-Ìåòêè

alexa an english autumn afternoon annie miller arie spartali stillman aspecta medusa baron von gloeden beata beatrix botticelli burne-jones byron carlisle wall cave thomas charles allston collins chelsea christina georgina rossetti christina rossetti christina rossetti. clark dante gabriel ross dante gabriel rossetti deverell dudley gallery edward poynter eleanor fortescue-brickdale elizabeth siddal eugene onegin feet fetish fiammetta francois-joseph navez gabriel charls dante rossetti girls goblin market hannibal lecter heartsease pansy jan marsh jane morris joanna mary boyce jodie john everett millais kelmscort manor la girlandata la pia de' tolomei lady lawrence lempica lempicka louis de taeye mariana mary magdalene at the door of simon the pharisee may morris morris naked nude orient goods painting pre-raphaelite preiss robert buchanan rose garden rossetti russian sancta lilias simeon solomon smeralda bandinelli stacy marks study the blessed damozel the blue silk dress the damsel of the sanct grael the lovers the seed of david v. prinsep vampyre venus verticordia vision of fiammetta vita nuova william holman hunt william michael rossetti women working men's college à.ñ. ïóøêèí àâòîïîðòðåò àííè ìèëëåð àíòîíèé àðòóð õüþç áàëåò áåàòðè÷å áåñïëàòíî áëàãîâåùåíüå áëàæåííàÿ áåàòðè÷å áîéñ âèëüãåëüì õåìïôèíã âèëüÿì ðîññåòòè ãàëåðåÿ òåéò ãàìëåò è îôåëèÿ ãåíèàëüíàÿ ãîìèêè ãðàíò âóä äàìà ñâÿòîãî ãðàëÿ äàíòå äàíòå ãàáðèýëü ðîññåòòè äæ. êîòìåí äæåéí ìîððèñ äæåéí ìîððèñ á¸ðäåí äæîàííà ìýðè äîðîãèå òîâàðèùè! æèâîïèñü èåãóäà ëåéá øâàðöìàí èñêàòåëü èñêóññòâî êàíàäñêèé ñóðîê êåííåò êëàðê êîëåãîâà êðèñòèíà ðîññåòòè ëåìïèêà ëåìïèöêà ëåìïèöêàÿ ìàðè ñïàðòàëè ñòèëìàí ìàðèèíñêèé ìàðèÿ ìàãäàëèíà ìàðèÿ ìàãäàëèíà ó äâåðåé ñèìîíà-ôàðèñåÿ ìåíàäû ìèêåëàíäæåëî ìèëëåí ìîððèñ ìóçåè íàãîòà íàñèëèå íîâûé äåòåêòèâ íîâûé ðîìàí íîæêè îáíàæ¸ííàÿ ïåéçàæ ïèÿ äå òîëîìåè ïîýçèÿ. christina rossetti poems ïðåêðàñíûå ðó÷êè ïðåðàôàýëèòû ïðåðàôàýëèòû ðîññåòòè ìóçåé äåëàâàðàñêèé ïðîçåðïèíà ðåòåëü. íåìåçèäà ðèñóþùèé àíãåëà ðîìàí ðîìåî ðîññåòòè ñ íîâûì ãîäîì ñåêñ ñèääàë ñèìâîëèçì ñìîòðåòü ñîëîìîí ñèìåîí ñîìîâà ñîöðåàëèçì ñòèõè òàìàðà ëåìïèöêà òåðåøêîâà òðåòèé ðåéõ óèëüÿì ìîððèñ óîòåðõàóç ôàííè êîðíôîðò ôåòèø ôèàìåòòà ôðèäåðèê ëåéòîí ôðýíê êàäîãàí êóïåð õàíò õàðóêà õüþç ÷ààäàåâ ýëåàíîð ôîðòåñêüþ-áðèêäåéë ýëèçàáåò ñèääàë ýïèãðàô ýññå

 -Ðóáðèêè

 -Ïîèñê ïî äíåâíèêó

Ïîèñê ñîîáùåíèé â ëþäàí_êóïîë

 -Ïîäïèñêà ïî e-mail

 

