ßÍ ÁÐÅÉÃÅËÜ ÌËÀÄØÈÉ (JAN BRUEGHEL THE YOUNGER), 1601-1678 |
ßí Áðåéãåëü Ìëàäøèé (Jan Brueghel the Younger), 1601-1678
Ðàíåå: çäåñü
Ìàäîííà ñ Ìëàäåíöåì, ñâ.Àííîé è þíûì Èîàííîì Êðåñòèòåëåì (The Virgin And Child, The Infant St John The Baptist With St Anne) (ñîâìåñòíî ñ Õåíäðèêîì âàí Áàëåíîì Ñòàðøèì (ôèãóðû))
Ìåëüíèöû â ïåéçàæå
Ñâÿòîå ñåìåéñòâî â öâåòî÷íîé ãèðëÿíäå
Âõîä æèâîòíûõ â Íîåâ êîâ÷åã
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Êðåùåíèå Õðèñòà (The Baptism of Christ) (ñîâìåñòíî ñ Õåíäðèêîì âàí Áàëåíîì Ñòàðøèì (ôèãóðû))
Ðàéñêèé ïåéçàæ ñ ñîòâîðåíèåì Àäàìà
Àëëåãîðèÿ çåìëè (Öåðåðà â àåéçàæå) (ñîâì. ñ Õåíäðèêîì âàí Áàëåíîì I)
Äèàíà è íèìôû ëîâÿò ðûáó
Àëëåãîðèÿ çåìëè, âîçäóõà è âîäû (Äèàíà ñ íèìôàìè ïîñëå îõîòû)
Àëëåãîðèÿ âîéíû
Êàþùàÿñÿ ñâÿòàÿ Ìàðèÿ Ìàãäàëèíà â öâåòî÷íîé ãèðëÿíäå
Àëëåãîðèÿ ìèðà (An Allegory Of Peace)
Âàêõàíàëèÿ ñ Öåðåðîé, Âàêõîì è Âåíåðîé (Bacchanal with Ceres, Bacchus and Venus) (ñîâìåñòíî ñ Õåíäðèêîì âàí Áàëåíîì (ôèãóðû))
Äåòè ïëàíåòû Ñàòóðí
Àëëåãîðèÿ íà îñíîâå áàñíè î Ðåéíåêå-ëèñå
Àëëåãîðèÿ îãíÿ è âîçäóõà (An Allegory of Fire and Air) (ñîâìåñòíî ñ Õåíäðèêîì âàí Áàëåíîì Ñòàðøèì (ôèãóðû))
Àëëåãîðèÿ ñëóõà (An Allegory Of The Sense Of Hearing)
Áóêåò öâåòîâ â ñòåêëÿííîé âàçå (A bouquet of flowers in a glass vase) (ñîâìåñòíî ñ ßíîì Áðåéãåëåì Ñòàðøèì)
Àëëåãîðèÿ ÷åòûðåõ ýëåìåíòîâ (Landscape with Allegories of the Four Elements) (ñîâì ñ Ôðàíñîì Ôðàíêåíîì Ìë)
Êàðòóø â îêðóæåíèè öâåòîâ ñ âîñêð Õðèñò (Garlands Of Flowers Surrounding A Stone Cartouche Inset With A The Resurrection) (ñîâìåñòíî ñ Àáðàõàìîì âàí Äèïåíáåêîì (êàðòèíà â êàðòóøå))
Ëåñíîé ïåéçàæ ñ Àâðààìîì è Èñààêîì íà ïóòè ê ìåñòó æåðòâîïðèíîøåíèÿ
Ìàäîííà ñ Ìëàäåíöåì â êàðòóøå ñ öâåòî÷íîé ãèðëÿíäîé
Îáøèðíûé ðå÷íîé ïåéçàæ ñ ñóäîì â Âåôèëå (An extensive river landscape with the Judgement at Bethel (2 Kings 2. 23–25)) (ñîâì ñ Éîñîì äå Ìîìïåðîì Ìëàäøèì
