-Ìåòêè

a revery annie miller arthur hughes aspecta medusa baron von gloeden beata beatrix bluebird burne-jones carlisle wall christina georgina rossetti christina rossetti clark cristina rossetti dante gabriel rossetti dr john polidori dudley gallery edward poynter eleanor fortescue-brickdale elizabeth eleanor siddal elizabeth siddal english version eugene onegin fanny co feet fetish fiammetta first anniversary ford madox brown found francois-joseph navez frederic william burton gabriel charles dante gabriel charls dante rossetti george price boyce girls goblin market hans suren he story of st. george and the dragon holy grail jacques-louis david john byam shaw john everett millais john roddam spencer stanhope karl truppe kelmscort manor kent la pia de' tolomei lady lawrence lempica liberty list of pre-raphaelite paintings louis de taeye magdalene maria francesca mariana mary magdalene at the door of simon the pharisee mary nazarene moore morris naked nude orient goods oxfordshire painting pallas pansy patricia peasant venus pre-raphaelite raphaelite brotherhood rayskin reich rossett rossetti self portrait sevenoaks sir john everett millais soviet study the third reich the blessed damozel the raven vampyre vanitas vision of fiammetta w b scott william holman hunt women working men's college àä äàíòå / dante's inferno 1967 àðòóð õüþç áàëåðèíû áàëåò áåëûå ðîçû áåñïëàòíî áëàæåííàÿ áåàòðè÷å âîðîí ãåòåðà ãîëóáü ãðàíò âóä äàíòå äàíòå ãàáðèýëü ðîññåòòè äâåíàäöàòàÿ íî÷ü äæåéí ìîððèñ äæåéí ìîððèñ á¸ðäåí äæîí óèëüÿì ïîëèäîðè åâãåíèé îíåãèí æèâîïèñü æèâîòíûå èíòåðíåò èñêàòåëü èñêóññòâî êåííåò êèíî êëàðê êîëåãîâà êîðîëåâà êðèñòèíà ðîññåòòè ëàðåö êîðîëÿ ðåíå? ëåìïèöêà ëåìïèöêàÿ ëåðìîíòîâ ìàðèèíñêèé ìàðèÿ ôðàí÷åñêà ìåíàäû ìåíäåëååâ ìîððèñ ìóçåè ìýäîêñ áðàóí íàãîòà íàéäåíà íàéäåííàÿ íàñèëèå íîâûé ðîìàí íîæêè îáíàæ¸ííàÿ îíëàéí ïèÿ äå òîëîìåè ïîýçèÿ ðîññåòòè ïîýçèÿ ðîññåòòè ïðåðàôàýëèòû ïðîçåðïèíà ðîìàí ðîññåòòè ñàìîõâàëîâ ñåêñ ñèääàë ñêîòò ôèòöæåðàëüä ñìîòðåòü ñîìîâà ñîöðåàëèçì ñòàñîâ ñòèõè òàìàðà ëåìïèöêà òðåòèé ðåéõ óèëüÿì ìîððèñ óîòåðõàóç ôàííè êîðíôîðò ôåòèø ôèàìåòòà ôîòî ôðèäåðèê ëåéòîí õàíò õüþç ÷ààäàåâ øàðëîò ñòðèò ý ë á å ð ò ã ð ý ì ýâåëèí äå ìîðãàí ýêçèñòåíöèÿ ýëèçàáåò ñèääàë ýïèãðàô ýññå

 -Ðóáðèêè

 -Ïîèñê ïî äíåâíèêó

Ïîèñê ñîîáùåíèé â ëþäàí_êóïîë

 -Ïîäïèñêà ïî e-mail

 

 -Ñîîáùåñòâà

Ó÷àñòíèê ñîîáùåñòâ (Âñåãî â ñïèñêå: 1) Live_Memory

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Ñòàòèñòèêà LiveInternet.ru: ïîêàçàíî êîëè÷åñòâî õèòîâ è ïîñåòèòåëåé
Ñîçäàí: 27.08.2009
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Íàïèñàíî: 559


