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 -Êíîïêè ðåéòèíãà «ßíäåêñ.áëîãè»

 -Ïîèñê ïî äíåâíèêó

Ïîèñê ñîîáùåíèé â ìóðçèê49

 -Ïîäïèñêà ïî e-mail

 

 -Ñòàòèñòèêà

Ñòàòèñòèêà LiveInternet.ru: ïîêàçàíî êîëè÷åñòâî õèòîâ è ïîñåòèòåëåé
Ñîçäàí: 09.05.2011
Çàïèñåé: 30606
Êîììåíòàðèåâ: 101426
Íàïèñàíî: 204890


Ëþáèìûå õèòû â ñòèëå Rock

Ïÿòíèöà, 26 Àâãóñòà 2011 ã. 15:07 + â öèòàòíèê
Öèòàòà ñîîáùåíèÿ Dmitry_Shvarts Ëþáèìûå õèòû â ñòèëå Rock .

 

Uriah Heep
July Morning

Ãðóïïå óäàëîñü ñîçäàòü íåìàëî òàëàíòëèâûõ è ïî-íàñòîÿùåìó êðàñèâûõ ïåñåí. Â ðÿäó õèòîâ áåçóñëîâíîå ïåðâåíñòâî ïðèíàäëåæèò 10-ìèíóòíîé êîìïîçèöèè «July Morning» («Èþëüñêîå óòðî»).

 

Îñíîâíûì êîìïîçèòîðîì ãðóïïû áûë êëàâèøíèê Êåí Õåíñëè. Èìåííî åìó ïðèíàäëåæèò ïîäàâëÿþùåå áîëüøèíñòâî «çîëîòûõ» õèòîâ URIAH HEEP, â òîì ÷èñëå è îñíîâíàÿ ìåëîäè÷åñêàÿ ëèíèÿ «Èþëüñêîãî óòðà».  

Ïåñíÿ ðîäèëàñü ïðÿìî âî âðåìÿ ðåïåòèöèè è áûëà, ïî ñóòè, «ñêëååíà» èç òðåõ ðàçíûõ çàãîòîâîê.

Ïåñíÿ «July Morning»

 


ïåðâîíà÷àëüíî áûëà ñî÷èíåíà òîëüêî ïîä àêóñòè÷åñêóþ ãèòàðó. Ýòî ïðîèçîøëî â êîíöå äíÿ, êîãäà ãðóïïà çàêàí÷èâàëà ðåïåòèðîâàòü. Ïîòîì ïîäêëþ÷èëèñü îñòàëüíûå ìóçûêàíòû, è ïåñíÿ îáðåëà ñâîþ ïëîòü è êðîâü.Íåæíîå îðãàííîå âñòóïëåíèå, ïîõîæåå íà ïåðâûå ëó÷è ñîëíöà, ïîñòåïåííî íàïîëíÿåòñÿ çâóêàìè äðóãèõ èíñòðóìåíòîâ è, ðàçâèâàÿñü, ïðèîáðåòàåò ïîèñòèíå äðàìàòè÷åñêèé íàêàë. Âîêàëèñò è àâòîð òåêñòà ïåñíè Äýâèä Áàéðîí ïðîíçèòåëüíûì ôàëüöåòîì ïîåò î ïîèñêàõ ëþáâè è ïðèõîäå óòðà ïîñëå ãðîçîâîé íî÷è.

 ìóçûêå ñîðåâíóþòñÿ òðè èíñòðóìåíòà – ãèòàðà Ìèêà Áîêñà, «Hammond» Êåíà Õåíñëè è ñèíòåçàòîð «Moog» Ìàíôðåäà Ìýííà, ñïåöèàëüíî ïðèãëàøåííîãî íà çàïèñü ñî ñâîèì ðåäêèì è äîðîãèì ïî òåì âðåìåíàì èíñòðóìåíòîì. Òðåâîæíîå íàñòóïàòåëüíîå ãèòàðíîå ñîëî, âîçìîæíî, íåñêîëüêî çàòÿíóòî, íî òîãäà òàêèå äîëãèå èíñòðóìåíòàëû áûëè â ìîäå.

