-Ìåòêè

a revery annie miller arthur hughes aspecta medusa baron von gloeden beata beatrix bluebird burne-jones carlisle wall christina georgina rossetti christina rossetti clark cristina rossetti dante gabriel rossetti dr john polidori dudley gallery edward poynter eleanor fortescue-brickdale elizabeth eleanor siddal elizabeth siddal english version eugene onegin fanny co feet fetish fiammetta first anniversary ford madox brown found francois-joseph navez frederic william burton gabriel charles dante gabriel charls dante rossetti george price boyce girls goblin market hans suren he story of st. george and the dragon holy grail jacques-louis david john byam shaw john everett millais john roddam spencer stanhope karl truppe kelmscort manor kent la pia de' tolomei lady lawrence lempica liberty list of pre-raphaelite paintings louis de taeye magdalene maria francesca mariana mary magdalene at the door of simon the pharisee mary nazarene moore morris naked nude orient goods oxfordshire painting pallas pansy patricia peasant venus pre-raphaelite raphaelite brotherhood rayskin reich rossett rossetti self portrait sevenoaks sir john everett millais soviet study the third reich the blessed damozel the raven vampyre vanitas vision of fiammetta w b scott william holman hunt women working men's college àä äàíòå / dante's inferno 1967 àðòóð õüþç áàëåðèíû áàëåò áåëûå ðîçû áåñïëàòíî áëàæåííàÿ áåàòðè÷å âîðîí ãåòåðà ãîëóáü ãðàíò âóä äàíòå äàíòå ãàáðèýëü ðîññåòòè äâåíàäöàòàÿ íî÷ü äæåéí ìîððèñ äæåéí ìîððèñ á¸ðäåí äæîí óèëüÿì ïîëèäîðè åâãåíèé îíåãèí æèâîïèñü æèâîòíûå èíòåðíåò èñêàòåëü èñêóññòâî êåííåò êèíî êëàðê êîëåãîâà êîðîëåâà êðèñòèíà ðîññåòòè ëàðåö êîðîëÿ ðåíå? ëåìïèöêà ëåìïèöêàÿ ëåðìîíòîâ ìàðèèíñêèé ìàðèÿ ôðàí÷åñêà ìåíàäû ìåíäåëååâ ìîððèñ ìóçåè ìýäîêñ áðàóí íàãîòà íàéäåíà íàéäåííàÿ íàñèëèå íîâûé ðîìàí íîæêè îáíàæ¸ííàÿ îíëàéí ïèÿ äå òîëîìåè ïîýçèÿ ðîññåòòè ïîýçèÿ ðîññåòòè ïðåðàôàýëèòû ïðîçåðïèíà ðîìàí ðîññåòòè ñàìîõâàëîâ ñåêñ ñèääàë ñêîòò ôèòöæåðàëüä ñìîòðåòü ñîìîâà ñîöðåàëèçì ñòàñîâ ñòèõè òàìàðà ëåìïèöêà òðåòèé ðåéõ óèëüÿì ìîððèñ óîòåðõàóç ôàííè êîðíôîðò ôåòèø ôèàìåòòà ôîòî ôðèäåðèê ëåéòîí õàíò õüþç ÷ààäàåâ øàðëîò ñòðèò ý ë á å ð ò ã ð ý ì ýâåëèí äå ìîðãàí ýêçèñòåíöèÿ ýëèçàáåò ñèääàë ýïèãðàô ýññå

 -Ðóáðèêè

 -Ïîèñê ïî äíåâíèêó

Ïîèñê ñîîáùåíèé â ëþäàí_êóïîë

 -Ïîäïèñêà ïî e-mail

 

 -Ñîîáùåñòâà

Ó÷àñòíèê ñîîáùåñòâ (Âñåãî â ñïèñêå: 1) Live_Memory

 -Ñòàòèñòèêà

Ñòàòèñòèêà LiveInternet.ru: ïîêàçàíî êîëè÷åñòâî õèòîâ è ïîñåòèòåëåé
Ñîçäàí: 27.08.2009
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Êîììåíòàðèåâ:
Íàïèñàíî: 559


ÐÎÑÑÅÒÒÈ ÆÈÇÍÜ ÕÐÎÍÎÃÐÀÔÈß

Âîñêðåñåíüå, 17 Ìàÿ 2020 ã. 22:46 + â öèòàòíèê

 


1850 - In the rich word-painting and emotional force of his poem “The Blessed Damozel,” published in the first issue of The Germ, the Pre-Raphaelite magazine.


1856 - He was led by Sir Thomas Malory's Morte Darthur and Tennyson's Idylls of the King to evoke in his paintings an imaginary Arthurian epoch, with heraldic glow and pattern of colour and medieval accessories of armour and dress.
  
