ÀÍÎÍÑÛ |
Çäðàâñòâóé, äðóæîê! Åñëè òû çàø¸ë ñþäà, òî ïîäîçðåâàþ, ÷òî òû îáðåìåí¸í ëèøíèì ãðóçîì èíòåëëèãåíòíîñòè è èíòåðåñóåøüñÿ íåòðèâèàëüíûìè âåùàìè. Åñëè òû ãðàôîìàí, íå îáèæàéñÿ, ÿ ñàì òàêîâ, òî ÷èòàé ìîè îïóñû, ìîè ñòèõè ìîè ñòèõè, à ÿ îáÿçóþñü ïðî÷åñòü ÷òî-ëèáî èç òâîåãî òâîð÷åñêîãî íàñëåäèÿ, îñòàâëÿé êîîðäèíàòû. Âñå ìîè òåêñòû ÿ â äîëæíîå âðåìÿ ïåðåâåäó íà àíãëèéñêèé. Òû ìîæåøü èçó÷èòü Ðîññåòòè è Òàìàðó Ëåìïèöêóþ çäåñü ÒÀÌÀÐÀ ËÅÌÏÈÖÊÀ, ñìîòðè ñîîòâåòñòâóþùèå ðóáðèêè. Áðîñü âçãëÿä íà ìîþ æèâîïèñü ìîÿ æèâîïèñü , ïðèñûëàé ñâîè êàðòèíêè. Ðàä âñòðåòèòü òåáÿ â Ñåòè, áåäíÿæå÷êà.
Hi, buddy! If you came here I believe you are loaded with too much intelligence and you intrests are not trivial. If you are a graphomaniac, don't be ashamed, I am myself one. Read my novels ðîìàí "Ó÷èòåëü"and poems ìîè ñòèõè and I'll read something of your creations, give coordinates. I'll translate all my texts into English (in due time). Look at my paintings ìîÿ æèâîïèñü, show me yours ones. You can study Rossetti and Lempicka here ,ÒÀÌÀÐÀ ËÅÌÏÈÖÊÀ ,search the proper rubriks. I am glad to meet you in Web, poor soul.
Çàèíòåðåñîâàâøèñü îäíîé åäèíñòâåííîé êàðòèíîé Ðîññåòòè - Ïðîçåðïèíà, íà÷àë êîïàòü ñî ñâîéñòâåííîé ìíå äîòîøíîñòüþ è îòêðûë äëÿ ñåáÿ öåëûé ìèð âèêòîðèàíñêîãî èñêóññòâà, ñîâåðøåííî íåîæèäàííóþ ïîýçèþ, â òîì ÷èñëå æåíñêóþ. Ñêîëüêî èíòåðåñíåéøèõ æåíùèí òîãäà æèëî. Ñ óäîâëåòâîðåíèåì îòìåòèë, ÷òî ñîâðåìåííûå ïîýòû-ïåñåííèêè îáèëüíî ÷åðïàþò èç ïîýòè÷åñêîãî èñòî÷íèêà Êðèñòèíû Ðîññåòòè, áëàãî îíà ïî÷òè íå ïåðåâåäåíà, èëè ïåðåâåäåíà ÷åðåç (ïëîõîå ñëîâî).  ñîîòâåòñòâóþùåé ðóáðèêå ïðèâåäó ïðèìåðû - Êðèñòèíà Ðîññåòòè Christina Rossetti ïîýçèÿ poems Êñòàòè î ðóáðèêàõ, íå óìåþ äåëàòü ññûëêè è ñòðàíèöû, ïîýòîìó êó÷à ðóáðèê. Ñìîòðè ñîîòâåòñòâóþùóþ. Êîììåíòàðèè àâòîðà íå ÿâëÿþòñÿ èñòèíîé â ïîñëåäíåé èíñòàíöèè, õîòÿ áëèçêè ê íåé. (ß ÒÀÊ äóìàþ).
Once I was interested in one of Rossetti's paintings only - PROSERPINA. But my diligence promted me to delve deeply, and I discovered the whole world of Victorian art. There is the very unusuall poetry and female one too!! A lot of interesting women lived at those times. I were contented to find the contemporary sing texts authors to borrow a lot from Christina Rossetti. I placed the examples in proper rubriks. Êðèñòèíà Ðîññåòòè Christina Rossetti ïîýçèÿ poems She is very poor and bad translated into Russian.
P.s. The post author's comment is not the absolute truth, but it is very close to it. (I believe so).
ÀÍÎÍÑÛ ÐÓÁÐÈÊ.
RUBRICS ANNOUNCEMENT
ÐÎÑÑÅÒÒÈ. ROSSETTI. ÐÎÑÑÅÒÒÈ. ROSSETTI.
Ñàìàÿ ïîëíàÿ â ñåòè ïîäáîðêà ìàòåðèàëîâ ïî Ðîññåòòè, íå âåðèøü, ïîñìîòðè. Âñå êàðòèíû, ìîäåëè è ïèêàíòíûå ïîäðîáíîñòè ëè÷íîé æèçíè, ðîäíÿ, ïîýçèÿ Ðîññåòòè â ðàçíîîáðàçíûõ ïåðåâîäàõ, åãî êîëëåêöèè ïðåäìåòîâ èñêóññòâà, íó âñ¸ êîíêðåòíî.