There I was on a July morning
Looking for love
With the strength
Of a new day dawning
And the beautiful sun

At the sound
Of the first bird singing
I was leaving for home
With the storm
And the night behind me
And a road of my own

With the day came the resolution
I'll be looking for you
La la la la ...

I was looking for love
In the strangest places
Wasn't a stone
That I left unturned
Must have tried more
Than a thousand faces
But not one was aware
Of the fire that burned

In my heart, in my mind, in my soul
La la la la ...

There I was on a July morning
I was looking for love
With the strength
Of a new day dawning
And the beautiful sun

And at the sound
Of the first bird singing
I was leaving for home
With the storm
And the night behind me
Yeah, and a road of my own

ß áûë òàì èþëüñêèì óòðîì,
È ÿ èñêàë ëþáîâü,
Ñèëüíóþ,
Êàê çàðîæäåíèå íîâîãî äíÿ,
È âåëèêîëåïíóþ, ïîäîáíî ñîëíöó.

È ëèøü ñ ïåíèåì
ïåðâûõ óòðåííèõ ïòèö
ß îòïðàâëÿëñÿ äîìîé,
Îñòàâëÿÿ ãðîçó,
áóøåâàâøóþ â íî÷íîé äàëè,
ß øåë ñâîåé äîðîãîé.

Íàñòóïèë äåíü, è ÿ îñîçíàë,
×òî äîëæåí íàéòè òåáÿ.
Ëà ëà ëà ëà...
 
ß èñêàë ëþáîâü
 ñàìûõ óäèâèòåëüíûõ ìåñòàõ,
ß ïåðåâåðíóë òàì
Êàæäûé êàìåíü,
ß âãëÿäûâàëñÿ
 òûñÿ÷è ëèö,
Íî íèêîìó èç íèõ áûë íåâåäîì
Òîò îãîíü, ÷òî ïûëàåò

 ìîåì ñåðäöå, â ïàìÿòè, è â äóøå...
Ëà ëà ëà ëà...

ß áûë òàì èþëüñêèì óòðîì,
È ÿ èñêàë ëþáîâü,
Ñèëüíóþ,
Êàê çàðîæäåíèå íîâîãî äíÿ,
È âåëèêîëåïíóþ, ïîäîáíî ñîëíöó.

È ëèøü ñ ïåíèåì
Ïåðâûõ óòðåííèõ ïòèö
ß îòïðàâëÿëñÿ äîìîé,
Îñòàâëÿÿ ãðîçó,
Áóøåâàâøóþ â íî÷íîé äàëè,
ß øåë ñâîåé äîðîãîé.

 

Smokie

Âîêàëèñò Êðèñ Íîðìàí, ãèòàðèñò Àëàí Ñèëñîí, óäàðíèê Ïèò Ñïåíñåð è áàñèñò Òåððè Àòòëè.
Çíàìåíèòûé êëèï Smokie

"What can I do"


"×ÒÎ ÄÅËÀÒÜ ÌÍÅ?"


Every dream that I dream
Seems to float on by
Like a cloud in the wind
Way up in the sky
Every move that I make
Seems to be the wrong way
Like a cold black night
After a summer day

What can I do
What can I do
Nothing to say but it used to be
Nothing to say but it used to be
What can I do

You still play my guitar
With a smile on my face
Now everything's changed
My whole life's rearranged
From the day I was born
Sidle Jinks was my name
Though I tried and I tried
That name still remains

What can I do
What can I do
Nothing to say but it used to be
Nothing to say but it used to be
What can I do

What can I do
What can I do
What can I do
What can I do

I hear voices all singing
But no one is there
It's a ghost of my life
Bringing past tense to mind
Lokin' key inside me
From the freedom and sin
Oh come let me in
I'll start all over again

What can I do
What can I do
Nothing to say but it used to be
No no no no no no no no no
What can I do
What can I do
What can I do

What Can I Do?

