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annie miller baron von gloeden beata beatrix carlisle wall christina georgina rossetti christina rossetti. clark dante gabriel rossetti dudley gallery edward poynter eleanor fortescue-brickdale elizabeth siddal feet fetish fiammetta gabriel charls dante rossetti girls goblin market hannibal lecter heartsease pansy jane morris joanna mary boyce kelmscort manor la girlandata la pia de' tolomei lady lempicka louis de taeye mary magdalene at the door of simon the pharisee morris naked nude orient goods painting robert buchanan rossetti simeon solomon stacy marks study the blessed damozel vampyre venus verticordia vita nuova william holman hunt william michael rossetti women working men's college áàëåò áåàòðè÷å áîéñ äàíòå äàíòå ãàáðèýëü ðîññåòòè äæ. êîòìåí äæåéí ìîððèñ æèâîïèñü èåãóäà ëåéá øâàðöìàí èñêàòåëü èñêóññòâî êåííåò êëàðê êîëåãîâà êðèñòèíà ðîññåòòè ëåìïèêà ëåìïèöêà ëåìïèöêàÿ ìàðèèíñêèé ìåíàäû ìèêåëàíäæåëî ìîððèñ íàñèëèå íîâûé äåòåêòèâ íîâûé ðîìàí íîæêè îáíàæ¸ííàÿ ïèÿ äå òîëîìåè ïðåðàôàýëèòû ðèñóþùèé àíãåëà ðîìàí ðîññåòòè ñåêñ ñèääàë ôåòèø ôèàìåòòà ôðèäåðèê ëåéòîí õàíò õüþç ÷ààäàåâ ýëèçàáåò ñèääàë
ÃÀËÅÐÅß ËÅÌÏÈÖÊÎÉ |
Äíåâíèê |
ÃÀËÅÐÅß ËÅÌÏÈÖÊÎÉ.
ÊÀÐÒÈÍÛ ËÅÌÏÈÖÊÎÉ êàê îíè âðàùàþòñÿ â ñâåòå ñìîòðè: ÆÈÇÍÜ ÊÀÐÒÈÍ.
Öåííûå êàðòèíû Ñàëüâàäîðà Äàëè (Salvador Dalí, 1904–1989) è Òàìàðû äå Ëåìïèöêà (Tamara Lempicka, 1898–1980) áûëè ïîõèùåíû 1 ìàÿ èç ìóçåÿ Scheringa, ðàñïîëîæåííîãî â ãîðîäå Ñïàíáðóê (Spanbroek) íà ñåâåðå Íèäåðëàíäîâ. Êàðòèíà Òàìàðû äå Ëåìïèöêà «Ìóçûêàíòøà» ÿâëÿåòñÿ ñàìûì äîðîãèì íà ñåãîäíÿøíèé äåíü ïðîèçâåäåíèåì çíàìåíèòîé ïîëüñêîé õóäîæíèöû. 8 ìàÿ 2002 ã. ýòà ðàáîòà áûëà ïðîäàíà íà òîðãàõ àóêöèîííîãî äîìà Sotheby’s â Íüþ-Éîðêå çà $2 649 500, ïîñëå ÷åãî îêàçàëàñü â êîëëåêöèè ìóçåÿ.
Êàðòèíû Ëåìïèöêîé ñòîÿò îãðîìíûå äåíüãè, çà íèìè ãîíÿþòñÿ çíàìåíèòîñòè, èõ êðàäóò!!! Êîðî÷å ãîâîðÿ, ïèê ïîïóëÿðíîñòè. Íî ÷òî èíòåðåñíî, íà îáëîæêå ìîåãî ýêçåìïëÿðà "Òàìàðà Ëåìïèöêàÿ" Ýäâàðä Ëþñè-Ñìèò. Ì. èçîáðàæåíà èìåííî Ìóçûêàíòøà.
Íà ïèêå ïîïóëÿðíîñòè â 1920-å è 1930-å ãã Ëåìïèöêàÿ ñîçäàëà áîëüøîå êîëè÷åñòâî ïîðòðåòîâ â áåçîøèáî÷íî óçíàâàåìîì õîëîäíî-ìåòàëëè÷åñêîì ñòèëå.
