogg picture and who also figured in the untraced watercolour—is not here. The picture was to have been the first in a Dantescan triptych. The other two panels of the triptych would have shown Dante as a Florentine magistrate sentencing Cavalcanti to exile, and Dante at the court of Can Grande della Scala. Sketches toward the latter survive as Dante at Verona .
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The Meeting of Dante and Beatrice in Paradise (rough sketch)1852 (circa)
Beatrice Meeting Dante at a Marriage Feast, Denies him her Salutation (pencil study) 1851 (circa)
, . , -, Ashmolean Museum, Oxford .
Elizabeth Siddal kneeling, playing a double pipe.
Pencil on paper, dated 1852, 19.6 x 13.6cm, Ashmolean Museum, Oxford. Bequeathed by John N Bryson 1977
This may be a study for an angel musician. A companion drawing held in the Ashmolean Museum, Oxford, shows her with a stringed instrument
Elizabeth Siddal 1852-54 (circa)
. 1851
How They Met Themselves (1851-60)
Medium: pen and ink and brush
.1851
How They Met Themselves (1851-60)
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1852 Chatham Place Blackfriars Bridge. . . , , . , -. Rossetti sitting to Miss Siddal 1853.
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: dante gabriel rossetti found william holman hunt carlisle wall first anniversary beatrice meeting dante at a marriage feast chatham place blackfriars bridge |
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