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99961 a christmas carol annie miller aspecta medusa baron von gloeden beata beatrix birchington bocca baciata burden burn-jones burne-jones camille bonard carlisle wall christina georgina rossetti christina rossetti clark dante gabriel rossetti delahayer dudley gallery edward edward poynter edward robert hughes eleanor fortescue-brickdale elizabeth siddal eugene onegin feet fetish fiammetta francois-joseph navez frank cadogan cowper gabriel charls dante rossetti gg augustus leopold girls goblin market grosvenor gallery hannibal lecter henry david thoreau honesuckle j.r.herbert jane morris john everett millais john inchbold john melhuish strudwick kelmscort manor la pia de' tolomei lady later rossetti lawrence leda mit dem leda mit dem schwan lempica lempicka louis de taeye madox brown maria rossetti mariana marie spartali mary magdalene at the door of simon the pharisee medusa morris naked nude orient goods painting palazzo del padesta pansy pre-raphaelite women robert browning rossetti simeon solomon st. reparata stacy marks study tamara lempicka tasso and leonora the germ the third reich's nu the annunciation the beloved the blessed damozel the maids of elfen-mere the music master the rossetti family the titan's goblet vampyre venus verticordia walter deverell water willow water willow william holman hunt william michael rossetti willian allinham woman in yellow women working men's college Àëèíà àëåêñà âàéëäèíã àííà òèõîìèðîâà àðòóð õüþç á¸ðäåí á¸ðí-äæîíñ áàëåò áåàòðè÷å áîéñ âîçëþáëåííàÿ âûñòàâêè ãàííèáàë ëåêòåð ãåíðè äæîðäæ õîëèäåé ãåíðè òðåôôðè äóí ãîëóáü ãðàíò âóä äàíòå äàíòå ãàáðèýëü ðîññåòòè äæ. êîòìåí äæåéí äæåéí ìîððèñ äæåéí ìîððèñ á¸ðäåí äæîí ìåëõèø ñòðàäâèê äæîí ý́âåðåòò ìèëëǻ äýíèåë ìàêëàéç æèâîïèñü èñêàòåëü èñêóññòâî êàðë òðóïï êåííåò êëàðê êîëåãîâà êîðîëåâà ãâèíåâðà êðèñòèíà ðîññåòòè êýððîëë ëåìïèêà ëåìïèöêà ëåìïèöêàÿ ìàíå ìàðèèíñêèé ìåíàäû ìîððèñ ìóçåè ìóïàêàìè íàãîòà íàñèëèå íîâûé äåòåêòèâ íîâûé ðîìàí íîæêè îáíàæ¸ííàÿ ïèÿ äå òîëîìåè ïîçäíèé ðîññåòòè ïîýçèÿ ðîññåòòè ïðåðàôàýëèòû ïðîçåðïèíà ðèñóþùèé àíãåëà ðîìàí ðîññåòòè ñåêñ ñèääàë ñêóëüïòóðà ñîìîâà ñîöðåàëèçì òî́ìàñ êàðëǻéëü óîòåðõàóç ôàííè êîðíôîðò ôåòèø ôåòèøèçì ôèàìåòòà ôî́ðä ìý́äîêñ áðà́óí ôîòîèñêóññòâî ôðèäåðèê ëåéòîí õàíò õüþç ÷ààäàåâ ýäâàðä ðîáåðò õüþç ýëèçàáåò ñèääàë ýïèãðàô

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ÐÎÑÑÅÒÒÈ 1852-54 ROSSETTI 1852-54

×åòâåðã, 24 Ñåíòÿáðÿ 2009 ã. 23:34 + â öèòàòíèê

 

                        1852 - 1854

 

Full length portrait of a young woman asleep in an armchair beside a table

 Ñïÿùàÿ Ýëèçàáåò Ñèääàë.

Elizabeth Siddal asleep

Portrait of a young woman in profile playing a double pipe

 

         Ýëèçàáåò Ñèääàë íà êîëåíÿõ, èãðàþùàÿ íà äâîéíîé ôëåéòå. Âîçìîæíî, ýòî ýñêèç äëÿ ôèãóðû àíãåëà-ìóçûêàíòà, ïàðíûé ðèñóíîê â Ashmolean Museum, Oxford èçîáðàæàåò å¸ ñî ñòðóííûì èíñòðóìåíòîì.

 

Elizabeth Siddal kneeling, playing a double pipe.

 Pencil on paper, dated 1852, 19.6 x 13.6cm, Ashmolean Museum, Oxford. Bequeathed by John N Bryson 1977

This may be a study for an angel musician. A companion drawing held in the Ashmolean Museum, Oxford, shows her with a stringed instrument.

 

Sketch drawing of a young woman sat at an easel painting

Ýëèçàáåò Ñèääàë, ïèøóùàÿ ó ìîëüáåðòà.

Elizabeth Siddal painting at an easel.

 Pencil on paper, drawn in the 1850s, 25 x 20.3cm, Private collection.

 

Sketch drawing of a young woman in a dark full-length dress sitting down

Ýëèçàáåò Ñèääàë â ïëåò¸íîì êðåñëå.

Elizabeth Siddal seated in a basket chair

 Ink and brown wash on paper, drawn in the 1850s, 19.1 x 12.7cm, Private collection

Drawing of a young woman, the face is more sketched in than the rest of her body

Ñèääàë â ïîëîâèíó ôèãóðû.

Elizabeth Siddal half-length

 Pencil and brown and black ink on paper, drawn in the 1850s, 25.4 x 18.7cm, Private collection

 

 

Äà

 

Ìîãèëà Àðòóðà - ïîñëåäíÿÿ âñòðå÷à Ëàíñåëîòà è Ãâèíåâðû (18. Àêâàðåëü íà áóìàãå)

Arthur's Tomb - The Last Meeting of Lancelot and Guinevere (1854, Watercolour on paper)

 

Äæîòòî, ïèøóùèé ïîðòðåò Äàíòå.

Giotto Painting the Portrait of Dante.

 

 

 


 

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