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75

, 14 2021 . 18:27 +

 

 

75

 

 

 

11.La Bella Mano ( ) 1875. 

12.  .La Bella Mano ( ) 1874.

13    .La Bella Mano ( ) 1874.

14.  .La Bella Mano ( ). 1875-1900.

15. La Bella Mano ( ) 1877.

  

 

 

 

 

.
Fogg Art Museum - Harvard University - Cambridge, MA
The Blessed Damozel (1875-78)

68 l/2 x 37 inches

    THE BLESSED DAMOSEL   

              

 The Death of Lady Macbeth 1875 (circa)   1875

  • The Death of Lady Macbeth.Medium: pencil Dimensions: 18 3/8 x 24 1/4 in.

          Fuseli   Theodore von Holst , . Act v Scene i . , . , .

    s242.wood (550x434, 145Kb)

    sa414.mansell (550x491, 83Kb)

    s242a.surtees.repro (300x215, 30Kb)

    THE SLEEPWALKING LADY MACBETH

    HENRY FUSELI – 1784

    06macbet (330x448, 12Kb)

       Dante Gabriel Rossetti, greatly admired von Holst's work and according to Browne "considered him a significant link between the older generation of English Romantic painters, such as Fuseli and William Blake, and the Pre-Raphaelite circle"

     

 

 

La Bella Mano ( ) 1875    
, ,

 

       Oil on canvas, 62 x 46 inches Delaware Art Museum, Samuel and Mary R. Bancroft Memorial, 1935

     " " , , . - . , , , , . , , .

 

     Rossetti completed the sonnet entitled “La Bella Mano” a year after the painting, suggesting the visual representation may have been the inspiration for the poem. The painting represents a personification of love—Venus assisted by her winged attendants. The canvas is rich in details all contributing to the theme of love—both spiritual and earthly—as represented in the central figure. The effect of a halo is created by the convex mirror showing the bed, which entices a present or future lover.

 

LA  BELLA  MANO

 (For a Picture)

O lovely hand, that thy sweet self dost lave

In that thy pure and proper element,

When erst the Lady of Love's high advent

Was born, and endless fires sprang from the wave: -

Even as her Lovers to her their offerings gave,

For thee the jewelled gifts they bear; while each

Looks to those lips, of music-measured speech

The fount, and of more bliss than man may crave.

 

In royal wise ring-girt and bracelet-spann'd

A flower of Venus' own virginity,

Go shine among thy sisterly sweet band;

In maiden-minded converse delicately

Evermore white and soft; until thou be,

O hand! heart-handsel'd in lover's hand.

1875.

.  1... ": ." 2004.

 

 

 

f18.s240 (569x700, 176Kb)

 
Medium: pencil
Dimensions: 22.7 x 18.2 cm
Note: WMR (verso): “G. for Bella Mano.” A verso draft P.S. to a letter to William Bell Scott, dated 3 May 1875, tends to support the date.
Production Date: 1874 (circa)
 

f19.s240 (450x295, 81Kb)

La Bella Mano, study of hands and bracelet

1874 (circa)

Medium: pencil on handmade paper with half watermark: “18”
Dimensions: 11.2 x 17.5 cm
Note: WMR (verso): “G. for Bella Mano.”
Current Location: Private Collection
 
 
:
 

s240a (406x550, 116Kb)

La Bella Mano [print

1875-1900 (circa)

Physical Description

Medium: photoprint (red/sepia?) mounted on board
Dimensions: Print: 24 3/4 x 18 9/16 in.
Note: from a photograph by the Autotype Co.

Provenance

Current Location: Delaware Art Museum

 

- .

s240c (220x550, 35Kb)

 

Medium: pencil, red chalk, and pastel
Dimensions: 54 x 19 1/2 in.
Signature: monogram
Date on Image: 1877
Note: Surtees suggests that the date was added later.
Exhibition History: Indianapolis and Huntington Hartfor, 1964, (no. 91)

Provenance

Current Location: Lyman Allyn Museum, New London, Connecticut

 (374x600, 46Kb)
 

.
The Damsel of the Sanct Grael
92*57,7 1874.

. ROSSETTI./ ROSSETTI LIFE

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