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ÃÞÁÅÐ ÐÎÁÅÐ (HUBERT ROBERT), 1733-1808. ÔÐÀÍÖÈß. ×ÀÑÒÜ 1.

Ïÿòíèöà, 01 Äåêàáðÿ 2017 ã. 14:41 + â öèòàòíèê
Öèòàòà ñîîáùåíèÿ TimOlya Ãþáåð Ðîáåð (Hubert Robert), 1733-1808. Ôðàíöèÿ. ×àñòü 1.

1767_Âèëëà Ìàäàìà ïîä Ðèìîì (Villa Madama near Rome)_53 x 70_õ., ì._Ñàíêò-Ïåòåðáóðã, Ýðìèòàæ

1761_Êàïðè÷÷î ñ Ïàíòåîíîì è Ïîðòî äè Ðèïåòòà (Architectural Composition with the Pantheon)_102 õ 146_õ.,ì._Âåíà, Ìóçåé Ëèõòåíøòåéíîâ

Louise Elisabeth Vigee Le Brun, 1755-1842_Ïîðòðåò Þáåðà Ðîáåðà (Hubert Robert)_1788_105 õ 84_õ.,ì._Ïàðèæ, Ëóâð

Ãþáåð Ðîáåð (ôð. Hubert Robert, 22 ìàÿ 1733, Ïàðèæ — 15 àïðåëÿ 1808, Ïàðèæ) — ôðàíöóçñêèé ïåéçàæèñò, ïîëó÷èâøèé åâðîïåéñêóþ èçâåñòíîñòü ãàáàðèòíûìè õîëñòàìè ñ ðîìàíòèçèðîâàííûìè èçîáðàæåíèÿìè àíòè÷íûõ ðóèí â îêðóæåíèè èäåàëèçèðîâàííîé ïðèðîäû. Åãî ïðîçâèùåì áûëî «Ðîáåð ðàçâàëèí» (Robert des Ruines).

1772_Ïðà÷êà âîçëå êîëîäöà (Washerwomen Near a Well)_58.8 õ 47_õ.,ì._×àñòíîå ñîáðàíèå

 1745—1751 ó÷èëñÿ ó èåçóèòîâ â ïàðèæñêîì Êîëëåæ-äå-Ôðàíñ, â 1754 îòïðàâèëñÿ â Ðèì âìåñòå ñ ïîñëîì Ôðàíöèè Ýòüåíîì Ôðàíñóà Øóàçåëåì (ó åãî îòöà ñëóæèë îòåö Ðîáåðà). Ïðîâåë òàì 11 ëåò, ïîçíàêîìèëñÿ ñ Ïèðàíåçè, îêàçàâøèì íà íåãî áîëüøîå âëèÿíèå, ñ Ôðàãîíàðîì, äðóãèìè õóäîæíèêàìè, êîëëåêöèîíåðàìè èñêóññòâà.  1760 åçäèë ñ Ôðàãîíàðîì â Íåàïîëü, ïîñåùàë ðàçâàëèíû Ïîìïåé.

 1765 âåðíóëñÿ â Ïàðèæ, â 1766 áûë ïðèíÿò â Êîðîëåâñêóþ Àêàäåìèþ æèâîïèñè è ñêóëüïòóðû. Ñòàë ïëàíèðîâùèêîì êîðîëåâñêèõ ñàäîâ, õðàíèòåëåì êîðîëåâñêîãî ìóçåÿ, êàíöëåðîì Àêàäåìèè è äð., çàíèìàëñÿ óáðàíñòâîì ðåçèäåíöèé êîðîëÿ, êîðîëåâû è âûñøèõ ïðèäâîðíûõ (äâîðöû â Òðèàíîíå, Ìåðåâèëå, Ýðìåíîíâèëå).

1760-1762 (îê.)_Âèëëà Ìàäàìà ïîä Ðèìîì (Villa Madama near Rome)_96.5 x 134.5_õ., ì._Ñàíêò-Ïåòåðáóðã, Ýðìèòàæ
 õîäå Ôðàíöóçñêîé ðåâîëþöèè áûë â îêòÿáðå 1793 àðåñòîâàí ïî ïîäîçðåíèþ â íåëîÿëüíîñòè, çàêëþ÷åí â òþðüìó Ñåíò-Ïåëàæè, çàòåì â òþðüìó Ñåí-Ëàçàð. Îñâîáîæäåí â 1794 ïîñëå ïàäåíèÿ Ðîáåñïüåðà.
 
