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Germany amelkin art artist augsburg basque bavaria bayern blues blutenburg classified confidential danger hartlieb hexe hexen hexensalbe history hoax inscription kandinsky kunst la pasiega magic magie manuscript menzingia michitonese munich mystery neanderthal obermenzing panpsy panpsychism panpsychorealism panpsychorealismus salbe secret ufo vms voynich voynich manuscript voynich-manuskript voynichese voynichmanuscript water wish witch wunsch x-files zeit
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B ( ) "-"

, 28 2021 . 15:09 +
  
  
  

PART I. DECRYPTION OF THE LA PASIEGA INSCRIPTION / DEKODIERUNG DER LA PASIEGA-INSCHRIFT / B ( ) "-"


  
  
  "I am now trying to study the culture and petroglyphs of ancient Africa and to make a connection between the Proto-Afroasiatic Pictograms on the one hand and the symbols of the Pre-Proto-Basques on the other, who migrated from East Africa through West Asia to Franco-Cantabrian region. For this reason, a new version of the decryption of the La Pasiega Inscription is proposed: "THE CHIEFS OF THE CAVE ASK THE GODDESS TO SAVE FROM DISASTER". 13,800 years ago, meltwater pulse 1A (MWP1a) led to a sharp global sea level rise. The wooden flooring saved a group of cave residents from flooding, lifting them 4 meters to the upper arch of the cave. The village near the cave was badly damaged by the flow of water or ice avalanche, as evidenced by the last ideogram depicting a destroyed tectiform." (Dr A Amelkin, http://panpsy.de, https://youtu.be/YemSKAKEbn0) [11, 23]
  
  , , . ? , ! . , (Genevieve von Petzinger) (), , , .
  
   , , , . , , .
  
   B ( ) "-" (. La Pasiega) - " -", .
  
  , , : ", (), , () () (, , ) ". , , .
  
   " -". : (1) " , "; (2) " "; (3) " "; (4) " , "; (5) " , "; (6) " "; (7) " , "... . , , . : , , "" .
  
   - . , 130 .
  
   55-50 , , 115 , . - 37-24 20-14 . , . , , "" "sede" (Juliette Blevins, 2018).
  
   , 120 , , , , , .. , , .
  
   , () , . , , . , ( -, -) . , , .
  
   , , (" ") (""). ("", "", "", "") , . (, ) () -, . () . , , , , . () .
  
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   . , ( , ). , . ( ), () () . , (), () . , ( ), , ( , , ). - (-) . , (protection), , (-), () ( ): " ".
  
   "-" ( ). ("Hand impression and ideomorph", Hugo Obermaier, 1913) - , - , . " -", -, . , , (1) ( "" "" ""), : "", (2) , (3) ( , , ), " ", (4) () , : "". " -" : () " , "; () " "; () " , ". () , , , - .
  
   , " -": " " " ".
  
   , () "" - "Hand impression and ideomorph" "-" ( ), - " -". ( ). () : " , , ".
  
   " -" ( http://duo-amelkin.de/inschrift1.jpg). . , - , ( , ).
  
   , ( http://duo-amelkin.de/inschrift2.jpg). ( ) , . , . : (, , ), () . , , () , (, , , 74000 , 37000 , 13800 ..). , . , , , , " -", ( ): () , , .
  
   , . 13,8 . 13800 , "-" ( , , , " 1A (MWP1a)" 25 ). , 4 . , : ", () , - , ". 10000 , (, ) , . . , , . , , , . " -" , , . : , , .
  
   . , 16 20 , IV, . , , , . "" , , , . , , , () . , , 13,8 . , , , , . - , , . -. (? - , ; ? - ), , ( ?) . , (, ) . - , . ( ? - -). , , , . . 13800 , , , , .
  
   . , .
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  

PART II. (Voynich Manuscript) 1436-1438 (: http://panpsy.de)


  

  
   XV . , " " - . (Schloss Blutenburg) (1385-1450) . (Voynich Manuscript). 1431 1440 - III , " ". 1440 III , . . - . (Dr Pernawer Dr Bernauer), (Scuol) ( Engiadina Bassa, ), Vallader, , , , .
  
