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ÐÎÑÑÅÒÒÈ 1858

Ïÿòíèöà, 27 ßíâàðÿ 2023 ã. 13:46 + â öèòàòíèê

1858

 

1.Mary Magdalene at the Door of Simon the Pharisee.

2. Ãàìëåò è Îôåëèÿ.
3.
Portrait of Jane Morris (nee Burden) 
4.The Seed of David (1858-64) Central panel of triptych.  Oil on canvas.  Llandaff Cathedral, Cardiff, UK.

5.Ïåðåä áèòâîé. Before the Battle (1857-58)

 

 (347x407, 60Kb)

Ìàðèÿ Ìàãäàëèíà ó äâåðåé Ñèìîíà-ôàðèñåÿ. 1858.

ïåðî è ÷åðíèëà íà áóìàãå. Êàðòèíà çàäóìàíà â 1853 ãîäó, íî äî 1858 å¸ íèêòî íå âèäåë.

Mary Magdalene at the Door of Simon the Pharisee 1858

pen and ink on paper
Fitzwilliam Museum
Rossetti worked on this for over 5 years. 
 
                     Èñòîðèÿ ðàññêàçàíà â Åâàíãåëèè îò Ëóêè ãëàâà 7. Ñòèõ 37 :È âîò æåíùèíà, òîãî ãîðîäà, êîòîðàÿ áûëà ãðåøíèöà, óçíàâøè, ÷òî Îí âîçëåæèò â äîìå ôàðèñåÿ, ïðèíåñëà àëåáàñòðîâûé ñîñóä ñ ìèðîì; Ñòèõ 38: È, ñòàâøè ïîçàäè ó íîã Åãî è ïëà÷à, íà÷àëà îáëèâàòü íîãè Åãî ñëåçàìè è îòèðàòü âîëîñàìè ãîëîâû ñâîåé, è öåëîâàëà íîãè Åãî, è ìàçàëà ìèðîì.
 
Äàëåå, ó÷èòûâàÿ ïðîôåññèþ Ìàðèè, Ñòèõ 47: ...ïðîùàþòñÿ ãðåõè å¸ ìíîãèå çà òî, ÷òî îíà âîçëþáèëà ìíîãî...
Ðîññåòòè ðàáîòàë íàä ýòèì ðèñóíêîì ïÿòü ëåò.
 
 
 

Mary Magdalene at the Door of Simon the Pharisee (study for head of lover)

1853-1859 (circa)

 

 
 

s109g (300x296, 17Kb)

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Ïåðâûé íàáðîñîê ôèãóð Ìàðèè Ìàãäàëèíû è âëþáë¸ííîãî. 1857-58.
 
f2 (300x364, 23Kb)

First sketch for the figure of Mary Magdalene and the lover. 1857 - 1858

Íàáðîñîê ìóæñêîé ôèãóðû, âåðîÿòíî ñäåëàííûé ñ ïðîôåññèîíàëüíîé ìîäåëè.

A study for the male figure in Mary Magdalene at the Door of Simon the Pharisee, probably drawn from a professional model. 1858

 

 

 

 

 

 

 

 

Mary Magdalene at the Door of Simon the Pharisee (Head of Christ)

1858

s109e.fc.repro (300x321, 20Kb)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Mary Magdalene at the Door of Simon the Pharisee (early sketch of four figures)

1853 or earlier

 

 

 

s109b (300x327, 40Kb)

 

 

Ýñêèç êîìïîçèöèè.

Pen and Ink Drawing - Mary Magdalene at the Door of Simon the Pharisee - Compositional Study 1858c

 

Êðèñòîôåð Íüþâîëë ñ÷èòàåò, ÷òî ýñêèç ñäåëàí íà ïëåíýðå. Ýôôåêòíî èñïîëüçóåòñÿ ñâåò, âîêðóã öåíòðàëüíîé çàòåí¸ííîé ôèãóðû.

Figure Study

Christopher Newall considers this to have been drawn out of doors. There is an effective use of light surrounding the central shadowed figure.

 

 

 

Mary Magdalene at the Door of Simon the Pharisee (sketch for principal group)

 

 

1853-1859 (circa)

 

s109a (300x482, 39Kb)

 

(study for young girl)

 

 

1853-1856 (circa)

 

s109k (300x452, 23Kb)Ýñêèç ìîëîäîé íèùåíêè. Íà îêîí÷åííîì ðèñóíêå îíà íàõîäèòñÿ â ëåâîì íèæíåì óãëó è, â îáùåì, íå èçìåíåíà.

