I'm crucified
Crucified like my Saviour
Saintlike behaviour
A lifetime I prayed
I'm crucified
For the holy dimension
Godlike ascension
Heavens away
I've seen the deepest darkness
And wrestled with gods
Ride the noble harness
Raining cats and dogs
I stand before my Maker
Like Moses on the hill
My Guinness record breaker
I abide your will
Ðàñïÿò (Ïåðåâîä Ìàðèè Èâàíîâîé)
I'm crucified
ß ðàñïÿò,
Crucified like my savior
Ðàñïÿò, êàê ìîé ñïàñèòåëü,
Saintlike behavior
Áåçãðåøíîå ïîâåäåíèå,
A lifetime I prayed
Öåëóþ æèçíü ÿ ìîëèëñÿ.
I'm crucified
ß ðàñïÿò,
For the holy dimension
Äëÿ âàæíîñòè ñâÿòîé,
Godlike ascension
Áîæåñòâåííîå âîçíåñåíèå
Heavens away
íà íåáåñà, ïðî÷ü.
I've seen the deepest darkness
ß âèäåë ãëóáî÷àéøóþ òüìó,
And wrestled with gods
È áîðîëñÿ ñ áîãàìè,
Ride the noble harness
Óïðàâëÿë çàìå÷àòåëüíîé óïðÿæüþ,
Raining cats and dogs
Ëüåò êàê èç âåäðà,
I stand before my maker
ß ñòîþ ïåðåä ñîçäàòåëåì,
Like Moses on the hill
êàê Ìîèñåé íà õîëìå,
My Guiness record baker
Ïåêàðü ìîåãî ðåêîðäà Ãèíåññà,
I abide your will
ß æäó òâîåé âîëè..
The first of reciters
Ïåðâûé èç ÷òåöîâ,
I saw eternal light
ß âèäåë èçâå÷íûé ñâåò,
Best of vocal fighters
Ëó÷øèå èç ñîñòÿçàþùèõñÿ ïåâöîâ,
Beyond human sight
Çà ïðåäåëàìè ÷åëîâå÷åñêîãî çðåíèÿ.
Where thorns are a teaser
Ãäå øèïû - ýòî ãîëîâîëîìêà,
I've played a double jeux
ß ñûãðàë â äâîéíóþ øàðàäó,
Yherushalaim at easter
Éåðóñàëèì â Ïàñõó,
I cry I pray mon dieu
ß êðè÷ó, ÿ ìîëþñü,ìîé Áîã,
I cry I pray mon dieu
ß êðè÷ó, ÿ ìîëþñü,ìîé Áîã.
I'm crucified
ß ðàñïÿò,
Crucified like my savior
Ðàñïÿò, êàê ìîé ñïàñèòåëü,
Saintlike behavior
Áåçãðåøíîå ïîâåäåíèå,
A lifetime I prayed
Öåëóþ æèçíü ÿ ìîëèëñÿ.
I'm crucified
ß ðàñïÿò,
For the holy dimension
Äëÿ âàæíîñòè ñâÿòîé,
Godlike ascension
Áîæåñòâåííîå âîçíåñåíèå
Heavens away
íà íåáåñà, ïðî÷ü.
Prophets I've been reading
Ïðîðîêè, òðóäû êîòîðûõ ÿ ÷èòàë,
Stories I've been told
Èñòîðèè, êîòîðûå ÿ ðàññêàçûâàë,
Before I end my breathing
Äî òîãî, êàê ÿ ïåðåñòàíó äûøàòü,
I travel in the soul
ß ïóòåøåñòâóþ â äóøå,
Where thorns are a teaser
Ãäå øèïû - ýòî ãîëîâîëîìêà,
I've played a double jeux
ß ñûãðàë â äâîéíóþ øàðàäó,
Yherushalaim at easter
Éåðóñàëèì â Ïàñõó,
I cry I pray mon dieu
ß êðè÷ó, ÿ ìîëþñü,ìîé Áîã,
I cry I pray mon dieu
ß êðè÷ó, ÿ ìîëþñü,ìîé Áîã.
I cry I pray mon dieu
ß êðè÷ó, ÿ ìîëþñü,ìîé Áîã.