ÄÅËÀÂÀÐÑÊÈÉ ÕÓÄÎÆÅÑÒÂÅÍÍÛÉ ÌÓÇÅÉ

Ñðåäà, 07 Ìàðòà 2012 ã. 11:56 + â öèòàòíèê

 

 ýòîì ïîñòå ðàññìîòðþ ïðîèçâåäåíèÿ ïðå-ðàôàýëèòîâ, õðàíÿùèåñÿ â õóäîæåñòâåííîì  ìóçåå Äåëàâàðà.

 

Èç Ðîññåòòè òàì åñòü:

1. Âîäÿíàÿ èâà.

2. Ïðåêðàñíûå ðó÷êè è ýñêèçû ê íèì.

3. Íàéäåíà.

4. Ìíåìîçèíà.

5. Íàòþðìîðò ñ áóòûëêàìè. BOTTLES.

6. BOTTLES.print.

7. Ëîäêà ëþáâè.

   The Boat of Love (composition sketch, four figures)

 

8. Veronica Veronese

9. Lady Lilith

10.Elizabeth Siddal  1854

11.Frederick Richards Leyland

 

 

ÂÎÄßÍÀß  ÈÂÀ.

s226.wsfa (300x336, 24Kb)                       

http://www.preraph.org/gallery/ - ññûëêà íà ìóçåé, ãäå ìîæíî óâåëè÷èòü èçîáðàæåíèå.

1935-26 (461x580, 145Kb)

 

Water Willow

Medium: oil
Dimensions: 13 x 10 1/2 in.
Date: 1871
Model: Jane Burden Morris
Repainting: 1893
The painting was retouched in 1893 by Fairfax Murray.

Provenance

Current Location: Bancroft Collection, Wilmington Society of Fine Arts, Delaware.

 

ÂÎÄßÍÀß  ÈÂÀ.

Ìàñëî. 13 íà 10  1/2 äþéìà. Êàðòèíêà ìàëåíüêàÿ 33 íà 26,7 ñì.

1871 ãîä

Ìîäåëü Äæåéí Ìîððèñ.

Êàðòèíà ïåðåïèñàíà â 1893 ãîäó Ôàåðôàêñîì Ìþððååì.

 íàñòîÿùåå âðåìÿ íàõîäèòñÿ â ìóçåå  Âèëìèíãòîíñêîãî îáùåñòà èçÿùíûõ èñêóññòâ â Äåëàâàðå.

 

 

        Êàðòèíà áûëà èñïîëíåíà ìåæäó èþëåì è íà÷àëîì îêòÿáðÿ 1871 ãîäà, êîãäà ÄÃÐ è ìèññèñ Ìîððèñ æèëè âìåñòå â ïîìåñòüå Êåëüìñêîòò, êîòîðîå Ðîññåòòè ñíÿë âìåñòå ñ Ìîððèñàìè â ïðåäúèäóùèé ìàé. Íà äàëüíåì ôîíå êàðòèíû èçîáðàæåíî ïîìåñòüå è ñåëüñêàÿ öåðêîâü, à áëèæå ðåêà Òåìçà. Òåìà êàðòèíû, âåðîÿòíî, ðàñêðûâàåòñÿ â áàëëàäå, íàïèñàííîé Ðîññåòòè â òîæå âðåìÿ, è êîòîðàÿ òîãäà íàçûâàëàñü òàêæå, êàê êàðòèíà, íî òåïåðü èçâåñòíà êàê "Ðàçëóêà â ñìåðòè". Ðîññåòòè èñïîëíèë äâà íàáðîñêà ôîíà, íà îäíîì äâà çäàíèÿ, à íà äðóãîì ëèñòâà.

   Êàðòèíà íàïèñàíà â 1871 ãîäó, à ïðîäàíà òîëüêî â 1877   Ò¸ðíåðó (J.A. Turner).