Every dream that I dream seems to float on by
Like a cloud in the wind way up in the sky
Every move that I make seems to be the wrong way
Like a cold black night after a summer day

What can I do
What can I do
Nothing to say but it used to be
Nothing to say but it used to be
What can I do

You still play my guitar with a smile on my face
Now everything's changed my whole life's rearranged
From the day I was born sidle Jinks was my name
Though I tried and I tried that name still remains

What can I do
What can I do
Nothing to say but it used to be
Nothing to say but it used to be
What can I do

What can I do
What can I do
What can I do
What can I do

I hear voices all singing but no one is there
It's a ghost of my life bringing past tense to mind
Lokin' key inside me from the freedom and sin
Oh come let me in I'll start all over again

What can I do
What can I do
Nothing to say but it used to be
No no no no no no no no no
What can I do
What can I do
What can I do

Êàæäûé ñîí, êîòîðûé ìíå ñíèòñÿ,
Êàæåòñÿ, ëåòèò ïîäîáíî
Îáëàêó íà âåòðó,
Âçìûâàÿ âñå âûøå â íåáåñà.
Êàæäîå äâèæåíèå, êîòîðîå ÿ ñîâåðøàþ,
Êàæåòñÿ, íåâåðíî,
Ïîäîáíî ÷åðíîé õîëîäíîé íî÷è
Ïîñëå ëåòíåãî äíÿ.

×òî ÿ ìîãó ñäåëàòü?
×òî ÿ ìîãó ñäåëàòü?
Ñêàçàòü íå÷åãî, íî òàê äîëæíî áûòü.
Ñêàçàòü íå÷åãî, íî òàê äîëæíî áûòü.
×òî ÿ ìîãó ñäåëàòü?

Òû âñå åùå èãðàåøü íà ìîåé ãèòàðå
Ñ óëûáêîé íà ìîåì ëèöå.
Ñåé÷àñ âñå ìåíÿåòñÿ,
Âñÿ ìîÿ æèçíü ïåðåðîæäàåòñÿ.
Ñî äíÿ ìîåãî ðîæäåíèÿ
Ñàéäë Äæèíêñ áûëî ìîå èìÿ.
È ñêîëüêî áû ÿ íè ñòàðàëñÿ –
Ýòî èìÿ îñòàåòñÿ.

×òî ÿ ìîãó ñäåëàòü?
×òî ÿ ìîãó ñäåëàòü?
Ñêàçàòü íå÷åãî, íî òàê äîëæíî áûòü.
Ñêàçàòü íå÷åãî, íî òàê äîëæíî áûòü.
×òî ÿ ìîãó ñäåëàòü?

×òî ÿ ìîãó ñäåëàòü?
×òî ÿ ìîãó ñäåëàòü?
×òî ÿ ìîãó ñäåëàòü?
×òî ÿ ìîãó ñäåëàòü?

ß ñëûøó ïîþùèå ãîëîñà,
Íî òàì íèêîãî íåò...
Ýòî ïðèçðàê ìîåé æèçíè,
Êîòîðûé íåñåò ïîñëåäíåå ïðåäëîæåíèå ðàçóìó...
Èùà êëþ÷ âíóòðè ìåíÿ
Îò ñâîáîäû è ãðåõà.
«Î, ïîçâîëü ìíå âîéòè!
ß íà÷íó âñå çàíîâî»

×òî ÿ ìîãó ñäåëàòü?
×òî ÿ ìîãó ñäåëàòü?
Ñêàçàòü íå÷åãî, íî òàê äîëæíî áûòü.
Íåò, íåò, íåò, íåò, íåò, íåò, íåò, íåò, íåò...
×òî ÿ ìîãó ñäåëàòü?
×òî ÿ ìîãó ñäåëàòü?
×òî ÿ ìîãó ñäåëàòü?
×òî?

Íåïðåâçîéäåííàÿ êëàññèêà.

