Ëèöà ïðåêðàñíûå ÷åðòû...| Beautiful painting Details (face and eyes) |



c. 1500 Master of the Rottal Epitaph
(Detail: St. Dorothy)


Ðàôàýëü Ñàíòè:
Ìàäîííà ñ Ìëàäåíöåì è ìàëåíüêèì Èîàííîì Êðåñòèòåëåì â ïåéçàæå (Ïðåêðàñíàÿ Ñàäîâíèöà)
Ëóâð, Ïàðèæ (Musée du Louvre, Paris). 1507, 122õ80


Ñàíäðî Áîòòè÷åëëè
Èñêóøåíèå Õðèñòà, äåòàëü
Ìóçåè Âàòèêàíà, Âàòèêàí (Musei Vaticani, Vatican).
1481-82. ôðåñêà. Ñèêñòèíñêàÿ êàïåëëà

Tomaso Albinoni *Concerto for oboes B flat major/B-dur, op.9# 11, 1-Allegro*

Master of the Holy Blood,1600
Ïîðòðåò ìîëîä


Bernardino Licinio (îê. 1489 – 1565).
ÑÂÈÄÀÍÈÅ detail


Ñàíäðî Áîòòè÷åëëè
Èñêóøåíèå Õðèñòà, äåòàëü
Ìóçåè Âàòèêàíà, Âàòèêàí (Musei Vaticani, Vatican).
1481-82. ôðåñêà. Ñèêñòèíñêàÿ êàïåëëà


Ðàôàýëü Ñàíòè:
Ìàäîííà ñ Ìëàäåíöåì è ìàëåíüêèì Èîàííîì Êðåñòèòåëåì â ïåéçàæå (Ïðåêðàñíàÿ Ñàäîâíèöà)
Ëóâð, Ïàðèæ (Musée du Louvre, Paris). 1507, 122õ80


Ñàíäðî Áîòòè÷åëëè:
Ìàäîííà ñ Ìëàäåíöåì è þíûì Èîàííîì Êðåñòèòåëåì (ìàñòåðñêàÿ)
×àñòíàÿ êîëëåêöèÿ 83,5 ñì


Ñàíäðî Áîòòè÷åëëè:
Ìàäîííà ñ Ìëàäåíöåì è þíûì Èîàííîì Êðåñòèòåëåì (ìàñòåðñêàÿ)
×àñòíàÿ êîëëåêöèÿ 83,5 ñì

Raffaello Sanzio da Urbino (Italian,1483 – 1520)
Ìàäîííà ñ ãâîçäèêàìè


Ìàñòåðñêàÿ Ëóêàñà Êðàíàõà
Ëóêàñ Êðàíàõ I
Ãåðêóëåñ è Îìôàëà
Ãîòà, äâîðåö Ôðèäåíøòåéí, îê1537, 14õ19


Ñàíäðî Áîòòè÷åëëè
Ñöåíû èç æèçíè Ìîèñåÿ, äåòàëü
Ìóçåè Âàòèêàíà, Âàòèêàí (Musei Vaticani, Vatican).


1769 Johann Georg Ziesenis
Karl August von Sachsen-Weimar-Eisenach


Cranach the Elder (German Renaissance Painter, 1472-1553).
ËÓÊÐÅÖÈß


Raphael
Portrait of Maddalena Strozzi Doni [c.1506]


Õàðìåíñ âàí Ðåéí Ðåìáðàíäò
Ñàñêèÿ âàí Ýéëåíáóðõ â îáðàçå Ôëîðû


Raffaellino del Garbo,
Saint John the Baptist, c. 1505


Antonio da Boltraffio,
Madonna col Bambino


Rosalba Carriera.
Muse, 18th Century.


Ðàôàýëü Ñàíòè:
Ìàäîííà ñ Ìëàäåíöåì è ìàëåíüêèì Èîàííîì Êðåñòèòåëåì â ïåéçàæå (Ïðåêðàñíàÿ Ñàäîâíèöà)
Ëóâð, Ïàðèæ (Musée du Louvre, Paris). 1507, 122õ80


Rosalba Carriera.
Head of a Young Woman,
18th Century.


Bernardino Luini
Saint Catherine

Antoine Pesne (Germany,1683–1757).
Ïîðòðåò âíó÷êè õóäîæíèêà


Ñàíäðî Áîòòè÷åëëè
Ìàäîííà ñ Ìëàäåíöåì
Ìóçåé Ïòè-Ïàëå, Àâèíüîí (Musée du Petit Palais, Avignon).
îê1467. 72x51


Vermeer
A Lady Writing
c. 1665. Oil on canvas. 45 x 39,9 cm.
National Gallery of Art, Washington. 1962.10.1.