        The painting was made sometime between early July and early October 1871, when DGR and Mrs. Morris were together at Kelmscott Manor, which DGR had taken as joint tenant with Morris the previous May. The picture shows the manor in the distant background and the river Thames in the nearer background. The painting is perhaps glossed by the ballad that DGR wrote at the same time, then titled as this picture but now known as “A Death-Parting”.  The background of the painting is the Thames, with a distant view of Kelmscott Manor and a country church. DGR made two sketches for the background, one with the two buildings, the other of foliage.

Executed in 1871, the picture was not sold until 1877 when it was purchased by J. A. Turner (see Fredeman, Correspondence, 77. 119 ).

 

Ê êàðòèíå åñòåñòâåííî, åñòü ñîíåòèê:

A Death-Parting.

  • Leaves and rain and the days of the year,
  • ( Water-willow and wellaway,)
  • All these fall, and my soul gives ear,
  • And she is hence who once was here.
  • ( With a wind blown night and day.)
  • Ah! but now, for a secret sign,
  • ( The willow's wan and the water white,)
  • In the held breath of the day's decline
  • Her very face seemed pressed to mine.
  • 10 ( With a wind blown day & night.)
  • O love, of my death my life is fain;
  • ( The willows wave on the water-way,)
  • Your cheek and mine are cold in the rain,
  • But warm they'll be when we meet again.
  • ( With a wind blown night & day.)
  • Mists are heaved and cover the sky;
  • ( The willows wail in the waning light,)
  • O loose your lips, leave space for a sigh,—
  • They seal my soul, I cannot die.
  • 20 ( With a wind blown day and night.)
  • Leaves and rain and the days of the year,
  • ( Water-willow and wellaway,)
  • All still fall, and I still give ear,
  • And she is hence, and I am here.
  • ( With a wind blown night and day.)

 

 

                                          ÐÀÇËÓÊÀ Â ÑÌÅÐÒÈ

 

Ëèñòüÿ, è äîæäü, è äíåé âåðåíèöû

(Èâà íàä çàâîäüþ, âçäîõ «Óâû».)

Òàþò âäàëè, è äóøà òîìèòñÿ:

Òà, ÷òî áûëà çäåñü, íå âîçâðàòèòñÿ.

(Âåòðà ñòîí è øîðîõ ëèñòâû.)

 

Àõ, íî òåïåðü, òàéíûé çíàê ëè, æàëîñòü?

(Èâà áëåäíà è âîäà áåëà.)

 ñóìåðêàõ äíÿ, ÷ü¸ äûõàíüå ïðåðâàëîñü?

Ÿ ëè ùåêà ê ìîåé âäðóã ïðèæàëàñü?

(Âåòåð, èâà è íî÷è ìãëà.)

 

Ëþáèìàÿ! Ñìåðòü óæå íåäàëå÷å;

(Èâû ñåíü è çàâîäü â òåíè.)

Õîëîäíû íàøè ù¸êè â äîæäëèâûé âå÷åð,

Íî îíè çàïûëàþò ïðè âñòðå÷å.

(Âåòåð äóåò íî÷è è äíè.)

 

Òóìàí ïëûâ¸ò â íåáåñà, òîñêóÿ,

(Èâû ïëà÷ü – è äíþ íå ïîìî÷ü.)

Ðàçîìêíè óñòà, ë¸ãêèé âçäîõ äàðóÿ:

Òû öåëóåøü ìåíÿ – è íå óìðó ÿ.

(Âåòåð ñòîíåò è äåíü è íî÷ü.)

 

Ëèñòüÿ – äîæäü, è äíåé âåðåíèöà

(Èâà íàä çàâîäüþ, âçäîõ «Óâû».)

Òàþò âäàëè, è ìíå çäåñü òîìèòüñÿ:

Óøëà îíà – è íå âîçâðàòèòñÿ.

(Âåòðà ñòîí è øîðîõ ëèñòâû.)