Ïèê èõ ñëàâû ïðèøåëñÿ íà ñåðåäèíó 1970-õ - íà÷àëî 1980-õ ãîäîâ: ìíîãî÷èñëåííûå êîíöåðòû ïî îáå ñòîðîíû Àòëàíòèêè, ïåðâûå ìåñòà â ÷àðòàõ Âåëèêîáðèòàíèè è ÑØÀ, íîâûå àëüáîìû.  ýòî âðåìÿ ðîäèëèñü òàêèå õèòû, êàê «Wild Wild angels», «What Can I Do», «Living Next Door To Alice». Ñåé÷àñ èç çâåçäíîãî ñîñòàâà îñòàëñÿ ëèøü áàñ-ãèòàðèñò Òåððè Àòòëè, íî Smokie äî ñèõ ïîð ïîïóëÿðíû.

Smokie âñå åùå ïîþò – ïîþò ñ íà÷àëà 1970-õ, îñòàâàÿñü ìîëîäûìè, ñ óçíàâàåìûì ñàóíäîì, íåðåàëüíûìè, âåñåëûìè, âîçðîæäàþùèìè ñ êàæäûì íîâûì àëüáîìîì, âå÷íûìè êàê ïòèöà Ôåíèêñ. Smokie âñå åùå ïîþò – è ïîþò åùå ëó÷øå ÷åì â íàøåé è âàøåé þíîñòè, ÷åì íà ñòàðûõ ïëàñòèíêàõ ñ ïå÷àëüíûìè, èñêðåííèìè è ïðåêðàñíûìè ìåëîäèÿìè è íå áàíàëüíûìè çàâîäíûìè øëÿãåðàìè, êîòîðûå ñëóøàþò íàøè äåòè.

 (500x342, 26Kb)

OMEGA-Gammapolis


Ãðóïïà îáðàçîâàíà â 1962 ãîäó â Áóäàïåøòå âûïóñêíèêàìè ìóçèêàëüíîé øêîëû "Jozsef Attila Gimnazium". Ïåðâîíà÷àëüíî ãðóïïà áûëà â ñëåäóþùåì ñîñòàâå: ßíîø Êîáîð - âîêàë, ãèòàðà; Ëàñëî Áåíê¸ - îðãàí è ôëåéòà; Àíäðàø Êîâà÷è÷ - ãèòàðà, Èøòâàí Âàðøàíè - áàñ-ãèòàðà, Ïåòåð Ëàíã - ñàêñîôîí, Òàìàø Êþíñòëåð - óäàðíûå. Íåñêîëüêî ëåò ãðóïïà àêîìïàíèðóåò èçâåñòíûì âåíãåðñêèì ïåâèöàì Æóæå Êîíö è Øàðîëòå Çàëàòíàé. Çà ýòîò ïåðèîä ÷åðåç ãðóïïó ïðîõîäÿò òàêèå ìóçèêàíòû êàê Òàìàø Øîìëî - áàñ-ãèò.,áðàññ, Ëàñëî Õàðìàò - áàñ-ãèò., Ìàðèÿ Âèòò - âîêàë.  1967ã., ñ ïðèõîäîì çàìå÷àòåëüíîãî êîìïîçèòîðà, ïåâöà è êëàâèøíèêà Ã.Ïðåññåðà, ãðóïïà âûïóñêàåò ñâîé ïåðâûé àëüáîì â ñîñòàâå: Êîáîð, Áåíê¸, Ïðåññåð, Ìîëíàð, Ìèõàé, Ëàóêñ.  ïåðâûõ òðåõ àëüáîìàõ äîìèíèðóþò ìóçûêàëüíûå èäåè Ïðåññåðà, êîòîðûé ïîñòåïåííî ñòàíîâèòñÿ ëèäåðîì ãðóïïû. Âåðøèíîé ýòîãî ïåðèîäà ñ÷èòàåòñÿ àëüáîì "Tizezer Lepes" ñ ïåñíåé "Gyongyhaju lany", ñòàâøåé ãèìíîì ãðóïïû (â 1996ã. Scorpions âûïóñêàþò ðåìèêñ ïåñíè ïîä èìåíåì "White Dove").  1970ã., ïîñëå âûõîäà òðåòüåãî àëüáîìà, Ãàáîð Ïðåññåð ïîêèäàåò ãðóïïó âìåñòå ñ Ëàóêñîì, è îñíîâûâàåò íîâóþ ñóïåðãðóïïó "Locomotiv GT". Îñòàëüíûå ÷ëåíû "Îìåãè" íå îïóñêàþò ðóêè, à ïðèãëàøàþò èç "Neoton" óäàðíèêà Ôåðåíöà Äåáðåöåíè. Ýòîò ñîñòàâ ãðóïïû íå ìåíÿåòñÿ äî ñèõ ïîð. Ìóçûêà êîëëåêòèâà ñòàíîâèòñÿ æåñò÷å è ìàñøòàáíåå.  ñâîèõ êîìïîçèöèÿõ ìóçûêàíòû èñïîëüçóþò ðàçíûå ñòèëè - ïðîãðåññèâ, õàðä, ñïåéñ, ÀÎÐ. È â íàøè äíè ãðóïïà äàåò îãðîìíîå êîëè÷åñòâî êîíöåðòîâ, êîòîðûå ïî ïðåæíåìó ñîáèðàþò ïîëíûå ñòàäèîíû.

