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a revery annie miller arthur hughes aspecta medusa baron von gloeden beata beatrix bluebird burne-jones carlisle wall christina georgina rossetti christina rossetti clark cristina rossetti dante gabriel rossetti dr john polidori dudley gallery edward poynter eleanor fortescue-brickdale elizabeth eleanor siddal elizabeth siddal english version eugene onegin fanny co feet fetish fiammetta first anniversary ford madox brown found francois-joseph navez frederic william burton gabriel charles dante gabriel charls dante rossetti george price boyce girls goblin market hans suren he story of st. george and the dragon holy grail jacques-louis david john byam shaw john everett millais john roddam spencer stanhope karl truppe kelmscort manor kent la pia de' tolomei lady lawrence lempica liberty list of pre-raphaelite paintings louis de taeye magdalene maria francesca mariana mary magdalene at the door of simon the pharisee mary nazarene moore morris naked nude orient goods oxfordshire painting pallas pansy patricia peasant venus pre-raphaelite raphaelite brotherhood rayskin reich rossett rossetti self portrait sevenoaks sir john everett millais soviet study the third reich the blessed damozel the raven vampyre vanitas vision of fiammetta w b scott william holman hunt women working men's college àä äàíòå / dante's inferno 1967 àðòóð õüþç áàëåðèíû áàëåò áåëûå ðîçû áåñïëàòíî áëàæåííàÿ áåàòðè÷å âîðîí ãåòåðà ãîëóáü ãðàíò âóä äàíòå äàíòå ãàáðèýëü ðîññåòòè äâåíàäöàòàÿ íî÷ü äæåéí ìîððèñ äæåéí ìîððèñ á¸ðäåí äæîí óèëüÿì ïîëèäîðè åâãåíèé îíåãèí æèâîïèñü æèâîòíûå èíòåðíåò èñêàòåëü èñêóññòâî êåííåò êèíî êëàðê êîëåãîâà êîðîëåâà êðèñòèíà ðîññåòòè ëàðåö êîðîëÿ ðåíå? ëåìïèöêà ëåìïèöêàÿ ëåðìîíòîâ ìàðèèíñêèé ìàðèÿ ôðàí÷åñêà ìåíàäû ìåíäåëååâ ìîððèñ ìóçåè ìýäîêñ áðàóí íàãîòà íàéäåíà íàéäåííàÿ íàñèëèå íîâûé ðîìàí íîæêè îáíàæ¸ííàÿ îíëàéí ïèÿ äå òîëîìåè ïîýçèÿ ðîññåòòè ïîýçèÿ ðîññåòòè ïðåðàôàýëèòû ïðîçåðïèíà ðîìàí ðîññåòòè ñàìîõâàëîâ ñåêñ ñèääàë ñêîòò ôèòöæåðàëüä ñìîòðåòü ñîìîâà ñîöðåàëèçì ñòàñîâ ñòèõè òàìàðà ëåìïèöêà òðåòèé ðåéõ óèëüÿì ìîððèñ óîòåðõàóç ôàííè êîðíôîðò ôåòèø ôèàìåòòà ôîòî ôðèäåðèê ëåéòîí õàíò õüþç ÷ààäàåâ øàðëîò ñòðèò ý ë á å ð ò ã ð ý ì ýâåëèí äå ìîðãàí ýêçèñòåíöèÿ ýëèçàáåò ñèääàë ýïèãðàô ýññå

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 -Ïîèñê ïî äíåâíèêó

Ïîèñê ñîîáùåíèé â ëþäàí_êóïîë

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 -Ñîîáùåñòâà

Ó÷àñòíèê ñîîáùåñòâ (Âñåãî â ñïèñêå: 1) Live_Memory

 -Ñòàòèñòèêà

Ñòàòèñòèêà LiveInternet.ru: ïîêàçàíî êîëè÷åñòâî õèòîâ è ïîñåòèòåëåé
Ñîçäàí: 27.08.2009
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Íàïèñàíî: 559


ÒÐÓÄÍÎÑÒÈ ÏÅÐÅÂÎÄÀ

Âòîðíèê, 11 Èþíÿ 2013 ã. 20:19 + â öèòàòíèê

 10.

 

 

 

KIF

A couple in the doorway smoking, a whiff of kif about them. 206p.

 

      A fine powder created from rubbing the THC crystals off of marijuana buds with a cheese cloth to cheapen the bud and later to be added to your own stash for added potency.

 

                                                               11.

 

MEMORY PALACE.

  Î äâîðöå ïàìÿòè Ãàííèáàëà íàïèñàíî â Hannibal Rising, óïîìèíàåòñÿ  Topkapi Museum â Ñòàìáóëå, î÷åíü áîëüøîå è ìíîãîêîìíàòíîå çäàíèå äâîðöà-ìóçåÿ.

              The doors to Dr. Hannibal Lecter's memory palace is in the darkness at the center of his mind and it has a latch that can be found bu touch alone. This curious portal opens on immense and well-lit places, early baroque, and corridors and chambers rivaling in number those of the Topcapi Museum.

 

He was considering it for a display in his memory palace... 203p.

Î äâîðöå ïàìÿòè è ïðàâèëàõ åãî ñîçäàíèÿ, î ìíåìîòåõíèêå òàêæå ñòð 209.

Î äâîðöå ïàìÿòè óïîìèíàåò â ñâîåì òðóäå 1928 ãîäà Yates. ß êíèãó óæå íàø¸ë â ïóáëè÷êå, óæî ïðî÷òó, îòïèøó.

Yates F. A., Selected works.  The art of memory.

 êà÷åñòâå äâîðöà ïàìÿòè Ãàííèáàë óïîòðåáëÿë  Topkapi museum.

