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4102 all saints church annie miller arthur hughes beata beatrix beatrice meeting dante at a marriage feast birchington burne-jones chatham place christina georgina rossetti christina rossetti dante gabriel rossetti dudley gallery edgar allan poe edward poynter edward robert hughes eleanor fortescue-brickdale elizabeth siddal eugene onegin feet fetish first anniversary gabriel charles dante gabriel charls dante rossetti girls goblin market he story of st. george and the dragon holy grail honesuckle john byam shaw kelmscort manor lady lawrence maria francesca mariana naked nude orient goods painting reich robert buchanan rossetti soviet the third reich vampyre venus verticordia vision of fiammetta water willow william holman hunt working men's college ́ ́ ?|
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The Girlhood of Mary Virgin
- , -, - , - .
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The Victorian Language of Flowers.
The Pre-raphaelite Language of Flowers Debra N. Mancoff.
Anemone () , , .
Blue Hyacinth .
.
Canterbury Bell - constancy or faith.
Ivi -friendship in adversity. (Millais A Huguenot,...)
.
- .... .
, . , .
- , , .
Floral lexicon .
Damask rose - (The Beloved)
Multiflora -
Cabbage rose - (The Beloved)
:" ". The Roseleaf 1870.
, . (Venus Verticordia).
Pink roses in full blossom. , . (La Ghirlandata).
:" ". I will never beg you. (The Roseleaf)
(The Roseleaf).
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- .
Larkspur , . La Ghirlandata
Persian lilies - , .
Marigolds () .
N
Nasturtiums -
Nettle - pain.
Daisies - innocence.
Loosestrife.
Violet - faithfulness, chastity, death of the young.
Mistletoe 'obstacles' - .
Faded meadowsweet - uselessness.
Pheasant's eye - sorrow.
Frittillary - sorrow
Monkshood.
, , , - . La Ghirlandata
WATER WILLOW
-
Willow - forsaken love. (Ophelia Millais)
Pansy .
. (pansy, heartsease pansy) - . . Pansy PENSEES () ( , , ; ). thought, love in vain - .
«Regina Cordium» 1860 .
Honesuckle
(Venus Verticordia)
. (The Day Dream)
Columbine for fulls (Ophelia)
Aquilegia (common names: granny's connet or columbine
́, ́, ́ — .
, . - . - , . - .
.
Twelfth Night Deverell. .
Snowdrops "".
Blue Violets - .
- . .
, , , - . .
Crow-Flower (Lychnis floscuculi) “There with fantastic garlands did she come, of crow-flowers, nettles, daisies.” – Hamlet IV.vii.
, (Lychnis) – . (Caryophyllaceae).
– , .
50 . , , . 1 . 3 , -, . 5-, , , 10 . -, . , .
Orchis mascula
It is referred to as "long purple" by Gertrude in Shakespeare's Hamlet. Gertrude: "Of crow-flowers, nettles, daisies, and long purples, that liberal shepards give a grosser name".
" "
.
- ,
- . — .
:
Bluebird - , . (Venus Verticordia, La Ghirlandata)
- .
"":
1 -
2 -
...
8 - MORRIS, Marshall, Falkner & Co
9 -
10 -
11 -
12 - NEW GALLERY
...
17 - King René's Honeymoon Cabinet
18 - ()
19 - , ,
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: bluebird pansy water willow honesuckle venus verticordia heartsease pansy the blue silk dress dante gabriel ross |
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, .
Jane Morris appeared in a series of photographs posed by Rossetti.
1865 . Cheyne Walk John Robert Parsons, 18 . , .
John R. Parsons is best known for his photographs of the wife of artist William Morris, Jane, whom the Pre-Raphaelite artist Dante Gabriel Rossetti idolised and painted. Rossetti himself arranged and choreographed the photographs in collaboration with Parsons and it seems likely that he used the photographs as reference for his paintings; there are noticeable similarities between his painted portraits of Jane Morris and Parsons’ photographs.
, ( 1869).
La Pia de' Tolomei.
Jane Morris, posed by Rossetti, 1865 in the garden the Tudor House.
Portrait of Jane Morris (1839-1914) 1865 (albumen print), Parsons, John R. (fl.1860s), from an album of photographs posed by Dante Gabriel Rossetti (1828-82) in his garden in Chelsea, London; wife of William Morris (1834-96); Jane Burden;
, .
Reverie, by Dante Gabriel Rossetti
: Parsons John R |
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:
" , , , "
.