   (John D. Bengston, Helmut Rix, Ed Robertson, Sergei Starostin) , , , , . 15-20 . , ( 24-32 ); - , . , "" ("sub ura jendea" - " " " "), - "" ("SBR", "𐤓𐤁𐤎", "Sub-Ura" - " " " ") , . "", "", "", "", "" .. [8, 11, 15, 23]
  
  
  
   86v (f86v, 158, f86r6, 86-1006231, "The Diagram of Nine Rosettes") ( ) (, , , , , , , , ), . (Schloss Blutenburg, Burg Trausnitz), (Münchner Stadtbefestigung). [23]
  
  
  
   1434 ( Pippinger Straße). (6,5 x 6,5 ) ; (Turm 3 u. Turm 4); , ; , . [11, 23]
  
   , 1434 . [23]
  
  Hypothesis of Dr Alexander Amelkin: In the Blutenburg Castle (Schloss Blutenburg, old ducal country seat in the west of Munich, Germany) phytobalneotherapist Caspar Bernauer (1385-1450) after the execution of his daughter Agnes wrote the story of the castle and its inhabitants in his native Post-Rhaetian language. So the Voynich Manuscript was born. The castle was built in 1438-40 between two arms of the River Würm for Duke Albert III Wittelsbach, Duke of Bavaria in the tradition of the Danube School of Architecture using "dovetail" elements for the fortress walls. In 1440, Albert refused the offered Bohemian crown and presented one of the Voynich Manuscript copies to the House of Habsburg in Prague. Therefore, the key to the mysterious Voynich Manuscript code should be sought in the archives of the House of Habsburg in Prague and of the House of Wittelsbach in Munich. According to my theory the Rhaetian people (to which belonged Caspar Bernauer) are descended from the Proto-Basques. Since I defined the language of the manuscript as Post-Rhaetian, it could be probably in some degree similar to Basque language. According to John D. Bengston, Helmut Rix, Ed Robertson and Sergei Starostin Rhaetian language could be relative to Basque, Etruscan and Hurrian languages. [11, 23]
  
  
  
  
  References /
  
  1. Alexander A. Amelkin, Margarita M. Blagoveschenskaya, Yury V. Lobanov, Anatoly K. Amelkin (2003): Minimum specific cost control of technological processes realized in a living objects-containing microenvironment. - Environmental Science and Pollution Research, Landsberg am Lech, Germany, January 2003, Volume 10, Issue 1, pp 44-48 https://link.springer.com/article/10.1065/espr2002.10.132
  
  2. Alexander A Amelkin (2003): Forming of Controlled Living Microenvironments. - Proceedings 17th European Simulation Multiconference, June 9th - 11th, 2003, Nottingham, United Kingdom, (c) SCS Europe BVBA, 2003, ISBN 3-936150-25-7 http://www.scs-europe.net/services/esm2003/PDF/BM-01.pdf
  
  3. Zeichnungen von Alexander Amelkin (2013): In "Vorschläge zur Verschönerung der Isar: Vorher-Nachher-Bilder", Merkur tz Redaktions GmbH & Co. KG, München, Deutschland, 13.11.2013 https://www.tz.de/muenchen/stadt/vorschlaege-verschoenerung-isar-vorher-nachher-bilder-3218152.html
  
  4. Alexander A. Amelkin, Margarita M. Blagoveschenskaya, Anatoly K. Amelkin (2001): The Microenvironmental Systems Project. - (c) 6th IFAC Symposium on Cost Oriented Automation, Berlin, Germany. - IFAC Proceedings Volumes, Elsevier, Volume 34, Issue 29, October 2001, Pages 192-197 https://www.sciencedirect.com/science/article/pii/S147466701732815X https://doi.org/10.1016/S1474-6670(17)32815-X
  
  5. .. (2003): . - , 2, . 12-13, 2003 https://cyberleninka.ru/article/v/formirovanie-upravlyaemyh-zhiznennyh-mikrosred
  
  6. Jiuping Xu and Zongmin Li (2012): A review on Ecological Engineering based Engineering Management, Omega, 2012, vol. 40, issue 3, 368-378 (Amelkin et al. [82] worked out an approach for the development of software and the choice of hardware structures when designing subsystems for automatic control of technological processes realized in living objects containing limited space (micro-environment)) https://ideas.repec.org/a/eee/jomega/v40y2012i3p368-378.html
  
