-Ìåòêè

a revery annie miller arthur hughes aspecta medusa baron von gloeden beata beatrix bluebird burne-jones carlisle wall christina georgina rossetti christina rossetti clark cristina rossetti dante gabriel rossetti dr john polidori dudley gallery edward poynter eleanor fortescue-brickdale elizabeth eleanor siddal elizabeth siddal english version eugene onegin fanny co feet fetish fiammetta first anniversary ford madox brown found francois-joseph navez frederic william burton gabriel charles dante gabriel charls dante rossetti george price boyce girls goblin market hans suren he story of st. george and the dragon holy grail jacques-louis david john byam shaw john everett millais john roddam spencer stanhope karl truppe kelmscort manor kent la pia de' tolomei lady lawrence lempica liberty list of pre-raphaelite paintings louis de taeye magdalene maria francesca mariana mary magdalene at the door of simon the pharisee mary nazarene moore morris naked nude orient goods oxfordshire painting pallas pansy patricia peasant venus pre-raphaelite raphaelite brotherhood rayskin reich rossett rossetti self portrait sevenoaks sir john everett millais soviet study the third reich the blessed damozel the raven vampyre vanitas vision of fiammetta w b scott william holman hunt women working men's college àä äàíòå / dante's inferno 1967 àðòóð õüþç áàëåðèíû áàëåò áåëûå ðîçû áåñïëàòíî áëàæåííàÿ áåàòðè÷å âîðîí ãåòåðà ãîëóáü ãðàíò âóä äàíòå äàíòå ãàáðèýëü ðîññåòòè äâåíàäöàòàÿ íî÷ü äæåéí ìîððèñ äæåéí ìîððèñ á¸ðäåí äæîí óèëüÿì ïîëèäîðè åâãåíèé îíåãèí æèâîïèñü æèâîòíûå èíòåðíåò èñêàòåëü èñêóññòâî êåííåò êèíî êëàðê êîëåãîâà êîðîëåâà êðèñòèíà ðîññåòòè ëàðåö êîðîëÿ ðåíå? ëåìïèöêà ëåìïèöêàÿ ëåðìîíòîâ ìàðèèíñêèé ìàðèÿ ôðàí÷åñêà ìåíàäû ìåíäåëååâ ìîððèñ ìóçåè ìýäîêñ áðàóí íàãîòà íàéäåíà íàéäåííàÿ íàñèëèå íîâûé ðîìàí íîæêè îáíàæ¸ííàÿ îíëàéí ïèÿ äå òîëîìåè ïîýçèÿ ðîññåòòè ïîýçèÿ ðîññåòòè ïðåðàôàýëèòû ïðîçåðïèíà ðîìàí ðîññåòòè ñàìîõâàëîâ ñåêñ ñèääàë ñêîòò ôèòöæåðàëüä ñìîòðåòü ñîìîâà ñîöðåàëèçì ñòàñîâ ñòèõè òàìàðà ëåìïèöêà òðåòèé ðåéõ óèëüÿì ìîððèñ óîòåðõàóç ôàííè êîðíôîðò ôåòèø ôèàìåòòà ôîòî ôðèäåðèê ëåéòîí õàíò õüþç ÷ààäàåâ øàðëîò ñòðèò ý ë á å ð ò ã ð ý ì ýâåëèí äå ìîðãàí ýêçèñòåíöèÿ ýëèçàáåò ñèääàë ýïèãðàô ýññå

 -Ðóáðèêè

 -Ïîèñê ïî äíåâíèêó

Ïîèñê ñîîáùåíèé â ëþäàí_êóïîë

 -Ïîäïèñêà ïî e-mail

 

 -Ñîîáùåñòâà

Ó÷àñòíèê ñîîáùåñòâ (Âñåãî â ñïèñêå: 1) Live_Memory

 -Ñòàòèñòèêà

Ñòàòèñòèêà LiveInternet.ru: ïîêàçàíî êîëè÷åñòâî õèòîâ è ïîñåòèòåëåé
Ñîçäàí: 27.08.2009
Çàïèñåé:
Êîììåíòàðèåâ:
Íàïèñàíî: 559


