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[ ]


 -

   Andre_Art

 - e-mail

 

 -

 LiveInternet.ru:
: 13.06.2009
:
:
: 8573

:

(0)

RENE VINCENT

, 09 2023 . 13:17 +
keb59 [ + !]

Rene Vincent.

vincent53 (642x700, 392Kb)

 (1879-1936) - 1920--1930- .  -  

...







:  
(0)

FRANCOIS FRESSINIER

, 26 2023 . 18:30 +
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, ... Francois Fressinier

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(0)

GEORGES COROMINAS

, 21 2023 . 19:17 +
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... Georges Corominas

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LOUIS ICART

, 16 2022 . 10:38 +
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... Louis Icart

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MALIKA FAVRE

, 20 2021 . 01:44 +
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... Malika Favre

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Simon Vouet

, 02 2019 . 11:21 +
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Simon Vouet (1590 1649)

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LOUIS ICART

, 20 2017 . 11:48 +
52 [ + !]

LOUIS ICART.

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( 1888 – 1950 )

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JEAN FOUQUET

, 19 2017 . 12:06 +
-KRASOTA- [ + !]

Jean Fouquet /Grandes Chroniques de France

Jean Fouquet (, . 14201481) , , , .
 (358x92, 12Kb)
, VII
Grandes Chroniques de France Paris, Bibliothèque nationale de France 1455-1460
Entrée de l empereur Charles IV à Saint-Denis

 (600x434, 81Kb)
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Yves Thos

, 18 2015 . 21:23 +
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... Yves Thos

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(2)

David Graux

, 15 2013 . 10:42 +
ovenca [ + !]

. David Graux

 

1 David Graux (700x338, 74Kb)

Kenny G - Forever In Love


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David Graux - Tutt'Art@ (700x345, 211Kb)

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Nathalia Picoulet

, 27 2013 . 06:55 +
pmos_nmos [ + !]

Nathalie Picoulet

 

 (700x638, 100Kb)

 








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Nathalia Picoulet

, 27 2013 . 06:53 +
_ [ + !]

Nathalia Picoulet. ...

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Nathalia Picoulet 1968 .
L’Ecole Superieur of design .
Dieppe, Normandy (Aumale, Eu),
Amiens, Orleans, Roscoff (Brittany) Paris, .







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.

, 25 2013 . 13:02 +
natali_100 [ + !]

. .

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1 (546x864, 97Kb)

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Jean- Monnoyer

, 02 2013 . 13:15 +
_ [ + !]

- Jean- Monnoyer (1636-1699).

 Jean- Monnoyer (12 1636 - 20 1699) - - , .  , 1665 XIV. ,    ,   , MONNOYER Jean-Baptiste      1685.   .   ,     .   .M   , -  .Jean- Monnoyer  ,  .   -- , --. Peinture  1665 .    1673 ,        ". " . 1690 ,    , Bloomsbury ,    overmantels overdoors , , Northamptonshire. 1699 . , - Monnoyer Le Jeune, -. , Jean- Monnoyer      . 

 

 Still-Life of Flowers

 








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Jeannette Guichard-Bunel

, 28 2013 . 09:15 +
- [ + !]

Jeannette Guichard-Bunel

Jeannette Guichard-Bunel , Cherbourg 1957 . , 1986 . , , . Jeannette Guichard-Bunel - , , Hardelot, -, Brantome, , , - , , , . Jeannette Guichard-Bunel Artprice. , , . Jeannette Guichard-Bunel "oil glacis" , .

4783240_1317492712_www_nevsepic_com_ua_bnm3 (500x632, 228Kb)

...





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Yves Tanguy

, 20 2013 . 09:25 +
Marginalisimus [ + !]

(Yves Tanguy)

Yves Tanguy
The Ribbon of Extremes


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Pal Fried

, 14 2012 . 14:16 +
_ [ + !]

(Pal Fried)

  (Pal Fried,1893-1976) . . , – . 1947 , , , - . 1950-60 , . , , - . : , , . , , ,  , . 82 6 1976 -, 4 .

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--

, 09 2012 . 09:58 +
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--

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Jean-Baptiste Camille Corot

, 08 2012 . 06:15 +
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-- (. Jean-Baptiste Camille Corot; 17 1796 22 1875)



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1.   (466x600, 65Kb)
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.

, 06 2012 . 00:39 +

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" ". -

, 03 2012 . 00:03 +

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. 11

, 22 2011 . 09:25 +
_ [ + !]

. 11.


, 1611.
, 1556-1638 , 180 150 . 1982 .
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Bernard Charoy

, 23 2011 . 11:31 +
Dmitry_Shvarts [ + !]

Bernard Charoy (French, 1931)

 Bernard Charoy (French, 1931)

>>>>>>>>>>>>>







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(2)

.

, 22 2011 . 20:46 +

The Impressionist master’s ravishing look at the female form. Degas explores the beauty of unguarded moments. “Deeply absorbing, illuminating, very dramatic” —The New Yorker The nude figure was critical to the art of Edgar Degas from the beginning of his career in the 1850s until the end of his working life, but the subject has never before been explored in a Museum exhibition. “Degas and the Nude,” co-organized by the Museum of Fine Arts, Boston, and the Mus?e d’Orsay in Paris, features paintings, pastels, drawings, prints, and sculpture, and calls attention to the evolution of the treatment of the nude from Degas’s early years, through his triumphant offerings from the 1880s and 1890s, to the last decades of his working career. More than three years in the making, "Degas and the Nude" was conceived by George T. M. Shackelford, chair, Art of Europe and Arthur K. Solomon Curator of Modern Art at the MFA, who co-organized the exhibition with Xavier Rey, Curator of Paintings, Mus?e d’Orsay. "Our project explores how Degas exploited all of the body's expressive possibilities," says Shackelford. "It shows how his personal vision of the nude informed his notion of modernity, and how he abandoned the classical or historical form in favor of a figure seen in her own time and setting, whether engaged in shockingly carnal acts or just stepping out of an ordinary bath."

http://www.mfa.org/collections   .

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