  7. Albright W.F. (1918): The Babylonian Sage Ut-Napištim Rûqu // Journal of the American Oriental Society, Vol. 38, 1918, pp. 60-65
  
  8. Werner Schäfer (1987): Agnes Bernauer und ihre Zeit, München
  
  9. (2014): "". - , 2014
  
  10. (2008): " . ". - - , : , 2008. - 112 ., ISBN: 978-5-9910-0493-0
  
  11. Wikipedia - The Free Encyclopedia, a registered trademark of the Wikimedia Foundation, Inc., a non-profit organization
  
  12. .. (2020): . - "", No. 1 2020 , . 8, ISSN 2307-4248
  
  13. Robert Lanza (2016): Beyond Biocentrism: Rethinking Time, Space, Consciousness, and the Illusion of Death. - Verlag: BenBella Books, ISBN 13: 978-1942952213
  
  14. Bruce H. Lipton (2013): The Honeymoon Effect: The Science of Creating Heaven on Earth; Deutsch: Der Honeymoon-Effekt: Liebe geht durch die Zellen. - KOHA-Verlag, ISBN 978-3-86728-211-6
  
  15. Sergei Starostin and Svetlana Burlak (2005): Comparative linguistics. - ISBN 5-7695-1445-0
  
  16. Genevieve von Petzinger (2016): The First Signs: Unlocking the Mysteries of the World's Oldest Symbols. - Atria Books, 2016, ISBN 1476785511, 9781476785516
  
  17. Juliette Blevins (2018): Advances in Proto-Basque Reconstruction with Evidence for the Proto-Indo-European-Euskarian Hypothesis. - 1st Edition, Published September 3, 2018 by Routledge, 426 Pages, ISBN 9780429505911
  
  18. Bryan Sykes (2006): Blood of the Isles: Exploring the Genetic Roots of Our Tribal History. - Bantam, ISBN 978-0-593-05652-3
  
  19. . (2003): ": ", " ". - 9 (645) 2003 - http://www.i-r.ru/ (" VI "-2003" . , . , . , , , . , , , .")
  
  20. Johannes Kleiner (2020): Mathematical Models of Consciousness. - Entropy 2020, 22(6), 609 - arXiv:1907.03223 - https://doi.org/10.3390/e22060609
  
  21. .. (1979): . - " " . . .
  
  22. David John Chalmers (2012): Constructing The World. - Oxford University Press. Hardcover: ISBN 978-0-19-960857-7, Paperback: ISBN 978-0199608584
  
  23. .. (2016): Panpsy. - München, Obermenzing - http://panpsy.de
  
  
  
  
  
  
  
  
  
  
  
  
  
  
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DECRYPTION OF THE LA PASIEGA INSCRIPTION / DEKODIERUNG DER LA PASIEGA-INSCHRIFT

, 28 2021 . 11:22 +
  
  
  DECRYPTION OF THE LA PASIEGA INSCRIPTION
  DEKODIERUNG DER LA PASIEGA-INSCHRIFT
  
  
  


  
  
  "I am now trying to study the culture and petroglyphs of ancient Africa and to make a connection between the Proto-Afroasiatic Pictograms on the one hand and the symbols of the Pre-Proto-Basques on the other, who migrated from East Africa through West Asia to Franco-Cantabrian region. For this reason, a new version of the decryption of the La Pasiega Inscription is proposed: "THE CHIEFS OF THE CAVE ASK THE GODDESS TO SAVE FROM DISASTER". 13,800 years ago, meltwater pulse 1A (MWP1a) led to a sharp global sea level rise. The wooden flooring saved a group of cave residents from flooding, lifting them 4 meters to the upper arch of the cave. The village near the cave was badly damaged by the flow of water or ice avalanche, as evidenced by the last ideogram depicting a destroyed tectiform." (Dr A Amelkin, http://panpsy.de, https://youtu.be/YemSKAKEbn0)
  
  , , . ? , ! . , (Genevieve von Petzinger) (), , , .
  
   , , , . , , .
  
   B ( ) "-" (. La Pasiega) " -", .
  
  , , : ", (), , () () (, , ) ". , , .
  
   " -". : (1) " , "; (2) " "; (3) " "; (4) " , "; (5) " , "; (6) " "; (7) " , "... . , , . : , , "" .
  
