Franz Xaver Winterhalter (1805–1873)
Portrait of Queen Victoria, Prince Albert, and their children
Öàðñòâîâàíèå Ýäóàðäà íà÷àëîñü â ÿíâàðå 1901 ãîäó ïîñëå êîí÷èíû ìàòåðè. Äî âîñøåñòâèÿ íà ïðåñòîë ïðèíö Óýëüñêèé áûë áîëüøå èçâåñòåí ïîä ñâîèì ïåðâûì êðåñòèëüíûì èìåíåì Àëüáåðò (óìåíüøèòåëüíî Áåðòè), à ìàòü (â ïàìÿòü î ïîêîéíîì ìóæå) æåëàëà, ÷òîáû ñûí öàðñòâîâàë ïîä èìåíåì Àëüáåðò-Ýäóàðä.
Edward VII
Îí èìåë ïðîçâèùå "äÿäÿ Åâðîïû" (the Uncle of Europe), òàê êàê ïðèõîäèëñÿ äÿäåé íåñêîëüêèì åâðîïåéñêèì ìîíàðõàì, öàðñòâîâàâøèì â îäíî âðåìÿ ñ íèì, âêëþ÷àÿ Íèêîëàÿ II è Âèëüãåëüìà II.
Albert Edward, eldest son of Queen Victoria
The Prince of Wales and later King Edward VII. Photo by W. & D. Downey, London
Áóäó÷è ïðèíöåì Óýëüñêèì (êîãäà îí ïðàêòè÷åñêè íå äîïóñêàëñÿ ìàòåðüþ ê ãîñóäàðñòâåííûì äåëàì), áûë èçâåñòåí æèçíåëþáèâûì íðàâîì, ïðèñòðàñòèåì ê áåãàì, îõîòå è, ãëàâíîå, - ê æåíùèíàì.
Edward VII and Alexandra
Edward VII and Alexandra
Ïðèíö Óýëüñêèé æåíèëñÿ 10 ìàðòà 1863 ãîäà íà Àëåêñàíäðå, ïðèíöåññå Äàòñêîé (1 äåêàáðÿ 1844 — 20 íîÿáðÿ 1925), ñåñòðå ðóññêîé èìïåðàòðèöû Ìàðèè Ô¸äîðîâíû (Äàãìàðû). Îò ýòîãî áðàêà áûëî øåñòåðî äåòåé.
Princess Alexandra of Denmark, wife of Prince Albert Edward,
and the Princess of Wales, at the age of 20 years
Îí áûë áîëüøîé ïîêëîííèê ïðåêðàñíîãî ïîëà, ÷òî íå âðåäèëî åãî ðåïóòàöèè è íå ñêðûâàëîñü îò Àëåêñàíäðû, êîòîðàÿ íå òîëüêî âñå òåðïåëà, íî è ïîääåðæèâàëà ñ ýòèìè æåíùèíàìè ðîâíûå îòíîøåíèÿ.
Queen Alexandra (1844-1925)
Princess Alexandra of Denmark, wife of Prince Albert Edward
Photograph of the Princess of Wales,
Princess Alexandra in her mid-forties by W & D Downey taken around 1889
Ëþáîâíèöû Ýäóàðäà
Áåðòè, ïðèíöó Óýëüñêîìó - áûëî 59, ïðåæäå ÷åì îí ïîëó÷èë òðîí ïîñëå 64-ëåòíåãî öàðñòâîâàíèÿ åãî ìàòåðè. Îæèäàíèå ñâîåãî ÷àñà äåñÿòèëåòèÿìè ñäåëàëè ñâîå äåëî. Îí äðåéôîâàë áåç öåëè è îáðàòèëñÿ ê ãåäîíèñòè÷åñêèì óäîâîëüñòâèÿì, ÷òîáû çàïîëíèòü ñâî¸ âðåìÿ, ê áîëüøîìó ðàçî÷àðîâàíèþ ñâîèõ ïóðèòàíñêèõ ðîäèòåëåé Âèêòîðèè è Àëüáåðòà.
