, 18 2017 . 07:54
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<a href="https://www.liveinternet.ru/users/ada_peters/post423170776/"> Guercino (Giovanni Francesco Barbieri) (Italian, 1591-1666)</a><br/> Guercino (Giovanni Francesco Barbieri)
(Italian, 1591-1666)
Sibyl of Samos
. Oil on canvas.
The State Hermitage Museum.
The Sibyl of Samos was the priestess presiding over the Apollonian oracle near Hera’s temple on the Isle of Samos, a Greek colony.
There were many Sibyls in the ancient world but she is the one who prophesied the Birth of Jesus in the stable.... <a href="https://www.liveinternet.ru/users/ada_peters/post423170776/">Читать далее...</a>
, 16 2017 . 06:19
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Guercino (Giovanni Francesco Barbieri)
(Italian, 1591-1666)
Sibyl of Samos
. Oil on canvas.
The State Hermitage Museum.
The Sibyl of Samos was the priestess presiding over the Apollonian oracle near Heras temple on the Isle of Samos, a Greek colony.
There were many Sibyls in the ancient world but she is the one who prophesied the Birth of Jesus in the stable.
<a href="https://www.liveinternet.ru/users/ada_peters/post423103982/">Ромеро де Торрес, Хулио - испанский художник эпохи реализма,</a><br/>Ромеро де Торрес, Хулио
Autorretrato joven
Julio Romero de Torres
Date: 1898
Ху́лио Ромéро де Тóррес
(исп. Julio Romero de Torres, 9 ноября 1874, Кордова — 10 мая 1930, Кордова) — испанский художник эпохи реализма, сын известного испанского художника Рафаэля Ромеро Барроса, основателя и директора Провинциального музея изящных искусств Кордовы.
Большую часть своей жизни провел в Кордове. По настоянию отца с 10 лет учился в Школе искусств, где изучил основные направления живописи. В 1906 году Хулио Ромеро де Торрес отправился в Мадрид для продолжения учебы. Оба эти... <a href="https://www.liveinternet.ru/users/ada_peters/post423103982/">Читать далее...</a>
, 14 2017 . 19:37
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,
Autorretrato joven
Julio Romero de Torres
Date: 1898
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Naranjas y limones
<a href="https://www.liveinternet.ru/users/ada_peters/post422924867/">The Discreet Messenger (1767).</a><br/>François Boucher
(French, 1703-1770).
The Discreet Messenger (1767).
Oil on canvas.
Herzog Anton Ulrich Museum.
Boucher took inspiration from artists such as Peter Paul Rubens and Antoine Watteau. Boucher’s early works celebrate the idyllic and tranquil portrayal of nature and landscape with great elan.
However, his art typically forgoes traditional rural innocence to portray scenes with a definitive style of eroticism as his mythological scenes are passionate and intimately amorous rather than traditionally epic.... <a href="https://www.liveinternet.ru/users/ada_peters/post422924867/">Читать далее...</a>
, 11 2017 . 07:29
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François Boucher
(French, 1703-1770).
The Discreet Messenger (1767).
Oil on canvas.
Herzog Anton Ulrich Museum.
Boucher took inspiration from artists such as Peter Paul Rubens and Antoine Watteau. Bouchers early works celebrate the idyllic and tranquil portrayal of nature and landscape with great elan.
However, his art typically forgoes traditional rural innocence to portray scenes with a definitive style of eroticism as his mythological scenes are passionate and intimately amorous rather than traditionally epic.
<a href="https://www.liveinternet.ru/users/ada_peters/post422487088/">Sven Richard Bergh (Swedish, 1858-1919)</a><br/>Sven Richard Bergh
(Swedish, 1858-1919)
The Artist, Julia Beck (1883).
Oil on canvas.
Nationalmuseum, Stockholm.
Beck, a Swedish painter and calligrapher, is not depicted by Bergh with her work.