There is the fullest Rossetti data collection in the WEB. If you don’t believe it, look yourself. It include all paintings, models, the piquant details of his private life, the relatives, Rossetti poems in various translations, Rossetti collection of art. In short there you can find all information.
You can study Rossetti's works in the rubrik.
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×ÀÑÒÈ ÒÅËÀ. THE BODY PARTS.×ÀÑÒÈ ÒÅËÀ. THE BODY PARTS.
Åù¸ îäíà äàâíî ëèëååìàÿ ìíîþ çàäóìêà - ðóáðèêà, ïîñâÿùåííàÿ èçîáðàæåíèþ æåíñêîãî òåëà, èëè îòäåëüíûõ åãî, íàèáîëåå áëèçêèõ ìíå ÷àñòåé, èëè òîãî, ÷òî-æå êîíêðåòíî âûçûâàåò ñåêñ ýïèë â íþ, èëè ñîïîñòàâëåíèþ æèâîïèñè è ôîòîãðàôèè íþ ( ó ïðåðàôàýëèòîâ, Ëåìïèöêîé è ò.ï.). Ðóáðèêó îçàãëàâëþ íåîðèãèíàëüíî:
ïîäðóáðèêè: ÊÎÍÊÐÅÒÍÛÅ ÍÎÆÊÈ.
ÑÒÎÏÛ È ÊÈÑÒÈ ñêîâàííûå îäíîé öåïüþ.
ÊÐÀÒÊÎ ÓÏÀÊÎÂÀÍÍÛÉ ÐÎÌÀÍ ÀÇ ÅÑÌÜ.

À âîò íåñëàáàÿ ïîâåñòü èç òðóäíîé æèçíè ñàäèñòà-ëèðèêà. Êà÷åñòâî ãàðàíòèðîâàíî äëÿ òåõ, êòî îñèëèò áîëåå ñòðàíèöû. Ñàðò îòäûõàåò.
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ÀÂÒÎÁÈÎÃÐÀÔÈ×ÅÑÊÈÉ ÐÎÌÀÍ Ã.Ï. ÃÐÎÁÎÂÎÃÎ. ðîìàí "Ó÷èòåëü"
Òîëüêî çäåñü è íèãäå áîëåå òû ìîæåøü îçíàêîìèòüñÿ ñ àâòîáèîãðàôè÷åñêèì ðîìàíîì Ãðèãîðèÿ Ïåòðîâè÷à Ãðîáîâîãî. Êàê ðóêîïèñü ïîïàëà èç çàñòåíêîâ ñþäà è ïî÷åìó â ñòîëü ñêðîìíîå ìåñòî, íå ñïðàøèâàé, äîãàäàéñÿ ìîë ñàìà, íî ïîêà íå çàêðûëè. Èíòåðåñíî óçíàòü, êàê ì¸ðòâûõ âîñêðåøàþò? ×èòàé ðîìàí ðîìàí "Ó÷èòåëü" .
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ÌÓÇÅÉÍÛÅ ÑÀÉÒÛ.
Ðóáðèêà, ïîñâÿùåíàÿ ññûëêàì íà ëó÷øèå ìóçåéíûå ñàéòû, êîòîðûå ïðîâåðèë ñàì.
Ñàéò Áîñòîíñêîãî ìóçåÿ èçÿùíûõ èñêóññòâ ÑØÀ http://mfa.org/ îòëè÷íûé, ïîäðîáíî ïî êîëëåêöèÿì. ß òàì íàø¸ë Æåðîìà "Ãðå÷åñêóþ ðàáûíþ", åù¸ áóäó ïîñìîòðåòü. Âî êëàññíûå êàðòèíêè íàäûáàë, êòî ïîíèìàåò, Àëåêñàíäð Âàéò è åãî ìîäåðí, íà ñàéòå ìîæíî î÷åíü ïîäðîáíî ðàññìîòðåòü.
Isabella and the Pot of Basil
1897John White Alexander, American, 1856–1915
192.09 x 91.76 cm (75 5/8 x 36 1/8 in.)
Oil on canvas
Classification: Paintings
Accession number: 98.181
Gift of Ernest Wadsworth Longfellow
ÌÎÉ ÝÐÌÈÒÀÆ


À ýòî ïðîñòî êàðòèíêà ïîíðàâèëàñü, êàêàÿ àêóëà çëàÿ, íåïðèÿòíàÿ, íîãó êñòàòè îòúåëà, â îïèñàíèè êàðòèíû åñòü. Ïî÷åìó ìóæèê ãîëûé çà áîðò óïàë íåÿñíî.
I just like this picture. Look, the shark is so nasty and bitchy. Incidentally, it ate up man’s shank. You can read about the accident in the picture description. Why he fell over board stark naked I don’t know.
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ÁÀËÅÒ Ñ ÒÐÅÒÜÅÃÎ ßÐÓÑÀ.
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