Ãåðäà Âåãåíåð, óð. Ãåðäà Ìàðèÿ Ôðåäåðèêà Ãîòëèá (äàò. Gerda Wegener, Gerda Marie Fredrikke Gottlieb; 15 ìàðòà 1886, Þòëàíäèÿ — 1940, Ôðåäåðèêñáåðã) — äàòñêàÿ õóäîæíèöà è ãðàôèê, îñíîâíàÿ äåÿòåëüíîñòü – èëëþñòðàöèè äëÿ æóðíàëîâ è êíèã.
1928 Ïàñüÿíñ (Solitaire) ×àñòíîå ñîáðàíèå
Ãåðäà Ãîòëèá ðîäèëàñü â äàòñêîé ïðîâèíöèè (â Þòëàíäèè) â ñåìüå ñâÿùåííèêà, ïîòîìêà èììèãðàíòîâ èç íåìåöêîãîâîðÿùåé ÷àñòè Ôðàíöèè. Ïîñëå îêîí÷àíèÿ øêîëüíîãî îáðàçîâàíèÿ îíà â 1902 ãîäó ïåðååõàëà â Êîïåíãàãåí äëÿ îáó÷åíèÿ â Êîðîëåâñêîé àêàäåìèè èçÿùíûõ èñêóññòâ.  ñâîþ ñòóäåí÷åñêóþ áûòíîñòü Ãåðäà Ãîòëèá ïîçíàêîìèëàñü ñ ìîëîäûì õóäîæíèêîì, êîòîðûé áûë ñòàðøå å¸ íà ÷åòûðå ãîäà, Ýéíàðîì Âåãåíåðîì, çà êîòîðîãî è âûøëà çàìóæ â 1904 ãîäó, ïðèíÿâ åãî ôàìèëèþ. Ïîñëå îêîí÷àíèÿ îáðàçîâàíèÿ Ãåðäà Âåãåíåð ñî ñâîèì ìóæåì ïóòåøåñòâîâàëà ïî Çàïàäíîé Åâðîïå (Àíãëèÿ, Èòàëèÿ), îêîí÷àòåëüíî ïîñåëèâøèñü â 1912 ãîäó â Ïàðèæå.
1920 Ëèëè Ýëüáå ñ çåëåíûì âååðîì èç ïåðüåâ (Lili Elbe with green feather fan) ×àñòíîå ñîáðàíèå
 òî æå âðåìÿ, å¸ íå ìåíåå òàëàíòëèâûé ìóæ, êîòîðûé òîæå áûë õóäîæíèêîì, ïðàêòè÷åñêè ïðåêðàòèë ñâîþ ðàáîòó. Îäåâàÿñü â æåíñêèå îäåæäû, îí ñòàë ìîäåëüþ äëÿ ñâîåé æåíû. Ýòà ðîëü ïðèøëàñü Ýéíàðó Âåãåíåðó ïî âêóñó — îí íîñèë äàìñêèå ïëàòüÿ è ãîñòÿì ïðåäñòàâëÿëñÿ ñåñòðîé Ãåðäû Âåãåíåð ïîä èìåíåì Ëèëè Ýëüáå.  èòîãå îí ïðèíÿë ðåøåíèå èçìåíèòü ñâîé ïîë. Ñ ýòîé öåëüþ ÷åòà Âåãåíåðîâ ïåðååõàëà â Ãåðìàíèþ, ãäå Ýéíàðó áûëà ñäåëàíà ïåðâàÿ â èñòîðèè îïåðàöèÿ ïî èçìåíåíèþ ïîëà. Êîãäà ýòîò ôàêò áûë ïðåäàí îãëàñêå, êîðîëü Äàíèè â îêòÿáðå 1930 ãîäà ðàñòîðã áðàê Ãåðäû è Ýéíàðà. Ýéíàð ïåðåíåñ åùå íåñêîëüêî êîððåêòèðóþùèõ îïåðàöèé ïî èçìåíåíèþ ïîëà. Âî âðåìÿ ïÿòîé èç íèõ îí ñêîí÷àëñÿ.
1927 Íàòþðìîðò (Nature morte) ×àñòíîå ñîáðàíèå
Ïîñëå ñìåðòè Ýéíàðà Ãåðäà Âåãåíåð â 1931 ãîäó âûøëà çàìóæ çà èòàëüÿíñêîãî îôèöåðà Ôåðíàíäî (Íàíäî) Ïîðòà, âìåñòå ñ êîòîðûì ýìèãðèðîâàëà â Ìàðîêêî. Áðàê ñêîðî ðàñïàëñÿ è çàêîí÷èëñÿ ðàçâîäîì â 1936 ãîäó. Ñïóñòÿ äâà ãîäà Ãåðäà Âåãåíåð âåðíóëàñü â Äàíèþ, ãäå îíà â 1939 ãîäó ïðîâåëà ñâîþ ïîñëåäíþþ âûñòàâêó è óìåðëà 28 èþëÿ 1940 ãîäà.
1922 Íà äîðîãå â Àíàêàïðè (Ìóæ è æåíà (Sur la Route d'Anacapri (Husband & Wife) ×àñòíîå ñîáðàíèå
 êàðòèíå «Íà äîðîãå â Àíàêàïðè» èçîáðàæåíû ñóïðóæåñêàÿ ïàðà Âåãåíåð. Ýéíàð Âåãåíåð, îäåòûé â æåíñêóþ îäåæäó, ÷àñòî âûñòóïàë â êà÷åñòâå ìîäåëè äëÿ ñâîåé æåíû Ãåðäû Âåãåíåð. Çäåñü îí íàõîäèòñÿ ñëåâà ðÿäîì ñî ñâîåé æåíîé.
