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4102 annie miller baron von gloeden blackfriars bridge carlisle wall christina georgina christina georgina rossetti clark dante gabriel rossetti dudley gallery edward poynter edward robert hughes eleanor fortescue-brickdale elizabeth siddal feet ferdinand preiss fetish frank cadogan cowper gabriel charls dante rossetti girls goblin market grave of dante gabriel rossetti hans suren honesuckle john inchbold karl truppe kelmscort manor kent la pia de' tolomei lady louis de taeye madox brown moore morris naked nude painting palazzo del padesta robert browning rossetti smeralda bandinelli st. reparata stacy marks study the third reich's nu the beloved the rossetti family venus verticordia w b scott walter deverell water willow william holman hunt women working men's college - ́ ́ ́
1863-64 |
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The first of his wombats, named Top, was a frequent guest at his dinner table, where it habitually fell asleep in the centerpiece. Top is believed to have been the inspiration for the character of the dormouse in Lewis Carroll's book Alice's Adventures in Wonderland.
16 1882 , - .
, Early Italian Poets (1861).
This intimate watercolour of Annie Miller is different in style from William Holman Hunt’s painting of her, The Awakening Conscience, made ten years before (which is on display in the 1840 Gallery). It reads less like a story and more like a poem or music. Miller is swathed in yellow in the manner of a Renaissance portrait to emphasise her ‘bodily beauty’, as Rossetti termed it, and the beauty of colour. A later oil version was named after the woman most famous for the enchanting power of her appearance, Helen of Troy
1864 , . .
: Woman in Yellow |
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