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4102 beata beatrix beatrice meeting dante at a marriage feast before the battle burne-jones cave thomas christina georgina rossetti christina rossetti dante gabriel ross dante gabriel rossetti dudley gallery edward poynter eleanor fortescue-brickdale eugene onegin feet fetish frank cadogan cowper gabriel charls dante rossetti gg augustus leopold girls goblin market hannibal lecter he story of st. george and the dragon j.r.herbert kelmscott mano lady lawrence leda mit dem mariana moore naked nude painting pre-raphaelite rossetti simeon solomon stacy marks the third reich's nu the lady of shalott the maids of elfen-mere the music master the rossetti family the seed of david v. prinsep willian allinham working men's college àðòóð õüþç áàëåò áëàãîâåùåíüå ãàìëåò è îôåëèÿ ãàííèáàë ëåêòåð ãîëóáü ãðàíò âóä äàíòå ãàáðèýëü ðîññåòòè äæåéí ìîððèñ äýíèåë ìàêëàéç æèâîïèñü èñêàòåëü èñêóññòâî êàíóí ñâ. àãíåññû êàðë òðóïï êåííåò êëàðê êðèñòèíà ðîññåòòè ëåìïèöêàÿ ìàðèèíñêèé ìàðèÿ ìàãäàëèíà ó äâåðåé ñèìîíà-ôàðèñåÿ ìåíàäû ìîððèñ íàãîòà íîâûé ðîìàí íîæêè ïðåðàôàýëèòû ïðîçåðïèíà ðîìàí ðîññåòòè ñèääàë ñèìâîëèçì ñîëîìîí ñèìåîí ñîìîâà ñòàñîâ ñòèõè òàìàðà ëåìïèöêà òî́ìàñ êàðëǻéëü óîòåðõàóç ôåòèø õàíò õüþç ÷ààäàåâ ýãã ýäâàðä ýëèçàáåò ñèääàë ýññå
ÏÐÅÄÒÅ×È. PRECURSORS. |
Äíåâíèê |
ÏÐÅÄÒÅ×È. PRECURSORS.
3
Áîëüøîå âëèÿíèå íà áóäóùèõ áðàòüåâ îêàçàë óìåðøèé â 1844 ãîäó óðîæåíåö Ëîíäîíà Òåîäîð ôîí Õîëüñò (Theodor von Holst), ñòàâøèé ñâÿçóþùèì çâåíîì ìåæäó õóäîæíèêàìè ðàííåãî ðåàëèçìà (åãî ó÷èòåëü Ãåíðè Ôîñëè) è ïðåðàôàýëèòàìè, êîòîðûå ïîçíàêîìèëèñü ñ åãî òâîð÷åñòâîì óæå ïîñëå åãî áåçâðåìåííîé êîí÷èíû.
Óèëüÿì Áåëë Ñêîòò, Ðîññåòòè, Àëåêñàíäð Ìàíðî è Ìèëåñ áûëè âîñõèùåíû ìðà÷íûìè, òðàãè÷åñêèìè è ãîòè÷åñêèìè îáðàçàìè åãî ïðîèçâåäåíèé.
Theodor von Holst: The Bride, 1842.
Õàëüñò ñòàë âàæíûì ñâÿçóþùèì çâåíîì ìåæäó õóäîæíèêàìè ðàííåãî ðîìàíòèçìà, òàêèìè êàê åãî ó÷èòåëü Ãåíðè Ôîêñëè, è ïðåðàôàýëèòàìè. Âëèÿíèå Õàëüñòà íà ïðåðàôàýëèòîâ îòíîñèòñÿ ê ïåðèîäó, êîãäà åãî óæå íå áûëî â æèâûõ. Óèëüÿì Áåëë Ñêîòò, Ðîññåòòè, Ìîíðî è Ìèëëåñ è÷åñêèìè îáðàçàìè åãî ïðîèçâåäåíèé. Ðîññåòòè ðàçäåëÿë óâëå÷åíèå Õîëüñòà òâîð÷åñòâîì øòå è Äàíòå.
Òàêæå îäèí âàðèàíò Íåâåñòû Ìèëëåñ ìîã âèäåòü â äîìå ëîðäà Ëýíäñäàóíà íà Áåðêëè - ñêâåð. Ëàíêàñòåð Õàóñ è â êîëëåêöèè ñâîåãî ïåðâîãî ïîêðîâèòåëÿ Ðàëüôà Òîìàñà Âîçìîæíî, èìåííî Íåâåñòà âäîõíîâèëà åãî íà ñîçäàíèå "Ïîäðóæêè íåâåñòû" è ñåðèè çàãàäî÷íûõ æåíñêèõ ïîðòðåòîâ 1850-õ.
Àëåêñàíäð Ìàíðî âëàäåë áëîêíîòîì "ò¸ìíûõ" ðèñóíêîâ Õîëüñòà.
Dante Gabriel Rossetti, greatly admired Von Holst's work and according to Browne "considered him a significant link between the older generation of English Romantic painters, such as Fuseli and William Blake, and the Pre-Raphaelite circle".
