Йельский центр Британского искусства (Yale Center for British Art, New Haven) (часть 24)

Понедельник, 09 Декабря 2024 г. 12:06 + в цитатник

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01. Joseph Mallord William Turner, 1775–1851
North East View of Grantham Church, Lincolnshire, ca. 1797
Watercolor and graphite on medium, slightly textured, cream wove paper, mounted on medium, slightly textured, cream wove paper
13 x 17.8 cm
Yale Center for British Art, Paul Mellon Collection

02. Michael "Angelo" Rooker, 1746–1801
Merton College, Oxford 1771
Oil on canvas
70.5 x 90.5 cm
Yale Center for British Art, Paul Mellon Collection

03.
Michael "Angelo" Rooker, 1746–1801
St. Augustine's Gate, Canterbury, ca. 1778
Ворота Святого Августина, Кентербери
Oil on canvas
69.9 x 89.5 cm
Yale Center for British Art, Paul Mellon Collection

04. Paul Sandby, 1731–1809
St. George's Chapel, Windsor, and the Entrance to the Singing Men's Cloister 1765
Часовня Святого Георгия, Виндзор, и вход в мужской монастырь поющих
Gouache on moderately thick, slightly textured, cream laid paper
38.1 x 54.6 cm
Yale Center for British Art, Paul Mellon Collection

05. Joseph Mallord William Turner, 1775–1851
View of Ely Cathedral, ca. 1796
Watercolor and graphite on medium, slightly textured, cream wove paper
0.5 x 16.8cm
Yale Center for British Art, Paul Mellon Collection

06. Joseph Mallord William Turner, 1775–1851
View of Hampton Court, Herefordshire, from the Southeast, ca. 1806
Watercolor and scraping out on moderately thick, slightly textured, cream wove paper
20.3 x 30.5 cm
Yale Center for British Art, Paul Mellon Collection

07. Jan Stevens, died 1722
South Prospect of Hampton Court, Herefordshire, ca. 1705
Oil on canvas
208.3 x 238.8 cm
Yale Center for British Art, Paul Mellon Collection

08. Joseph Mallord William Turner, 1775–1851
View of Hampton Court, Herefordshire, from the Northwest, ca. 1806
Watercolor, graphite, pen and black ink and scraping out on moderately thick, slightly textured, cream wove paper
20 x 30.5 cm
Yale Center for British Art, Paul Mellon Collection

09. Joseph Mallord William Turner, 1775–1851
Christ Church Gate, Canterbury, 1793 to 1794
Watercolor and graphite on medium, slightly textured, cream wove paper
22.5 x 27.3 cm
Yale Center for British Art, Paul Mellon Collection

10. John Warwick Smith, 1749–1831
Convent at Vietri, near Salerno 1808
Монастырь в Виетри, недалеко от Салерно
Watercolor over graphite on medium, smooth, cream wove paper
24.8 x 35.6 cm
Yale Center for British Art, Paul Mellon Collection

11. Paul Sandby, 1731–1809
Dartmouth Castle 1794
Gouache and graphite on medium, slightly textured, cream wove paper mounted on canvas
50.2 x 71.4 cm
Yale Center for British Art, Paul Mellon Collection

12. Daniel Turner, active 1782–1805
York Water-Gate and the Adelphi, ca. 1800
Йоркские водные ворота и Адельфи
Oil on panel
21.6 x 34 cm
Yale Center for British Art, Paul Mellon Collection

13. Thomas Malton the Younger, 1748–1804
York Water Gate 1795
Watercolor with pen and black ink on medium, slightly textured, cream wove paper
21.1 × 29.8 cm
Yale Center for British Art, Paul Mellon Collection

14. John Inigo Richards, 1730/31?–1810
Castel Sant'Angelo, Rome 1776
Oil on canvas
39.1 x 51.4 cm
Yale Center for British Art, Paul Mellon Collection

15. Paul Sandby, 1731–1809
The Norman Gate and Deputy Governor's House, ca. 1765
Gouache on thick, slightly textured, cream wove paper
38.4 x 54 cm
Yale Center for British Art, Paul Mellon Collection

16. Paul Sandby, 1731–1809
The North Terrace, Looking East, ca. 1765
Gouache and watercolor on medium, slightly textured, cream wove paper
38.4 x 54 cm
Yale Center for British Art, Paul Mellon Collection

17. Paul Sandby, 1731–1809
The Meteor of August 18, 1783, as seen from the East Angle of the North Terrace, Windsor Castle 1783
Метеор 18 августа 1783 года, вид с восточного угла Северной террасы Виндзорского замка
Watercolor on medium, moderately textured, cream laid apper
31.8 x 48.3 cm
Yale Center for British Art, Paul Mellon Collection

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