Ïîðòðåò ãåðöîãèíè äå ëÿ Ñàëëü. (1925)
Õîëñò, ìàñëî 161 * 96 ñì. ×àñòíîå ñîáðàíèå.

Íà çàäíåì ïëàíå óñëîâíî-êóáèñòêîå èçîáðàæåíèå ãîðîäà, íî ýòî òîëüêî ôîí äëÿ ôèãóðû ãåðöîãèíè, âûïîëíåííîé ñîâñåì â äðóãîé «ôèðìåííîé» ìàíåðå. Äàìà â êîñòþìå äëÿ âåðõîâîé åçäû, ñòîèò, íåáðåæíî ðàññòàâèâ íîãè ó ïîäíîæèÿ ëåñòíèöû, ïîêðûòîé êðàñíûì êîâðîì. Ñðàçó ñòàíîâèòñÿ ÿñíî, êòî äîìèíèðóåò â çàïå÷àòëåííîé ðåàëüíîñòè. Àëàÿ ïîìàäà ñî÷åòàåòñÿ ñ òîíîì êîâðà, ù¸êè íàðóìÿíåíû, íà âåðõíåé ãóáå ìóøêà. Íà ïîðòðåòå èçîáðàæåíà æåíùèíà? Ñîëèäíàÿ ôèãóðà, äûøàùàÿ ãðóáîé ñèëîé è ýíåðãèåé, çàñòàâëÿåò âñïîìíèòü î ìóæñêèõ ïîðòðåòàõ ñî âñåìè, ïðèñóùèìè èì àòðèáóòàìè. Ëåìïèöêà ñëåäîâàëà òðàäèöèè íàïèñàíèÿ ïîðòðåòîâ ìóæ÷èí-ïðàâèòåëåé.
Ýòî êàðòèíà –ìàíèôåñò. Ìàíèôåñò ñàìîäîñòàòî÷íîé æåíùèíû, ðåøèòåëüíî, íå ïðåäâçÿòî è äàæå àãðåññèâíî ïîäõîäÿùåé ê âîïðîñó ñåêñóàëüíîñòè. Çàìåòèì, â ÷àñòíîñòè, ÷òî ïîëîâûå îðãàíû æåíùèíû, õîòÿ è ïîëíîñòüþ ïðèêðûòûå, ðàñïîëàãàþòñÿ â ãåîìåòðè÷åñêîì öåíòðå ïîëîòíà, òî÷íî íà ïåðåñå÷åíèè äèàãîíàëåé. Íà îáëàñòü ïàõà, ïðèâëåêàÿ âíèìàíèå ê ýòîé îáëàñòè, óêàçûâàåò è ëåâàÿ ðóêà ãåðöîãèíè, ÿðêî âûäåëÿÿñü íà ÷¸ðíîì ôîíå àìàçîíêè. Ëåìïèöêà íå âóëüãàðèçèðîâàëà îáðàç, ñíàáäèâ ãåðîèíþ õëûñòîì, õîòÿ ãðóáûå ñàïîãè è áåç ýòîãî àòðèáóòà ÿñíî óêàçûâàþò íà ãîìîýðîòè÷åñêèé è ñàäîìàçîõèñòñêèé àñïåêòû ñåêñóàëüíîé òåìû.
Ëåìïèöêà âñåãäà íàñòàèâàëà íà òîì, ÷òî èçîáðàæ¸ííàÿ íà êàðòèíå æåíùèíà ñóùåñòâîâàëà â ðåàëüíîñòè. Îäíàêî íèêàêèå ðàáîòû ïî ãåíåàëîãèè íå ñîäåðæàò óïîìèíàíèÿ î ãåðöîãèíå ñ òàêèì èìåíåì. Ñêîðåå ýòîò ïîðòðåò ÿâëÿåòñÿ àðõåòèïîì ñèëüíîé æåíùèíû, òîò ñàìûé îáðàç, êîòîðûé ñïóñòÿ íåñêîëüêî ëåò ñòàíåò «ìàñêîé» Ìàðëåí Äèòðèõ. Ëåìïèöêà âñåãäà ñòðåìèëàñü ïðåäñòàâèòü ñâîþ æèçíü êàê ðåçóëüòàò íåêîåãî ôàíòàñòè÷åñêîãî ñàìîäèçàéíà (âñïîìíèì èãðó â æèçíü äåêàäåíòîâ ìîäåðíà), îíà óìåëà ïðåïîäíîñèòü ñîáñòâåííóþ èíäèâèäóàëüíîñòü, êóëüòèâèðóÿ îáðàç óòîí÷¸ííîé, óâåðåííîé â ñåáå è àêòèâíîé äàìû.