ÀÍÎÍÑÛ

×åòâåðã, 17 Îêòÿáðÿ 2013 ã. 22:44 + â öèòàòíèê

     Çäðàâñòâóé, äðóæîê! Åñëè òû çàø¸ë ñþäà, òî ïîäîçðåâàþ, ÷òî òû îáðåìåí¸í ëèøíèì ãðóçîì èíòåëëèãåíòíîñòè è èíòåðåñóåøüñÿ íåòðèâèàëüíûìè âåùàìè. Åñëè òû ãðàôîìàí, íå îáèæàéñÿ, ÿ ñàì òàêîâ, òî ÷èòàé ìîè îïóñû, ìîè ñòèõè ìîè ñòèõè, à ÿ îáÿçóþñü ïðî÷åñòü ÷òî-ëèáî èç òâîåãî òâîð÷åñêîãî íàñëåäèÿ, îñòàâëÿé êîîðäèíàòû. Âñå ìîè òåêñòû ÿ â äîëæíîå âðåìÿ ïåðåâåäó íà àíãëèéñêèé.           Òû ìîæåøü èçó÷èòü Ðîññåòòè è Òàìàðó Ëåìïèöêóþ çäåñü ÒÀÌÀÐÀ ËÅÌÏÈÖÊÀ, ñìîòðè ñîîòâåòñòâóþùèå ðóáðèêè. Áðîñü âçãëÿä íà ìîþ æèâîïèñü ìîÿ æèâîïèñü , ïðèñûëàé ñâîè êàðòèíêè. Ðàä âñòðåòèòü òåáÿ â Ñåòè, áåäíÿæå÷êà.

             Hi, buddy! If you came here I believe you are loaded with too much intelligence and you intrests are not  trivial. If you are a graphomaniac, don't be ashamed, I am myself one. Read my novels  ðîìàí "Ó÷èòåëü"and poems ìîè ñòèõè  and I'll read something of your creations, give coordinates. I'll translate all my texts into English (in due time). Look at my paintings ìîÿ æèâîïèñü, show me yours ones. You can study Rossetti and Lempicka here ,ÒÀÌÀÐÀ ËÅÌÏÈÖÊÀ ,search the proper rubriks. I am glad to meet you in Web, poor soul.         

       Çàèíòåðåñîâàâøèñü îäíîé åäèíñòâåííîé êàðòèíîé Ðîññåòòè - Ïðîçåðïèíà, íà÷àë êîïàòü ñî ñâîéñòâåííîé ìíå äîòîøíîñòüþ è îòêðûë äëÿ ñåáÿ öåëûé ìèð âèêòîðèàíñêîãî èñêóññòâà, ñîâåðøåííî íåîæèäàííóþ ïîýçèþ, â òîì ÷èñëå æåíñêóþ. Ñêîëüêî èíòåðåñíåéøèõ æåíùèí òîãäà æèëî. Ñ óäîâëåòâîðåíèåì îòìåòèë, ÷òî ñîâðåìåííûå ïîýòû-ïåñåííèêè îáèëüíî ÷åðïàþò èç ïîýòè÷åñêîãî èñòî÷íèêà Êðèñòèíû Ðîññåòòè, áëàãî îíà ïî÷òè íå ïåðåâåäåíà, èëè ïåðåâåäåíà ÷åðåç (ïëîõîå ñëîâî).  ñîîòâåòñòâóþùåé ðóáðèêå ïðèâåäó ïðèìåðû - Êðèñòèíà Ðîññåòòè Christina Rossetti ïîýçèÿ poems  Êñòàòè î ðóáðèêàõ, íå óìåþ äåëàòü ññûëêè è ñòðàíèöû, ïîýòîìó êó÷à ðóáðèê. Ñìîòðè ñîîòâåòñòâóþùóþ. Êîììåíòàðèè àâòîðà íå ÿâëÿþòñÿ èñòèíîé â ïîñëåäíåé èíñòàíöèè, õîòÿ áëèçêè ê íåé. (ß ÒÀÊ äóìàþ).