Instead, she is relaxing, fan in hand and open book on table. Likely she enjoys reading and the pose is a logical choice.... <a href="https://www.liveinternet.ru/users/ada_peters/post422487088/">Читать далее...</a>
, 03 2017 . 08:39
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Sven Richard Bergh
(Swedish, 1858-1919)
The Artist, Julia Beck (1883).
Oil on canvas.
Nationalmuseum, Stockholm.
Beck, a Swedish painter and calligrapher, is not depicted by Bergh with her work.
Instead, she is relaxing, fan in hand and open book on table. Likely she enjoys reading and the pose is a logical choice.
<a href="https://www.liveinternet.ru/users/ada_peters/post422421346/">John Everett Milllais (English, 1829-1896).</a><br/>John Everett Milllais
(English, 1829-1896).
Portrait of Kate Perugini, Daughter of Charles Dickens (1880).
Oil on canvas.
Kate decided upon the pose she would adopt when she walked into Millais’ studio, turned her back, looked over her shoulder and told him that this was the way she wished to be depicted. Millais clearly agreed and the pose is both original and powerful.
Millais’ eroticism was subtle with the French-seamed gossamer black organdie of the sleeves and back revealing the golden skin beneath.... <a href="https://www.liveinternet.ru/users/ada_peters/post422421346/">Читать далее...</a>
, 02 2017 . 07:38
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John Everett Milllais
(English, 1829-1896).
Portrait of Kate Perugini, Daughter of Charles Dickens (1880).
Oil on canvas.
Kate decided upon the pose she would adopt when she walked into Millais studio, turned her back, looked over her shoulder and told him that this was the way she wished to be depicted. Millais clearly agreed and the pose is both original and powerful.
Millais eroticism was subtle with the French-seamed gossamer black organdie of the sleeves and back revealing the golden skin beneath.
<a href="https://www.liveinternet.ru/users/ada_peters/post422231948/">Carl Vilhelm Holsøe (Danish, 1863-1935)</a><br/>
Carl Vilhelm Holsøe
(Danish, 1863-1935)
Interior with the artist’s wife.
Oil on canvas.
The interior of Holsøe’s home is richly adorned, and rendered with painterly brushstrokes, which emphasize the plasticity and reflective qualities of the objects depicted.
The silver platter together with the porcelain vase echo the tones of the sitter’s neck, gently reflecting the light pooling in from the window behind, resulting in a painting which is at once tangible and deeply contemplative.... <a href="https://www.liveinternet.ru/users/ada_peters/post422231948/">Читать далее...</a>
, 29 2017 . 09:53
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Carl Vilhelm Holsøe
(Danish, 1863-1935)
Interior with the artists wife.
Oil on canvas.
The interior of Holsøes home is richly adorned, and rendered with painterly brushstrokes, which emphasize the plasticity and reflective qualities of the objects depicted.
The silver platter together with the porcelain vase echo the tones of the sitters neck, gently reflecting the light pooling in from the window behind, resulting in a painting which is at once tangible and deeply contemplative.
<a href="https://www.liveinternet.ru/users/ada_peters/post422219314/">Кустодиев Борис Михайлович 1878 - 1927</a><br/>
Кустодиев
Борис Михайлович
1878 - 1927
Портрет артистки Надежды Ивановны Комаровской. 1925
Бумага, акварель, графит, сангина. 53 x 47 см
Музей-квартира И.И.Бродского, С.-Петербург
КУСТОДИЕВ
Борис Михайлович
23 февраля 1878, Астрахань — 26 мая 1927, Санкт-Петербург
Живописец, график, художник театра. Иллюстратор. Занимался скульптурой. Жанрист, портретист.
Учился в 1896-1903 г. в Академии художеств у В.Е. Савинского и в мастерской И.Е. Репина. С 1904 - пенсионер Академии художеств во Франции и Испании. Член Союза русских художников (с 1907), "Мира искусства" (с 1911),... <a href="https://www.liveinternet.ru/users/ada_peters/post422219314/">Читать далее...</a>
, 29 2017 . 05:03
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