ÀÄÐÈÀÍ ÂÀÍ ÑÒÀËÁÅÌÒ (ADRIAEN VAN STALBEMT), 1580-1662. ÔËÀÍÄÐÈß |
Ëåñíîé ïåéçàæ ñ êðåñòüÿíàìè (Forest Landscape With Farmers)_51.8 x 66.4_ä.,ì._×àñòíîå ñîáðàíèå
Ðå÷íîé ïåéçàæ ñ êðåñòüÿíàìè (River Landscape with Peasants)_35 õ 46_ìåäü, ìàñëî_Ñòîêãîëüì, Íàöèîíàëüíûé ìóçåé
Àäðèàí âàí Ñòàëáåìò (Adriaan or Adriaen van Stalbemt, 1580-1662) – ôëàìàíäñêèé õóäîæíèê Çîëîòîãî âåêà. Ñîãëàñíî Õîóáðàêåíó îí áûë óñïåøíûì õóäîæíèêîì-ïåéçàæèñòîì, îæèâëÿâøèì ñâîè ïåéçàæè ôèãóðàìè ëþäåé è æèâîòíûõ.
Ðîäèòåëè Àäðèàíà âàí Ñòàëáåìòà áûëè ïðîòåñòàíòàìè. Àäðèàí ïðîâåë ñâîþ þíîñòü â Ìèääåëáóðãå, ãäå åãî ñåìüÿ íàøëà óáåæèùå ïîñëå ïàäåíèÿ Àíòâåðïåíà (1585 ã.) è ãäå îí, âåðîÿòíî, ïîëó÷èë îáðàçîâàíèå.
 1633-34 ãã. îí ïðîâåë äåñÿòü ìåñÿöåâ â Àíãëèè ïðè äâîðå êîðîëÿ Êàðëà I, ãäå, ñðåäè ïðî÷èõ ðàáîò, íàïèñàë äâà âèäà Ãðèíâè÷à (íàïðèìåð, View of Greenwich with King Charles I, Queen Henrietta Maria and the Court , Brit. Royal Col.).
Ñòàëáåìò áûë äðóæåí ñ ñýðîì Àíòîíèñîì âàí Äåéêîì, êîòîðûé íàïèñàë åãî ïîðòðåò â ÷èñëå Òðèäöàòè ñåìè ïîðòðåòîâ ñàìûõ âûäàþùèõñÿ ëþäåé ñâîåãî âðåìåíè, âûïîëíåííûõ â òåõíèêå ãðèçàéëÿ.
Êðîìå ïåéçàæåé, îí ïèñàë ðåëèãèîçíûå, ìèôîëîãè÷åñêèå è àëëåãîðè÷åñêèå ñöåíû è áûë ãðàâåðîì. Åãî òâîð÷åñòâî ïîêàçûâàåò áîëüøîå ñòèëèñòè÷åñêîå ðàçíîîáðàçèå, íî èç-çà íåáîëüøîãî ÷èñëà äàòèðîâàííûõ ðàáîò, èõ ìîæíî ñ òðóäîì êàòàëîãèçèðîâàòü â õðîíîëîãè÷åñêîì ïîðÿäêå.
Àðêàäñêèé ïåéçàæ ñ ïàñòóõàìè è ñòàäîì (An Arcadian landscape with shepherds and their flock)_41 õ 56_ä.,ì._×àñòíîå ñîáðàíèå
Âàâèëîíñêàÿ áàøíÿ (The Tower of Babel)_55 õ 70.5_ìåäü, ìàñëî_×àñòíîå ñîáðàíèå
Âõîä Ãîðàöèÿ â Ðèì (The Horatii Entering Rome) (àòð)_67 õ 109_ä.,ì._Ñòîêãîëüì, Íàöèîíàëüíûé ìóçåé
Àïîñòîëû Ïàâåë è Âàðíàâà â Ëèñòðå (Paul and Barnabas at Lystra)_1610-1620_33.1 x 45.2 ìåäü, ìàñëî_Ôðàíêôóðò, Øòåäåëåâñêèé èíñòèòóò èñêóññòâà
Ïîêëîíåíèå ïàñòóõîâ (Adoration of the Shepherds)_1621_44 õ 74_ä.,ì._×àñòíîå ñîáðàíèå
Îòäûõ íà ïóòè â Åãèïåò (Rest on the Flight into Egypt)_îê.1605_60 õ 87_ä.,ì._×àñòíîå ñîáðàíèå
Ñâÿòîå ñåìåéñòâî ñ þíûì èîàííîì Êðåñòèòåëåì â ïåéçàæå (The Holy Family with the Infant Saint John the Baptist in a landscape)_86 õ 114_õ.,ì._×àñòíîå ñîáðàíèå
Ïðîïîâåäü Õðèñòà íà Ãàëèëåéñêîì ìîðå (Christ preaching at the Sea of Galilee)_52.7 õ 84.6_ä.,ì._×àñòíîå ñîáðàíèå
Äâîðöîâûé èíòåðüåð ñ êóïàíèåì Âèðñàâèè (The Palace interior with the bathing Bathsheba) (ñîâì ñ ßíîì âàí Êåññåëåì Ñò)_23.5 õ 31_ìåäü, ìàñëî_×àñòíîå ñîáðàíèå
Àòàëàíòà è Ìåëåàãð (Atalanta and Meleager)_68 õ 85_ìåäü, ìàñëî_×àñòíîå ñîáðàíèå
Êóïàíèå íèìô â êëàññè÷åñêîì ñàäó (Nymphs Bathing In A Classical Garden Setting)_53.5 õ 73.9_ä.,ì._×àñòíîå ñîáðàíèå
