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a revery annie miller arthur hughes aspecta medusa baron von gloeden beata beatrix bluebird burne-jones carlisle wall christina georgina rossetti christina rossetti clark cristina rossetti dante gabriel rossetti dr john polidori dudley gallery edward poynter eleanor fortescue-brickdale elizabeth eleanor siddal elizabeth siddal english version eugene onegin fanny co feet fetish fiammetta first anniversary ford madox brown found francois-joseph navez frederic william burton gabriel charles dante gabriel charls dante rossetti george price boyce girls goblin market hans suren he story of st. george and the dragon holy grail jacques-louis david john byam shaw john everett millais john roddam spencer stanhope karl truppe kelmscort manor kent la pia de' tolomei lady lawrence lempica liberty list of pre-raphaelite paintings louis de taeye magdalene maria francesca mariana mary magdalene at the door of simon the pharisee mary nazarene moore morris naked nude orient goods oxfordshire painting pallas pansy patricia peasant venus pre-raphaelite raphaelite brotherhood rayskin reich rossett rossetti self portrait sevenoaks sir john everett millais soviet study the third reich the blessed damozel the raven vampyre vanitas vision of fiammetta w b scott william holman hunt women working men's college àä äàíòå / dante's inferno 1967 àðòóð õüþç áàëåðèíû áàëåò áåëûå ðîçû áåñïëàòíî áëàæåííàÿ áåàòðè÷å âîðîí ãåòåðà ãîëóáü ãðàíò âóä äàíòå äàíòå ãàáðèýëü ðîññåòòè äâåíàäöàòàÿ íî÷ü äæåéí ìîððèñ äæåéí ìîððèñ á¸ðäåí äæîí óèëüÿì ïîëèäîðè åâãåíèé îíåãèí æèâîïèñü æèâîòíûå èíòåðíåò èñêàòåëü èñêóññòâî êåííåò êèíî êëàðê êîëåãîâà êîðîëåâà êðèñòèíà ðîññåòòè ëàðåö êîðîëÿ ðåíå? ëåìïèöêà ëåìïèöêàÿ ëåðìîíòîâ ìàðèèíñêèé ìàðèÿ ôðàí÷åñêà ìåíàäû ìåíäåëååâ ìîððèñ ìóçåè ìýäîêñ áðàóí íàãîòà íàéäåíà íàéäåííàÿ íàñèëèå íîâûé ðîìàí íîæêè îáíàæ¸ííàÿ îíëàéí ïèÿ äå òîëîìåè ïîýçèÿ ðîññåòòè ïîýçèÿ ðîññåòòè ïðåðàôàýëèòû ïðîçåðïèíà ðîìàí ðîññåòòè ñàìîõâàëîâ ñåêñ ñèääàë ñêîòò ôèòöæåðàëüä ñìîòðåòü ñîìîâà ñîöðåàëèçì ñòàñîâ ñòèõè òàìàðà ëåìïèöêà òðåòèé ðåéõ óèëüÿì ìîððèñ óîòåðõàóç ôàííè êîðíôîðò ôåòèø ôèàìåòòà ôîòî ôðèäåðèê ëåéòîí õàíò õüþç ÷ààäàåâ øàðëîò ñòðèò ý ë á å ð ò ã ð ý ì ýâåëèí äå ìîðãàí ýêçèñòåíöèÿ ýëèçàáåò ñèääàë ýïèãðàô ýññå

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Ñîçäàí: 27.08.2009
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äåä ïî ìàòåðè

×åòâåðã, 16 Èþëÿ 2026 ã. 23:52 + â öèòàòíèê
1948GaetanoPolidoribyDanteGabrie3lRossettip122 (250x327, 26Kb)

Äåä ïî ìàòåðè

 

Ÿ îòåö Ãàýòàíî Ïîëèäîðè îáó÷àëñÿ þðèñïðóäåíöèè â óíèâåðñèòåòå Ïèçû. Ãàýòàíî áûë ñåêðåòàð¸ì Âèòòîðèî Àëôèåðè, äðàìàòóðãà è ïîýòà, ñ÷èòàþùåãîñÿ îñíîâàòåëåì èòàëüÿíñêîé äðàìàòóðãèè. Èììèãðèðîâàâ â Àíãëèþ Ïîëèäîðè ñòàë ïðåïîäàâàòåëåì èòàëüÿíñêîãî ÿçûêà, ïåðåâîä÷èêîì, ïèñàòåëåì, ïîýòîì  è äðàìàòóðãîì.  ÷àñòíîñòè åìó ïðèíàäëåæàò ïåðåâîäû Ìèëüòîíîâñêîãî "Óòåðÿííîãî ðàÿ".  ñâî¸ì äîìå îí óñòàíîâèë ïå÷àòíûé ïðåññ, ïðè ïîñðåäñòâîì êîòîðîãî íàïå÷àòàë ïåðâûå ýêçåìïëÿðû ïîýì ñâîèõ âíóêîâ Êðèñòèíû Ðîññåòòè è Äàíòå Ãàáðèýëÿ.  Îí âîñïèòûâàëñÿ êàòîëèêîì, íî ñòàë ñâîáîäîìûñëÿùèì õðèñòèàíèíîì, êðèòè÷åñêè îòíîñèâøèìñÿ ê ïàïèçìó. 