        Once I was interested in one of Rossetti's paintings only - PROSERPINA. But my diligence promted me to delve deeply, and I discovered the whole world of Victorian art. There is the very unusuall poetry and female one too!! A lot of interesting women lived at those times. I were contented to find the contemporary sing texts authors to borrow a lot from Christina Rossetti. I placed the examples in proper rubriks. Êðèñòèíà Ðîññåòòè Christina Rossetti ïîýçèÿ poems She is very poor and bad translated into Russian.

  P.s.  The post author's comment is not the absolute truth, but it is very close to it. (I believe so).




                                                                           

 

ÀÍÎÍÑÛ  ÐÓÁÐÈÊ.

RUBRICS  ANNOUNCEMENT

 

 

 

     (190x450, 41Kb)    ÐÎÑÑÅÒÒÈ. ROSSETTI.     ÐÎÑÑÅÒÒÈ. ROSSETTI.  

     Ñàìàÿ ïîëíàÿ â ñåòè ïîäáîðêà ìàòåðèàëîâ ïî Ðîññåòòè, íå âåðèøü, ïîñìîòðè. Âñå êàðòèíû, ìîäåëè è ïèêàíòíûå ïîäðîáíîñòè ëè÷íîé æèçíè, ðîäíÿ, ïîýçèÿ Ðîññåòòè â ðàçíîîáðàçíûõ ïåðåâîäàõ, åãî êîëëåêöèè ïðåäìåòîâ èñêóññòâà, íó âñ¸ êîíêðåòíî.

       There is the fullest Rossetti data collection in the WEB. If you don’t believe it, look yourself. It include all paintings, models, the piquant details of his private  life, the  relatives,  Rossetti poems in  various translations, Rossetti collection of art. In short there you can find all information.

  

 You can study Rossetti's works in the rubrik. 

ÐÎÑÑÅÒÒÈ. ROSSETTI.  

                                                                                                  ___________________________________

 

 ×ÀÑÒÈ  ÒÅËÀ.  THE  BODY  PARTS.×ÀÑÒÈ ÒÅËÀ. THE BODY PARTS.

  (156x180, 7Kb)    Åù¸ îäíà äàâíî ëèëååìàÿ ìíîþ çàäóìêà - ðóáðèêà, ïîñâÿùåííàÿ èçîáðàæåíèþ æåíñêîãî òåëà, èëè îòäåëüíûõ åãî, íàèáîëåå áëèçêèõ ìíå ÷àñòåé, èëè òîãî, ÷òî-æå êîíêðåòíî âûçûâàåò ñåêñ ýïèë â íþ, èëè ñîïîñòàâëåíèþ æèâîïèñè è ôîòîãðàôèè íþ ( ó ïðåðàôàýëèòîâ, Ëåìïèöêîé è ò.ï.).     Ðóáðèêó îçàãëàâëþ íåîðèãèíàëüíî:

×ÀÑÒÈ ÒÅËÀ. THE BODY PARTS.   

ïîäðóáðèêè:  ÊÎÍÊÐÅÒÍÛÅ ÍÎÆÊÈ.

                  ÒÎÒÀËÜÍÎÅ ÍÞ

                                                                                             ÑÒÎÏÛ È ÊÈÑÒÈ ñêîâàííûå îäíîé öåïüþ.

 

                                 ÊÐÀÒÊΠÓÏÀÊÎÂÀÍÍÛÉ  ÐÎÌÀÍ  ÀÇ ÅÑÌÜ.

 (240x161, 9Kb)

         À âîò íåñëàáàÿ ïîâåñòü èç òðóäíîé æèçíè ñàäèñòà-ëèðèêà. Êà÷åñòâî ãàðàíòèðîâàíî äëÿ òåõ, êòî îñèëèò áîëåå ñòðàíèöû. Ñàðò îòäûõàåò. 

                                                          ÀÇ ÅÑÌÜ.

