ÒÅÌÀÒÈ×ÅÑÊÀß ÆÈÂÎÏÈÑÜ: ÒÅÀÒÐ — È ÇÐÅËÈÙÅ È ØÊÎËÀ ÄËß ÍÀÐÎÄÀ, ÁÓÄÈÒÜ ÑÅÐÄÖÀ ËÞÄÅÉ — ÂÎÒ Â ×ÅÌ ÅÃÎ ÏÐÈÐÎÄÀ! |

Ñåéìóð Äæîçåô Ãàé - "At the Opera."1887
Ìèõàèë Çè÷è. Ñïåêòàêëü â Áîëüøîì òåàòðå

Frederik Hendrik Kaemmerer (1839–1904) - Woman with opera glasses
Frank Moss Bennett (British, 1874-1952)
Paul Gustave Fischer (Danish, 1860-1934)
Pietro Bouvier
Paul-Albert Besnard (FRENCH, 1849-1934)
Clarence Frederick Underwood (1871-1929)
Albert Guillaume (1873-1942)
Franz Xaver Simm (1853-1918) - In der Theaterloge
Louis Béroud (1852-1930) - L'escalier de l'opéra Garnier
Jean Beraud (FRENCH, 1849-1936)
Giovanni Paolo Panini (1691-1765) - Concert given by Cardinal de La Rochefoucauld at the Argentina Theatre in Rome, 1747
Madeleine Jeanne Lemaire (French, 1845-1928)
George Goodwin Kilburne (1839-1924) - Ôèíàëüíûé ïîêëîí
George Cruikshank (1792-1878) - GOSSIPS AT THE OPERA
Ulisse Caputo (Italian, 1872-1948) - At the theatre
Ådouard Joseph Dantan (1848-1897) - Âå÷åðíÿÿ ïðåìüåðà â Êîìåäè-Ôðàíñåç, 1885
Fernand Toussaint (1873-1955) - At the opera
William Holyoake. In the Front Row at the Opera. 1880 ã.
Mary Cassatt - Woman with a Pearl Necklace in a Loge, 1879
Hermann Vogler (b. 1859) - Im Variete
Everard Hopkins (late 19th Century) - A French puppet show
George Elgar Hicks (BRITISH, 1824-1914) - FAIR CRITICS
Cesare Provaggi (XIX âåê) - Ñöåíà èç îïåðíîãî òåàòðà
Karl Gampenrieder (German, 1860-1930) - At the Opera
George Goodwin Kilburne (British, 1839-1924)
Albert Guillaume (1873-1942) - Au theatre
Mary Cassatt - The Loge, 1882
Gustav Klimt (1862-1918) - Zuschauerraum im Alten Burgtheater in Wien
Edward Lamson Henry (1841-1919) - THE TROUBLE WITH WOMEN'S HATS
Èãíàñèî Äèàñ Îëàíî. Â òåàòðàëüíîé ëîæå 1895-98 ã.ã.
Ramon Casas i Carbî (Spanish, 1866-1932)
Jean-Gabriel Domergue Ballet at Monte Carlo.
Everett Shinn (1876-1953)
Jean Joseph Benjamin-Constant (FRENCH, 1845-1902)
Oscar Arthur Bluhm (German, 1867-1912) - Vor der Vorstellung
Âîññòàíîâëåííûé ïîñò îò 17-01-2015
Ñåðèÿ ñîîáùåíèé "Òåìàòè÷åñêèå ïîäáîðêè â æèâîïèñè":
×àñòü 1 - "Íå òðåâîæü ìíå äóøó, ñêðèïêà." Ñêðèïêà è ñêðèïà÷è â æèâîïèñè
×àñòü 2 - Æåíñêèé ïîðòðåò / Äàìû â ñèíåì / Ladies In Blue
×àñòü 3 - Ïðåêðàñíàÿ Íàåçäíèöà
×àñòü 4 - ÒÅÌÀÒÈ×ÅÑÊÀß ÆÈÂÎÏÈÑÜ: ÒÅÀÒÐ — È ÇÐÅËÈÙÅ È ØÊÎËÀ ÄËß ÍÀÐÎÄÀ, ÁÓÄÈÒÜ ÑÅÐÄÖÀ ËÞÄÅÉ — ÂÎÒ Â ×ÅÌ ÅÃÎ ÏÐÈÐÎÄÀ!
×àñòü 5 - ÏÐÅÊÐÀÑÍÛÅ ÍÀÅÇÄÍÈÖÛ Â ÆÈÂÎÏÈÑÈ
×àñòü 6 - ÇÄÐÀÂÑÒÂÓÉ, ØÊÎËÀ! (×ÀÑÒÜ 21 - È ÑÍÎÂÀ 1 ÑÅÍÒßÁÐß!)
...
×àñòü 29 - Ðàííÿÿ âåñíà â ðóññêîé æèâîïèñè
×àñòü 30 - ÈÒÀËÜßÍÑÊÈÉ ÕÓÄÎÆÍÈÊ ÊÀÐËÎ ÄÎËÜ×È ( CARLO DOLCI; 1616 — 1686) / ÀÍÃÅËÛ
×àñòü 31 - ÇÈÌÍÅÃÎÐÎÄÑÊÎÅ. ÀÑÑÎÐÒÈ
| Ðóáðèêè: | Æèâîïèñü, ãðàôèêà, èëëþñòðàöèè/Æàíðîâàÿ æèâîïèñü è ãðàôèêà |
| Êîììåíòèðîâàòü | « Ïðåä. çàïèñü — Ê äíåâíèêó — Ñëåä. çàïèñü » | Ñòðàíèöû: [1] [Íîâûå] |