Ðàííèå ðèñóíêè òóøüþ Ðîññåòòè íàïîìèíàþò òåìàòèêîé (ñâåðõúåñòåñòâåííîå) è âûðàçèòåëüíîñòüþ ëèíèé ðàáîòû Õîëüñòà. À "Íåâåñòà" ÿâíî îêàçàëà âëèÿíèå íà ñåðèþ ïîÿñíûõ ïîðòðåòîâ ÷óâñòâåííûõ æåíùèí â äåêîðàòèâíûõ èíòåðüåðàõ, íà÷èíàÿ ñ "Bocca Bociata". Ðîññåòòè óâèäåë "Íåâåñòó" â Ëîíäîíå â Ñòàôôîðä Õàóñ è óïîìÿíóë å¸ â ãëàâå ê êíèãå Àëåêñàíäðà Ãèëêðèñòà "Æèçíü Óèëüÿìà Áëåéêà" 1863 ã. êàê "ñàìîå ïðåêðàñíîå ïðîèçâåäåíèå"
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Ìåòêè: ïðåðàôàýëèòû ðîññåòòè õàíò ýãã Kelmscott Mano Óèëüÿì Ìîððèñ Êàíóí ñâ. Àãíåññû The Maids of Elfen-Mere Dante Gabriel Rossetti The Music Master Willian Allinham |
ÏÐÅÄÒÅ×È. PRECURSORS. |
Äíåâíèê |
ÏÐÅÄÒÅ×È. PRECURSORS.
3
Áîëüøîå âëèÿíèå íà áóäóùèõ áðàòüåâ îêàçàë óìåðøèé â 1844 ãîäó óðîæåíåö Ëîíäîíà Òåîäîð ôîí Õîëüñò (Theodor von Holst), ñòàâøèé ñâÿçóþùèì çâåíîì ìåæäó õóäîæíèêàìè ðàííåãî ðåàëèçìà (åãî ó÷èòåëü Ãåíðè Ôîñëè) è ïðåðàôàýëèòàìè, êîòîðûå ïîçíàêîìèëèñü ñ åãî òâîð÷åñòâîì óæå ïîñëå åãî áåçâðåìåííîé êîí÷èíû.
Óèëüÿì Áåëë Ñêîòò, Ðîññåòòè, Àëåêñàíäð Ìàíðî è Ìèëåñ áûëè âîñõèùåíû ìðà÷íûìè, òðàãè÷åñêèìè è ãîòè÷åñêèìè îáðàçàìè åãî ïðîèçâåäåíèé.
Theodor von Holst: The Bride, 1842.
Õàëüñò ñòàë âàæíûì ñâÿçóþùèì çâåíîì ìåæäó õóäîæíèêàìè ðàííåãî ðîìàíòèçìà, òàêèìè êàê åãî ó÷èòåëü Ãåíðè Ôîêñëè, è ïðåðàôàýëèòàìè. Âëèÿíèå Õàëüñòà íà ïðåðàôàýëèòîâ îòíîñèòñÿ ê ïåðèîäó, êîãäà åãî óæå íå áûëî â æèâûõ. Óèëüÿì Áåëë Ñêîòò, Ðîññåòòè, Ìîíðî è Ìèëëåñ è÷åñêèìè îáðàçàìè åãî ïðîèçâåäåíèé. Ðîññåòòè ðàçäåëÿë óâëå÷åíèå Õîëüñòà òâîð÷åñòâîì øòå è Äàíòå.
Òàêæå îäèí âàðèàíò Íåâåñòû Ìèëëåñ ìîã âèäåòü â äîìå ëîðäà Ëýíäñäàóíà íà Áåðêëè - ñêâåð. Ëàíêàñòåð Õàóñ è â êîëëåêöèè ñâîåãî ïåðâîãî ïîêðîâèòåëÿ Ðàëüôà Òîìàñà Âîçìîæíî, èìåííî Íåâåñòà âäîõíîâèëà åãî íà ñîçäàíèå "Ïîäðóæêè íåâåñòû" è ñåðèè çàãàäî÷íûõ æåíñêèõ ïîðòðåòîâ 1850-õ.
Àëåêñàíäð Ìàíðî âëàäåë áëîêíîòîì "ò¸ìíûõ" ðèñóíêîâ Õîëüñòà.
Dante Gabriel Rossetti, greatly admired Von Holst's work and according to Browne "considered him a significant link between the older generation of English Romantic painters, such as Fuseli and William Blake, and the Pre-Raphaelite circle".
Ðàííèå ðèñóíêè òóøüþ Ðîññåòòè íàïîìèíàþò òåìàòèêîé (ñâåðõúåñòåñòâåííîå) è âûðàçèòåëüíîñòüþ ëèíèé ðàáîòû Õîëüñòà. À "Íåâåñòà" ÿâíî îêàçàëà âëèÿíèå íà ñåðèþ ïîÿñíûõ ïîðòðåòîâ ÷óâñòâåííûõ æåíùèí â äåêîðàòèâíûõ èíòåðüåðàõ, íà÷èíàÿ ñ "Bocca Bociata". Ðîññåòòè óâèäåë "Íåâåñòó" â Ëîíäîíå â Ñòàôôîðä Õàóñ è óïîìÿíóë å¸ â ãëàâå ê êíèãå Àëåêñàíäðà Ãèëêðèñòà "Æèçíü Óèëüÿìà Áëåéêà" 1863 ã. êàê "ñàìîå ïðåêðàñíîå ïðîèçâåäåíèå"
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Ìåòêè: ïðåðàôàýëèòû ðîññåòòè õàíò ýãã Kelmscott Mano Óèëüÿì Ìîððèñ Êàíóí ñâ. Àãíåññû The Maids of Elfen-Mere Dante Gabriel Rossetti The Music Master Willian Allinham |
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