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5. . BOTTLES.
6. BOTTLES.print.
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The Boat of Love (composition sketch, four figures)
8. Veronica Veronese
9. Lady Lilith
10.Elizabeth Siddal 1854
11.Frederick Richards Leyland
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Water Willow
Medium: oil
Dimensions: 13 x 10 1/2 in.
Date: 1871
Model: Jane Burden Morris
Repainting: 1893
The painting was retouched in 1893 by Fairfax Murray.
Provenance
Current Location: Bancroft Collection, Wilmington Society of Fine Arts, Delaware.
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. 13 10 1/2 . 33 26,7 .
1871
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1893 .
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1871 , 1877 Ҹ (J.A. Turner).
The painting was made sometime between early July and early October 1871, when DGR and Mrs. Morris were together at Kelmscott Manor, which DGR had taken as joint tenant with Morris the previous May. The picture shows the manor in the distant background and the river Thames in the nearer background. The painting is perhaps glossed by the ballad that DGR wrote at the same time, then titled as this picture but now known as “A Death-Parting”. The background of the painting is the Thames, with a distant view of Kelmscott Manor and a country church. DGR made two sketches for the background, one with the two buildings, the other of foliage.
Executed in 1871, the picture was not sold until 1877 when it was purchased by J. A. Turner (see Fredeman, Correspondence, 77. 119 ).
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A Death-Parting.
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Leaves and rain and the days of the year,
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( Water-willow and wellaway,)
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All these fall, and my soul gives ear,
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And she is hence who once was here.
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( With a wind blown night and day.)
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Ah! but now, for a secret sign,
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( The willow's wan and the water white,)
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In the held breath of the day's decline
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Her very face seemed pressed to mine.
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10 ( With a wind blown day & night.)
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O love, of my death my life is fain;
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( The willows wave on the water-way,)
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Your cheek and mine are cold in the rain,
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But warm they'll be when we meet again.
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( With a wind blown night & day.)
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Mists are heaved and cover the sky;
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( The willows wail in the waning light,)
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O loose your lips, leave space for a sigh,—
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They seal my soul, I cannot die.
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20 ( With a wind blown day and night.)
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Leaves and rain and the days of the year,
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( Water-willow and wellaway,)
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All still fall, and I still give ear,
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And she is hence, and I am here.
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( With a wind blown night and day.)
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La Bella Mano, 1875
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62 42 . 157.5 107 .
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1875.
Medium: oil
Dimensions: 62 x 42 in.
Signature: D.G. Rossetti
Date on Image: 1875
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Production Date: 1875
Exhibition History: Royal Academy, 1883, #307.
Patron: Murray Marks
Date Commissioned: February 15, 1875
Original Cost: £1,050
Model: Alexa Wilding
Note: Alexa Wilding sat for the principal figure
Model: May Morris
Note: It is likely that May Morris sat for the angel holding the tray.
Repainting:
DGR painted out a blue jar Marks had provided for the painting.
Provenance
Current Location: Bancroft Collection, Wilmington Society of Fine Arts, Delaware
Purchase Price: £2,205
Archival History: Murray Marks; F.S. Ellis; Sold for £865 at the May 16, 1885, Christie's auction (no. 90); Sir Cuthbert Quilter, Bart.; Sold for £2,205 at the Quilter Sale, Christie's July 9, 1909 (no. 79)
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Like Proserpine, this is in effect a “triple-work” rather than a double—the only two such works in DGR's corpus. In each case DGR, after completing his picture, wrote an accompanying sonnet in Italian, and then translated the sonnet into English.
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22.7 18.2 .
1874.
Medium: pencil
Dimensions: 22.7 x 18.2 cm
Note: WMR (verso): “G. for Bella Mano.” A verso draft P.S. to a letter to William Bell Scott, dated 3 May 1875, tends to support the date.
Production Date: 1874 (circa)
La Bella Mano, study of hands and bracelet
1874 (circa)
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11.2 17.5 .
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Medium: pencil on handmade paper with half watermark: “18”
Dimensions: 11.2 x 17.5 cm
Note: WMR (verso): “G. for Bella Mano.”
Provenance
Current Location: Private Collection
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La Bella Mano [print]
1875-1900 (circa)
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Physical Description
Medium: photoprint (red/sepia?) mounted on board
Dimensions: Print: 24 3/4 x 18 9/16 in.
Note: from a photograph by the Autotype Co.
Provenance
Current Location: Delaware Art Museum
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Medium: pencil, red chalk, and pastel
Dimensions: 54 x 19 1/2 in.
Signature: monogram
Date on Image: 1877
Note: Surtees suggests that the date was added later.
Exhibition History: Indianapolis and Huntington Hartfor, 1964, (no. 91)
Provenance
Current Location: Lyman Allyn Museum, New London, Connecticut
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“LA BELLA MANO”
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