Study for the young Beggar

The figure is the young beggar girl with a porringer seated at the foot on the steps on the bottom left of the finished drawing and is largely unchanged.

 

Ýòîò ýñêèç ïðèðîäíîãî îáúåêòà äîâîëüíî íåîáû÷åí äëÿ Ðîññåòòè. Ïîëàãàþò, ÷òî îí ñäåëàí â òåòðàäè, âî âðåìÿ ïîñåùåíèÿ Ëîíäîíñêîãî çîîïàðêà.

This observational study of a natural form is rather unusual in Rossetti's work. It is thought to have been drawn in a notebook taken to London Zoological Gardens.

 

Mary Magdalene at the Door of Simon the Pharisee (study for fawn)

1859 (circa)

 

s109m (300x227, 11Kb)s109l (300x361, 15Kb)

 

 
 

 

 (339x413, 36Kb)
 
Ãàìëåò è Îôåëèÿ 1858 ã.
 
   Â 1858 ãîäó Ðîññåòòè ïîëó÷èë çàêàç íà ðîñïèñü àëòàðÿ â Ëàíäàôôñêîì ñîáîðå îò àðõèòåêòîðà Äæîíà Ï. Ñåääîíà.
Ýñêèç öåíòðàëüíîé ïàíåëè òðèïòèõà.
 
 (325x506, 42Kb)  sa855.s105 (300x414, 39Kb)
 
Ñåìÿ Äàâèäîâî. Öåíòðàëüíàÿ ÷àñòü òðèïòèõà. Ïîêëîíåíèå ìëàäåíöó. .
 
 The Seed of David (1858-64) The Adoration/
Central panel of triptych.  Oil on canvas.  Llandaff Cathedral, Cardiff, UK.
 
        

Jane Morris

1858-60 (circa)

f45c.fred (300x301, 20Kb)                                        

 

     

s106 (300x452, 44Kb)Before the Battle 1858

 
 
«Äåâà Ìàðèÿ â äîìå ñâÿòîãî Èîàííà» — àêâàðåëü. Èîàíí áûë ïîñëåäíèì ó÷åíèêîì Õðèñòà, äëÿ Ìàðèè îí ïîñòðîèë äîì. Íà ðàìå öèòàòà èç Åâàíãåëèÿ îò Èîàííà.                                     

 

    Òåì âðåìåíåì Ðîññåòòè îòêðûë äëÿ ñåáÿ óäîâîëüñòâèå â îáùåíèè ñ äðóãèì ñîðòîì æåíùèí, îòëè÷íûõ îò Ýëèçàáåò Ñèääàë.  1858 ãîäó îí íà÷àë ñåðèþ òùàòåëüíî îòäåëàííûõ ðèñóíêîâ, ìîäåëÿìè äëÿ êîòîðûõ ïîñëóæèëè  Jane Morris, Ruth Herbert, Fanni Cornforth.

    Î÷åíü óìåñòíî îíè âîøëè â åãî èñêóññòâî è æèçíü è êàê ìîäåëè äëÿ Ìàðèè Ìàãäàëèíû è ïðîñòî èçîáðàæåíèÿ, ïðîñëàâëÿþùèå êðàñîòó æåíùèíû. Ïîä÷¸ðêèâàëàñü äëèííàÿ øåÿ, ÷¸òêî ìîäåëèðîâàííûé ïðîôèëü, ãóáû "Êóïèäîíà", ãëàçà, ïðèêðûòûå òÿæåëûìè âåêàìè, ãóñòûå âüþùèåñÿ âîëîñû. Íàèáîëåå ïðèìå÷àòåëüíà èç íèõ Ôàííè Êîíôîðò Funny Cornforth, êîòîðóþ Ðîññåòòè âñòðåòèë â 1858 èëè 57 ãîäó. Îíà ñòàëà åãî ìîäåëüþ, äîìîïðàâèòåëüíèöåé è ëþáîâíèöåé. Ôàííè Êîðíôîðò .

 Â àïðåëå 1858 âìåñòå ñ Ìýäîêñîì Áðàóíîì è äðóãèìè ó÷àñòâîâàë â îñíîâàíèè Hogarth Club.

  

 

   

 

 

     

      

 

images (393x508, 25Kb)

Ðóáðèêè:  ÐÎÑÑÅÒÒÈ. ROSSETTI./ÐÎÑÑÅÒÒÈ ÆÈÇÍÜ ROSSETTI LIFE
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