  Gaetano Fedele Polidori (5 August 1763 – 16 December 1853) 

his old friend and housemate, Signor Giovanni Amedeo Deagostini, who likewise had been an Italian teacher, instructing among others the Princess Charlotte, heiress to the British crown. 

   Â ïðèñòðîéêå ê äîìó íàõîäèëñÿ ïå÷àòíûé ïðåññ, ãäå Ïîëèäîðè ïå÷àòàë ñâîè êíèãè, ïðîèçâåäåíèÿ âíóêîâ Êðèñòèíû Ðîññåòòè è Äàíòå Ðîññåòòè.

 

were printed many of Polidori's own works, including his translation of Milton ; in 1841 Maria's blank-verse rendering of a short Italian poem in memory of Gwendalina Talbot, Princess Borghese ; in 1 843 Gabriel's ballad-poem Sir Hugh the Heron ; and in 1 847 Christina's Verses.

 

 

   Ôðýíñèñ âûøëà çàìóæ  â 26 ëåò è ðîäèëà ÷åòûð¸õ äåòåé â ïîñëåäóþùèå ÷åòûðå ãîäà: Ìàðèÿ Ôðàí÷åñêà 1827, Ãàáðèýëü ×àðëüç Äàíòå 1828, Âèëüÿì Ìàéêë 1829 è Êðèñòèíà Äæåîðæèíà 1830. Ôðýíñèñ ïîëó÷èëà ïðåêðàñíîå îáðàçîâàíèå â ñåìüå ðîäèòåëåé. Èç å¸ ÷åòûð¸õ áðàòüåâ íàèáîëåå èçâåñòåí Äæîí Ïîëèäîðè John Polidori, ëè÷íûé âðà÷ Áàéðîíà è àâòîð Âàìïèðà.

   Ôðýíñèñ è Ãàáðèýë ïîñâÿòèëè ñåáÿ âîñïèòàíèþ äåòåé. Ìàëü÷èêè ó÷èëèñü â ïàíñèîíå, à âîñïèòàíèåì äåâî÷åê ñ ýíòóçèàçìîì çàíèìàëàñü ìàòü. Õîòÿ ðîäíûì ÿçûêîì äëÿ íå¸ áûë àíãëèéñêèé, îíà ñâîáîäíî ãîâîðèëà íà ôðàíöóçñêîì è èòàëüÿíñêîì.  ñåìüå äåòè ãîâîðèëè ñ îòöîì íà èòàëüÿíñêîì, à ñ ìàòåðüþ íà àíãëèéñêîì. Âñå äåòè ðàíî íàó÷èëèñü ÷èòàòü, Êðèñòèíà óæå â ïÿòü ëåò ñâîáîäíî ÷èòàëà. Ðåëèãèîçíûì âîñïèòàíèåì ìàëü÷èêîâ çàíèìàëñÿ îòåö, à ìàòü âîñïèòûâàëà äåâî÷åê â äóõå àíãëèêàíñêîé öåðêâè, ÷òî â äàëüíåéøåì ìíîãîå îïðåäåëèëî â èõ æèçíÿõ.  È Äàíòå è Ìàéêë îòíîñèëèñü ê ðåëèãèè ôîðìàëüíî, îíà íå ñòàëà îïðåäåëÿþùåé ñèëîé â èõ ñóäüáàõ, êàê ó ñåñò¸ð. Âî âðåìÿ ðàáîòû íàä îêñôîðäñêèì ïðîåêòîì Óèëüÿì Ìîððèñ (ñîáèðàâøèéñÿ îäíî âðåìÿ ñòàòü ñâÿùåííèêîì) è Á¸ðí-Äæîíñ ïûòàëèñü âîâëå÷ü Äàíòå â òðàêòàðèàíèçì èëè Îêñôîðäñêîå äâèæåíèå. Ñòîðîííèêè ýòîãî äâèæåíèÿ âûñòóïàëè ïðîòèâ óïðàçäíåíèÿ îáðÿäîâ â àíãëèêàíñêîé öåðêâè, çà âîññîçäàíèå ñðåäíåâåêîâûõ òðàäèöèé. Íî äëÿ Ðîññåòòè è òîãäà è â äàëüíåéøåì ðåëèãèîçíûå òåìû ñëóæèëè ëèøü ïîâîäîì äëÿ ðåàëèçàöèè õóäîæåñòâåííûõ èäåé. 

Êóëüòóðíàÿ àòìîñôåðà ñåìüè èìåëà íåîáû÷àéíîå âëèÿíèå íà òâîð÷åñêîå ðàçâèòèå äåòåé è îíè íàâñåãäà îñòàëèñü ïðåäàíû ðîäèòåëÿì, ïîñâÿùàÿ èì ìíîãèå ñâîè ðàáîòû.