. - .
The Girlhood of Mary Virgin
- , -, - , - .
.
The Victorian Language of Flowers.
The Pre-raphaelite Language of Flowers Debra N. Mancoff.
Anemone () , , .
Blue Hyacinth .
.
Canterbury Bell - constancy or faith.
Ivi -friendship in adversity. (Millais A Huguenot,...)
.
- .... .
, . , .
- , , .
Floral lexicon .
Damask rose - (The Beloved)
Multiflora -
Cabbage rose - (The Beloved)
:" ". The Roseleaf 1870.
, . (Venus Verticordia).
Pink roses in full blossom. , . (La Ghirlandata).
:" ". I will never beg you. (The Roseleaf)
(The Roseleaf).
----------------------------------------------------------------------------------------------------------------------------------------------------------------
- .
Larkspur , . La Ghirlandata
Persian lilies - , .
Marigolds () .
N
Nasturtiums -
Nettle - pain.
Daisies - innocence.
Loosestrife.
Violet - faithfulness, chastity, death of the young.
Mistletoe 'obstacles' - .
Faded meadowsweet - uselessness.
Pheasant's eye - sorrow.
Frittillary - sorrow
Monkshood.
, , , - . La Ghirlandata
WATER WILLOW
-
Willow - forsaken love. (Ophelia Millais)
Pansy .
. (pansy, heartsease pansy) - . . Pansy PENSEES () ( , , ; ). thought, love in vain - .
«Regina Cordium» 1860 .
Honesuckle
(Venus Verticordia)
. (The Day Dream)
Columbine for fulls (Ophelia)
Aquilegia (common names: granny's connet or columbine
́, ́, ́ — .
, . - . - , . - .
.
Twelfth Night Deverell. .
Snowdrops "".
Blue Violets - .
- . .
, , , - . .
Crow-Flower (Lychnis floscuculi) “There with fantastic garlands did she come, of crow-flowers, nettles, daisies.” – Hamlet IV.vii.
, (Lychnis) – . (Caryophyllaceae).
– , .
50 . , , . 1 . 3 , -, . 5-, , , 10 . -, . , .
Orchis mascula
It is referred to as "long purple" by Gertrude in Shakespeare's Hamlet. Gertrude: "Of crow-flowers, nettles, daisies, and long purples, that liberal shepards give a grosser name".
" "
.
- ,
- . — .
:
Bluebird - , . (Venus Verticordia, La Ghirlandata)
- .
"":
1 -
2 -
...
8 - MORRIS, Marshall, Falkner & Co
9 -
10 -
11 -
12 - NEW GALLERY
...
17 - King René's Honeymoon Cabinet
18 - ()
19 - , ,
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: bluebird pansy water willow honesuckle venus verticordia heartsease pansy the blue silk dress dante gabriel ross |
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"Beauty like hers is genius",wrote Dante Gabriel Rossetti in the twenty-eight sonnet of the cycle The House of Life written for Jane Morris "...now let her gain lasting fame by my painting" he wrote on her portrait - a wish that came true.
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The Pre-Raphaelite women generally fall into two categories: artist’s models (who were predominately wives, lovers, or in the case of Christina Rossetti, sisters of the artists) or Pre-Raphaelite women artists (Lizzie Siddal can be included in both categories). Jane Morris falls in the first category. Discovered by Dante Gabriel Rossetti, she was proclaimed by him to be a “Stunner”. She later married Rossetti’s close friend William Morris.
Jane Burden was born in Oxford to a stableman named Robert Burden and his wife Ann Maizey. Around the time she was born, her parents were living at St. Helen's Passage, St Peter in the East, off Holywell Street in Oxford, since marked with a blue plaque. Her mother Ann was illiterate and probably came to Oxford as a domestic servant. Little is known of Jane's childhood, but clearly it was one of poverty and deprivation.
In October 1857, Jane and her sister Elizabeth, known in the family as "Bessie", were attending a performance in Oxford of the Drury Lane Theatre Company. Jane was noticed by the artists Dante Gabriel Rossetti and Edward Burne-Jones who belonged to a group of artists painting the Oxfor Union murals, based on Arthurian tales. Struck by Jane's beauty, they sought her to model for them. Jane initially sat mainly for Rossetti, who needed a model for Queen Guinivere. After this, Jane sat for Morris, who was working on an easel painting, La Belle Iseult (Tate Gallery). Like Rossetti, Morris also used Jane as his model for his rendition of Queen Guinevere. During this period, Morris fell in love with Jane and they were engaged.