 




OMEGA-Ezüst esö

 





ERUPTION 

Ïðåøåñ Óèëñîí .Èçâåñòíà êàê âîêàëèñòêà ãðóïïû "Eruption", çàïèñàâøàÿ ãëàâíûå õèòû ãðóïïû "I Can't Stand The Rain" è "One Way Ticket".  ñîñòàâå Eruption îíà ó÷àñòâîâàëà â ðàáîòå íàä ñàìûìè óäà÷íûìè àëüáîìàìè ãðóïïû: "Eruption" (1977) è "Leave A Light" (1979). Ïðåøåñ ðîäèëàñü â Ñïýíèø Òàóí, ßìàéêà, â âîçðàñòå ñåìè ëåò ïåðååõàëà ñ ðîäèòåëÿìè â Âåëèêîáðèòàíèþ. ãëàâíûé ñ÷àñòüå ïðèøåë ê íåé â 1975 ãîäó, åñëè îíà âîîáùå ñ ãðóïïîé "Eruption" ïîáåäèëà â ðàäèîêîíêóðñå. íàñòîÿùåå âåê Ïðåøåñ Óèëñîí ïðîäîëæàåò õîäèòü íà åâðîïåéñêîé êëóáíîé ñöåíå, â òîì ÷èñëå è ïîä íàçâàíèåì "Eruption".

Precious Wilson

"One Way Ticket"



The Eagles

"Hotel California" (Îòåëü Êàëèôîðíèÿ) - îäíà èç ñàìûõ ãëàâíûõ ïåñåí ãðóïïû Eagles ñ àëüáîìà 1977 ãîäà, íîñÿùåãî òî æå èìÿ. Ñëîâà Äîíà Õåíëè, Ãëåííà Ôðåÿ è Äîíà Ôåëäåðà. Îäèí èç ëó÷øèõ õèòîâ 20 âåêà, ïðèíåñøèé ãðóïïå âñåìèðíóþ ñëàâó.




 

On a dark desert highway
Cool wind in my hair
Warm smell of colitas
Rising up through the air
Up ahead in the distance
I saw a shimmering light
My head grew heavy and my sight grew dim
I had to stop for the night

There she stood in the doorway
I heard the mission bell
And I was thinking to myself
"This could be heaven or this could be hell"
Then she lit up a candle
And she showed me the way
There were voices down the corridor
I thought I heard them say...

Welcome to the Hotel California
Such a lovely place
(Such a lovely place)
Such a lovely face
Plenty of room at the Hotel California
Any time of year
(Any time of year)
You can find it here

Her mind is Tiffany twisted
She got a Mercedes Benz
She got a lot of pretty, pretty boys
That she calls friends
How they dance in the courtyard
Sweet summer sweat
Some dance to remember
Some dance to forget

So I called up the Captain
"Please bring me my wine"
He said: "We haven't had that spirit here
Since nineteen sixty nine"
And still those voices are calling from far away
Wake you up in the middle of the night
Just to hear them say...

