Õóäîæíèê Øàðëü Äæîøóà Øàïëåí (Charles Joshua Chaplin) ðîäèëñÿ â èþíå 1825 ãîäà â ãîðîäêå Ëåç-Àíäåëè (Âåðõíÿÿ Íîðìàíäèÿ).
Åãî îòåö áûë àíãëè÷àíèíîì, à ìàòü – ôðàíöóæåíêà. È èç-çà îòöà àíãëè÷àíèíà, õóäîæíèê, êîòîðûé ðîäèëñÿ âî Ôðàíöèè è âñþ æèçíü â ýòîé ñòðàíå æèë, ïîëó÷èë ôðàíöóçñêîå ãðàæäàíñòâî òîëüêî â 1886 ãîäó, çà ïÿòü ëåò äî ñìåðòè.
 1840 ãîäó Øàðëü Äæîøóà Øàïëåí ïîñòóïèë â Øêîëó èçÿùíûõ èñêóññòâ, â êëàññ Ìèøåëÿ-Ìàðòèíà Äð¸ëëèíãà. Ñ ñàìîãî ïåðâîãî èçó÷åíèÿ æèâîïèñè óâë¸êñÿ ïîðòðåòíîé æèâîïèñüþ, õîòÿ ïèñàë è ïåéçàæè, è íàòþðìîðòû.
Ñ 1847 ãîäà Charles Joshua Chaplin ðåãóëÿðíî âûñòàâëÿåòñÿ â Ñàëîíå è â ëîíäîíñêîé Êîðîëåâñêîé àêàäåìèè. Ïðè ýòîì êðèòèêè ñ÷èòàëè, ÷òî êàðòèíû õóäîæíèêà èíîãäà èçáûòî÷íî ýðîòè÷íû – ðàáîòó «Àâðîðà» â 1859 ãîäó ïðîñòî çàïðåòèëè ê ïóáëè÷íîìó ïîêàçó.
Âïðî÷åì, õóäîæíèê áûë ïîïóëÿðíûì è èìåë áîëüøîå êîëè÷åñòâî ïîêëîííèêîâ. À â 60-õ ãîäàõ åãî òâîð÷åñòâó ïîêðîâèòåëüñòâîâàëà èìïåðàòðèöà Åâãåíèÿ, à âïîñëåäñòâèè ïîêðîâèòåëåì è ïî÷èòàòåëåì ñòàë èìïåðàòîð.
Øàðëü Äæîøóà Øàïëåí ðåãóëÿðíî ïîëó÷àë íàãðàäû çà ñâîè ðàáîòû, à â 1878 ãîäó ñòàë êàâàëåðîì îðäåíà Ïî÷¸òíîãî ëåãèîíà.
Óìåð õóäîæíèê â ÿíâàðå 1891 ãîäà. Ïîõîðîíåí â Ïàðèæå
Ëåæàùàÿ îáíàæåííàÿ (Reclining nude)Ìóçà õóäîæíèêà (The artist’s muse)Èãðà â ëîòî (The game of Lotto)Ìûëüíûå ïóçûðè (Blowing Bubbles)Íèìôà, äåðæàùàÿ êóâøèí (A nymph holding a ewer)Äåâóøêà ñ îáíàæåííîé ãðóäüþ (Young girl with naked breasts)Ñîí (The dream)Êóïàëüùèöà (The Bather)Çîëîòîå âðåìÿ (Golden age)Ïèñüìî (The Letter)Îòðàæåíèå (Reflections)Æåíùèíà â ðîçîâîì (Woman in pink)Âåäîìàÿ ÷åðåç ëåñ (Guided Through the Forest)Äåâóøêà ñ ãíåçäîì (Girl with a Bird Nest)Æåíùèíà â áàëüíîì ïëàòüå (Woman in ball gown)Äåâî÷êà, âîçìîæíî, äî÷ü õóäîæíèêà ñ êîøêîé (Girl, probably the artist’s daughter, with cat)Êîíöåðò íà îòêðûòîì âîçäóõå (An Outdoor Concert)Øâåÿ (The seamstress)Äåâóøêà, ÷èòàþùàÿ ïèñüìî (Reading Girl)Êîêåòñòâî (Coquetry)Êîðìëåíèå ãîëóáåé (Feeding Doves)Êóïàëüùèöà (The Bather)Ìîëîäàÿ æåíùèíà â áàëüíîì ïëàòüå ñ ïóòòè (Young woman in a ball gown with putti)