Óìåð îò àïîïëåêñè÷åñêîãî óäàðà.
1750-å_Ôèãóðû â ïåéçàæå ñ ðèìñêèìè ðóèíàìè è ãîòè÷åñêîé áàøíåé (Figures In A Landscape With Roman Ruins And A Gothic Tower)_220 õ 285.5_õ.,ì._×àñòíîå ñîáðàíèå
 
Èçâåñòåí æèâîïèñíûìè ôàíòàçèÿìè, ÷åé îñíîâíîé ìîòèâ — ïàðêè è ðåàëüíûå, à ÷àùå âîîáðàæàåìûå «âåëè÷åñòâåííûå ðóèíû» (ïî âûðàæåíèþ Äèäðî), ìíîæåñòâî íàáðîñêîâ ê êîòîðûì îí ñäåëàë âî âðåìÿ ïðåáûâàíèÿ â Èòàëèè.
 
Êàïðè÷÷î Ðîáåðà âûñîêî öåíèëèñü ñîâðåìåííèêàìè, î íåì ïèñàë â ïîýìå «Âîîáðàæåíèå» (1806) Æàê Äåëèëü, Âîëüòåð èçáðàë åãî äëÿ óêðàøåíèÿ ñâîåãî çàìêà â Ôåðíåå. Åãî êàðòèíû ïðåäñòàâëåíû â Ëóâðå, ìóçåå Êàðíàâàëå, ïåòåðáóðãñêîì Ýðìèòàæå è äðóãèõ äâîðöàõ è óñàäüáàõ Ðîññèè, âî ìíîãèõ êðóïíûõ ìóçåÿõ Åâðîïû, ÑØÀ, Êàíàäû, Àâñòðàëèè.
1755-1757_Àëåêñàíäð Âåëèêèé ïîñåùàåò ìîãèëó Àõèëëà (Alexandre le Grand devant le tombeau d'Achille)_73 õ 91_õ.,ì._Ïàðèæ, Ëóâð
 

1758 (îê.)_Ðàçâàëèíû àíòè÷íîé òðèóìôàëüíîé àðêè (Ruins of Antique Triumphal Arch)_97 x 64_õ., ì._Ñàíêò-Ïåòåðáóðã, Ýðìèòàæ

1760_Ïðà÷êè (Washerwomen)_32.5 õ 24.5_õ.,ì._×àñòíîå ñîáðàíèå

1760_Ïðà÷êè â ðóèíàõ (Laundresses in the Ruins)_72 x 88_õ., ì._Ñàíêò-Ïåòåðáóðã, Ýðìèòàæ

1767 (îê.)_Ïàâèëüîí ñ êàñêàäîì (Pavilion with a Cascade)_53 x 61_õ., ì._Ñàíêò-Ïåòåðáóðã, Ýðìèòàæ

1767_Âîîáðàæàåìûé âèä ðèìñêèõ ðóèí ñ ôîíòàíîì è ôèãóðàìè (Fantastic View Of Roman Ruins With Fountaine And Figures)_80.5 õ 65.5_õ.,ì._×àñòíîå ñîáðàíèå

1770 (îê)_Ëåñòíèöà è ôîíòàí â ïàðêå ðèìñêîé âèëëû (Stair and Fountain in the Park of a Roman Villa)_340 õ 280_õ.,ì._Ëîñ-Àíäæåëåñ, Ìóçåé LACMA_

1761_Ïðà÷êà è ðåáåíîê (Laundress and Child)_35.1 õ 31.6_õ.,ì._Óèëüÿìñòàóí, Èíñòèòóò èñêóññòâ Ñòåðëèíãà è Ôðàíñèí Êëàðê

1763_Áîëüøîé ëåñòíè÷íûé ìàðø (A grand staircase)_40.2 õ 84.3_õ.,ì._×àñòíîå ñîáðàíèå

1770-1780_Ïåéçàæ ñ ëåñòíèöåé è êîëîííîé (Landscape with a Stairs and Obelisk)_212 x 208_õ., ì._Ñàíêò-Ïåòåðáóðã, Ýðìèòàæ

