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99961 a christmas carol annie miller aspecta medusa baron von gloeden beata beatrix birchington bocca baciata burden burn-jones burne-jones camille bonard carlisle wall christina georgina rossetti christina rossetti clark dante gabriel rossetti delahayer dudley gallery edward edward poynter edward robert hughes eleanor fortescue-brickdale elizabeth siddal eugene onegin feet fetish fiammetta francois-joseph navez frank cadogan cowper gabriel charls dante rossetti gg augustus leopold girls goblin market grosvenor gallery hannibal lecter henry david thoreau honesuckle j.r.herbert jane morris john everett millais john inchbold john melhuish strudwick kelmscort manor la pia de' tolomei lady later rossetti lawrence leda mit dem leda mit dem schwan lempica lempicka louis de taeye madox brown maria rossetti mariana marie spartali mary magdalene at the door of simon the pharisee medusa morris naked nude orient goods painting palazzo del padesta pansy pre-raphaelite women robert browning rossetti simeon solomon st. reparata stacy marks study tamara lempicka tasso and leonora the germ the third reich's nu the annunciation the beloved the blessed damozel the maids of elfen-mere the music master the rossetti family the titan's goblet vampyre venus verticordia walter deverell water willow water willow william holman hunt william michael rossetti willian allinham woman in yellow women working men's college Àëèíà àëåêñà âàéëäèíã àííà òèõîìèðîâà àðòóð õüþç á¸ðäåí á¸ðí-äæîíñ áàëåò áåàòðè÷å áîéñ âîçëþáëåííàÿ âûñòàâêè ãàííèáàë ëåêòåð ãåíðè äæîðäæ õîëèäåé ãåíðè òðåôôðè äóí ãîëóáü ãðàíò âóä äàíòå äàíòå ãàáðèýëü ðîññåòòè äæ. êîòìåí äæåéí äæåéí ìîððèñ äæåéí ìîððèñ á¸ðäåí äæîí ìåëõèø ñòðàäâèê äæîí ý́âåðåòò ìèëëǻ äýíèåë ìàêëàéç æèâîïèñü èñêàòåëü èñêóññòâî êàðë òðóïï êåííåò êëàðê êîëåãîâà êîðîëåâà ãâèíåâðà êðèñòèíà ðîññåòòè êýððîëë ëåìïèêà ëåìïèöêà ëåìïèöêàÿ ìàíå ìàðèèíñêèé ìåíàäû ìîððèñ ìóçåè ìóïàêàìè íàãîòà íàñèëèå íîâûé äåòåêòèâ íîâûé ðîìàí íîæêè îáíàæ¸ííàÿ ïèÿ äå òîëîìåè ïîçäíèé ðîññåòòè ïîýçèÿ ðîññåòòè ïðåðàôàýëèòû ïðîçåðïèíà ðèñóþùèé àíãåëà ðîìàí ðîññåòòè ñåêñ ñèääàë ñêóëüïòóðà ñîìîâà ñîöðåàëèçì òî́ìàñ êàðëǻéëü óîòåðõàóç ôàííè êîðíôîðò ôåòèø ôåòèøèçì ôèàìåòòà ôî́ðä ìý́äîêñ áðà́óí ôîòîèñêóññòâî ôðèäåðèê ëåéòîí õàíò õüþç ÷ààäàåâ ýäâàðä ðîáåðò õüþç ýëèçàáåò ñèääàë ýïèãðàô

 -Ïîèñê ïî äíåâíèêó

Ïîèñê ñîîáùåíèé â ëþäàí_êóïîë

 -Ïîäïèñêà ïî e-mail

 

 -Ñîîáùåñòâà

Ó÷àñòíèê ñîîáùåñòâ (Âñåãî â ñïèñêå: 1) Live_Memory

 -Ñòàòèñòèêà

Ñòàòèñòèêà LiveInternet.ru: ïîêàçàíî êîëè÷åñòâî õèòîâ è ïîñåòèòåëåé
Ñîçäàí: 27.08.2009
Çàïèñåé: 336
Êîììåíòàðèåâ: 57
Íàïèñàíî: 559


ÐÎÑÑÅÒÒÈ èñïîëüçîâàííûå ìàòåðèàëû ñïðàâêè, ïðèìå÷àíèÿ.

Ïîíåäåëüíèê, 16 Ñåíòÿáðÿ 2013 ã. 21:44 + â öèòàòíèê

Áåç íàçâàíèÿ (182x277, 11Kb)

 

1 ÌÀÉÊË ÐÎÁÈÍÑÎÍ. ÆÈÇÍÜ È ÒÂÎÐ×ÅÑÒÂÎ.  500 ÊÀÐÒÈÍÀÕ.


 

 

 

 

 

 

 

1851 - 1860 - A typical example of his work from this period is “How They Met Themselves” (Fritzwilliam Museum, Cambridge). 

1856 - He was led by Sir Thomas Malory's Morte Darthur and Tennyson's Idylls of the King to evoke in his paintings an imaginary Arthurian epoch, with heraldic glow and pattern of colour and medieval accessories of armour and dress.
  
       - He came into contact with the then-Oxford undergraduates Edward Burne-Jones and William Morris. With these two young disciples he initiated a second phase of the Pre-Raphaelite movement.

1856 - 1857 - A new era of book decoration was foreshadowed by his illustration for the Moxon edition of the Poems of Alfred, Lord Tennyson. His commission to paint a triptych (“The Seed of David”) for Llandaff Cathedral was a prelude to the ambitious scheme to decorate the Oxford Union debating chamber with mural paintings of Arthurian themes.



