ÌÎÄÅËÈ ÐÎÑÑÅÒÒÈ. |
Ìîäåëè Ðîññåòòè.
Æåíùèíû ïðåðàôàýëèòîâ îáû÷íî ïîïàäàþò â äâå êàòåãîðèè: ìîäåëè (ïî ïðåèìóùåñòâó æ¸íû, ëþáîâíèöû, èëè â ñëó÷àå Êðèñòèíû Ðîññåòòè - ñ¸ñòðû õóäîæíèêîâ) èëè æåíùèíû õóäîæíèêè ïðåðàôàýëèòû. Äæåéí ìîððèñ ïîïàäàåò â ïåðâóþ, à Ñèääàë ìîæíî îòíåñòè ê îáåèì êàòåãîðèÿì.
The Pre-Raphaelite women generally fall into two categories: artist’s models (who were predominately wives, lovers, or in the case of Christina Rossetti, sisters of the artists) or Pre-Raphaelite women artists (Lizzie Siddal can be included in both categories). Jane Morris falls in the first category.
1. Êðèñòèíà Ðîññåòòè. Christina Rossetti. Êðèñòèíà Ðîññåòòè
2.Ýëèçàáåò Ñèääàë. Elizabeth Siddal. 1849* âñòðå÷àåò Ýëèçàáåò Ñèääàë è èñïîëüçóåò å¸, êàê îñíîâíóþ ìîäåëü (íå ïîçâîëÿÿ ïîçèðîâàòü äðóãèì). Ýëèçàáåò Ñèääàë
3. Àëåêñà Âàéëäèíã. Alexa Wilding. ÀËÅÊÑÀ ÂÀÉËÄÈÍÃ ALEXA WILDING
4. Ôàíè Êîðíôîðò. Fanny Cornforth 1856* âñòðå÷àåò Ôàíè Êîðíôîðò è èñïîëüçóåò å¸, êàê îñíîâíóþ ìîäåëü.1863* Ôàíè Êîðíôîðò ñòàíîâèòñÿ äîìîïðàâèòåëüíèöåé ó êîãî-òî äðóãîãî. Ôàííè Êîðíôîðò
5. Àííè Ìèëëåð. Annie Miller. ÀÍÍÈ ÌÈËËÅÐ ANNIE MILLER
6.Äæåéí Ìîððèñ Á¸ðäåí Jane Morris Burden 1857* âñòðå÷àåò Äæåéí Ìîððèñ.1865• used J. Morris as the main model ÄÆÅÉÍ ÌÎÐÐÈÑ Á¨ÐÄÅÍ JANE MORRIS BURDEN
7. Ìàðè Ñïàðòàëè Ñòèëìàí. Marie Spartali Stillman.
8. Ýäâàðä Ðîáåðò Õüþç Edward Robert Hughes Ýäâàðä Ðîáåðò Õüþç
9. Ìýé è Äæåííè Ìîððèñ May and Jenny Morris.
Ññûëêà íà âèäåî ìóç Ðîññåòòè:http://www.youtube.com/watch?v=KW6A...feature=related
Ìóçû ïðåðàôàýëòîâ
https://kristina-lenora.livejournal.com/18390.html
1849• met Elizabeth Siddal and used her as the main model (not to be used by the others)
1858• met Fanny Cornforth and used her as the main model
1857• met Jane Morris
1863• Fanny Cornforth became somebody else's housekeeper.
1865• used J. Morris as the main model
| Ðóáðèêè: | ÐÎÑÑÅÒÒÈ. ROSSETTI./ÐÎÑÑÅÒÒÈ ÆÈÇÍÜ ROSSETTI LIFE |
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