Topkapi_Istanbul_2007_Pano (336x398, 33Kb)

 

MOUTON

     He was tmiddling the little wheels of the blade carrier, the mouton, which prevent the blade from jamming on its way down. 216p.

Êàêàÿ-òî äåòàëü ãèëüîòèíû?

 

 

                                                               12.

                                                             

MULLION

 Â îïèñàíèè çàìêà äÿäè Ãàííèáàëà:

The mullions in its many windows were curved like spiderwebs weighted with dew. 77p.

 

         A mullion is a vertical structural element which divides adjacent window units. The primary purpose of the mullion is as a structural support to an arch or lintel above the window opening. Its secondary purpose may be as a rigid support to the glazing of the window. When used to support glazing, they are teamed with horizontal supporting elements called "transoms".

250px-Open-sky-bifora-SanFrancesco-Lodi (250x240, 21Kb)

Êàê êîíêðåòíî âûãëÿäåëè îêíà â çàìêå äÿäè, íå çíàþ. Ìîæåò òèïà òàê?

Kingswood-0074-s (300x448, 29Kb)                                          GlassSutton (189x422, 37Kb)

 

                                      

                                                                    12.

PANEL

   There was a scroll on the dais befor the armor. It was unrolled only enough to show the first panel, the samurai wearing the armor... 93p.

Âû áóäåòå ñìåÿòüñÿ, íî ÿ ÷òî-òî çàòîðìîçèë. Íó è êàê òóò panel ïåðåâåñòè? Ìîæåò ýòî:

a piece of sequential art such as a graphic novel or comic strip èëè ïîëîñà ïåðãàìåíòà?

 

POPIL

Èìÿ èíñïåêòîðà äîëæíî ÷òî-òî îçíà÷àòü, áûòü ãîâîðÿùèì. Ïîêà íå íàø¸ë íè÷åãî íè âî ôðàíöóçñêîì, íè â àíãëèéñêîì.

 

                                                                       13.

                                                                                                                                      

RAYSKIN

 

...and rested his hand on the rayskin grip of the short sword. 153p.

Ray - ðûáà ñêàò.

        Shagreen is a type of rawhide consisting of rough untanned skin, formerly made from a horse's back or that of anonager (wild ass). Shagreen is now commonly made of the skins of sharks and rays.

         Shagreen has an unusually rough and granular surface, and is sometimes used as a fancy leather for book bindings, pocketbooks and small cases, as well as its more utilitarian uses in the hilts and scabbards of swords anddaggers, where slipperiness is a disadvantage.

 

                                                               14.

 

 

ROMAN  STRIKING.

      ×àñû íà êàìèíå ïñèõèàòðà îòáèâàþò ÷àñû íå ïðîñòî, à ïî ðèìñêè:

   The clock used the Roman 1V on its face, rater than 1111, for simmetry with the V111 on the other side. Hannibal wondered if that meant it had Roman striking - two chimes, one meaning "five" and another meaning "one". 98p.

 

           Some rare clocks use a form of striking known as "Roman Striking" (invented by Joseph KNIBB), where a large bell or lower tone is sounded to represent "five", and a small bell or high tone is sounded to represent "one". For example, the hour of four o'clock would be sounded as a high tone followed by a low tone, whereas the hour of eleven o'clock would be sounded by two low tones followed by a high tone. Clocks using this type of striking usually represent four o'clock on the dial with an "IV" rather than the more common "IIII"

 

                                                                 15.

 

sebum

     Latin, originally, hog fat, lard,

The semifluid secretion of the sebaceous glands, consisting chiefly of fat, keratin, and cellular material.
The sebaceous glands are microscopic glands in the skin that secrete an oily/waxy matter, called sebum, to lubricate and waterproof the skin and hair of mammals. In humans, they are found in greatest abundance on the face and scalp, though they are distributed throughout all skin sites except the palms and soles
 

 

                                             16.

Tantō

A tantō ("short sword") is one of the traditional Japanese swords  (nihonto) that were worn by the samurai class of feudal Japan. The tantō dates to the Heian period, when it was mainly used as a weapon but evolved in design over the years to become more ornate.

The Tanto is commonly referred to as a knife or dagger. The blade is single or double edged with a length between 15 and 30 cm (6-12 inches, in Japanese 1 shaku). The tantō was designed primarily as a stabbing weapon, but the edge can be used for slashing as well.

Òàíòî (êîðîòêèé ìå÷) - îäèí èç òðàäèöèîííûõ ÿïîíñêèõ ìå÷åé nihonto, óïîòðåáëÿâøèõñÿ ÿïîíñêèìè ñàìóðàÿìè. Òàíòî îòíîñÿòñÿ ê ýïîõå Heian êîãäà îíè ãëàâíûì îáðàçîì èñïîëüçîâàëèñü êàê îðóæèå, íî ñ ãîäàìè èõ äèçàéí èçìåíèëñÿ è îíè ñòàëè áîëåå ïðåäìåòîì óêðàøåíèÿ, ÷åì âîîðóæåíèÿ. Òàíòî îáû÷íî íàçûâàþò íîæîì èëè êèíæàëîì. Ëåçâèå îäíî èëè äâóõñòîðîííåå äëèííîé 15-30 ñì (6-12 äþéìîâ â ßïîíèè 1 shaku).

165px-Tanto_Kunimitsu (165x292, 13Kb)

 

 

 

        Wind chimes

               The candlelight played on St. Joan and gave random expressions to her face like chance tunes in a wind chime. 204p.

 

        Wind chimes are chimes constructed from suspended tubes, rods, bells or other objects and are often made of metal or wood. Wind chimes are usually hung outside of a building or 


 

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