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1 ÌÀÉÊË ÐÎÁÈÍÑÎÍ. ÆÈÇÍÜ È ÒÂÎÐ×ÅÑÒÂÎ.  500 ÊÀÐÒÈÍÀÕ.
1851 - 1860 - A typical example of his work from this period is “How They Met Themselves” (Fritzwilliam Museum, Cambridge).
1856 - He was led by Sir Thomas Malory's Morte Darthur and Tennyson's Idylls of the King to evoke in his paintings an imaginary Arthurian epoch, with heraldic glow and pattern of colour and medieval accessories of armour and dress.
- He came into contact with the then-Oxford undergraduates Edward Burne-Jones and William Morris. With these two young disciples he initiated a second phase of the Pre-Raphaelite movement.
1856 - 1857 - A new era of book decoration was foreshadowed by his illustration for the Moxon edition of the Poems of Alfred, Lord Tennyson. His commission to paint a triptych (“The Seed of David”) for Llandaff Cathedral was a prelude to the ambitious scheme to decorate the Oxford Union debating chamber with mural paintings of Arthurian themes.
1882 - Died on the 9th of April in Birchington-on-Sea, Kent.
http://www.s9.com/Biography/Rossetti-Dante-Gabriel
https://archive.org/details/somereminiscenc01rossgoog/page/n25/mode/2up
https://archive.org/stream/somereminiscenc01rossgoog/somereminiscenc01rossgoog_djvu.txt
About Charles Bagot Cayley 311-315
3. https://coollib.cc/b/440747-dante-gabriel-rossetti-dom-zhizni-v-dvuh-knigah-tom-i/read
ÄÎÌ ÆÈÇÍÈ Ðóññêèå ïåðåâîäû.
ÏÐÈÌÅ×ÀÍÈß
1.CharlesBagotCayley (1823–1883) Áûë àíãëèéñêèì ëèíãâèñòîì, ïåðåâîä÷èêîì Äàíòå, Ãîìåðà è Ýñõèëà.  1866 ãîäó ñäåëàë ïðåäëîæåíèå Êðèñòèíå Ðîññåòòè, íåñìîòðÿ íà íåóäà÷ó ïîìîëâêè îíè îñòàâàëèñü äðóçüÿìè äî åãî ñìåðòè. Íåñêîëüêî ñòèõîòâîðåíèé Ðîññåòòè ïîäðàçóìåâàþò èõ áëèçêèå îòíîøåíèÿ.
2. Ñêîòò, Óèëüÿì Áåëë 1811 – 1890.
Êàê æèâîïèñåö Óèëüÿì Ñêîòò áûë áëèçîê ïðåðàôàýëèòàì, ñòàðøèé èç ëèö áëèçêèõ èõ êðóãó. Äàâàë ñîâåòû Êðèñòèíå Ðîññåòòè ïî ïóáëèêàöèÿì â æóðíàëå «Ðîñòîê». Îí òàêæå îñòàâèë âîñïîìèíàíèÿ î ñðåäå ïðåðàôàýëèòîâ — Äàíòå Ãàáðèýëå Ðîñåòòè, Äæîíå иñêèíå è äðóãèõ õóäîæíèêàõ, ñ êîòîðûìè ñîñòîÿë â äðóæáå ëèáî â áëèçêîì çíàêîìñòâå. «Àâòîáèîãðàôè÷åñêèå çàïèñêè» (Autobiogr. Notes etc.)
3. HenryThomasMackenzieBell (1856 –1930) àíãëèéñêèé ïèñàòåëü, ïîýò è ëèòåðàòóðíûé êðèòèê. Èçâåñòíûé ïóòåøåñòâåííèê, îí áûë çíàêîì ñî ìíîãèìè ëèòåðàòîðàìè â Àíãëèè è çà ãðàíèöåé. Ëè÷íûé äðóã Êðèñòèíû Ðîññåòòè è àâòîð å¸ áèîãðàôèè.
4. «Àòåíǻóì» («Àòåíǻé») àíãëèéñêèé ëèòåðà- òóðíûé è õóäîæåñòâåííî-êðèòè÷åñêèé æóðíàë, îñíî-âàííûé Äæåéìñîì Áàêèíãåìîìè èçäàâàâøèéñÿ
â Ëîíäîíå ñ 1828 ïî 1921 ãîäû.
Ïåðâûéíîìåðïîÿâèëñÿâñâåò2 ÿíâàðÿ1828 ãîäà, ïîäçàãëàâèåì«The Athenaeum of London, literary and critical Journal, edited by J. S. Buckingham».
5. Âñå ñòèõè è ïåðåâîäû Ê. Ðîññåòòè
http://eng-poetry.ru/PoetE.php?PoetId=44
doppelgänger
https://www.atlasobscura.com/articles/history-doppelganger
The word “doppelgänger” was introduced by German author Jean Paul in his 1796 novel Siebenkäs.
The original form of the word did survive in the works of Prussian writer E.T.A. Hoffmann, who titled a story “Die Doppeltgänger” in 1821.
The double may also serve as a foil to the protagonist’s personality, a behavioral negative as in Hans Christian Andersen’s 1847 fairy tale Skyggen, or The Shadow.
Percy Bysshe Shelley wrote of a double in Prometheus Unbound, and later claimed to have seen his own doppelgänger before his death in 1822.
The doppelgänger in Edgar Allan Poe’s short story “William Wilson” seems to exist solely to ruin the narrator’s life.
"
," published by Edgar Allan Poe in 1839,
«Äâîéíè́ê» — ïîâåñòü Ô¸äîðà Ìèõàéëîâè÷à Äîñòîåâñêîãî, íàïèñàííàÿ â 1845—1846 ãîäàõ è âïåðâûå îïóáëèêîâàííàÿ 1 ôåâðàëÿ 1846 ãîäà âî âòîðîì íîìåðå æóðíàëà «Îòå÷åñòâåííûå çàïèñêè» ñ ïîäçàãîëîâêîì «Ïðèêëþ÷åíèÿ ãîñïîäèíà Ãîëÿäêèíà».
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