Adieu mon dieu
Ïðîùàé, ìîé Áîã.
I'm crucified
ß ðàñïÿò,
Crucified like my savior
Ðàñïÿò, êàê ìîé ñïàñèòåëü,
Saintlike behavior
Áåçãðåøíîå ïîâåäåíèå,
A lifetime I prayed
Öåëóþ æèçíü ÿ ìîëèëñÿ.
I'm crucified
ß ðàñïÿò,
For the holy dimension
Äëÿ âàæíîñòè ñâÿòîé,
Godlike ascension
Áîæåñòâåííîå âîçíåñåíèå
Heavens away
íà íåáåñà, ïðî÷ü.
I'm crucified
ß ðàñïÿò,
For the holy dimension
Äëÿ âàæíîñòè ñâÿòîé,
Godlike ascension
Áîæåñòâåííîå âîçíåñåíèå
Heavens away
íà íåáåñà, ïðî÷ü.
* -
http://triumph.obninsk.ru/archive/arch_Army_Crucify.html
Àðìèÿ ëþáîâíèêîâ (àíãë. Army of Lovers) — øâåäñêàÿ ïîï-ãðóïïà, ñîçäàííàÿ â 1988 ãîäó. Îíè áûëè çíàìåíèòû ñâîåé ñïîðíîé âíåøíîñòüþ, âèäåîêëèïàìè ðåæèññ¸ðà Ôðåäðèêà Áîêëóíäà (íåêîòîðûå èç êîòîðûõ îêàçàëèñü çàïðåùåíû íà MTV), è êîñòþìàìè, ñîçäàííûìè Êàìèëëîé Òóëëèí. Íàçâàíèå ãðóïïû âîñõîäèò ê äîêóìåíòàëüíîìó ôèëüìó ðåæèññ¸ðà Ðîçå ôîí Ïðàóíõåéìà, êîòîðûé îáðàùàåòñÿ ê òåìå ãîìîñåêñóàëüíîñòè "Ñâÿùåííûé îòðÿä èç Ôèâ".
Èñòîðèÿ
Èäåÿ ïðèíàäëåæàëà Àëåêñàíäðó Áàðäó, â òî âðåìÿ ñòóäåíòó-ýêîíîìèñòó, â 1982 ãîäó îí ñîçäàåò ãðóïïó ïîä íàçâàíèåì Baard, ÷åðåç ãîä îí ìåíÿåò ñòèëèñòèêó è ïåðåèìåíîâûâàåò å¸ â Barbie, ïîçæå ê íåé ïðèñîåäèíÿþòñÿ Farouk (Æàí-Ïüåð Áàðäà) è Katanga (Êàìèëëà Õåíåìàðê). Ñâîå íîâîå íàçâàíèå è èìèäæ ãðóïïà âçÿëà â 1988 â ÷åñòü îäíîèìåííîãî ôèëüìà î íåòðàäèöèîííûõ ñåêñóàëüíûõ íàêëîííîñòÿõ Àëåêñàíäðà Ìàêåäîíñêîãî è åãî àðìèè.
Âûõîäèò èõ ïåðâûé ñèíãë When The Night Is Cold. Ìóçûêàíòû ïîäïèñàëè êîíòðàêò ñ àíãëèéñêîé ñòóäèåé Ton Son Ton, ñïåöèàëèçèðóþùåéñÿ íà òàíöåâàëüíûõ êîìïîçèöèÿõ. Îäèí çà äðóãèì ïîÿâëÿþòñÿ ñèíãëû Love Me Like A Loaded Gun, Baby’s Got A Neutron Bomb, âûäåðæàííûå â òðàäèöèÿõ åâðîïåéñêîãî äèñêî.
 ýòî æå âðåìÿ äåëàåòñÿ ïåðåçàïèñü Barbie Goes Around The World, íî ïîä äðóãèì íàçâàíèåì: My Army of Lovers. Ñîçäà¸òñÿ âèäåîêëèï, çà êîòîðûé ãðóïïå âðó÷àåòñÿ ïðèç «Grammy» â íîìèíàöèè «Ëó÷øèé êëèï ãîäà». Çàòåì âûõîäèò ïåðâûé àëüáîì ïîä íàçâàíèåì Disco Extravaganza, à òðè êîìïîçèöèè èç íåãî — Ride The Bullet, Crucified è Obsession — ñòàíîâÿòñÿ ñóïåðõèòàìè.