   - . , 130 .
  
   55-50 , , 115 , . - 37-24 20-14 . , . , , "" "sede" (Juliette Blevins, 2018).
  
   , 120 , , , , , .. , , .
  
   , () , . , , . , ( -, -) . , , .
  
   , , (" ") (""). ("", "", "", "") , . (, ) () -, . () . , , , , . () .
  
   . . " -" .
  
  , . , , .
  
   . , ( , ). , . ( ), () () . , (), () . , ( ), , ( , , ). - (-) . , (protection), , (-), () ( ): " ".
  
   "-" ( ). ("Hand impression and ideomorph", Hugo Obermaier, 1913) - , - , . " -", -, . , , (1) ( "" "" ""), : "", (2) , (3) ( , , ), " ", (4) () , : "". " -" : () " , "; () " "; () " , ". () , , , - .
  
   , " -": " " " ".
  
   , () "" - "Hand impression and ideomorph" "-" ( ), - " -". ( ). () : " , , ".
  
   " -" ( http://duo-amelkin.de/inschrift1.jpg). . , - , ( , ).
  
   , ( http://duo-amelkin.de/inschrift2.jpg). ( ) , . , . : (, , ), () . , , () , (, , , 74000 , 37000 , 13800 ..). , . , , , , " -", ( ): () , , .
  
   , . 13,8 . 13800 , "-" ( , , , " 1A (MWP1a)" 25 ). , 4 . , : ", () , - , ". 10000 , (, ) , . . , , . , , , . " -" , , . : , , .
  
   . , 16 20 , IV, . , , , . "" , , , . , , , () . , , 13,8 . , , , , . - , , . -. (? - , ; ? - ), , ( ?) . , (, ) . - , . ( ? - -). , , , . . 13800 , , , , .
  
   . , .
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
  
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"" ("")

, 28 2019 . 09:27 +
  
  
  
  

"" ("")


  
  
   , 2005 "1Anunnaki" (""), Jaguar Films? , . ! , 1995 (), , ... , ? , , , - , ( NZT-48 LIMITLESS) . , ? , ... ! ...
  
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   , - , , . , 1995 , , , ø- (Göbekli Tepe). . - 50 - 100 , . Homo sapiens neanderthalensis, Homo sapiens sapiens Cygnus olor.
  
  
  
   21 2017 , - (: http://esoreiter.ru/). " " " . - ."
  
  
  
   , 2017 . " ..." (: http://www.vladtime.ru/nauka/600345, https://hotgeo.ru/science/36055, http://planet-today.ru & https://vistanews.ru/ekspert/169747) "23 2017 , , , . , . , - , . , , , . , , , -. ' ', ." .
  
  
  
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   , " " (Würminsel "Pluedenberg" aka "Lore-Mendia" - " " ), , , , . , - , . - . (, ), "" , . , .
  
  
  
   . (Schloss Blutenburg) (1385-1450) . . 1431 1440 - III , " ".
  
  
  
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   - -, -, . (John D. Bengston, Helmut Rix, Ed Robertson, Sergei Starostin) , , , , .
  
  
  
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   "" - "Hand impression and ideomorph" "-" ( ), - " -" [https://en.wikipedia.org/wiki/Cave_of_La_Pasiega]. ( ). , -. , "kapu" "hazir" "" " ". : " , , ".
  
   , . , . . , , . . " ". . , , : , . , , . , , .
  
   - (the Franco-Cantabrian region) (, - Font de Gaume, , ), - (Paleolithic Tectiforms), . (PaleoSemiotics) . . (1) ( ) 90 ( ). (2) () , . (3) , . (4) , , . , . , .
  
  
  
   , . . , , , , , , , -, SOSSS, ( ). evidence.
  
   SOSSS (, ) (, ):
   (1) STOP: , , ;
   (2) OBSERVE: / / , ( );
   (3) SOLUTION: , / , ( , ( ), (, , )), ;
   (4) SMOG: "" "" - " ", , , , "" ( Kurt Lewin ", , ", Amanda Lear "Follow me");
   (5) STEP: () , SOSSS.
  
   SOSSS evidence - " -". (Paleolithic Tectiforms) , , , . . , SOSSS . , , , etc.
  