Êîãäà âûõîäêè Áåðòè ïîïàëè â ïîëå çðåíèÿ åãî îòöà, ïðèíö Àëüáåðò áûë â îò÷àÿíèè. Íåñêîëüêî íåäåëü ñïóñòÿ Àëüáåðò óìåð, Âèêòîðèÿ ñ÷èòàëà, ÷òî îáðàç æèçíè ñûíà ñëîìàë ñåðäöå ëþáèìîãî ìóæà. Îíà íèêîãäà íå ïðîñòèëà ñûíà.
Áåðòè íå ðàñêàÿëñÿ â ñâî¸ì ïîâåäåíèè, ÷àñòî áûâàë â Ïàðèæå, ñòàâ ðåãóëÿðíûì ïîñåòèòåëåì òàêèõ èçâåñòíûõ çàâåäåíèé, êàê Ìóëåí Ðóæ è, êîíå÷íî æå, Le Chabanais. Ýäâàðä èìåë ìíîãî ëþáîâíèö èç äàì âûñøåãî îáùåñòâà, çäåñü òîëüêî íåêîòîðûå:

Lady Randolph Churchill, born Jeanette Jerome
Ìàòü Óèíñòîíà ×åð÷èëëÿ
Alice_Keppel
Ïðàáàáóøêà Êàìèëëû Ïàðêåð-Áîóëç Ýëèñ Êåïïåë, êîòîðîé Àëåêñàíäðà ðàçðåøèëà äàæå ïðèñîåäèíèòüñÿ ê íåé íà ñìåðòíîì îäðå Áåðòè.
Camilla Parker Bowles
Íî ñàìàÿ áîëüøîé ëþáîâüþ åãî æèçíè áûëà Äýéçè Óîðâèê:
Sargent - Countess of Warwick and Son
Àêòðèñû è òàíöîâùèöû

Lily Langtry, àêòðèñà.
Mistress of the Prince of Wales
Lily Langtry, Mistress of the Prince of Wales - later Edward VII
Carolina Otero
"Ïðåêðàñíàÿ Îòåðî"- èñïàíñêàÿ òàíöîâùèöà è êóðòèçàíêà. Ÿ èìÿ ñâÿçûâàëè íå òîëüêî ñ Ýäóàðäîì, íî è ïðèíöåì Ìîíàêî è íåñêîëüêèìè ÷ëåíàìè ðîññèéñêîé èìïåðàòîðñêîé ôàìèëèè. Ãîâîðÿò, ÷òî êóïîë îòåëÿ "Êàðëòîí" â Ìîíàêî ïîâòîðÿë ôîðìó å¸ ãðóäè.
Ñàðà Áåðíàð
Ìàòü Ñàðû Áåðíàð â áèîãðàôèÿõ âåëèêîé àðòèñòêè îáû÷íî çíà÷èòñÿ, êàê ó÷èòåëüíèöà ìóçûêè, íî â äåéñòâèòåëüíîñòè îíà áûëà ïðåêðàñíàÿ, âûñîêîïîñòàâëåííàÿ, ýëèòíàÿ ñîäåðæàíêà.
Le Chabanais
Ëå-Øàáàíå (Le Chabanais), âõîä
Ñðåäè áîðäåëåé Ïàðèæà âèêòîðèàíñêîé ýïîõè "Le Chabanais" áûë ñàìûé èçûñêàííûé. Íà ïðîòÿæåíèè ìíîãèõ ëåò ýòîò «Maison De tolerance" - "Äîì Òåðïèìîñòè" (ñëîâî "áîðäåëü" áûëî ñî÷òåíî ñëèøêîì áåçâêóñíûì) - âèäåë è òîãäà, è ïîòîì ìíîãî èçâåñòíûõ ïîñåòèòåëåé.
Çàâñåãäàòàåì çàâåäåíèÿ â 1880-1890-õ ÿâëÿëñÿ ïðèíö Áåðòè (Àëüáåðò) Óýëüñêèé, êîòîðûé ïîçæå ñòàë êîðîë¸ì Âåëèêîáðèòàíèè Ýäóàðäîì VII.