Welcome to the Hotel California
Such a lovely place
(Such a lovely place)
Such a lovely face
They livin' it up at the Hotel California
What a nice surprise
(What a nice surprise)
Bring your alibis

Mirrors on the ceiling
The pink champagne on ice
And she said: "We are all just prisoners here
Of our own device"
And in the master's chambers
They gathered for the feast
They stab it with their steely knives
But they just can't kill the beast

Last thing I remember
I was running for the door
I had to find the passage back
To the place I was before
"Relax" said the night man
"We are programmed to receive
You can check out any time you like
But you can never leave!"


 

Íà ò¸ìíîì ïóñòûííîì øîññå
Ìîè âîëîñû ðàçâåâàë õîëîäíûé âåòåð.
Ò¸ïëûé çàïàõ ìàðèõóàíû
Ïîäíèìàëñÿ â âîçäóõå.
Íà íåêîòîðîì ðàññòîÿíèè âïåðåäè
ß óâèäåë ìåðöàþùèé ñâåò.
ß ïî÷óâñòâîâàë, ÷òî ìåíÿ êëîíèò êî ñíó
È ÷òî ìíå íóæíî îñòàíîâèòüñÿ íà íî÷ëåã.

Íà ïîðîãå ñòîÿëà îíà.
ß óñëûøàë çâîí êîëîêîëà
È ïîäóìàë:
«Ýòî ëèáî ðàé, ëèáî àä».
Ïîòîì îíà çàæãëà ñâå÷ó,
È îñâåòèëà ìíå ïóòü.
Èäÿ ïî êîðèäîðó, ÿ ñëûøàë ãîëîñà,
Êàçàëîñü, îíè ãîâîðèëè…

Äîáðî ïîæàëîâàòü â îòåëü «Êàëèôîðíèÿ»,
Òàêîå çàìå÷àòåëüíîå ìåñòî,
(Òàêîå çàìå÷àòåëüíîå ìåñòî),
Òàêîå çàìå÷àòåëüíîå ìåñòî.
 îòåëå «Êàëèôîðíèÿ» âû
 ëþáîå âðåìÿ ãîäà
(Â ëþáîå âðåìÿ ãîäà)
Íàéä¸òå ìíîãî ñâîáîäíûõ íîìåðîâ.

Îíà áûëà ïîìåøàíà íà Tiffany.
Ó íå¸ áûë Ìåðñåäåñ Áåíö
È ìíîãî î÷åíü ñèìïàòè÷íûõ ìàëü÷èêîâ,
Êîòîðûõ îíà íàçûâàëà äðóçüÿìè.
Êàê îíè òàíöåâàëè âî äâîðå!
Ñëàäêèé ëåòíèé ïîò.
Íåêîòîðûå òàíöóþò, ÷òîáû íå çàáûòüñÿ,
À íåêîòîðûå – ÷òîáû îáî âñ¸ì çàáûòü.

ß ïîçâàë óïðàâëÿþùåãî:
«Ïîæàëóéñòà, ïðèíåñèòå ìíå âèíà».
À îí îòâåòèë: «Ó íàñ íå áûëî ýòîãî íàïèòêà
Ñ 1969 ãîäà».
À òå ãîëîñà âñ¸ ïðîäîëæàëè ñëûøàòüñÿ èçäàëåêà.
Îíè ðàçáóäèëè ìåíÿ ïîñðåäè íî÷è
È ÿ óñëûøàë, êàê îíè ãîâîðèëè…

Äîáðî ïîæàëîâàòü â îòåëü «Êàëèôîðíèÿ»,
Òàêîå çàìå÷àòåëüíîå ìåñòî,
(Òàêîå çàìå÷àòåëüíîå ìåñòî),
Òàêîå çàìå÷àòåëüíîå ìåñòî.
 îòåëå «Êàëèôîðíèÿ» âåñåëÿòñÿ è êóòÿò -
Êàêîé ïðèÿòíûé ñþðïðèç!
(Êàêîé ïðèÿòíûé ñþðïðèç!)
Ïðåäúÿâèòå ñâî¸ àëèáè.