   SOSSS . SOSSS , , Reprehistorism, Reprehistoric Art , , , , (, ) , , , . ( , , , , , , , ) - (, , , , ) .
  
  
  
  

"" / "BUBBLE" / "MBUNA"

  ( " " / "Kandinsky and Coffee" / "Kandinsky und Kaffee")


  
  
  
  
   2019: , . - . - . ?
  
  
  
   , 20 . ? 20 : (1) - , - ; (2) - - ; (3) - ; (4) - , -, , etc. ; (5) 20 , - , , , , . "Out, out, brief candle?!"
  
  
  
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   - ... . .
  Copyright: 08.08.2019. 2015 . .

  
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"" (, , -)

, 23 2019 . 22:19 +
  
  
  
  17 2019 , (Fig.9). () (Fig.1) ø . . , - , , .
  
  
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   (Fig.2) 21 2017 , - (: http://esoreiter.ru/index.php?id=0417/28-04-2017-074847.html&dat=news&list=04.2017). " " " . - ..."
  
  
  Fig.2
  
   , 2017 . " ..." (: http://www.vladtime.ru/nauka/600345, https://hotgeo.ru/science/36055, http://planet-today.ru & https://vistanews.ru/ekspert/169747) "23 2017 , , , . , . , - , . , , , . , , , -. ' ', ." (Fig.3).
  
  
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   "... , . , , . ... "" - - . , - , . , , . ... , , , "", . , , ..." (: " !", 2015)
  
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   XV - , , . , . , " " (Pluedenberg Lore-Mendia), ( Ur-Ama, Uuirma, Vuirama - " "), , . , . , , .
  
  
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   , " " (Würminsel "Pluedenberg" aka "Lore-Mendia" - " " ), , , , . , - , . - . (, (Fig.9)), , . .
  
  
  Fig.9
  
   . (Schloss Blutenburg) (1385-1450) . (Fig.10). 1431 1440 - III , " " (Fig.7). 1440 III , . . - . - -, -, . (John D. Bengston, Helmut Rix, Ed Robertson, Sergei Starostin) , , , , .
  
  
  Fig.10
  
   ( / ) " -" .
  
   " -" (Fig.11), , () , , , . , , . , , (" ") (""). ("", "", "", "") , . (, ) () -, . "-" . (Hugo Obermaier, 1913) - , - , . " -", -, . , (1) , : "", (2) , (3) ( , , ), " ", (4) , : "". , " -": " ".
  
  
  Fig.11
  
   "" - "Hand impression and ideomorph" "-" ( ), - " -" [https://en.wikipedia.org/wiki/Cave_of_La_Pasiega]. ( ). , -. , "kapu" "hazir" "" " ". : " , , ".
  
   , . , . . , , . . " ". . , , : , . , , . , , .
  
   - (the Franco-Cantabrian region) (, - Font de Gaume, , ), - (Paleolithic Tectiforms), . (PaleoSemiotics) . . (1) ( ) 90 ( ). (2) () , . (3) , . (4) , , . , . , .
  
   , . . , , , , , , , -, SOSSS, ( ). evidence.
  
   SOSSS (, ) (, ):
   (1) STOP: , , ;
   (2) OBSERVE: / / , ( );
   (3) SOLUTION: , / , ( , ( ), (, , )), ;
   (4) SMOG: "" "" - " ", , , , "" ( Kurt Lewin ", , ", Amanda Lear "Follow me");
   (5) STEP: () , SOSSS.
  
   SOSSS evidence - " -". (Paleolithic Tectiforms) , , , . . , SOSSS . , , , etc.
  
   SOSSS . SOSSS , , Reprehistorism, Reprehistoric Art , , , , (, ) , , , . ( , , , , , , , ) - (, , , , ) .
  
  
  Fig.12
  
   , (SchwanRhomboids / = aka ), . (Fig.12). , ... - ...
  
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Das Lied "Lichter" / "" / Alexander Amelkin, Munich, 2016 / https://youtu.be/yAmmAv4-ThQ

, 23 2019 . 09:15 +



Das Lied "Lichter" / "" / Alexander Amelkin, Munich, 2016 / https://youtu.be/yAmmAv4-ThQ





,
, ...
,
, ...