Jane's education was extremely limited and she was probably intended to go into domestic service. After her engagement, Jane was privately educated. Her keen intelligence allowed her essentially to recreate herself. She was a voracious reader and became proficient in French and later Italian. She also became an accomplished pianist with a strong background in classical music. Her manners and speech became refined to an extent that contemporaries referred to her as "Queenly". Later in life, she would have no trouble moving in upper class circles and she appears to have been the model for Mrs Higgins in Bernard Shaw's play Pygmalion (1914).
She married William Morris at St Michael's Church, Oxford, on 26 April 1859. Her father was at that time described as a groom, in stables at 65 Holywell Street, Oxford.
Jane Burden and William Morris lived firstly at the Red House in Bexleyheath, Kent. While there, they had two daughters, Jane Alice "Jenny", born January 1861, and Mary "May" (March 1862 – 1938), who was the editor of her father's works. They then lived for many years at Kelmscott Manor, on the Gloucestershire-Oxfordshire-Wiltshire borders, which is now open to the public. Their lifestyle was both artistic and Bohemian.
During this time, Jane became closely attached to Dante Gabriel Rossetti and, in addition to being his muse, may have been his lover.
In 1884, Jane met the poet and political activist Wilfrid Scawen Blunt at a house party given by her close friend Rosalind Howard (later Countess of Carlisle). There appears to have been an immediate attraction between the two. By 1887 at the latest, the pair had become lovers.Their sexual relationship would continue until 1894, and they remained close friends until Jane's death.
Jane Morris was an ardent supporter of Irish Home Rule.
William Morris died on 3 October 1896 at Kelmscott House, Hammersmith, London. Jane died on 26 January 1914 while staying at 5 Brock Street, Bath.
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, ( — Ann Maizey). (St. Helen's Passage), . , , , , . , , .
1857 , , -, -, , . . , ( ), « » (La Belle Iseult), . , . , , :" , ". , .
, 1857 . 1860- 1875 . . 1861 The Seed of David (Llandaff Cathedral)/ , . , . , , , . 1870 :" , , ". 1870 The Roseleaf.
, . . 26 1859 . Ÿ 65 .
Jane as Queen Guinevere, painted by her husband William Morris.
, , .
. , , . Ÿ Morris, Marshall, Folkner and Co. , "".
(, ), ( 1861) ( 1862). ( Kelmscott Manor) . . .
in Tudor House in Chelsea on Cheyne Walk Swinburne, . 16 1882 , - .
He lived at number 16 (where he was banned from keeping peacocks due to the noise) from 1862 to 1882. Cheyne Walk (/ˈtʃeɪni/ CHAY-nee) is an historic street, in Chelsea, in the Royal Borough of Kensington and Chelsea. It takes its name from William Lord Cheyne who owned the manor of Chelsea until 1712. Most of the houses were built in the early 18th century. Before the construction in the 19th century of the busy Embankment, which now runs in front of it, the houses fronted the River Thames.
( ) , Jeney , " ". 1870 POEMS, , , , .
1868 , Queen Square, , . , -, . , - 1871 1874 .
1871 Kelmscort Mannor, ( - ). ! . , , , , - .
1884 , ( ) . , 1887 . 1894 , .
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Morris was quite interested in Arthurian legend and chivalry. He began to paint Jane as Queen Guenevere. It is said that while she posed for him, Morris had written on the back of the canvas “I cannot paint you, but I love you” — a shy, sweet, romantic gesture. By all accounts, Jane was probably in love with Rossetti from the beginning, but he was already betrothed to Siddal. So Jane found herself engaged and eventually married to William Morris.
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This picture is cropped from the 1874 photo of the Burne-Jones and Morris families. It was not a particularly bright sunny day when the picture was taken (better for reducing harsh contrast and bringing out a wider tonal range) and given the photographic equipment of the time, Jane was probably trying to stay still for several seconds. There are many features that are evident in many of the paintings of her. Perhaps she naturally looks severe when concentrating on something or holding a pose, and distortions are simply Rossetti trying to relax her appearance in his images of her. For someone whose obituary credited her with…’..kindliness, the good sense and the girlish sense of fun that remained hers until the end of her life.’ …not much of that is evident in paintings or photos of her.
: JANE MORRIS BURDEN La Belle Iseult Pre-Raphaelite women |
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