 

                                 Ïåðåâîä Âàëåðèÿ Ñàâèíà.

 

 

 

 

ÏÐÅÊÐÀÑÍÛÅ  ÐÓ×ÊÈ.

La Bella Mano, 1875

 

1935-25 (519x700, 283Kb)

Ìàñëî, õîëñò.

62 íà 42 äþéìà. 157.5 íà 107 ñì.

Ïîäïèñü: Ä.Ã.Ðîññåòòè.

1875ã.

Medium: oil
Dimensions: 62 x 42 in.
Signature: D.G. Rossetti
Date on Image: 1875
 
Íàïèñàíà â 1875 ãîäó.
Çàêàç÷èê Ìþððåé Ìàðêñ.
Ïåðâîíà÷àëüíàÿ öåíà 1050 ôóíòîâ.
Àëåêñà Âàéëäèíã ïîçèðîâàëà äëÿ öåíòðàëüíîé ôèãóðû.
Ìýé Ìîððèñ ïîçèðîâàëà äëÿ àíãåëà, äåðæàùåãî ïîäíîñ.
ÄÃÐ çàïèñàë ãîëóáóþ âàçó, êîòîðóþ çàêàç÷èê ïðåäîñòàâèë äëÿ êàðòèíû.
 
Production Date: 1875
Exhibition History: Royal Academy, 1883, #307.
Patron: Murray Marks
Date Commissioned: February 15, 1875
Original Cost: £1,050
Model: Alexa Wilding
Note: Alexa Wilding sat for the principal figure
Model: May Morris
Note: It is likely that May Morris sat for the angel holding the tray.
Repainting:
DGR painted out a blue jar Marks had provided for the painting.

Provenance

Current Location: Bancroft Collection, Wilmington Society of Fine Arts, Delaware
Purchase Price: £2,205
Archival History: Murray Marks; F.S. Ellis; Sold for £865 at the May 16, 1885, Christie's auction (no. 90); Sir Cuthbert Quilter, Bart.; Sold for £2,205 at the Quilter Sale, Christie's July 9, 1909 (no. 79)
 
Êàê è Ïðîçåðïèíà, ýòî ñêîðåå òðîéíàÿ, à íå äâîéíàÿ ðàáîòà - èõ òîëüêî äâå ó Ðîññåòòè.  êàæäîì ñëó÷àå, Ðîññåòòè ïîñëå îêîí÷àíèÿ êàðòèíû ïèñàë ê íåé ñîíåò íà èòàëüÿíñêîì, à çàòåì ïåðåâîäèë íà àíãëèéñêèé.
 
Like Proserpine, this is in effect a “triple-work” rather than a double—the only two such works in DGR's corpus. In each case DGR, after completing his picture, wrote an accompanying sonnet in Italian, and then translated the sonnet into English.
 
 
 
Ê êàðòèíå ñîõðàíèëèñü íàáðîñêè.

f18.s240 (569x700, 176Kb)

Êàðàíäàø.
22.7 íà 18.2 ñì.
1874.
 
Medium: pencil
Dimensions: 22.7 x 18.2 cm
Note: WMR (verso): “G. for Bella Mano.” A verso draft P.S. to a letter to William Bell Scott, dated 3 May 1875, tends to support the date.
Production Date: 1874 (circa)
 

f19.s240 (450x295, 81Kb)

La Bella Mano, study of hands and bracelet

1874 (circa)

Ýñêèç ðóê è áðàñëåòà äëÿ Ïðåêðàñíûõ ðó÷åê.

Êàðàíäàø íà áóìàãå ðó÷íîé ðàáîòû.

11.2 íà 17.5 ñì.

×àñòíàÿ êîëëåêöèÿ.

Medium: pencil on handmade paper with half watermark: “18”
Dimensions: 11.2 x 17.5 cm
Note: WMR (verso): “G. for Bella Mano.”