-
,
!
,
!
. ...


Am Abend war'n die Lichter schwach.
Die Reflektionen wurden blasser und schwächer...
Die Winterreifen rauschten wach.
Die fernen bleichen Sterne glänzten und glänzten.

Ich hörte das Signal,
das um die Ecke kam.
Die Tram voll froher Menschen hetzte!
Die Dunkelheit verschwand!
Mein Kopf, der wurde klar.
Die Tram war weg. Es war die letzte...





LICHTER: https://youtu.be/yAmmAv4-ThQ


"" , , , ... , ... , ? / Dieses traurige Lied kam mir plötzlich in den Kopf, als ich an einem Dezemberabend auf meinem alten Fahrrad die Agnes-Bernauer-Straße entlangfuhr und an Agnes' Schicksal wie auch an meines dachte. Was wissen wir über das Schicksal, und können wir es aus freiem Willen kontrollieren? / "" ("Lichter") " - - - " ("Lichter - Der Yuppie-Blues - Das Liebeslied") - "" ("Agnes"), - 3 , : (1) (); (2) ; (3) - .


APPENDIX





" -", , () , , , . , , . , , (" ") (""). ("", "", "", "") , . (, ) () -, . "-" . (Hugo Obermaier, 1913) - , - , . " -", -, . , (1) , : "", (2) , (3) ( , , ), " ", (4) , : "". , " -": " ".





The archaic cultures of the ancient Near East, the West and North Africa and Franco-Cantabria (Spain, France) since the first migrations of Homo sapiens from the West Africa to Europe are probably based on the Proto-Afroasiatic Language and Pictograms. This concerns the famous Inscription of La Pasiega in Spain. Is the Inscription of La Pasiega (La Inscripcion de La Pasiega) still a Top Secret? This 'Inscription' of Gallery B is even more complex and unique than the other signs of Cueva de La Pasiega, or Cave of La Pasiega, which is situated in the Spanish municipality of Puente Viesgo, one of the most important monuments of Paleolithic art in Cantabria. This cave is included in the UNESCO schedule of Human Heritage since July 2008, under the citation "Cave of Altamira and palaeolithic cave art of Northern Spain." I will try to look at the inscription from a position of paleolinguistics. The archaic cultures of the ancient Near East and Franco-Cantabria since the first migrations of Homo sapiens from the West Africa and the West Asia to Europe were probably based on the Proto-Afroasiatic Language and Pictograms, as well as on some Neanderthal dialects. Thereafter here is my very new hypothesis on the Inscription of La Pasiega (Spain). Now it concerns the Proto-Afroasiatic Pictograms. I have assumed that they are similar to the Proto-Sinaitic Script. Afroasiatic is the oldest established language family in the world. I am trying now to study the culture and petroglyphs of the ancient Africa and to establish a connection between the Proto-Afroasiatic Pictograms from one hand and the symbols of the Proto-Basques or Pre-Proto-Basques from the other hand, who migrated from the East Africa through the Western Asia to Franco-Cantabria. The Proto-Afroasiatic Language is believed to come from the Upper Nile Valley (the center of the Halfan culture) to the Iberian Peninsula (the Proto-Iberian, Proto-Aquitanian (Pre-Proto-Basque) and Proto-Cantabrian cultures) c. 22.5-22.0 ka cal BP or even earlier (Wikipedia). Therefore a new version of the decryption (decipherment) of the Inscription of La Pasiega using the Proto-Afroasiatic Pictograms is proposed as follows: "we (2 families of the inhabitants of the cave) are asking the deities to protect our home and to bring us good luck in hunting" or "we, namely two families (two chiefs of two tribes), ask separately our Goddess for help in filling our two traps with animals". An attempt to read the "Inscription of La Pasiega" using directly the Proto-Sinaitic Script leads to the following (taking into account that doubling of ideogram or logogram means plural): "zaynu/rasu zaynu/rasu baytu kapu kapu hasir" (in Proto-Sinaitic) or "the chiefs of the cave ask the goddess to fill the traps" (in English) or " " (in Russian) or "nagusi-nagusi haitzulu bostu-bostu hesi" (in Pre-Proto-Basque). I guess, that the Inscription of La Pasiega was made appr. 20,000 - 15,000 years ago by the Pre-Proto-Basques using the symbols similar to the Proto-Afroasiatic Pictograms. I think, that the Pre-Proto-Basques had some connections with the Near East at that time or even earlier. It is interesting as well, that in Franco-Cantabria there were found the first specialized bone tools and the first cave art in Europe. There was situated the oldest European civilizational center. Therefore we could assume, that the Pre-Proto-Basque contained some structures of the Neanderthal language too. Source: https://menzingia.livejournal.com/