Îõîòíèêè â îáøèðíîì ïåéçàæå
Ïåéçàæ ñ ïóòåøåñòâåííèêàìè è òàíöóþùèìè êðåñòüÿíàìè (A wide river landscape with travellers and dancing peasants) (ñîâì ñ Ëóêàñîì âàí Óäåíîì)
Ìàäîííà ñ Ìëàäåíöåì â öâåòî÷íîé ãèðëÿíäå (The Madonna and Child surrounded by a floral garland) (ñîâìåñòíî ñ Ïèòåðîì âàí Àâîíòîì (ôèãóðû)
Íàïàäåíèå íà êàðàâàí
Îáøèðíûé ïåéçàæ ñ ïóòåøåñòâåííèêàìè (An extensive landscape with travellers) (ñîâìåñòíî ñ Éîñîì äå Ìîìïåðîì Ìëàäøèì)
Ìàäîííà ñ Ìëàäåíöåì â öâåòî÷íîì êàðòóøå
Ìàäîííà ñ Ìëàäåíöåì è þíûì Èîàííîì Êðåñò â ïåéçàæå (The Virgin and Child with the Infant Saint John the Baptist, two angels) (ñîâì. ñ Ïèòåðîì âàí Àâîíòîì Ñò)
Ðå÷íîé ïåéçàæ ñ âèäîì Àíòâåðïåíà
Ñàòèðû ïîäñìàòðèâàþò çà ñïÿùèìè Äèàíîé è íèìôàìè (Diana and the Nymphs sleeping, watched by the Satyrs) (ñîâì ñ êðóãîì Õåíäðèêà âàí Áàëåíà Ñòàðøåãî (ôèãóðû))
Ñâÿòîå ñåìåéñòâî ñî ñâ.Åëèçàâåòîé (The Holy Family with Saint Elizabeth and the Infant Saint John the Baptist in a landscape) (ñîâìåñòíî ñ Ôðàíñîì Ôðàíêåíîì III (ôèãóðû))
Ñåëüñêàÿ äîðîãà ñ ïîâîçêîé è ìíîæåñòâîì ôèãóð
Ñåëüñêèé ïåéçàæ ñ ôèãóðàìè
Òàööà ñ öâåòàìè è âåíîê è öâåòîâ
Õðèñòîñ, íåñóùèé êðåñò â öâåòî÷íîé ãèðëÿíäå
Ýñêèç ê Ñâèíîìó ðûíêó
èñòî÷íèê Àíäðåé Âå-ñëîâ https://plus.google.com/108357570456383899947
Ñåðèÿ ñîîáùåíèé "**ïî àâòîðàì (á)":
×àñòü 1 - Áåëüãèéñêèé õóäîæíèê Jan Van Beers (1852 – 1927)
×àñòü 2 - Èòàëüÿíñêàÿ õóäîæíèöà Mariarita Brunazzi.
...
×àñòü 32 - Àáðàõàì Áðåéãåëü (Abraham Brueghel), 1631-1690
×àñòü 33 - Àáðàõàì Áðåéãåëü (Abraham Brueghel), 1631-1690
×àñòü 34 - ßí Áðåéãåëü Ìëàäøèé (Jan Brueghel the Younger), 1601-1678
×àñòü 35 - ßí Áðåéãåëü Ìëàäøèé (Jan Brueghel the Younger), 1601-1678.
| Ðóáðèêè: | Æèâîïèñü, ãðàôèêà, èëëþñòðàöèè/Çàðóáåæíàÿ æèâîïèñü è ãðàôèêà 15-20 âåê |
| Êîììåíòèðîâàòü | « Ïðåä. çàïèñü — Ê äíåâíèêó — Ñëåä. çàïèñü » | Ñòðàíèöû: [1] [Íîâûå] |