 -Ñîîáùåñòâà

Ó÷àñòíèê ñîîáùåñòâ (Âñåãî â ñïèñêå: 1) Live_Memory

 -Ñòàòèñòèêà

Ñòàòèñòèêà LiveInternet.ru: ïîêàçàíî êîëè÷åñòâî õèòîâ è ïîñåòèòåëåé
Ñîçäàí: 27.08.2009
Çàïèñåé:
Êîììåíòàðèåâ:
Íàïèñàíî: 557

Çàïèñè ñ ìåòêîé preiss

(è åùå 1 çàïèñÿì íà ñàéòå ñîïîñòàâëåíà òàêàÿ ìåòêà)

Äðóãèå ìåòêè ïîëüçîâàòåëÿ ↓

a christmas carol annie miller aspecta medusa baron von gloeden beata beatrix birchington bocca baciata burden carlisle wall christina rossetti clark dante gabriel rossetti eleanor fortescue-brickdale elizabeth siddal eugene onegin feet fetish francois-joseph navez gabriel charls dante rossetti j.r.herbert john everett millais john inchbold kelmscort manor la pia de' tolomei later rossetti lempica louis de taeye mary magdalene at the door of simon the pharisee morris naked nude palazzo del padesta pansy rossetti study the germ the third reich's nu the beloved the blessed damozel the music master the rossetti family vampyre walter deverell william holman hunt willian allinham women working men's college áàëåò ãåíðè òðåôôðè äóí ãðàíò âóä äàíòå äàíòå ãàáðèýëü ðîññåòòè äæåéí äæåéí ìîððèñ äæåéí ìîððèñ á¸ðäåí äæîí ý́âåðåòò ìèëëǻ äýíèåë ìàêëàéç æèâîïèñü èñêàòåëü èñêóññòâî êàðë òðóïï êîëåãîâà êðèñòèíà ðîññåòòè ëåìïèöêàÿ ìàðèèíñêèé ìóçåè íàñèëèå íîâûé ðîìàí íîæêè îáíàæ¸ííàÿ ïðåðàôàýëèòû ïðîçåðïèíà ðîìàí ðîññåòòè ñèääàë ñîöðåàëèçì óîòåðõàóç ôàííè êîðíôîðò ôîòîèñêóññòâî õàíò õüþç ÷ààäàåâ ýëèçàáåò ñèääàë ýïèãðàô
Êîììåíòàðèè (0)

ÏËÀÑÒÈÊÀ ÀÐÒ ÄÅÊÎ

Äíåâíèê

Âòîðíèê, 30 Îêòÿáðÿ 2012 ã. 19:06 + â öèòàòíèê

ÏËÀÑÒÈÊÀ.

 

         Despite its origin in antiquity, the term “chryselephantine” is most commonly used to refer to the Art Nouveau and Art Deco sculptures of the early twenties century, in which the blending of ivory and other materials, most often bronze, created a visual language that perfectly expressed the style of the times.

 

ÑÊÓËÜÏÒÎÐÛ:

 

Ferdinand Preiss 

Chiparus

Colinet

Poertel

 

                                         Ferdinand Preiss

 

         Íå ñêàçàòü, ÷òî ÿ  âîñòîðãå îò Ïðåéñà, î÷åíü îí óæ íåìåö ñ èõ îñîáûì íåìåöêèì êè÷åì, íî âñ¸-òàêè ÷òî-òî àðò äåêîøíîå ïðèñóòñòâóåò. Íðàâèòñÿ ìíå åãî êðàøåíàÿ áðîíçà, ê ñîæàëåíèþ å¸ òî êàê ðàç è íåò â êàðòèíêàõ.

z2321a (336x336, 14Kb)

 

6738428_4_l (525x700, 32Kb)

 

copie-de-encore---bronze-and-ivory-sculpture-by-preiss---1- (560x700, 21Kb)

 

Preiss_nude_kneeling4 (336x448, 8Kb)

 

preisscharleston12 (313x448, 11Kb)

 

 

Èñòî÷íèêè ðàçäåëà:

Ferdinand Preiss  Art Deco Sculptor The fire and the flame. Alberto Shayo.

 

 

 

 

 

 

Ñåðèÿ ñîîáùåíèé "ART DECO":
×àñòü 1 - ÏËÀÑÒÈÊÀ ÀÐÒ ÄÅÊÎ
×àñòü 2 - ÀÐÒ ÄÅÊÎ


Ìåòêè:  

 Ñòðàíèöû: [1]