. , , , , () . 600000 . , . ( ) 65000 , , , , . https://youtu.be/8iiBwJTkbx0 (Music: "In the Shadows" ((c) Ethan Meixsell) / Copyright: Alexander Amelkin, http://www.duo-amelkin.de).





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? " -"?
The Inscription of La Pasiega: "the chiefs of the cave ask the goddess to fill the traps"




, -
Neanderthal origin of the Iberian cave art




PRE-PROTO-BASQUE = NEANDERTHAL ?




PRE-PROTO-BASQUE = CRO-MAGNON ?




Das Lied "Lichter" / "" / Alexander Amelkin, Munich, 2016

  
  
  
  

APPENDIX (2020)


  
  

, - : ()


  
  
  Fig.1. -
  
  
   . " (. Aitzineuskaldunak, . Protovascos, . Proto-Basques) , - - (. Aitzineuskara, . protoeuskera, protovasco, . proto-basque)." (Wikipedia)
  
  
  
  Fig.2. (Pre-Proto-Basque)
  
  
   (Pre-Proto-Basques), (" ") , ( / Brasilinsel) , , . , 74 - 115 . .
  
  
  
  Fig.3. (Wikipedia)
  
  
   , 74 . , - , , (Atelasaia / Ate-Lasaia - - " ", 𒉌𒌇𒆠), 2000 (Zintzoura / Zintzo-Ura - - " " " " - "The Submerged Light of Life", 𒍣𒅔𒋤𒁺) (, " -", 2 , , 2 ). , , - , "". - ( ) , . (Wikipedia)
  
  
  
  Fig.4. - , , : , , , , , , , , , , ..
  
  
   40 . , 10 . . . : , . . , .
  
  
  
  Fig.5.
  
  
   . . "-". , -. , "kapu" "hazir" "" " ". - (the Franco-Cantabrian region) (, - Font de Gaume, , ), - (Paleolithic Tectiforms), . (PaleoSemiotics) . . (1) ( ) 90 ( ). (2) () , . (3) , . (4) , , . , . , .
  
  
  
  Fig.6.
  
  
   - ( , , ) . -, , , (ø- - Göbekli Tepe), , , , , , , .
  
  
  
  Fig.7. "" (Daguen [.] - Oann [.] - Dagan [.] - 𐤃𐤂𐤍 [.] - 𒀭𒁕𒃶 [.])
  
  
   , - ( (Daguen [.] - Oann [.] - Dagan [.] - 𐤃𐤂𐤍 [.] - 𒀭𒁕𒃶 [.]) ), , . , , , , , , , . - (, 𒈹) " " (𒂍𒀭) , , , " " . , , , , , .
  
  
  
  Fig.8. (Daguen [.] - Oann [.] - Dagan [.] - 𐤃𐤂𐤍 [.] - 𒀭𒁕𒃶 [.])
  
  
  

- / The Voynich Manuscript was made in Bavaria / Das Voynich-Manuskript wurde in Bayern erstellt


  
  
  
  Fig.9. Coin with Agnes Bernauer, 1435. .
  
  
   . - . , , . , . ... - . - . .
  
  
  
  Fig.10. Tod Agnes Bernauers (Bild um 1500). . (Wikipedia)
  
  
  : (Schloss Blutenburg) (13851450) . (Voynich Manuscript). 1431 1440 - III , " ". 1440 III , . . - . , , . (John D. Bengston, Helmut Rix, Ed Robertson, Sergei Starostin) , , , , . 15-18 . , ; - , . , "" "" ("SBR", "Subir", "Siber", "𐤎𐤁𐤓") , . "", "", "", "", "" ..
  
  
  
  Fig.11. 86v (f86v, 158, f86r6, 86-1006231, the Diagram of Nine Rosettes) ( ) (, , , , , , , , ), . (Schloss Blutenburg, Burg Trausnitz), (Münchner Stadtbefestigung).
  