Ïîðòðåò ãåðöîãèíè äå Ëà Ñàëü (â öåíòðå) 1925ã âåñüìà ìóæåñòâåííîãî âèäà äàìû, íà ôîòî 1928 ãîäà âèñèò íàä êðîâàòüþ Òàìàðû â å¸ ñïàëüíå. Ëåìïèöêà íèêîãäà íå ñêðûâàëà ñâîèõ ñåêñóàëüíûõ ïðèñòðàñòèé, íà ñïèíêå òîé æå êðîâàòè Òàìàðà èçîáðàçèëà äâóõ äàì â ñòðàñòíûõ îáúÿòèÿõ.
Ïðåäâàðèòåëüíûé ïîêàç ðàáîò Ëåìïèöêîé ïåðåä Íüþ Éîðêñêèì àóêöèîíîì. Ëîíäîí 21 àïðåëÿ. Òåõíè÷åñêèå ðàáîòíèêè ãàëåðåè Àóêöèîííîãî äîìà Ñîòñáè ðàçâåøèâàþò êàðòèíû Òàìàðû Ëåìïèöêîé 'Portrait de la Duchesse de la Salle' from 1925 , and 'Le Telephone II' from 1930, ðÿäîì 'Portrait de Marjorie Ferry' from 1932 òîãî æå àâòîðà.Îæèäàþò, ÷òî äâå áîëüøèå êàðòèíû ïðèíåñóò áîëåå 4 ìèëëèîíîâ íà àóêöèîíå 21 àïðåëÿ 2009 ãîäà â Ëîíäîíå. Êàðòèíû èç êîëëåêöèè äèçàéíåðà ìîäû Wolfgang Joop áóäóò ïðåäñòàâëåíû íà Àóêöèîíå èìïðåññèîíèñòîâ è ñîâðåìåííîãî èñêóññòâà â Íüþ Éîðêå 5 ìàÿ 2009 ãîäà. Êàðòèíû Òàìàðû Ëåìïèöêîé â ñòèëå Àðò Äåêî ÷àñòî èçîáðàæàþùèå ãîëëèâóäñêèé ãëàìóð, ïîëüçóþòñÿ óñïåõîì ó ìíîãèõ ïðîñëàâëåííûõ êîëëåêöèîíåðîâ, íàèáîëåå èçâåñòíà ñðåäè íèõ ïîï ïåâèöà Ìàäîííà.
Sotheby's Preview Work Of Tamara De Lempicka Before The New York Auction
LONDON, ENGLAND - APRIL 21: Gallery technicians at Sotheby's auction house adjust paintings by Tamara de Lempicka entitled 'Portrait de la Duchesse de la Salle' from 1925 (C), and 'Le Telephone II' from 1930 (L) next to another painting by the artist, 'Portrait de Marjorie Ferry' from 1932, the larger two are expected to fetch up to GBP 4 million on April 21, 2009 in London, England. The paintings, from the collection of fashion designer Wolfgang Joop, feature in Sotheby's Impressionist and Modern Art Sale in New York, on May 5, 2009. Tamara de Lempicka's Art Deco paintings, frequently depicting Hollywood glamour, have several celebrity collectors, most notably pop singer Madonna.
ÐÀÁÛÍß. 1929.
Õîëñò, ìàñëî, 100*65ñì. ×àñòíàÿ êîëëåêöèÿ.




ËÈÒÅÐÀÒÓÐÀ:
1. Êðèñòèí Øòðåììåëü ÐÅÀËÈÇÌ Â ñåðèè Ñòèëè, òå÷åíèÿ è íàïðàâëåíèÿ â èñêóññòâå.
Ìåòêè: Ëåìïèöêà Tamara Lempicka ëåìïèöêàÿ |
| Ñòðàíèöû: | [1] |