1773_Ìîíóìåíò è ðóèíû ñ êîëîííàìè (Monuments and ruins with column)_õ.,ì._Ðóàí, Ìóçåé èçîáðàçèòåëüíûõ èñêóññòâ

1760 (îê)_Èçãíàíèå òîðãóþùèõ èç õðàìà (Christ driving the moneychangers out of the temple)_100 õ 80_õ.,ì._Áåðëèí, Êàðòèííàÿ ãàëåðåÿ ñòàðûõ ìàñòåðîâ

1760 (îê)_Ìîëÿùèéñÿ îòøåëüíèê â ðóèíàõ äðåâíåðèìñêîãî õðàìà (A Hermit Praying in the Ruins of a Roman Temple)_57.8 õ 70.5_õ.,ì._Ëîñ-Àíäæåëåñ, Ìóçåé Ïîëà Ãåòòè

1760_Ñåíîâàë (La grange)_69 õ 59_õ.,ì._Ïàðèæ, Ëóâð

1760-1761_Êîíþøíÿ â ðàçâàëèíàõ âèëëû Äæóëèÿ (Stable in Ruins of the Villa Giulia)_38.5 x 47.6_õ., ì._Ñàíêò-Ïåòåðáóðã, Ýðìèòàæ

1760-1767_Èòàëüÿíñêàÿ êóõíÿ (Italian kitchen)_60 õ 75_õ.,ì._Âàðøàâà, Íàöèîíàëüíûé ìóçåé

1760-1770_Áàññåéí, îêðóæåííûé êîëîííàäîé (Pool Surrounded by a Colonnade)_116.5 x 141_õ., ì._Ñàíêò-Ïåòåðáóðã, Ýðìèòàæ

1760-å_Ïðà÷êè â ðóèíàõ Êîëèçåÿ (Washerwomen in the Ruins of the Colosseum)_45.1 x 57.8_õ.,ì._Íüþ-Éîðê, Ìóçåé Áðóêëèíà

1765_Ïèðàìèäà Öåñòèÿ (Pyramid of Cestius)_67.5 x 131_õ., ì._Ñàíêò-Ïåòåðáóðã, Ýðìèòàæ

1770-1773 (îê.)_Ó îòøåëüíèêà (At the Hermit's)_64 x 48_õ., ì._Ñàíêò-Ïåòåðáóðã, Ýðìèòàæ

1770-e (êîíåö)_Îñìîòð ñòàðîé öåðêâè (Examining an Old Church)_26.5 x 21.5_ä., ì._Ñàíêò-Ïåòåðáóðã, Ýðìèòàæ

1770-e (ïåðâàÿ ïîëîâèíà)_Êðåñòüÿíñêîå æèëèùå (Peasant Dwelling-Place)_40.5 x 28.5_ä., ì._Ñàíêò-Ïåòåðáóðã, Ýðìèòàæ

1772_Âîäîïàä â Òèâîëè ñ õðàìîì áîãèíè Âåñòû (He Cascades At Tivoli With The Temple Of Vesta)_38 õ 52.8_õ.,ì._×àñòíîå ñîáðàíèå

1773_Îáíàðóæåíèå Ëàîêîîíà (The Finding of the Laocoon)_119.4 õ 162.6_õ.,ì._Ðè÷ìîíä, Ìóçåé èîáðàçèòåëüíûõ èñêóññòâ Âèðäæèíèè

1773-1775_Âîçâðàùåíèå ñòàäà (The Return of the Cattle)_205.1 õ 121.9_õ.,ì._Íüþ-Éîðê, Ìóçåé Ìåòðîïîëèòåí

1761 (ïîñëå)_Êîëèçåé (Colosseum)_98 x 135_õ., ì._Ñàíêò-Ïåòåðáóðã, Ýðìèòàæ

1760 (îê)_Ñòàðûé ìîñò (The Old Bridge)_76.2 õ 100.3_õ.,ì._Íüþ-Õåéâåí, Õóäîæåñòâåííàÿ ãàëåðåÿ Éåëüñêîãî óíèâåðñèòåòà

1774_Êàíàë (The Canal)_244.5 õ 191.1_õ.,ì._×àñòíîå ñîáðàíèå

1775 (îê)_Ìîñò Ñàëàðèî (The Ponte Salario)_91.3 õ 121_õ.,ì._Âàøèíãòîí, Íàöèîíàëüíàÿ ãàëåðåÿ