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      ÀÂÒÎÁÈÎÃÐÀÔÈ×ÅÑÊÈÉ  ÐÎÌÀÍ  Ã.Ï. ÃÐÎÁÎÂÎÃÎ. ðîìàí "Ó÷èòåëü"

  (152x200, 7Kb)  Òîëüêî çäåñü è íèãäå áîëåå òû ìîæåøü îçíàêîìèòüñÿ ñ àâòîáèîãðàôè÷åñêèì ðîìàíîì Ãðèãîðèÿ Ïåòðîâè÷à Ãðîáîâîãî. Êàê ðóêîïèñü ïîïàëà èç çàñòåíêîâ ñþäà è ïî÷åìó â ñòîëü ñêðîìíîå ìåñòî, íå ñïðàøèâàé, äîãàäàéñÿ ìîë ñàìà, íî ïîêà íå çàêðûëè. Èíòåðåñíî óçíàòü, êàê ì¸ðòâûõ âîñêðåøàþò? ×èòàé ðîìàí ðîìàí "Ó÷èòåëü" . 

 _____________________________________________________

                  

 

  ÌÓÇÅÉÍÛÅ  ÑÀÉÒÛ.

MUSEUMS. SITES.

       Ðóáðèêà, ïîñâÿùåíàÿ ññûëêàì íà ëó÷øèå ìóçåéíûå ñàéòû, êîòîðûå ïðîâåðèë ñàì.

                           

            Ñàéò Áîñòîíñêîãî ìóçåÿ èçÿùíûõ èñêóññòâ ÑØÀ           http://mfa.org/  îòëè÷íûé, ïîäðîáíî ïî êîëëåêöèÿì. ß òàì íàø¸ë Æåðîìà "Ãðå÷åñêóþ ðàáûíþ", åù¸ áóäó ïîñìîòðåòü. Âî êëàññíûå êàðòèíêè íàäûáàë, êòî ïîíèìàåò, Àëåêñàíäð Âàéò è åãî ìîäåðí, íà ñàéòå ìîæíî î÷åíü ïîäðîáíî ðàññìîòðåòü.

 

 

Isabella and the Pot of Basil

1897John White Alexander, American, 1856–1915 (336x700, 28Kb)

192.09 x 91.76 cm (75 5/8 x 36 1/8 in.)

Oil on canvas

Classification: Paintings

Accession number: 98.181

Gift of Ernest Wadsworth Longfellow

 

ÌÎÉ  ÝÐÌÈÒÀÆ

   ÌÎÉ ÝÐÌÈÒÀÆ

71461064_0_1dc67_c2ac1484_L1 (336x448, 23Kb)

 

 

 

 (500x404, 41Kb)

                       À ýòî ïðîñòî êàðòèíêà ïîíðàâèëàñü, êàêàÿ àêóëà çëàÿ, íåïðèÿòíàÿ, íîãó êñòàòè îòúåëà, â îïèñàíèè êàðòèíû åñòü. Ïî÷åìó ìóæèê ãîëûé çà áîðò óïàë íåÿñíî.

    I just like this picture. Look, the shark is so nasty and bitchy. Incidentally, it ate up man’s shank. You can read about the accident in the picture description. Why he fell over board stark naked I don’t know.

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ÁÀËÅÒ  Ñ  ÒÐÅÒÜÅÃΠ ßÐÓÑÀ.     

  ÁÀËÅÒ Ñ ÒÐÅÒÜÅÃÎ ßÐÓÑÀ  

 

               

                                            34468436_59c2696f6ee4[1] (301x555, 105 Kb)

 

 

 

  

 

Ðóáðèêè:  ÀÍÎÍÑÛ ÐÓÁÐÈÊ
Ìåòêè:  

 

Äîáàâèòü êîììåíòàðèé:
Òåêñò êîììåíòàðèÿ: ñìàéëèêè

Ïðîâåðêà îðôîãðàôèè: (íàéòè îøèáêè)

Ïðèêðåïèòü êàðòèíêó:

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