1922 Ïðåêðàñíàÿ ìàñêà (La Belle Masque) ×àñòíîå ñîáðàíèå
1924 Ëèëè, æàðêîå ëåòî (Lili, Hot Summer) ×àñòíîå ñîáðàíèå
1906 Ïîðòðåò Ýëëåí ôîí Êîë (Portrait of Ellen von Kohl) ×àñòíîå ñîáðàíèå
Ìóçûêàíò ñ ñèãàðåòîé íà ôîíå Êîïåíãàãåíà (Musician smoking a cigaret. In the background the towers of Copenhagen) ×àñòíîå ñîáðàíèå
1904 Ïîðòðåò äåâî÷êè (Girl portrait) ×àñòíîå ñîáðàíèå
1910 Ñâåòñêàÿ äàìà (A noble woman) ×àñòíîå ñîáðàíèå
1913 ×åòûðå æåíùèíû íà ïëÿæå (Four Women at the Beach) ×àñòíîå ñîáðàíèå
1915 Áåç íàçâàíèÿ (Æåíùèíà ñ äâóìÿ ñîáàêàìè) (Untitled (woman with two dogs)) ×àñòíîå ñîáðàíèå
1915 Ìèëûé äðóã (Sweetest Friend) ×àñòíîå ñîáðàíèå
1917 Îõîòà çà áàáî÷êîé (La chasse au papillon) ×àñòíîå ñîáðàíèå
1918-1925 Æåíùèíà ñ ìàñêîé (Woman with mask) ×àñòíîå ñîáðàíèå
1918 Áåç íàçâàíèÿ (Untitled) ×àñòíîå ñîáðàíèå
1918 Ëåäà (Leda) ×àñòíîå ñîáðàíèå
1918 Ðàíäåâó (Rendezvous) ×àñòíîå ñîáðàíèå
1918 Ñâåòñêàÿ äàìà è Ïüåðî (Elegant et Pierrot) ×àñòíîå ñîáðàíèå
1920 (îê) Äâå æåíùèíû â îêíå (Two Women in a Window) ×àñòíîå ñîáðàíèå
1922 Îáíàæåííàÿ ñî ñïèíû (Back turned female nude in pumps) ×àñòíîå ñîáðàíèå
1928 Æåíñêèé ïîðòðåò (Portrait of a Woman) ×àñòíîå ñîáðàíèå
1929 Íà êðàñíûõ êàáëóêàõ. Íîâåëëà (Sur Talons Rouges. Contes) ×àñòíîå ñîáðàíèå
1931-1936 Äâå æåíùèíû íà áàëêîíå (Two women on a balcony) ×àñòíîå ñîáðàíèå
Áåç íàçâàíèÿ (Untitled) ×àñòíîå ñîáðàíèå
Âèä íà äåðåâíþ ñ ôèãóðàìè íà ïåðåäíåì ïëàíå, Ìàðîêêî (View towards village with figures in the foreground, Maroc) ×àñòíîå ñîáðàíèå
Âîñòî÷íàÿ ïàðà, â íà÷àëå 1930-õ ãîäîâ (Oriental couple, Morocco) ×àñòíîå ñîáðàíèå
Äâå êîêåòêè â øëÿïàõ (Ëèëè ñ ïîäðóãîé) (Two coquettes with hats (Lili with girlfriend)
Äåâî÷êà â øëÿïå, ñèäÿùàÿ â êðåñëå (Little girl with hat, seated in an armchair) ×àñòíîå ñîáðàíèå
Äåâóøêà â êðàñíûõ òóôëÿõ (Girl with red shoes) ×àñòíîå ñîáðàíèå
Äüÿâîë è òùåñëàâèå (The Devil and Vanity) ×àñòíîå ñîáðàíèå
Åâðîïà íà áûêå (Europe on the bull) ×àñòíîå ñîáðàíèå
Æåíùèíà â çåðêàëå (Woman in the Mirror) ×àñòíîå ñîáðàíèå
Èñïàíêà (Spanish Woman) ×àñòíîå ñîáðàíèå
Ëèëè Ýëüáå (òðàíññåêñóàë Ýéíàð Âåãåíåð, ìóæ Ãåðäû Âåãåíåð) (Lili Elbe (Einar Wegener), a trans woman) ×àñòíîå ñîáðàíèå
Ïîðòðåò Áðèãèòòû Áåðãìàí (Portrait of Brigitte Bergman) ×àñòíîå ñîáðàíèå
Ïîðòðåò äàìû â ÷åðíîì ïëàòüå (Ladies portrait) ×àñòíîå ñîáðàíèå
Ïîðòðåò ìîëîäîé æåíùèíû (Portrait of a young woman) ×àñòíîå ñîáðàíèå
Òåàòð îïåðû ïîä ñíåãîì (The Opera house under the snow) ×àñòíîå ñîáðàíèå
Ôëèðòóþùàÿ ïàðà (Couple flirting) ×àñòíîå ñîáðàíèå
1925 Äâåíàäöàòü ïîõîòëèâûõ ñîíåòîâ (Douze Sonnets lascifs)
Èíòåðíåò-ïîëüçîâàòåëÿì Ãåðäà Âåãåíåð èçâåñòíà, ãëàâíûì îáðàçîì, ïî ýðîòè÷åñêèì èëëþñòðàöèÿì ê «Äâåíàäöàòè ïîõîòëèâûì ñîíåòàì» (Douze Sonnets lascifs). Íî ýòî óæå íàéäåòå ñàìè.