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 LiveInternet.ru:
: 08.01.2010
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MAURITS FREDERIK HENDRIK DE HAAS

, 01 2012 . 19:42 +
haas_mauritz_f_h_de_painter (244x350, 53Kb)
MAURITS FREDERIK HENDRIK DE HAAS (1832-1895)
- . . , . , Bosboom , 1851-1852 . , 25 , . , , .
, 1859 , - . - 1863 1867 . 1895 . Farragut . , - 19- . , . 1895 .






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Marcus Larson

, 13 2012 . 22:58 +
Marcus Larson



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WILLIAM TROST RICHARDS

, 14 2011 . 22:56 +
WILLIAM TROST RICHARDS (American, 1833-1905) Rocky Cliff with Stormy Sea, Cornwall, 1902


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, 09 2011 . 20:44 +
1 (340x482, 31Kb)
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Hermann Herzog

, 22 2011 . 21:13 +
Hermann Herzog ( ).





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Hermann Herzog

, 11 2010 . 19:55 +
 (235x454, 25Kb)
Hermann Herzog, (1832-1932)
Hermann Herzog was born in Bremen, Germany in 1832. His artistic production commenced early and continued throughout his 100-year life span.
Possessing recognizable talent in childhood, Herzog received guidance and acclaim early in life; his career developed rapidly. Modest and happy with his artistic gifts, Herzog rarely entered competitions. Herzog studied in Dusseldorf with Johann Wilhem Schirmer and then with renowned Norwegian landscape painter Hans Gude. Herzog traveled and painted with Gude in Norway and later captured many of Western Europe's beauty spots on his canvases.
His ability soon attracted European royalty; Queen Victoria and Czar Alexander II were among his clients. Early earnings and wise investments relieved him of the financial and psychological sufferings endured by many artists.
In the 1860's, Herzog immigrated to America, choosing Philadelphia for his home. His interest and energy soon led him to paint many landscapes throughout the United States and Mexico. Contemporaries observed that Herzog could sense the best time of the day and season to catch a scene at the peak of its beauty. His style was realistic and included an aesthetic tempering of mood, with soft and pleasing effects. He numbered and catalogued a thousand paintings.
Following Herzog's death in 1932, his family retained a large group of his paintings. Release of this group to the art market in the 1970s spurred interest and demand for Herzog's work in the United States and Europe.








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VERNET Joseph Claude

, 28 2010 . 15:17 +

(Claude Joseph Vernet) (17141789), ,
, . 14 1714. . . 17541762 " " (, ), . , ; . 3 1789 .






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Adrian Rigby

, 22 2010 . 00:31 +
 (200x200, 7Kb)
Adrian Rigby's talent was recognised quite early by his teachers and they encouraged him to go through the usual exams. Luckily he achieved top grades at school and college and went to study Natural History Illustration at Blackpool College, which offered the only course of its kind in the country. Here for the first time two of his great passions were combined- art and wildlife. Adrian Rigby passed with top grades and was flattered to be asked to return the following year and teach part-time.

In 1996 Adrian Rigby swept the board at the annual show for 'The Wildlife Art Society' in London. It was through this that his work came to the Attention of Solomon & Whitehead Publishers. Though often labelled as a Wildlife Artist, his new Publishers quickly realised his scope was wider and they have since concentrated on his marine and aviation work. This work has one primary object, which is to transport the viewer to another time and place and feel that they are having a first hand experience of the view: a spitfire has to look 'used and abused' as it was: a working machine in combat. The Titanic must 'cut' through the water like the 'heavyweight' giant she was. The finished result should look like a piece of history, frozen in full colour for the viewer to examine in detail.

In 2001 one of Adrian Rigby's wildlife works was selected for exhibition in the prestigious 'Birds in Art' event at the Leigh Yawhee Woodson Art Museum in America. The works were produced as posters to promote the exhibition. It was at this time that Solomon & Whitehead were also achieving incredible success with 'Titanic's Last Sunset'. Proof if ever it was needed that two totally different subjects can run side by side from a singular Artist.

In recent years Adrian has turned his attention to the artists city, Venice. We can see his technique beautifully transfers to this breath taking city. He creates lighting and atmosphere with such majesty as to transport the viewer into the scene itself.







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, 20 2010 . 20:19 +



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, 03 2010 . 22:13 +
(1922-1994)

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