1882 - Died on the 9th of April in Birchington-on-Sea, Kent.
 

http://www.s9.com/Biography/Rossetti-Dante-Gabriel

 

2. Full text of "Some Reminiscences of William Michael Rossetti"

https://archive.org/details/somereminiscenc01rossgoog/page/n25/mode/2up

https://archive.org/stream/somereminiscenc01rossgoog/somereminiscenc01rossgoog_djvu.txt

About Charles Bagot Cayley  311-315

 

3. https://coollib.cc/b/440747-dante-gabriel-rossetti-dom-zhizni-v-dvuh-knigah-tom-i/read

ÄÎÌ ÆÈÇÍÈ Ðóññêèå ïåðåâîäû.

ÏÐÈÌÅ×ÀÍÈß

1.CharlesBagotCayley (1823–1883)  Áûë àíãëèéñêèì ëèíãâèñòîì, ïåðåâîä÷èêîì Äàíòå, Ãîìåðà è Ýñõèëà.  1866 ãîäó ñäåëàë ïðåäëîæåíèå Êðèñòèíå Ðîññåòòè, íåñìîòðÿ íà íåóäà÷ó ïîìîëâêè îíè îñòàâàëèñü äðóçüÿìè äî åãî ñìåðòè. Íåñêîëüêî ñòèõîòâîðåíèé Ðîññåòòè ïîäðàçóìåâàþò èõ áëèçêèå îòíîøåíèÿ.

2. Ñêîòò, Óèëüÿì Áåëë 1811 – 1890.

 Êàê æèâîïèñåö Óèëüÿì Ñêîòò áûë áëèçîê ïðåðàôàýëèòàì, ñòàðøèé èç ëèö áëèçêèõ èõ êðóãó. Äàâàë ñîâåòû Êðèñòèíå Ðîññåòòè ïî ïóáëèêàöèÿì â æóðíàëå «Ðîñòîê». Îí òàêæå îñòàâèë âîñïîìèíàíèÿ î ñðåäå ïðåðàôàýëèòîâ — Äàíòå Ãàáðèýëå Ðîñåòòè, Äæîíå иñêèíå è äðóãèõ õóäîæíèêàõ, ñ êîòîðûìè ñîñòîÿë â äðóæáå ëèáî â áëèçêîì çíàêîìñòâå. «Àâòîáèîãðàôè÷åñêèå çàïèñêè» (Autobiogr. Notes etc.)

3. HenryThomasMackenzieBell (1856 –1930) àíãëèéñêèé ïèñàòåëü, ïîýò è ëèòåðàòóðíûé êðèòèê. Èçâåñòíûé ïóòåøåñòâåííèê, îí áûë çíàêîì ñî ìíîãèìè ëèòåðàòîðàìè â Àíãëèè è çà ãðàíèöåé. Ëè÷íûé äðóã Êðèñòèíû Ðîññåòòè è àâòîð å¸ áèîãðàôèè.

4. «Àòåíǻóì» («Àòåíǻé»)  àíãëèéñêèé ëèòåðà- òóðíûé è õóäîæåñòâåííî-êðèòè÷åñêèé æóðíàë, îñíî-âàííûé  Äæåéìñîì Áàêèíãåìîìè èçäàâàâøèéñÿ

 â Ëîíäîíå ñ 1828 ïî 1921 ãîäû.

    Ïåðâûéíîìåðïîÿâèëñÿâñâåò2 ÿíâàðÿ1828 ãîäà, ïîäçàãëàâèåì«The Athenaeum of London, literary and critical Journal, edited by J. S. Buckingham». 

5. Âñå ñòèõè è ïåðåâîäû Ê. Ðîññåòòè

http://eng-poetry.ru/PoetE.php?PoetId=44

 

Ñîíåòû Ðîññåòòè íà êàðòèíû â Ëóâðå.

HTTPS://WWW.POETRYFOUNDATION.ORG/POETS/DANTE-GABRIEL-ROSSETTI    

 

doppelgänger

https://www.atlasobscura.com/articles/history-doppelganger

 

The word “doppelgänger” was introduced by German author Jean Paul in his 1796 novel Siebenkäs.

The original form of the word did survive in the works of Prussian writer E.T.A. Hoffmann, who titled a story “Die Doppeltgänger” in 1821.

The double may also serve as a foil to the protagonist’s personality, a behavioral negative as in Hans Christian Andersen’s 1847 fairy tale Skyggen, or The Shadow. 

Percy Bysshe Shelley wrote of a double in Prometheus Unbound, and later claimed to have seen his own doppelgänger before his death in 1822.

The doppelgänger in Edgar Allan Poe’s short story “William Wilson” seems to exist solely to ruin the narrator’s life.

"

William Wilson

," published by Edgar Allan Poe in 1839,

«Äâîéíè́ê» — ïîâåñòü Ô¸äîðà Ìèõàéëîâè÷à Äîñòîåâñêîãî, íàïèñàííàÿ â 1845—1846 ãîäàõ è âïåðâûå îïóáëèêîâàííàÿ 1 ôåâðàëÿ 1846 ãîäà âî âòîðîì íîìåðå æóðíàëà «Îòå÷åñòâåííûå çàïèñêè» ñ ïîäçàãîëîâêîì «Ïðèêëþ÷åíèÿ ãîñïîäèíà Ãîëÿäêèíà».

Ðóáðèêè:  ÐÎÑÑÅÒÒÈ. ROSSETTI./ÐÎÑÑÅÒÒÈ ÆÈÇÍÜ ROSSETTI LIFE
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