Íà ïîòîëêå çåðêàëà,
Îõëàæä¸ííîå ðîçîâîå øàìïàíñêîå.
È îíà ñêàçàëà: «Çäåñü ìû ïðîñòî óçíèêè,
È ýòî äåëî íàøèõ ñîáñòâåííûõ ðóê».
 êîìíàòå õîçÿèíà
Îíè ñîáðàëèñü, ÷òîáû ïèðîâàòü.
Îíè çàêàëûâàëè òâàðü ñâîèìè ñòàëüíûìè íîæàìè,
Íî íèêàê íå ìîãëè óáèòü æèâîòíîå.

Ïîñëåäíåå, ÷òî ÿ ïîìíþ,
Ýòî êàê ÿ ïîáåæàë ê âûõîäó.
Ìíå íóæíî áûëî íàéòè îáðàòíûé ïóòü,
×òîáû ïðîéòè òóäà, îòêóäà ÿ ïðèø¸ë.
«Ðàññëàáüòåñü», ñêàçàë ñòîðîæ,
«Íàñ çàïðîãðàììèðîâàëè, ÷òîáû ïðèíèìàòü ãîñòåé.
Âû ìîæåòå îñâîáîäèòü íîìåð â ëþáîå âðåìÿ,
Íî âû íèêîãäà íå ñìîæåòå óéòè!»


 

 

Áîæåñòâåííàÿ ìóçûêà è èñïîëíåíèå!!!!

ABBA

Èñòîðèÿ "ABBA" âåäåò îòñ÷åò ñ èþíÿ 1966-ãî.

 1973-ì ãðóïïà âûñòóïèëà íà êîíêóðñå Åâðîâèäåíèÿ, ãäå ñ ïåñíåé "Ring ring" çàíÿëà òðåòüå ìåñòî. Îäíîèìåííûå ñèíãë è àëüáîì âîçãëàâèëè øâåäñêèå ÷àðòû, à òàêæå ïîëó÷èëè ïðèçíàíèå â ðÿäå äðóãèõ åâðîïåéñêèõ ñòðàí.

Íà ñëåäóþùèé ãîä êâàðòåò îïÿòü ó÷àñòâîâàë â êîíêóðñå Åâðîâèäåíèÿ, è íà ýòîò ðàç îäåðæàë áåçîãîâîðî÷íóþ ïîáåäó ñ êîìïîçèöèåé "Waterloo". Âñêîðå ïîñëå ýòîãî òðèóìôà "Waterloo" âîçãëàâèëà âñå åâðîïåéñêèå ÷àðòû è äàæå óãîäèëà â ëó÷øóþ àìåðèêàíñêóþ äåñÿòêó.

 1976-ì "ABBA" îêîí÷àòåëüíî çàêðåïèëè çà ñîáîé ñòàòóñ ñóïåðãðóïïû âî âñåì ìèðå.

S.O.S.




DANCING QUEEN


Europe

Èñòîðèÿ ãðóïïû íà÷èíàåòñÿ â 1980 ãîäó ñî âñòðå÷è äâóõ øêîëüíûõ äðóçåé: âîêàëèñòà Éîàêèìà Ëàðññîíà è ãèòàðèñòà Äæîíà Íîðóìà. Èãðàâøèå äî ýòîãî â ðàçíûõ êîëëåêòèâàõ ðåáÿòà çàäóìûâàþò ñîçäàòü íîâóþ ãðóïïó. Îíè áåðóò õîðîøåãî ïðèÿòåëÿ Äæîíà, áàðàáàíùèêà Òîíè Íèåìèñòî (Tony Niemisto) è áàñ-ãèòàðèñòà Äæîíà Ëåâåíà, ñ êîòîðûì Éîàêèì áûë â êîìàíäå Èíãâè Ìàëìñòèíà.