Ñàíäðî Áîòòè÷åëëè
Ìàäîííà ñ Ìëàäåíöåì
Ìóçåé Ïòè-Ïàëå, Àâèíüîí (Musée du Petit Palais, Avignon).
îê1467. 72x51


Quentin Massys (Netherlandish, Leuven 1465/66–1530 Kiel, near Antwerp)
The Adoration of the Magi

Attributed to Simon Bening (1483/84-1561)
Virgin and Child (detail)
ca. 1520 The Metropolitan Museum of Art


Titian (detail)

Agnolo di Domenico di Donnino (FLORENCE,1466-1513).
Ìàäîííà ñ ìëàäåíöåì


Ìàñòåðñêàÿ Ëóêàñà Êðàíàõà
Ëóêàñ Êðàíàõ I
Ñàìîóáèéñòâî Ëóêðåöèè
Êîáóðã, õóäîæåñòâåííîå ñîáðàíèå çàìêà Êîáóðã, îê1518, 86õ58


Allan Ramsay (detail)

Íåèçâåñòíûé ôëîðåíòèéñêèé æèâîïèñåö 17 â
Ìàðèÿ Ìåäè÷è (1575-1642)


Vermeer
Portrait of a Young Woman


Quentin Massys,
Bust of Christ,
16th century


Ìàñòåðñêàÿ Ëóêàñà Êðàíàõà
Ëóêàñ Êðàíàõ I
Ãåðêóëåñ è Îìôàëà
Ãîòà, äâîðåö Ôðèäåíøòåéí, îê1537, 14õ19


Botticelli c. 1480
Portrait of Simonetta Vespucci (detail)


Vermeer; Johannes
Girl Interrupted at Her Music. c.1658-59 detail


Quentin Massys (1466-1530)
The Virgin Enthroned


Circle of Dieric Bouts
Virgin and Child


Circle of Dieric Bouts
Virgin and Child


Venetian School,
Samson and Delilah, c. 1700


Louise Élisabeth Vigée Le Brun (detail)


Ñàíäðî Áîòòè÷åëëè
Èñêóøåíèå Õðèñòà, äåòàëü
Ìóçåè Âàòèêàíà, Âàòèêàí (Musei Vaticani, Vatican).
1481-82. ôðåñêà. Ñèêñòèíñêàÿ êàïåëëà


Alessandro Rosi,
The Judgement of Paris, 17th century


Ëóêàñ Êðàíàõ I
- Ãàáðèýëü Ýéá, åïèñêîï Àéõøòåòòñêèé, ñî ñââ Âèëëèáàëüäîì è Âàëüáóðãîé
Áàìáåðã, ãàëåðåÿ íîâîé ðåçèäåíöèè, 1520, 96õ75


Ñàíäðî Áîòòè÷åëëè
Ìàäîííà ñ Ìëàäåíöåì è Èîàííîì Êðåñòèòåëåì
Ëóâð, Ïàðèæ (Musée du Louvre, Paris).
1465-75, 91õ67


Ñàíäðî Áîòòè÷åëëè
Ìàäîííà ñ Ìëàäåíöåì è Èîàííîì Êðåñòèòåëåì
Ëóâð, Ïàðèæ (Musée du Louvre, Paris).
1465-75, 91õ67


:Workshop of Rogier van der Weyden
Portrait of a Lady Detail


Retrato de mujer, 1560,
Sofonisba Anguissola,
Museo Lázaro Galdeano, Madrid (imagen obtenida aquí)


Infanta Isabel Clara Eugenia, Juan Pantoja de la Cruz,
1598-99, Museo del Prado, Madrid


La dama del abanico,
Alonso Sánchez Coello, hacia 1575-80,
Museo del Prado, Madrid


Lucas Cranach the Elder
Virgin and Child under an Apple Tree.
c.1520-1526 detail, Hermitage Museum


Ëóêàñ Êðàíàõ I
- Ãàáðèýëü Ýéá, åïèñêîï Àéõøòåòòñêèé, ñî ñââ Âèëëèáàëüäîì è Âàëüáóðãîé
Áàìáåðã, ãàëåðåÿ íîâîé ðåçèäåíöèè, 1520, 96õ75


Francesco Zaganelli
The Dead Christ with Angels


Portrait of Francesco Cardinal Gonzaga
from the Camera degli Sposi,
a fresco by Andrea Mantegna.