1780_Æåíùèíû, áåðóùèå âîäó èç ôîíòàíà è ôèãóðà ó ñòàòóè (Women Drawing Water From A Basin While A Man Contemplates A Classical Statue)_63 õ 79_õ.,ì._×àñòíîå ñîáðàíèå

Êàñêàä â ñàäàõ Òåàòðî äåëü Àêâà çà âèëëîé Àëüäîáðàíäèíè, Ôðàñêàòè (The Cascade in the Gardens of the Teatro dell' Acqua behind the Villa Aldobrandini, Frasc)_165.1 õ 172.7_õ.,ì._×àñòíîå ñîáðàíèå

1773_Ïîðòèê çàãîðîäíîãî îñîáíÿêà (The Portico of a Country Mansion)_205.1 õ 122.6_õ.,ì._Íüþ-Éîðê, Ìóçåé Ìåòðîïîëèòåí

1774_Êàñêàä (Cascade)_244.5 õ 191.1_õ.,ì._×àñòíîå ñîáðàíèå

1775-1777_Ðîùà êóïàëüíè Àïîëëîíà (Le Bosquet des Bains d’Apollon)_67 õ 101.7_õ.,ì._Ëèññàáîí, Ìóçåé Ãàëóñòà Ãþëüáåíêÿíà

1776 (îê)_Òåððàñà äâîðöà â Ðèìå (Terrace of a palace in Rome)_õ.,ì._Ëèëëü, Äâîðåö èçîáðàçèòåëüíûõ èñêóññòâ

1777 (îê)_Ðèìñêèå ðóèíû ñ ïðà÷êàìè (Roman Ruins with Laundresses)_96.5 x 83_õ.,ì._Óèëüÿìñòàóí, Èíñòèòóò èñêóññòâ Ñòåðëèíãà è Ôðàíñèí Êëàðê

1777_Ôîíòàíû Àïîëëîíà â ñàäàõ Âåðñàëÿ (Le bosquet des Bains d’Apollon)_128 õ 192_õ.,ì._Âåðñàëüñêèé äâîðåö

1775_Ðóèíû ñ îáåëèñêîì âäàëè (Ruins with an obelisk in the distance)_160 õ 104_õ.,ì._Ìîñêâà, ÃÌÈÈ èì.Ïóøêèíà

1777_Âõîä â ñàäû Âåðñàëÿ (L’entree du Tapis vert)_124 õ 191_õ.,ì._Âåðñàëüñêèé äâîðåö

1775-1777_Le Tapis Vert_67 õ 101.7_õ.,ì._Ëèññàáîí, Ìóçåé Ãàëóñòà Ãþëüáåíêÿíà

1777_Ðóèíû (The Ruins)_83.1 õ 83.1_õ.,ì._×àñòíîå ñîáðàíèå

1777_Ñòàðûé ìîñò (The Old Bridge)_83.1 õ 83.1_õ.,ì._×àñòíîå ñîáðàíèå

1775 (îê)_Ïåøåõîäíûé ìîñò (The Foot-Bridge)_59 x 47_õ.,ì._Ìàäðèä, Ìóçåé Òèññåí-Áîðíåìèñû

 

 

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Ñåðèÿ ñîîáùåíèé "***Ãîðîäñêîé ïåéçàæ":
×àñòü 1 - Êîíñòàíòèíîïîëü íà èëëþñòðàöèÿõ 19 âåêà.
×àñòü 2 - Áàâàðñêèå çàðèñîâêè... Hubert Kaplan (German, 1940)
...
×àñòü 45 - Àëåêñåé Ëåâèí (Alex Levin),Òåëü Àâèâ "Õîëì âåñíû".
×àñòü 46 - Äæîí Ýòêèíñîí Ãðèìøîó (John Atkinson Grimshaw), 1836-1893. Àíãëèÿ
×àñòü 47 - Ãþáåð Ðîáåð (Hubert Robert), 1733-1808. Ôðàíöèÿ. ×àñòü 1.
Ðóáðèêè:  Æèâîïèñü, ãðàôèêà, èëëþñòðàöèè/Çàðóáåæíàÿ æèâîïèñü è ãðàôèêà 15-20 âåê
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