   Ñåìüÿ ïðîæèâàëà â ¹38 íà (Charlotte Street). À â 1835 ãîäó ïåðåáðàëàñü â ¹50 íà òîé æå óëèöå è æèëà òàì äî 1851 ãîäà. Ãîäîâàÿ ðåíòà ñîñòàâëÿëà 60 ôóíòîâ. 

    Ïðîòèâîðå÷èâû ñâåäåíèÿ î ôèíàíñîâîì ïîëîæåíèè ñåìüè îò áåäíîñòè äî äîõîäîâ ñðåäíåãî êëàññà. Ñî ñëîâ Ìàéêëà Ðîññåòòè Ãàáðèýë ïîëó÷àë 200-300 ôóíòîâ â ãîä. Èñòî÷íèê äîõîäà íå ÿñåí. Ìàéêë Ðîññåòòè óòâåðæäàåò, ÷òî çà ïðåïîäàâàíèå â Êîðîëåâñêîì êîëëåäæå ïðàêòè÷åñêè íå ïëàòèëè (î÷åíü ñîìíèòåëüíî), íà èçäàíèå ëèòåðàòóðíûõ ïðîèçâåäåíèé íå áûëî ñðåäñòâ. Îñíîâíîé äîõîä ñîñòàâëÿëè ïîæåðòâîâàíèÿ äðóçåé. Îäíàêî ñåìüÿ ïðîæèâàëà â äîìå èç äåñÿòè êîìíàò íà òð¸õ ýòàæàõ ñ êóõíåé â ïîäâàëå è èìåëà  ñëóãó. Ôðýíñèñ ïðèãîòîâëåíèåì ïèùè íå çàíèìàëàñü, ñëåäîâàòåëüíî áûëà åù¸ è êóõàðêà. Äåä Ãàáðèåëÿ ïî ìàòåðèíñêîé ëèíèè äàâàë ÷àñòíûå óðîêè èòàëüÿíñêîãî ÿçûêà, ïîëó÷àÿ ãèíåþ çà ÷àñ çàíÿòèé, ÷òî íå òàê ìàëî.

   Ôðýíñèñ íå îäîáðÿëà ñâîáîäîìûñëèå îòöà è ïîñëå åãî ñìåðòè â 1854 ãîäó ñîæãëà âñå êîïèè åãî 1500 ñòðàíè÷íîãî òðóäà Mystery of the Platonic Love of the Middle Ages ñîäåðæàâøåãî èññëåäîâàíèÿ ðàçëè÷íûõ òå÷åíèé çàïàäíîãî ýçîòåðèçìà (Ýçîòåðèçì (îò ãðå÷. «âíóòðåííèé») — ñîâîêóïíîñòü òàéíûõ ó÷åíèé, ìèñòè÷åñêèõ çíàíèé è ïñèõîäóõîâíûõ ïðàêòèê, äîñòóïíûõ ëèøü ïîñâÿùåííûì. Âêëþ÷àåò ìàãèþ, àëõèìèþ, àñòðîëîãèþ, òåîñîôèþ è äð..)

     Ìàòü è îòåö Äàíòå íè â áóäíè, íè â ïðàçäíèêè íå âûåçæàëè èç Ëîíäîíà íà ïðèðîäó èëè ê ìîðþ. Çíàêîìñòâî ñ ïðèðîäîé ó Ðîññåòòè îãðàíè÷èâàëîñü ðåäêèìè ïîñåùåíèÿìè ñåëüñêîãî êîòòåäæà äåäà ïî ìàòåðèíñêîé ëèíèè â Holmer Green. Ïàðó ðàç îí áûë òàì ñ áðàòîì Ìàéêëîì è âûñøèì óäîâîëüñòâèåì äëÿ íèõ áûëî ïðîáðàòüñÿ ê ïðóäó, ðàñïîëîæåííîì íà ó÷àñòêå äåäà, è çàíÿòüñÿ ëîâëåé ëÿãóøåê. Îíè èãðàëè ñî ñïàíèåëåì Äåëüòîé, íàáëþäàëè çà ñâèíüÿìè â çàãîíå. Îò Ëîíäîíà äî äåðåâóøêè Õîëìåð Ãðèí 32 ìèëè è íàñòîÿùèì ïðèêëþ÷åíèåì äëÿ ìàëü÷èøåê áûëî ïóòåøåñòâèå â  îáùåñòâåííîé ïîâîçêå ñ ÷åòâ¸ðêîé ëîøàäåé.

 

Ñåðèÿ ñîîáùåíèé "ros text":
text
×àñòü 1 - Gabriel Charls Dante Rossetti 1828-82. Äàíòå Ãàáðèýëü Ðîññåòòè.
×àñòü 2 - ÊÐÈÑÒÈÍÀ ÐÎÑÑÅÒÒÈ. ÏÎÝÒÈ×ÅÑÊÎÅ ÒÂÎÐ×ÅÑÒÂÎ
×àñòü 3 - ÏÎÝÇÈß ÊÐÈÑÒÈÍÛ
×àñòü 4 - äåä ïî ìàòåðè


 

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