Jan van Hemessen (c. 1500-c. 1575)
Saint Matthew Called to Join the Apostles (Calling of Matthew)


Ñàíäðî Áîòòè÷åëëè
Ñâÿòàÿ Åêàòåðèíà (ïîðòðåò Åêàòåðèíû Ñôîðöà â îáðàçå åå ñâÿòîé ïîêðîâèòåëüíèöû?)
Ëèíäåíàó ìóçåé, Àëüòåíáóðã (Lindenau Museum, Altenburg). îê1475. 53.2 x 37.8


Ñàíäðî Áîòòè÷åëëè
Ïîêëîíåíèå âîëõâîâ (äåòàëü - àâòîïîðòðåò)
Ãàëåðåÿ Óôôèöè, Ôëîðåíöèÿ (Galleria degli Uffizi, Firenze).
îê1475


Ðàôàýëü Ñàíòè
Ñèêñòèíñêàÿ Ìàäîííà
Ãàëåðåÿ ñòàðûõ ìàñòåðîâ, Äðåçäåí
(Gemäldegalerie Alte Meister, Dresden).
1512-14. 265x196

Ñåðèÿ ñîîáùåíèé "Old masters. Beautiful Details \2\":
×àñòü 1 - Old masters. Beautiful painting Details (Hands, book & paper) \28\
×àñòü 2 - Old masters. Beautiful painting Details (Hands, book & paper) \29\
...
×àñòü 29 - Beautiful painting Details (hands the best) \54\
×àñòü 30 - Old Masters. Beautiful painting Details \55\
×àñòü 31 - Ëèöà ïðåêðàñíûå ÷åðòû...| Beautiful painting Details (face and eyes) \56\
Ñåðèÿ ñîîáùåíèé "ñðåäíåâåêîâüå":
×àñòü 1 - Þâåëèðíîå èñêóññòâî. Äîðîìàíñêàÿ ýïîõà. Âèçàíòèÿ
×àñòü 2 - Àíäæåëèêî, ôðà Áåàòî (Ãâèäî äè Ïüåòðî) – íåáåñíûé ïîêðîâèòåëü âñåõ õóäîæíèêîâ
×àñòü 3 - Ëèöà ïðåêðàñíûå ÷åðòû...| Beautiful painting Details (face and eyes)
×àñòü 4 - ÒÀÌÏËÈÅÐÛ: «ÑÏÅÖÍÀÇ» ÑÐÅÄÍÅÂÅÊÎÂÜß
×àñòü 5 - Ìóæñêîé ïîðòðåò â æèâîïèñè XV-XVIII ââ. \7\
Ñåðèÿ ñîîáùåíèé "Èñòîðè÷åñêàÿ æèâîïèñü":
×àñòü 1 - Êëèìò êëèíîì...
×àñòü 2 - Ñîìîâ Êîíñòàíòèí Àíäðååâè÷ (1869-1939)
...
×àñòü 27 - ÐÀÁÎÒÛ ÕÓÄÎÆÍÈÖÛ ÝËÈÇÀÁÅÒ ÑÎÍÐÅËÜ (ELISABETH SONREL)
×àñòü 28 - ÏÜÅÐ-ÎÃÞÑÒ ÐÅÍÓÀÐ
×àñòü 29 - Ëèöà ïðåêðàñíûå ÷åðòû...| Beautiful painting Details (face and eyes)
×àñòü 30 - Ñèìîíåòòà Âåñïó÷÷è (Simonetta Vespucci, 1453-1476, Italian) - ïåðâàÿ êðàñàâèöà ôëîðåíòèéñêîãî Ðåíåññàíñà.
×àñòü 31 - Bernardino Luini (Áåðíàðäèíî Ëóèíè, c. 1480-1532, Italian High Renaissance painter)
...
×àñòü 47 - Ôðàíöóçñêèé õóäîæíèê-ïîðòðåòèñò Íèêîëà äå Ëàðæèëüåð (Nicolas de Largilliere, 1656-1746, French) \1\
×àñòü 48 - Ôðàíöóçñêèé õóäîæíèê-ïîðòðåòèñò Íèêîëà äå Ëàðæèëüåð (Nicolas de Largilliere, 1656-1746, French) êðóã è ïîñëåäîâàòåëè
×àñòü 49 - ÕÓÄÎÆÍÈÊ ÏÎËÜ ÑÈÍÜßÊ
| Ðóáðèêè: | Èñòîðèÿ êîñòþìà è ïðè÷åñêè/Âîçðîæäåíèå |
| Êîììåíòèðîâàòü | « Ïðåä. çàïèñü — Ê äíåâíèêó — Ñëåä. çàïèñü » | Ñòðàíèöû: [1] [Íîâûå] |