       - He came into contact with the then-Oxford undergraduates Edward Burne-Jones and William Morris. With these two young disciples he initiated a second phase of the Pre-Raphaelite movement.

1856 - 1857 - A new era of book decoration was foreshadowed by his illustration for the Moxon edition of the Poems of Alfred, Lord Tennyson. His commission to paint a triptych (“The Seed of David”) for Llandaff Cathedral was a prelude to the ambitious scheme to decorate the Oxford Union debating chamber with mural paintings of Arthurian themes.

1860 - Elizabeth Siddal, who served at first as model for the whole group but was soon attached to Rossetti alone and, married him. Many portrait drawings testify to his affection for her.


 

http://www.s9.com/Biography/Rossetti-Dante-Gabriel

 

 

ÑÏÈÑÎÊ ÊÀÐÒÈÍ ÐÎÑÑÅÒÒÈ

https://en.wikipedia.org/wiki/List_of_paintings_by_Dante_Gabriel_Rossetti

 

ÌÛÑËÈ ÀÂÒÎÐÀ Î ÏÐÅÐÀÔÀÝËÈÒÀÕ ÂÎÎÁÙÅ È ÐÎÑÑÅÒÒȠ ×ÀÑÒÍÎÑÒÈ. 

        Ïðåðàôàýëèòû äåêëàðèðîâàëè öåëü - èäòè îò ïðèðîäû è óøëè îò íå¸ òàê äàëåêî, ÷òî äî ñèìâîëèçìà îñòàëñÿ îäèí øàã. Ðîññåòòè, íàèáîëååå ñëàáûé ñðåäè ïðåðàôàýëèòîâ õóäîæíèê, òåì íå ìåíåå ëèäåð è çíàêîâàÿ ôèãóðà äâèæåíèÿ.           

    Ðîñåòòè íå ïèñàë ïåéçàæåé, íàòþðìîðòîâ, íþ, ìíîãîôèãóðíûõ êîìïîçèöèé, âñþ ñâîþ òâîð÷åñêóþ æèçíü îí ïèñàë ïîðòðåò æåíùèíû, âåðíåå èçîáðàæàë ñèìâîëè÷åñêèé èäåàëüíûé çíàê "æåíùèíû". Êîíå÷íî, êàêîå òóò íþ, âûðàæåíèå çåìíîãî è æèâîòíîãî íà÷àëà. Áîëåå òîãî, îò æåíùèíû ó Ðîññåòòè îñòàëîñü îäíî ëèöî, íîãè îí íå ïèøåò, êèñòè ðóê - ýòî íàáîð ïëîõî ñîáðàííûõ ïàëî÷åê. Òåëî äðàïèðóåòñÿ ñâîáîäíûì ïëàòüåì è èñ÷åçàåò. Áîëåå òîãî, "îäíî ëèöî ãëÿäèò ñî âñåõ êàðòèí", ëèöî æåíùèíû âîîáùå. Íèêàêîãî ñåêñýïèëà, êàê íå ñòàðàéñÿ èç åãî êàðòèí íå èçâëå÷ü. Ðîññåòòè áûë ïî ñóòè ðåëèãèîçíûì æèâîïèñöåì è ïèñàë âñþ äîðîãó îäíèõ ìàäîíí áåçäåòíûõ.

   ×òîáû åù¸ áîëåå îòîéòè îò ïðèðîäû è ïðèáëèçèòñÿ ê çíàêó è ñèìâîëó - îí ïèøåò ïëîñêî, áåç îáú¸ìà, íèêàêèõ îòòåíêîâ, ïëîñêèå öâåòîâûå ïîëÿ.

 Ñòèëü Ðîññåòòè ëåãêî óçíàâàåì, âîçìîæíî, ÿ êîùóíñòâóþ, íî íà åãî ïîëîòíàõ âñå ìîäåëè ïðèîáðåòàþò îäèí è òîò æå îáëèê è òðóäíî ðàçëè÷èìû, î ïðèñòðàñòèè ê ðûæèì âîëîñàì ÿ åù¸ íàïèøó, âîçìîæíî, óíèôèêàöèè ñïîñîáñòâîâàëà ïðèâû÷êà õóäîæíèêà ïðèñòàâëÿòü ïðè÷¸ñêó îäíîé ìîäåëè ê ëèöó äðóãîé è ïðèâåðæåííîñòü îïðåäåë¸ííîìó òèïó ôèãóðû à òàêæå ñòðåìëåíèå ê èäåàëèçàöèè ìîäåëè (íå òàêèå óæ îíè êðàñàâèöû íà ôîòî).  ñâîèõ íàáëþäåíèÿõ ÿ íå îäèíîê. Êðèñòèíà Ðîññåòòè òàê îïèñûâàåò ñâîè âïå÷àòëåíèÿ â ñòèõîòâîðåíèè «Â ñòóäèè õóäîæíèêà»:


«Îäíî ëèöî ãëÿäèò ñî âñåõ êàðòèí,
Îäíà ôèãóðà íà ïîëîòíàõ áðîäèò èëè ïîëóëåæèò,
Ñêðûâàåòñÿ çà øèðìîé, èç çåðêàëà ñèÿåò êðàñîòîé.
Òî êîðîëåâà â ïëàòüå, êàê ðóáèí,
Òî áåçûìÿííàÿ äåâèöà â ïëàòüèöå çåë¸íîì,
Ñâÿòàÿ, àíãåë, âñ¸ îíà íå áîëüøå è íå ìåíüøå.
Íà æèâîïèñöà ñ ïîëîòíà îíà ãëÿäèò íàèâíî,
À îí å¸ ëèöî ãëàçàìè æàäíûìè ëàñêàåò äåíü è íî÷ü.
Êðàñèâà, êàê ëóíà è âåñåëà êàê ñâåò äíåâíîé,
Íå çàòóìàíåí îáëèê ãîðåì, îæèäàíüåì äîëãèì.
Íåò, ýòî íå ïîðòðåò, íî ïëîä åãî ìå÷òû.

 

Êñòàòè, õóäîæíèê çäåñü ñðàâíèâàåòñÿ ñ âàìïèðîì ïèòàþùèìñÿ êðàñîòîé ëèöà áåçûìÿííîé äåâóøêè.

Ïåðåâîä ìîé, ïàðäîí.
«Â ñòóäèè õóäîæíèêà» èç «Äî ñèõ ïîð íåîïóáëèêîâàííîãî» ïîä ðåäàêöèåé Ìàéêëà Ðîññåòòè 1896.


‘One face looks out from all his canvases,
One selfsame figure sits or walks or leans:
We found her hidden just behind those screens,
That mirror gave back all her loveliness.
A queen in opal or in ruby dress,
A nameless girl in freshest summer-green,
A saint, an angel – every canvas means
The same one meaning, neither more nor less.
He feeds upon her face by day and night,
And she with true kind eyes looks back on him,
Fair as the moon and joyful as the light:
Not wan with waiting, not with sorrow dim;
Not as she is, but as she fills his dream.’

Cristina Rossetti's ‘In an Artist’s Studio’ 1856. from New Poems by Cristina Rossetti Hitherto Unpublished or Uncollected, edited by Michael Rossetti, 1896. It most likely be based on Dante Gabriel's studio.

 

      

 ÔÈËÜÌÛ

          Ñìîòðþ ôèëüì ÂÂÑ Desperate Romantics. Èñêðåííå ðåêîìåíäóþ, äî èñòîðè÷åñêîé ïðàâäû äàëåêî, íî àêò¸ðû ïîäîáðàíû õîðîøî è äóõ ýïîõè ïåðåäàí, ìíå êàæåòñÿ âåðíî.

×òî êàñàåòñÿ ðîìàíòèêîâ, òî ïîíðàâèëàñü ìíå ñâîåé ñåêñóàëüíîñòüþ àêòðèñà, èãðàþùàÿ Àííè Ìèëëåð, õîòÿ ìíå áîëåå ñóáòèëüíûé òèï áëèçîê.  Jennie Jacques is an English actress who first came to prominence playing Annie Miller, a significant role featuring in five episodes of the BBC series Desperate Romantics,[1] a six-part television drama serial about the Pre-Raphaelite Brotherhood, first broadcast on BBC Two in July and August 2009

        The series was inspired by and takes its title from Franny Moyle's factual book about the Pre-Raphaelite Brotherhood, Desperate Romantics: The Private Lives Of The Pre-Raphaelites.

 

291973              

288355 (426x639, 107Kb)

 

Àä Äàíòå / Dante's Inferno 1967

https://vk.com/video87860371_171078129 

Çäîðîâî ïîäîáðàíû è çàãðèìèðîâàíû àðòèñòû, î÷åíü ïîõîæå íà ïîðòðåòû è ôîòî.

Áåç íàçâàíèÿ (1) (299x168, 2Kb)

 

 

 

Ðóáðèêè:  ÐÎÑÑÅÒÒÈ. ROSSETTI./ÐÎÑÑÅÒÒÈ ÆÈÇÍÜ ROSSETTI LIFE
Ìåòêè:  

 

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