 1992 ãîäó ïîïóëÿðíîñòü íà÷èíàåò ñòðåìèòåëüíî ðàñòè. Íî ïîñëå íåóäà÷è ñ êîìïîçèöèåé Candyman Messiah èç ñîñòàâà âûõîäèò Êàìèëëà. Ãðóïïà äåëàåò ðåìèêñ Ride The Bullet, ãäå óæå ïî¸ò íîâàÿ ñîëèñòêà áûâøàÿ ôîòîìîäåëü Ìèõàýëà Äîðíîíâèëü äå ëà Êóð.
Òðèî áûëî âåñüìà ïîïóëÿðíî â Åâðîïå, íî íå â Àìåðèêå. Â ÑØÀ ãðóïïà ñòàëà èçâåñòíîé òîëüêî ïîñëå âûõîäà ñèíãëà Crucified, êîòîðûé ñòàë õèòîì ñåçîíà âñåõ äèñêîòåê, è ïåñíåé Viva La Vogue, ñòàâøåé ñàóíäòðåêîì ê àìåðèêàíñêîé êîìåäèè "Íè ñëîâà ìàìå î ñìåðòè íÿíè".
 1993 ê òðèî ïðèñîåäèíÿåòñÿ ÷åòâ¸ðòûé ó÷àñòíèê — Äîìèíèêà Ïå÷èíñêè. Èç-çà êîíôëèêòîâ ñî øâåäñêèìè âëàñòÿìè Ìèõàýëà ïîêèäàåò ãðóïïó è óåçæàåò èç ñòðàíû, âîçâðàùàåòñÿ Êàìèëëà. Îñåíüþ òîãî æå ãîäà êâàðòåò âûïóñêàåò àëüáîì ñâîèõ ñàìûõ ïîïóëÿðíûõ ïåñåí Les Greatest Hits.
 1996 Àëåêñàíäð Áàðä çàÿâëÿåò î ðîñïóñêå ãðóïïû. Îäíàêî Äîìèíèêà è Æàí-Ïüåð åù¸ äîëãî óâåðÿëè âñåõ, ÷òî êîëëåêòèâ ïðîñòî óñòàë è îíè ðåøèëè âçÿòü äëèòåëüíûé òâîð÷åñêèé îòïóñê. Ñëóõè î ãðÿäóùåì ðàñïàäå ãðóïïû õîäèëè äàâíî: íà÷èíàÿ ñ 1995 â ïðåññå íåîäíîêðàòíî ìåëüêàëè ñîîáùåíèÿ î òîì, ÷òî Àëåêñàíäð ñîáèðàåòñÿ «çàìîðîçèòü» ãðóïïó è ñêîíöåíòðèðîâàòüñÿ íà íîâîì ïðîåêòå.
Ñ 1995 ãîäà ó÷àñòíèêè àíñàìáëÿ çàíÿëèñü êàæäûé èíäèâèäóàëüíîé êàðüåðîé. Àëåêñàíäð Áàðä — ïðîäîëæàåò ïðîäþñèðîâàòü, è ñîçäà¸ò ãðóïïû Vacuum, Alcazar, BWO, à òàêæå îí èçâåñòåí êàê ñîöèîëîã, àâòîð ëèòåðàòóðíûõ áåñòñåëëåðîâ, áèçíåñìåí. Æàí-Ïüåð Áàðäà áûë âåäóùèì íåñêîëüêèõ òåëåâèçèîííûõ øîó, ðàáîòàë àêò¸ðîì è ñòàë èçâåñòíûì õóäîæíèêîì-âèçàæèñòîì. Äîìèíèêà âåä¸ò òåëåøîó «Dominica’s Planet», äîñòóïíîå äëÿ çðèòåëåé ïÿòè åâðîïåéñêèõ ñòðàí, à ëà Êàìèëëà ïðèíèìàåò ó÷àñòèå â èçâåñòíîì øâåäñêîì ïîëèòè÷åñêîì òîê-øîó.
