. THE LIFE AND OEUVRE. 1848 |
1848
1848 - The English Pre-Raphaelite Brotherhood was formed in with seven members, all Royal Academy students except for William Michael Rossetti.
“Perhaps the first drawing for the subject; the grouping is essentially the same though the male figure on the extreme left and many of the accessories have not yet been introduced.
Vita Nova 1848 . 1848 , 1849-, .
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, Guido Cavalcanti ( (. Guido Cavalcanti; 1259, — 1300) — ). ,), Camille Bonard's Costumes Historiques Spanish Chapel .
: Lasinio's engravings of the Campo Santo frescoes Retzsch:
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Vanitas. . Giotto , Palazzo del Padesta 1840 .
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1848 .
Cyclographic scetching club .
1848 (Ford Madox Brown) . ( , "The Spirit of Justice" - ) . , . , , . , .
Brown was born in Calais and studied art in Antwerp under Egide Charles Gustave Wappers. In 1843 he submitted work to the Westminster Cartoon Competition, for compositions to decorate the new Palace of Westminster. He was not successful. His early works were, however, greatly admired by the young Dante Gabriel Rossetti, who asked him to become his tutor.
Rossetti at Madox Brown's studio.
Clipstone Street 1848 , . The Seeds and Fruits of English Poetry, , , Kirke White . , .
This early picture was executed under the tutelage of Ford Madox Brown. It is reproduced in black and white in Hunt's Pre-Raphaelitism, facing page 149.
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Hunt's picture illustrates stanza forty-one of Keats's poem:
They glide, like phantoms, into the wide hall;
Like phantoms, to the iron porch, they glide;
Where lay the Porter, in uneasy sprawl,
With a huge empty flagon by his side:
The wakeful bloodhound rose, and shook his hide,
But his sagacious eye an inmate owns:
By one, and one, the bolts full easy slide; --
The chains lie silent on the footworn stones; --
The key turns, and the door upon its hinges groans. [ll. 361-69]
The work is typically early Pre-Raphaelite in its detail, its even lighting, and its bright "blue-greens, purples, violets, which came to be one of the marks of Pre-Raphaelite painting" (Watkinson 39), and in its close attention to nature. Hunt wrote of his painting,
I am limited to architecture and night effect, but I purpose after this to paint an out-of-door picture, with a foreground and background, abjuring altogether brown foliage, smoky clouds, and dark corners, direct on the canvas itself, with every detail I can see, and with the sunlight brightness of the day itself. [Watkinson 40]
Isabella; or, The Pot of Basil A Story from Boccaccio
1848 - (Cleveland Street) -. Black heath Park.
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Vita Nuova.
1848 Vita Nuova
, 1848 Dante Gabriel
Christina Rossetti.
Pencil on paper, drawn about 1848-50, 15 x 11.5cm, Private collection
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Rossetti's younger sister had already embarked on her career as a poet. The drawing may have been made in connection with 'The Girlhood of Mary Virgin', for which she posed for the figure of Mary.
Genevieve . Rossetti's August 1848
Designed for the Cyclographic Society, this drawing was intended as an illustration to Coleridge's poem in which the heroine is called Genevieve
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Study for Rachel. Figure: Pencil. 1855.
