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11.La Bella Mano (Ïðåêðàñíûå ðóêè) 1875. 12.Íàáðîñîê ôèãóðû è ðóêè ê .La Bella Mano (Ïðåêðàñíûå ðóêè) 1874. 13 Ýñêèç ðóê è áðàñëåòà ê .La Bella Mano (Ïðåêðàñíûå ðóêè) 1874. 14. Ïðèíò .La Bella Mano (Ïðåêðàñíûå ðóêè). 1875-1900. 15.Ôèãóðà èç La Bella Mano (Ïðåêðàñíûå ðóêè) 1877.
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Áëàæåííàÿ.
Fogg Art Museum - Harvard University - Cambridge, MA
The Blessed Damozel (1875-78)
68 l/2 x 37 inches
THE BLESSED DAMOSEL Áëàãîñëîâåííàÿ
The Death of Lady Macbeth 1875 (circa) Ñìåðòü ëåäè Ìàêáåò 1875
The Death of Lady Macbeth.Medium: pencil Dimensions: 18 3/8 x 24 1/4 in.




Dante Gabriel Rossetti, greatly admired von Holst's work and according to Browne "considered him a significant link between the older generation of English Romantic painters, such as Fuseli and William Blake, and the Pre-Raphaelite circle"
La Bella Mano (Ïðåêðàñíûå ðóêè) 1875
Äëÿ àíãåëà, âîçìîæíî, ïîçèðîâàëà Ìýé Ìîððèñ
Oil on canvas, 62 x 46 inches Delaware Art Museum, Samuel and Mary R. Bancroft Memorial, 1935
Ðîññåòòè çàâåðøèë ñîíåò ïîä íàçâàíèå "Ïðåêðàñíûå ðó÷êè" ÷åðåç ãîä ïîñëå îêîí÷àíèÿ êàðòèíû, ïðåäïîëàãàåòñÿ, ÷òî èçîáðàæåíèå ïîñëóæèëî èñòî÷íèêîì âäîõíîâåíèÿ äëÿ ñòèõîòâîðåíèÿ. Êàðòèíà ïðåäñòàâëÿåò ñîáîé ïåðñîíèôèêàöèþ ëþáâè - Âåíåðà è å¸ êðûëàòûå ïîìîøíèêè. Êàðòèíà áîãàòà äåòàëÿìè, äîïîëíÿþùèìè òåìó ëþáâè, êàê äóõîâíîé, òàê è çåìíîé, ÷òî âîïëîùåíà â öåíòðàëüíîé ôèãóðå. Ýôôåêò ãàëî ñîçäàí êðèâûì çåðêàëîì, â êîòîðîì îòðàæàåòñÿ êðîâàòü, ÷òî íàìåêàåò íà áóùåãî ëþáîâíèêà.
Rossetti completed the sonnet entitled “La Bella Mano” a year after the painting, suggesting the visual representation may have been the inspiration for the poem. The painting represents a personification of love—Venus assisted by her winged attendants. The canvas is rich in details all contributing to the theme of love—both spiritual and earthly—as represented in the central figure. The effect of a halo is created by the convex mirror showing the bed, which entices a present or future lover.
LA BELLA MANO
(For a Picture)
O lovely hand, that thy sweet self dost lave
In that thy pure and proper element,
When erst the Lady of Love's high advent
Was born, and endless fires sprang from the wave: -
Even as her Lovers to her their offerings gave,
For thee the jewelled gifts they bear; while each
Looks to those lips, of music-measured speech
The fount, and of more bliss than man may crave.
In royal wise ring-girt and bracelet-spann'd
A flower of Venus' own virginity,
Go shine among thy sisterly sweet band;
In maiden-minded converse delicately
Evermore white and soft; until thou be,
O hand! heart-handsel'd in lover's hand.
1875.
ËÈÒÅÐÀÒÓÐÀ. 1.Â.Ï.Øåñòàêîâ "Ïðåðàôàýëèòû: ìå÷òû î ïðåêðàñíîì." Ì 2004.


Îò ýòîé êàðòèíû Ðîññåòòè çà÷åì-òî êóñîê íàïèñàë ïîçæå îòäåëüíî.


Äàìà Ñâÿòîãî Ãðàëÿ.
The Damsel of the Sanct Grael
92*57,7 ñì 1874ã.
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