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annie miller baron von gloeden before the battle blackfriars bridge bluebird camille bonard chatham place christina georgina rossetti clark dante gabriel rossetti dudley gallery edward poynter eleanor fortescue-brickdale elizabeth siddal fanny co feet fetish frank cadogan cowper gabriel charls dante rossetti gg augustus leopold girls goblin market hannibal lecter he story of st. george and the dragon joanna mary boyce kelmscort manor kelmscott mano la pia de' tolomei lady leda mit dem liberty louis de taeye madox brown morris naked nude oxfordshire painting palazzo del padesta regent street rossetti st. reparata study the maids of elfen-mere the music master the rossetti family the seed of david william holman hunt women working men's college ́ ́ . ́ ́ ́
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(Theodor von Holst
1844 (Theodor von Holst), ( ) , .
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Theodor von Holst: The Bride, 1842.
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Dante Gabriel Rossetti, greatly admired Von Holst's work and according to Browne "considered him a significant link between the older generation of English Romantic painters, such as Fuseli and William Blake, and the Pre-Raphaelite circle".
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William Mulready
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William Etty
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The Sirens and Ulysses by William Etty, 1837
Herbert's work influenced the newly formed Pre-Raphaelite Brotherhood – who asked him to sponsor their publication The Germ, and whose artistic goal was to 'out-Herbert Herbert'. Herbert's paintings The First Introduction of Christianity into Great Britain (1842) and Our Saviour Subject to his Parents in Nazareth (1847) were the inspiration for the two most important early works of William Holman Hunt and John Everett Millais, founders of Pre-Raphaelitism. The two paintings, Hunt's A Converted British Family Sheltering a Christian Missionary and Millais' Christ in the House of His Parents were exhibited at the RA in 1850 to great controversy. Herbert used his position within the RA to help the young artists.
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́, ́ John Flaxman 1755 - 1826
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Friedrich August Moritz Retzsch, 1779, — 1857
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1 - FORERUNNERS
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: ́ ́ gg Augustus Leopold |
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