ÐÎÑÑÅÒÒÈ 1852-54 ROSSETTI 1852-54 |
1852 - 1854

Ñïÿùàÿ Ýëèçàáåò Ñèääàë.
Elizabeth Siddal asleep

Ýëèçàáåò Ñèääàë íà êîëåíÿõ, èãðàþùàÿ íà äâîéíîé ôëåéòå. Âîçìîæíî, ýòî ýñêèç äëÿ ôèãóðû àíãåëà-ìóçûêàíòà, ïàðíûé ðèñóíîê â Ashmolean Museum, Oxford èçîáðàæàåò å¸ ñî ñòðóííûì èíñòðóìåíòîì.
Elizabeth Siddal kneeling, playing a double pipe.
Pencil on paper, dated 1852, 19.6 x 13.6cm, Ashmolean Museum, Oxford. Bequeathed by John N Bryson 1977
This may be a study for an angel musician. A companion drawing held in the Ashmolean Museum, Oxford, shows her with a stringed instrument.

Ýëèçàáåò Ñèääàë, ïèøóùàÿ ó ìîëüáåðòà.
Elizabeth Siddal painting at an easel.
Pencil on paper, drawn in the 1850s, 25 x 20.3cm, Private collection.

Ýëèçàáåò Ñèääàë â ïëåò¸íîì êðåñëå.
Elizabeth Siddal seated in a basket chair
Ink and brown wash on paper, drawn in the 1850s, 19.1 x 12.7cm, Private collection

Ñèääàë â ïîëîâèíó ôèãóðû.
Elizabeth Siddal half-length
Pencil and brown and black ink on paper, drawn in the 1850s, 25.4 x 18.7cm, Private collection
Äà
Ìîãèëà Àðòóðà - ïîñëåäíÿÿ âñòðå÷à Ëàíñåëîòà è Ãâèíåâðû (18. Àêâàðåëü íà áóìàãå)
Arthur's Tomb - The Last Meeting of Lancelot and Guinevere (1854, Watercolour on paper)

Äæîòòî, ïèøóùèé ïîðòðåò Äàíòå.![]()
Giotto Painting the Portrait of Dante.
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