Íîâîÿâëåííàÿ ãðóïïà íàçûâàëàñü Force. Îñîáîãî óñïåõà îíè íå èìåëè, íî âðåìÿ îò âðåìåíè èãðàëè â ðàçëè÷íûõ ìåñòíûõ êëóáàõ.
Ìåæäó òåì â 1982 ãîäó ðåáÿòà ðåøàþò ïîïðîáîâàòü ñâîè ñèëû íà êîíêóðñå Þíûõ Òàëàíòîâ, ïðîõîäÿùåì â Ñòîêãîëüìå, òåì áîëåå, ÷òî â êà÷åñòâå ïðèçà ïîáåäèòåëü ïîëó÷àåò ïðàâî íà çàïèñü àëüáîìà. Íî ÷òîáû íå áûëî íåäîðàçóìåíèé ñ ãðóïïàìè, ïîõîæèìè ïî íàçâàíèþ, Force ïåðåèìåíîâûâàåòñÿ â Europe. Òîãäà æå Éîàêèì ñ÷åë, ÷òî åãî èìÿ è ôàìèëèÿ íå ñîîòâåòñòâóþò îáùèì ñòàíäàðòàì, òî åñòü òðóäíî ïðîèçíîñÿòñÿ è çàïîìèíàþòñÿ, è ïåðåìåíèë èõ íà Äæîóè Òåìïåñò, à áàðàáàíùèê Òîíè ïðîñòî ñìåíèë ôàìèëèþ íà Ðåíî.

Carrie




The Final Countdown Tour


europe rock band (400x289, 27Kb)

Pink Floyd

Êàæäûé èç àëüáîìîâ Pink Floyd – ýòî îñîáûé ìèð.

Ìèð íå òîëüêî çâóêîâ è íå ñòîëüêî çâóêîâ: ñêîðåå, ýòî öåëàÿ ïëàíåòà, íàñåëåííàÿ îáðàçàìè, ïåðñîíàæàìè è èäåÿìè...







 

Breathe in the Air




 





 

 

 (672x524, 90Kb)

Ôðýíê Ñèíàòðà



Îõðàííèêè çâàëè åãî Íàïîëåîíîì, Ìàðëåí Äèòðèõ – «Ðîëëñ-ðîéñîì» ñðåäè ìóæ÷èí», à âñå îñòàëüíûå íàçûâàëè ïðîñòî Ãîëîñ. Âûõîäåö èç ïðîâèíöèàëüíîãî Õîáîêåíà (øòàò Íüþ-Äæåðñè), êîòîðûé ñàì îí ñ÷èòàë «ñòî÷íîé êàíàâîé», Ôðýíñèñ Àëáåðò Ñèíàòðà óõèòðèëñÿ íå ïîëó÷èòü íèêàêîãî îáðàçîâàíèÿ, íî î íåì ãîâîðèëè, ÷òî îí ìîæåò ñïåòü äàæå òåëåôîííóþ êíèãó. Êóìèð åãî ìîëîäîñòè ïåâåö Áèíã Êðîñáè â ñåðåäèíå ïÿòèäåñÿòûõ ïîäûòîæèë: «Òîëüêî îäèí ïåâåö ÿâëÿåòñÿ âåëèêèì ïåâöîì äëÿ âñåãî ìèðà. Åãî èìÿ – Ñèíàòðà».
«Ðóññêèé ñàìîâàð»
Ëþáèìûì ìåñòîì Ñèíàòðû â Íüþ-Éîðêå áûë åãî ðåñòîðàí «Äæèëëè», ðàñïîëîæåííûé â öåíòðå Ìàíõýòòåíà. Òàì ñîáèðàëèñü åãî äðóçüÿ è ïî÷èòàòåëè. Ïîñëå ñìåðòè ïåâöà ðåñòîðàí êóïèëè òðè èììèãðàíòà èç Ñîâåòñêîãî Ñîþçà: ïîýò Èîñèô Áðîäñêèé, òàíöîð Ìèõàèë Áàðûøíèêîâ è èõ ëåíèíãðàäñêèé ïðèÿòåëü Ðîìàí Êàïëàí. Òåïåðü ðåñòîðàí íàçûâàåòñÿ «Ðóññêèé ñàìîâàð». Îí ñòàë êëóáîì íå òîëüêî äëÿ ðóññêîÿçû÷íîé ýìèãðàíòñêîé òóñîâêè, çäåñü îõîòíî áûâàþò çíàìåíèòîñòè ñî âñåõ êîíòèíåíòîâ.

Frank Sinatra


èñòî÷íèê: MARCHIK

Ðóáðèêè:  Ìóçûêà
Âèäèêè
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