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ANNIE MILLER ÀÍÍÈ ÌÈËËÅÐ

Ïÿòíèöà, 25 Ñåíòÿáðÿ 2009 ã. 22:40 + â öèòàòíèê
433px-AnnieMiller_Boyce_1854 (324x448, 21Kb)

ANNIE  MILLER  ÀÍÍÈ  ÌÈËËÅÐ

ÀÍÍÈ  ÌÈËËÅÐ.

Portrait of Annie Miller by Boyce
   

Annie Miller', Dante Gabriel Rossetti

Ink on paper, dated 1860, 25.5 x 24.2cm, The LS Lowry Estate.

           Ýòîò ðèñóíîê îòíîñèòñÿ ê ïåðèîäó ïîñëå ðàçðûâà ñ Õàíòîì, êîãäà Ðîññåòòè ïîìîã Àííè, óñïîëüçîâàâ êàê ìîäåëü. È âîîáùå. Êàæäûé ðàç Ðîññåòòè çà äðóãèìè ïîäáèðàåò, ðîáêèé âèäàòü ïàðåíü áûë. Õîðîøèé ìóæèê, íî íå îð¸ë.

                Àííè Ìèëëåð æèëà â òåñíîì ïîäâàëå Ëîíäîíñêîãî ïàáà, ðàáîòàëà áóôåò÷èöåé, êîãäà Õàíò óâèäåë å¸ è ñòàë ìå÷òàòü î ïðåâðàùåíèè å¸ â ëåäè, ÷òîáû îíà ñîîòâåòñâîâàëà åãî ìå÷òå. Îí óìûë å¸, îáðàçîâàë, íàó÷èë ãîâîðèòü, îäåâàòüñÿ è âåñòè ñåáÿ â îáùåñòâå, âñ¸ âðåìÿ áîðÿñü ñî ñòðàñòüþ, êîòîðóþ òà â í¸ì âîñïëàìåíèëà. (Ïèãìàëèîí õðåíîâ). Îí ñòðàäàë ïî ïîâîäó å¸ áóäóùåãî, îáäóìûâàÿ è äàæå ïðåäëàãàÿ åé ñóïðóæåñòâî, íî äî àëòàðÿ äåëî íå äîøëî. Îíà áûëà ïëîõîé äåâî÷êîé. Àííè ðàçäðàæàëà Õàíòà òåì, ÷òî ïðîäîëæàëà îáùàòüñÿ ñ äðóãèìè õóäîæíèêàìè è åé ñêîðî íàäîåëè ïðîïîâåäè è êîëåáàíèÿ Õàíòà. Òåïåðü îíà ñòàëà ëåäè, ñ êîòîðîé íàäî áûëî îáðàùàòüñÿ ñîîòâåòñòâóþùå. Õàíò äàë åé äåíåã çà áåñïîêîéñòâî è óñòðîèë ó÷åíèöåé ê ìîäèñòêå. Àííè äåíüãè çà ìîë÷àíèå ïðèíÿëà è âûøëà çàìóæ çà áàðîíåòà. 23 èþëÿ 1863 ãîäà Ýííè Ìèëëåð âûøëà çàìóæ çà êóçåíà Ëîðäà Ðåíåãàíà êàïèòàíà Òîìïñîíà.  ýòîì áðàêå ðîäèëîñü äâîå äåòåé ç Ýííè Õåëåí (1866) è Òîìàñ Äæåéìñ (1867).

           Àííè Ìèëëåð âîøëà â êðóã ïðåðàôàýëèòîâ êàê ìîäåëü Õàíòà, êîòîðûé íàìåðåâàëñÿ íà íåé æåíèòüñÿ. Îíà ïîñëóæèëà ìîäåëüþ åãî çíàìåíèòîé êàðòèíû "Ïðîáóæäàþùàÿñÿ ñîâåñòü" 1858 ãîäà, íûíå â ãàëåðåå Òýéò. ×òî-òî íà ëèöàõ íå âèäíî, ó êîãî ñîâåñòü ïðîáóæäàåòñÿ, âñå äîâîëüíû.

 

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"Ïðîáóæäàþùàÿñÿ ñîâåñòü" 1858

William Holman Hunt

                   Annie Miller entered the Pre-Raphaelite circle as a model for William Holman Hunt, who contemplated marrying her. She was the model for his famous work 'The Awakening Conscience' of 1858, now in the Tate.

           However, Miller annoyed Hunt by continuing to socialise with other artists, Rossetti in particular. This drawing dates from the period after her break with Hunt, when Rossetti helped her by employing her as a model. Annie Miller lived in the crowded basement of a London pub. She was working as a barmaid when William Holman Hunt noticed her prettiness and began fantasising about turning her into the kind of lady that would justify his fascination with her. He cleaned her up, had her educated, taught her how to dress, talk and behave in society, all the time struggling against the passion she had fired in him. He agonised over their future, contemplating and proposing marriage on several occasions but never quite making it to the altar. She was a bad girl. She liked to enjoy herself with all of his artist friends and soon grew tired of his preaching and vacillating. She was famous now, a lady who would not be taken for granted. He gave her money as recompense for her trouble and to apprentice her to a milliner. Annie took the hush money and married a baronet.

Ïîðòðåò Àííè Ìèëëåð Ìèëëå 1854 ãîäà.

              Èíòåðåñåíî, Õàíò å¸ óâèäåë â êàáàêå, ñîâåñòü ïðîáóäèëàñü â 1858 ãîäó, à Ìèëëå ðèñóåò å¸ â 1854, òàê êòî æå ïåðâûé ïîñåòèë êàáàê ñ ïîäàâàëüùèöåé Ìèëëåð?

 (340x553, 35Kb) (340x433, 15Kb)

 

 (548x700, 61Kb)

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Åëåíà Òðîÿíñêàÿ

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 (340x469, 22Kb)

Ðóáðèêè:  ÌÎÄÅËÈ ÐÎÑÑÅÒÒÈ/ÀÍÍÈ ÌÈËËÅÐ ANNIE MILLER

 

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