Ãðóïïà íà êîðîòêîå âðåìÿ âîññîåäèíèëàñü â 2000 ãîäó. Òàêæå îíè ñîáðàëèñü ñíîâà äëÿ îäíîãî êîíöåðòà â «G-A-Y» â Ëîíäîíå. Ëà Êàìèëëà, âîêàëèñò ïåðâûõ õèòîâ ãðóïïû, áûëà çàìåíåíà íà íàäóâíóþ êóêëó (Àëåêñàíäð îáðàòèëñÿ ê êóêëå ïîñëå êîíöåðòà: «Òåáå íå êàæåòñÿ, ÷òî Êàìèëëà ñèëüíî ïîõóäåëà?»), òîãäà êàê Àëåêñàíäð, Äîìèíèêà è Æàí-Ïüåð ïðèñóòñòâîâàëè. Íà âîïðîñ î âîçìîæíîì âîññîåäèíåíèè îíè çàÿâèëè, ÷òî â îáîçðèìîì áóäóùåì ýòî íå ïðåäâèäèòñÿ è ÷òî èõ ñîâìåñòíàÿ ðàáîòà áûëà «áðèëëèàíòîì âî âðåìåíè», êîòîðûé íåâîçìîæíî ïîâòîðèòü.
Ãðóïïà âîññîåäèíèëàñü íà îäèí äåíü äëÿ áîëüøîãî êîíöåðòà, îðãàíèçîâàííîãî ìîñêîâñêîé ðàäèîñòàíöèåé Ðåòðî-FM â Ðîññèè. Ãðóïïà âûñòóïèëà 15 äåêàáðÿ â îäíîì êîíöåðòå ñ Ace of Base è ìíîãèìè ðîññèéñêèìè àðòèñòàìè, êîòîðûå áûëè ïîïóëÿðíûìè â 1990-õ ãîäàõ.
Òâîð÷åñòâî
Àëåêñàíäð Áàðä áûë ìîçãîì ãðóïïû, Æàí-Ïüåð Áàðäà — âåäóøèé âîêàëèñò òàêèõ õèòîâ êàê Crucified è Israelism. Îíè áûëè â ãðóïïå íà ïðîòÿæåíèè âñåé å¸ èñòîðèè. Áàðäà ÷àñòî íîñèë íàèáîëåå âûçûâàþùèå è îòêðîâåííûå íàðÿäû. Ñóùåñòâóþò ðàçíîãëàñèÿ î òîì, èãðàë ëè îí â ãðóïïå êîãäà-ëèáî íà êàêîì-íèáóäü èíñòðóìåíòå.
Ó Army of Lovers áîëåå 20-è ïåñåí, âîøåäøèõ â 10-êó Åâðî÷àðòà, ñàìàÿ èçâåñòíàÿ èç êîòîðûõ — Crucified, îêàçàâøàÿñÿ îäíîé èç ñàìûõ ïðîäàâàåìûõ ïåñåí 1991 ãîäà. Îíà òàêæå îñòàâàëàñü íà 1 ìåñòå â Åâðî÷àðòå â òå÷åíèå 8 íåäåëü. Obsession è Sexual Revolution òàêæå äîñòèãàëè âåðõíåé ñòðî÷êè Åâðî÷àðòà, õîòÿ èõ (ïðèñóòñòâèå) â ÑØÀ è â Áðèòàíèè îãðàíè÷èâàëîñü ìíîãîêðàòíûìè óñïåõàìè â êëóáíûõ ÷àðòàõ.
Ãðóïïà âûïóñòèëà 5 ñòóäèéíûõ àëüáîìîâ, áîëüøå 20 âèäåîêëèïîâ, è äîñòèãëà áîëüøîãî óñïåõà â âîñòî÷íîé Åâðîïå.
Army of Lovers çàñëóæèëà øèðîêî ðàñïðîñòðàí¸ííûé êàíîíè÷åñêèé ñòàòóñ â ãåé-êóëüòóðå, èõ ÷àñòî óïîìèíàþò êàê ïðåêðàñíûé ïðèìåð ïîñòìîäåðíà, ïåðåíÿâøåãî èäåàëû ýêñòðàîðäèíàðíîñòè.
* -
http://ru.wikipedia.org/wiki/Army_of_Lovers