а курча блядне !!! ( польское детское ругательство )
шляпа , ты зачем людей обижаешь ? что ты грубничаешь? что ты хамничаешь ?
мне надоело за всех заступаться - то Хысу обозвал, то Черски хребет ломаеш?
и про площади не согласна . а откуда минин пожарского звал поляков бить - из переулка? кто бы его там услышал .
площади нужны народу.
вот на эту площадь - я часто прихожу слопать свой обедик , на солнышке поваляться и на людей посмотреть - в самой колыбеле американской революции ...
Copley Square -- with its grand hotels and whimsical statues, its majestic library (Boston Public) and spectacular church (Trinity) -- is one site worthy of its designation. This scrappy patch of land has come a long way since its beginnings in the mid-19th century, when it emerged as an eyesore resulting from the incursion of two rail lines. The space's potential as something greater than a vacuum was first realized in 1870, when Boston granted part of the current square's South side to the Museum of Fine Arts. The museum opened its doors in 1876, followed in quick succession by Henry Hobson Richardson's Trinity Church (1877), and the McKim, Mead and White-designed Boston Public Library (1889). Aside from the MFA (which defected to the Fenway in 1909) and Second Church (a now-destroyed edifice that once occupied the square's North side), all the original tenants are still there, joined by such relatively recent additions as the Copley Square Hotel (1891) and the Copley Plaza (1912).
Today the square is a locus for shoppers, tourists, aesthetes and congregants -- along with lesser constituencies of skateboarders, panhandlers, buskers and world-weary flaneurs. Families are drawn to the photo ops afforded by 'The Tortoise and the Hare' statue, sculpted in honor of the Boston Marathon by Nancy Schon (the artist responsible for the Public Gardens' 'Ducklings'), while neighborhood residents welcome the wares sold seasonally at the Copley Square Farmers Market (open from late spring to early autumn each year). Less crunchy than Harvard Square and more glamorous than Scollay Square, Copley constitutes an exemplary convergence of Boston's architectural past with its artistic and commercial present.