  
  Hypothesis of Dr Alexander Amelkin: In the Blutenburg Castle (Schloss Blutenburg, old ducal country seat in the west of Munich, Germany) balneotherapist Caspar Bernauer (1385-1450) after the execution of his daughter Agnes wrote the story of the castle and its inhabitants in his native Post-Rhaetian language. So the Voynich Manuscript was born. The castle was built in 143840 between two arms of the River Würm for Duke Albert III Wittelsbach, Duke of Bavaria in the tradition of the Danube School of Architecture using "dovetail" elements for the fortress walls. In 1440, Albert refused the offered Bohemian crown and presented one of the Voynich Manuscript copies to the House of Habsburg in Prague. Therefore, the key to the mysterious Voynich Manuscript code should be sought in the archives of the House of Habsburg in Prague and of the House of Wittelsbach in Munich. According to my theory the Rhaetian people (to which belonged Caspar Bernauer) are descended from the Proto-Basques. Since I defined the language of the manuscript as Post-Rhaetian, it could be probably in some degree similar to Basque language. According to John D. Bengston, Helmut Rix, Ed Robertson and Sergei Starostin Rhaetian language could be relative to Basque, Etruscan and Hurrian languages.
  
  
  
  Fig.12. 1434 . .
  
  
   XV - , , . , . , " " (Pluedenberg Lore-Mendia), ( Ur-Ama, Uuirma, Vuirama - " "), , . , . , , . , . , . , . .
  
  
  
  Fig.13. .
  
  
   / / " -" (14-16 . ), .
  
  
  
  Fig.14. " -", -
  
  
  " -", , () , , , . , , . , , (" ") (""). ("", "", "", "") , . (, ) () -, . "-" . (Hugo Obermaier, 1913) - , - , . " -", -, . , (1) , : "", (2) , (3) ( , , ), " ", (4) , : "". , " -": " ".
  
  
  
  Fig.15. " - ()" - "Hand impression and ideomorph"
  
  
   "" - "Hand impression and ideomorph" "-" ( [https://en.wikipedia.org/wiki/Cave_of_La_Pasiega] ), - " -". ( ). , -. , "kapu" "hazir" "" " ". : " , , ".
  
  
  
  Fig.16. Voynich Manuscript
  
  
  ...Zufällig hörte ich die Nachricht von dem vor kurzem entzifferten Voynich-Manuskript, und es stellte sich heraus, dass das Manuskript von Doktor Kaspar Bernauer im Schloss Blutenburg verfasst wurde. Auf der Suche nach einer Inspiration beschloss ich, das Schloss Blutenburg zu besuchen. Dort fand ich mich unerwartet in einer Ausstellung wieder, die präsentierte das Voynich-Manuskript mit Übersetzung. Im Folgenden erzähle ich Ihnen jetzt eine kurze Zusammenfassung des entschlüsselten Manuskripts. Anfang des 15. Jahrhunderts lebte in Augsburg ein Balneolog, Chirurg, Phytotherapeut und Astrologe Kaspar Bernauer mit seiner Frau. Gott gab ihnen keine Kinder, aber sie träumten sehr von einer Tochter und hofften auf ein Wunder. In der Familie von Kaspar wurde von Generation zu Generation einen Sage weitergegeben, wonach die Wünsche auf der magischen Würminsel "Plüdenberg" in Menzing bei München wahr werden konnten. Der Wunsch sollte jedoch außergewöhnlich stark sein. Es sollte reichen, einfach auf die Insel zu kommen, am Ufer des magischen Menzinger Sees zu sitzen, sich etwas zu wünschen und sich mit Wasser aus dem See zu bespritzen. So nahm Kaspar im Jahre 1409 seine Frau, kam auf die Insel und tat alles nach alter Sitte. Und bereits nach einem Jahr hatten sie ein blondes Mädchen namens Agnes. 18 Jahre später entspannte sich Albrecht, der einzige Sohn des Herzogs Ernst, in den Augsburger Bädern nach seiner Teilnahme an einem Ritterturnier. Dort lernte er die schöne Baderstochter Agnes Bernauer kennen und verliebte sich in sie... (sci-fi story)
  
  
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