Äèàíà è Êàëëèñòî (Diana And Callisto)_47.8 x 73.4_ä.,ì._×àñòíîå ñîáðàíèå
Äèàíà è Êàëëèñòî (Diana and Callisto)_1649_53.3 õ 71.1_ä.,ì._×àñòíîå ñîáðàíèå
Ëàòîíà ïðåâðàùàåò â ëÿãóøåê ëèêèéñêèõ êðåñòüÿí (Latona transforming into a frog the peasants of Lycia) (àòð)_141 õ 182_õ.,ì._×àñòíîå ñîáðàíèå
Äèàíà è Àêòåîí (Diana with her nymphs and the huntsman, Actaeon in a wooded landscape)_55.3 õ 76.5_ä.,ì._×àñòíîå ñîáðàíèå
Ëåñíîé ïåéçàæ ñ àëëåãîðèåé ÷åòûðåõ ýëåìåíòîâ (A wooded landscape with an Allegory of the Four Elements) (àòð)_58 x 78.6_ä.,ì._×àñòíîå ñîáðàíèå
Ëåñíîé ïåéçàæ ñ Äèàíîé è åå íèìôàìè ïîñëå îõîòû (Wooded landscape with Diana and her nymphs after the hunt)_56.2 õ 86.5_ä.,ì._×àñòíîå ñîáðàíèå
Íàõîæäåíèå Ìîèñåÿ (The Finding of Moses)_98 õ 126_õ.,ì._Ìåëôîðä Õîëë, Íàöèîíàëüíûé ôîíä
Àëëåãîðèÿ ÷åòûðåõ ýëåìåíòîâ (Allegory of the four elements)_1620-å_51.5 õ 66.2_ìåäü, ìàñëî_×àñòíîå ñîáðàíèå
Àëëåãîðèÿ ÷åòûðåõ ýëåìåíòîâ (Allegory of the four elements)_1620-å_51.5 õ 66.2_ìåäü, ìàñëî_×àñòíîå ñîáðàíèå_äåòàëü
Àëëåãîðèÿ àâãóñòà (Allegory of the Month of August) (àòð)_75.8 õ 123_ä.,ì._×àñòíîå ñîáðàíèå
Àëëåãîðèÿ ëåòà (An Allegory of Summer)_10 x 13.5_ìåäü, ìàñëî_×àñòíîå ñîáðàíèå
Àìàðèëèñ è Ìèðòèë (Amaryllis and Myrtil)_41 õ 28.5_ä.,ì._×àñòíîå ñîáðàíèå
Îðôåé î÷àðîâûâàåò æèâîòíûõ (Orpheus enchanting the animals)_18 õ 32_ä.,ì._×àñòíîå ñîáðàíèå
Ñóñàííà è ñòàðöû (Susanna and the Elders)_59.5 õ 79_ìåäü, ìàñëî_×àñòíîå ñîáðàíèå
Ñóñàííà è ñòàðöû (Susanna and the Elders)_59.5 õ 79_ìåäü, ìàñëî_×àñòíîå ñîáðàíèå_äåòàëü
Òîâèÿ è àíãåë (Tobias and the Angel)_28 õ 40_ìåäü, ìàñëî_×àñòíîå ñîáðàíèå
Òðèóìô Äàâèäà íàä Ãîëèàôîì (The triumph of David over Goliath) (ñîâì ñ Ïèòåðîì Áðåéãåëåì Ìë)_1618-1619_88 x 216_ä.,ì._Ìàäðèä, ìóçåé Ïðàäî
Òðèóìô Äàâèäà íàä Ãîëèàôîì (The triumph of David over Goliath) (ñîâì ñ Ïèòåðîì Áðåéãåëåì Ìë)_1618-1619_88 x 216_ä.,ì._Ìàäðèä, ìóçåé Ïðàäî_äåòàëü
Ðàéñêèé ñàä ñ ñîçäàíèåì Àäàìà è Åâû è èñêóøåíèåì (The Eden with Creation Adam and Eve and Temptation)_59 x 94,2_ä.,ì._×àñòíîå ñîáðàíèå
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Ñåðèÿ ñîîáùåíèé "***Ñòàðûå ìàñòåðà 2":
×àñòü 1 - ÂÅÉÄÅÍ Ðîãèð âàí äåð(Ðîæå äå ëà Ïàñòþð)
×àñòü 2 - Àíòîíè äå Ëîðì (Anthonie de Lorme), îê. 1610-1673. Ãîëëàíäèÿ
...
×àñòü 17 - Ñåáàñòüÿí Âðàíêñ (Sebastian Vrancx), 1573-1647. Ôëàíäðèÿ.×àñòü 2.
×àñòü 18 - Ãîéÿ Ôðàíñèñêî (Õîñå äå Ãîéÿ-è-Ëóñüåíòåñ),1746-1828,èñïàíñêèé æèâîïèñåö.
×àñòü 19 - Àäðèàí âàí Ñòàëáåìò (Adriaen van Stalbemt), 1580-1662. Ôëàíäðèÿ
| Ðóáðèêè: | Æèâîïèñü, ãðàôèêà, èëëþñòðàöèè/Çàðóáåæíàÿ æèâîïèñü è ãðàôèêà 15-20 âåê |
| Êîììåíòèðîâàòü | « Ïðåä. çàïèñü — Ê äíåâíèêó — Ñëåä. çàïèñü » | Ñòðàíèöû: [1] [Íîâûå] |