Ñàëîí Ëþäîâèêà XV/der Salon Louis XV
Êàðèêàòóðà íà ïðèíöà Áåðòè Óýëüñêîãî,
èçîáðàæ¸ííîãî â áîðäåëå Ëå Øàáàíå â îáùåñòâå äàì ë¸ãêîãî ïîâåäåíèÿ
 êàæäîì èç 30 íîìåðîâ çàâåäåíèÿ áûëà ñâîÿ òåìà è ñòèëü: ìàâðèòàíñêèé, Ëþäîâèê XIV, äðåâíåðèìñêèé è ò.ï.
Îäíà èç êîìíàò çàâåäåíèÿ- ëþáèìîé ó Áåðòè áûëà êîìíàòà â èíäèéñêîì ñòèëå, áûëà çàêðåïëåíà çà íèì èíäèâèäóàëüíî, íàä êðîâàòüþ âèñåë èìåííîé ãåðá ïðèíöà:
Über und über mit Ornamenten, Spiegeln,
Blumen- und Hindu-Motiven verziert war dieses sogenannte indische Zimmer
einer der Lieblingsräume des britischen Thronfolgers Edward (Foto von 1900)
Òàêæå êîìíàòà áûëà çíàìåíèòà áîëüøîé ìåäíîé âàííîé â âèäå ëåáåäÿ ñ æåíñêèì ëèöîì. Âàííà èç åãî ëþáèìîé êîìíàòû â "Le Chabanais", çíàìåíèòîãî ôðàíöóçêîãî áîðäåëÿ äëÿ âûñîêîïîñòàâëåííûõ ëèö:
Der Legende nach badete der britische Thronfolger Albert Edward
(der spätere Edward VII)
seine Mätressen hier in Champagner -
den er anschließend mit seinen Freunden austrank
Áóäóùèé êîðîëü èñïîëüçîâàë å¸ äëÿ êóïàíèÿ ëþáîâíèö â øàìïàíñêîì.  1951 ãîäó ïîñëå çàêðûòèÿ áîðäåëÿ Ñàëüâàäîð Äàëè êóïèë ýòó âàííó çà 112 000 ôðàíêîâ.
Love seat
Ïðèíö î÷åíü ëþáèë æåíùèí, îñîáåííûé èíòåðåñ ó íåãî áûë ê ñ¸ñòðàì-áëèçíåöàì. Åù¸ îäíèì èç ëþáèìûõ óâëå÷åíèé Áåðòè áûëà åäà, åãî îãðîìíûé àïïåòèò îïèñàí èñòîðèêàìè. Îí áûë ãðóçåí, è, âèäèìî, äëÿ îáëåã÷åíèÿ ëþáîâíûõ óòåõ áûëî ñïåöèàëüíî ñäåëàíî òàêîå õèòðîóìîå ëîæå:
A love seat fit for a king: The antique chair that gives an eye-popping insight into Edward VII's debauched youth Second throne: The special chair made for the playboy Prince Bertie, the future Edward VII, to take his weight during lovemaking in a Parisian bordello
Ýòî êðåñëî ïîçâîëÿëî ãðóçíîìó è îòíþäü íåàòëåòè÷åñêîìó ïðèíöó îáëåã÷èòü ïîñòåëüíûå çàáàâû ñ äâóìÿ æåíùèíàìè îäíîâðåìåííî ñ ìèíèìóìîì óñèëèé.
Îðèãèíàë õðàíèòñÿ â Ïàðèæå, à ýòî - êîïèÿ èç ìóçåÿ â Ïðàãå
Ýòî ‘siege d’amour’ ìíîãî ëåò ñêðûâàëè îò îáùåñòâåííîñòè, íî òåïåðü ïîêàçàëè â äîêóìåíòàëüíîì ôèëüìå BBC î æèçíè Ýäóàðäà VII.