ÑÎÖÍÀÒÓÐÀËÈÇÌ |

Êóäðÿâàÿ, ÷òî æ òû íå ðàäà?
Curly, why are you not so happy?
Êóäðÿâàÿ, ÷òî æ òû íå ðàäà?
ÑÎÖÐÅÀËÈÇÌ. ÑÎÖÍÀÒÓÐÀËÈÇÌ?
Ðåøèë ÿ ïîïðàâèòü ìî¸ òîòàëüíîå íþ è íåîæèäàííî îòêîâàë íîâûé òåðìèí - ñîöíàòóðàëèçì. Åñëè ÿ ïåðâûé, áåðó ïàòåíò.
Ðóññêèé ìóçåé â 2007 ðàçðàçèëñÿ êàòàëîãîì Âåíåðà ñîâåòñêàÿ ê 90 ëåòèþ Ðåâîëþöèè. Òàì åñòü õîðîøàÿ ôðàçà:"Ƹíû îòâåòðàáîòíèêîâ...îíè òî è áûëè ðåàëüíûìè ñîâåòñêèìè Âåíåðàìè". Õî÷ó çàìåòèòü, ÷òî è ïðè êàïèòàëèçüìå õðåíîâîì íè÷åãî íå èçìåíèëîñü, òå æå ðàáîòíèêè, òå æå æ¸íû.
Áûë òàêîé Îñì¸ðêèí Àëåêñàíäð, íàäî ñêàçàòü, ÷òî òâîðèë îí äî òîòàëèòàðèçìà, â äâàäöàòûå, ïîýòîìó â åãî æåíùèíàõ îñòàëîñü íå÷òî îò ÷åëîâåêîâ, ïîìåùàþ åãî çäåñü äî êó÷è.
In 2007 Russian Museum burst out with the catalogue ‘ Soviet Venus’ to commemorate the 90th anniversary of Revolution. There are the fine words in this catalogue: ‘The wives of the soviet leaders … they were the real soviet Venuses’. I would like to observe that with our new faking (not to say fuking) Russian ‘capitalism’ we have no changes – the same leaders, the same wives.
Once upon a time there was one Osmerkin Alexander, he worked wonders, to say truth, before the Totalitarianism, in twenties, so his women preserved something human. I put him there into the barging.


Îáíàæ¸ííàÿ 1922. NAKED 1922.
Íàòóðùèöà ïåðåä çåðêàëîì 1924.ú
Æåíùèíû Îñì¸ðêèíà âûçûâàþò íåîäîëèìîå æåëàíèå..... óáåæàòü è ñêðûòüñÿ, à ðèñîâàíî ïðè íîâîé ýêîíîìè÷åñêîé ïîëèòèêå, íåóæåëè íåïìàíàì íðàâèëîñü?
Osmerkin's women excite one longing ... to escape and to hide oneself. It was painted in the time of The New Economic Policy. Did the new Russians' of the time like it?
Äëÿ òîãî, ÷òîáû îõâàòèòü âñ¸ íþ ñîöðåàëèçìà, äîñòàòî÷íî áðîñèòü âçãëÿä íà òâîð÷åñòâî äâóõ òèòàíîâ îíîãî æàíðà - Ñàìîõâàëîâà è Äåéíåêè:
To embrace all socialrealisticnu enough to look at the creative work of genre twoTitans - Samohvalov and Deineka.
ÄÅÉÍÅÊÀ. DEINEKA.

Äåéíåêà. Íà áàëêîíå. DEINEKA. On the Balkony.
. 
Ïîä áàëêîíîì (øóòêà). Under the balkony (an joke)
Íî ñòèëü Äåéíåêè òîòàëèòàðíîãî ïåðèîäà âûøåïðèâåä¸ííûå îïóñû íå îòðàæàþò, êàê âûðàçèëñÿ îäèí áëîããåð (íå ìî¸):"Äåéíåêà ðèñîâàë ëþäåé ó êîòîðûõ âñ¸ õîðîøî, íî íåäîëãî". Ñìîòðè íèæå:
The aforeset opuses don't reflect Deineka's style of totalitarian period. As said one blogger, quote: "Deineka painted people with whom all was all right, but it didn't last long." Look at the pictures that were set below:

Âñ¸ òî îíè ó íåãî áåãàþò, êóïàþòñÿ è áåãàþò, íî íà ëèöà âçãëÿíèòå, õðåí òî êòî óëûáí¸òñÿ (íè íà îäíîé êàðòèíå íåò).
All of them are running and running, swimming and running. But let us look at their faces. There are no smiles! Very sad faces.
À âîò è ìàëü÷èêè ïîáåæàëè, èñêóïàâøèñü. Ïå÷àëüíà ôèãóðà öåíòðàëüíîãî ïåðñîíàæà. À âîîáùå, ëþáèë Äåéíåêà ìóæèêîâ ñî ñïèíêè, êîíñòàòèðóþ ôàêò, íå ïîäóìàéòå äóðíîãî èëè ïîäóìàéòå.
Now boys start running, after the swimming. The central figure is very sad.

Áîëüøóþ êóïàëüùèöó äàþ â ñðàâíåíèè ñ ÷åëîâåêàìè äëÿ ìàñøòàáà. Çåïï Õèëüö îòäûõàåò ñî ñâîèìè "ïî÷òîâûìè ìàðêàìè".
"Big Bather" I put here in comparison with the human figures for the scale. Sepp Hilz can rest in peace with his "postal stamps".


Òèöèàí íåäîäåëàííûé ñî ñïèíêè.
"Tiziano" of pitiful back sight.
Âñïîìèíàåòñÿ ïðåæäå âñåãî ñâîåé Äåâóøêîé â ôóòáîëêå, ïîòîì èäóò ìàìîíòåññû ìåòðîñòðîÿ, ñïîðòñìåíêè, íî åñòü ïðîáëåñêè è ñðåäè ñïîðòñìåíîê.  "Ïîñëå êðîññà", ÷òî-òî ãðå÷åñêîå, ãàäîì áóäó, ïðîñìàòðèâàåòñÿ, ýíêàóñòèêà ÿêà-òî.
Íî è ïîïàðèòüñÿ áûë Ñàìîõâàëîâ íå äóðàê.
Àëåêñàíäð Ñàìîõâàëîâ Ïîñëå áàíè. 1927 ã.
Òóò ïðîñëóøàë ÿ ëåêöèþ ïðî ýðîòèêó â ñîâåòñêîì èñêóññòâå, ëåêòîð Êîí÷àëîâñêîãî ïîìÿíóë â äàííîì êîíòåêñòå. Íà ìîé âçãëÿä îí è õóäîæíèê òî íèêàêóùèé, ýïèãîí Ñåçàííà íå èç ëó÷øèõ, à ñ ýðîòèêîé ó íåãî..íó, ñóäèòå ñàìè.

Ãåðàêë ó Îìôàëû, òóò óæ íå Ñåçàíí, à ëè÷íî Ðóáåíñ â ãðîáó ïåðåâåðíóëñÿ.

À âîò ýòî ñ âîëîñàìè îí áû ñåáå â êîéêó ïîëîæèë? Êóñòîäèåâ íàìàçþêàííûé íà îáîÿõ.

ÃÅÐÀÑÈÌÎÂ.
Áàòàëèñò Ãåðàñèìîâ, êàê âûÿñíÿåòñÿ, òîæå íå áûë ÷óæä, ïîä ïðåäëîãîì ïîïàðèòüñÿ. Òèïà çàîäíî.


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