Provenance

Current Location: Private Collection
 
 
 äåëàâàðñêîì õóäîæåñòâåííîì ìóçåå åñòü åù¸ çàãàäî÷íûé ïðèíò:
 

s240a (406x550, 116Kb)

La Bella Mano [print]

1875-1900 (circa)

 

Ôîòîïðèíò (êðàñíàÿ ñåïèÿ?) íà äîñêå.

Physical Description

Medium: photoprint (red/sepia?) mounted on board
Dimensions: Print: 24 3/4 x 18 9/16 in.
Note: from a photograph by the Autotype Co.

Provenance

Current Location: Delaware Art Museum

 

Îò ýòîé êàðòèíû Ðîññåòòè çà÷åì-òî êóñîê íàïèñàë ïîçæå îòäåëüíî. Î÷åíü ïîõîæå íà ïåðâóþ ôèãóðó àíãåëà ó Ëåîíàðäî.

s240c (220x550, 35Kb)

Íå äàíî åìó áûëî ãîëûõ áàá æèâîïèñàòü, îäåòûìè îí èõ ÷òî ëè ïîòðåáëÿë. Íó ÷òî ýòî çà íîæêè!!!??? Íè ïðîïîðöèé, íè àíàòîìèè íè êðàñîòû.

Íèæå åù¸ îäíà êàðòèíêà áóäåò, èëëþñòðèðóþùàÿ ìîþ ìûñü.

êàðàíäàø, êðàñíûé ìåë, ïàñòåëü.

Medium: pencil, red chalk, and pastel
Dimensions: 54 x 19 1/2 in.
Signature: monogram
Date on Image: 1877
Note: Surtees suggests that the date was added later.
Exhibition History: Indianapolis and Huntington Hartfor, 1964, (no. 91)

Provenance

Current Location: Lyman Allyn Museum, New London, Connecticut

 

ÑÎÍÅÒÈÊ Ê ÊÀÐÒÈÍÅ  ÈÌÅÅÒÑß:

 

 

                                 “LA  BELLA  MANO”

                                         (Ê êàðòèíå)

 

Òû, î ïðåêðàñíàÿ ðóêà, èç òîé

Áîæåñòâåííîé ñóáñòàíöèè, îòêóäà

Âîçíèêëà Àôðîäèòà, ñëîâíî ÷óäî,

Ìèð îçàðèâ áåññìåðòíîé êðàñîòîé:

È òû âëå÷¸øü íåñáûòî÷íîé ìå÷òîé,

Êàê ìóçûêà íåñëûõàííîãî ëàäà;

Äàðû òåáå – íå æåðòâà, à íàãðàäà

Òîìó, êòî ñîçåðöàåò àáðèñ òâîé.

 

 

Ñèÿé æå â îáðàìëåíèè áðàñëåòà,

Áîæåñòâåííîé íåâèííîñòüþ öâåòêà,

 ãëàçàõ ñåñò¸ð, êàê âîïëîùåíüå ñâåòà,

Íåæíåå íåãè, ëåã÷å ëåïåñòêà,

Ïîêóäà ñðîê íàñòàíåò, î ðóêà,

Çàëîãîì ñòàòü ëþáîâíîãî îáåòà.

  

       Ïåðåâîä Òàìàðû Êàçàêîâîé.

 

Ðóáðèêè:  ÌÓÇÅÈ ÑÀÉÒÛ. MUSEUMS. SITES./ÕÓÄÎÆÅÑÒÂÅÍÍÛÉ ÌÓÇÅÉ ÄÅËÀÂÀÐÀ.

 

Äîáàâèòü êîììåíòàðèé:
Òåêñò êîììåíòàðèÿ: ñìàéëèêè

Ïðîâåðêà îðôîãðàôèè: (íàéòè îøèáêè)

Ïðèêðåïèòü êàðòèíêó:

 Ïåðåâîäèòü URL â ññûëêó
 Ïîäïèñàòüñÿ íà êîììåíòàðèè
 Ïîäïèñàòü êàðòèíêó