The Calling of St. Matthew[edit]

The Calling of Saint Matthew, Kunsthistorisches Museum, c. 1548
Jan Sanders van Hemessen painted several compositions on the subject of the Calling of St. Matthew: one version in the Alte Pinakothek, two in the Kunsthistorisches Museum and a workshop version in the Metropolitan Museum of Art. The subject matter provided van Hemessen with another occasion to use a religious subject to convey a moral message. The biblical story goes that St Matthew started out his life as a publican until he was called upon by Jesus and immediately followed him. The story provided van Hemessen with an excuse to paint a scene contrasting people busily engaged in commercial activities, in particular money changing or counting, and the serene Jesus.[8]

The workshop version in the Metropolitan Museum of Art is a close copy of the 1548 version in the Kunsthistorisches Museum, only the background is different. In both version Jesus is shown beckoning to Matthew using a gesture reminiscent of Italian art. In the immediate foreground is Matthew, whose arms and head are depicted in dramatic foreshortening while he turns toward Jesus in response to his call. Two of Matthew's colleagues are not aware of the momentous event taking place and they continue with their work of counting money and recording payments. The figure of Matthew is a concealed portrait of Emperor Charles V, the then ruler of Flanders.[5] Вену можно вычеркивать, там не тот вариант. А Бухарест не упомянут даже.