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Áàðåíä Êîðíåëèñ Êóêêóê (íèäåðë. Barend Cornelis Koekkoek, 11 îêòÿáðÿ 1803, Ìèääåëáóðã — 5 àïðåëÿ 1862, Êëåâå) — ãîëëàíäñêèé õóäîæíèê-ïåéçàæèñò, Áàðåíä Êîðíåëèñ Êóêêóê ñòàë èçâåñòåí ïðè æèçíè êàê «êíÿçü ïåéçàæíîé æèâîïèñè» (Prince of Landscape Painting) è áûë áåçóñëîâíî ñàìûì ïîïóëÿðíûì ïåéçàæèñòîì ñâîåãî âðåìåíè. Îí ñ÷èòàåòñÿ îñíîâàòåëåì ãîëëàíäñêîãî ðîìàíòè÷åñêîãî ïåéçàæà. Áàðåíä Êîðíåëèñ ïîëó÷àë áåñêîíå÷íûå íàãðàäû è çíàêè îòëè÷èÿ, à â ÷èñëå åãî çàêàç÷èêîâ áûëè êîðîëü Ôðèäðèõ Âèëüãåëüì IV Ïðóññêèé, ðîññèéñêèé öàðü Àëåêñàíäð II è êîðîëü Íèäåðëàíäîâ Âèëëåì II.

Willem Steelink sr. (1826 - 1913). Portret van B.C. Koekkoek (1844)
Áàðåíä Êîðíåëèñ âûðîñ â õóäîæåñòâåííîé ñðåäå. Åãî îòåö Éîõàííåñ Õåðìàíóñ Êóêêóê(1778-1851) áûë èçâåñòíûì õóäîæíèêîì-ìàðèíèñòîì, ó êîòîðîãî îí ïîëó÷èë ñâîå ðàííåå õóäîæåñòåííîå îáðàçîâàíèå. Åãî áðàòüÿ Õåðìàíóñ Êóêêóê (1815-1882) è Ìàðèíóñ Àäðèàíóñ Êóêêóê (1807-1868) òîæå áûëè óñïåøíûìè õóäîæíèêàìè, ïåðâûé â êà÷åñòâå õóäîæíèêà ìîðñêîé òåìàòèêè è ðå÷íûõ ñöåí, âòîðîé êàê ïåéçàæèñò.
 1817 ãîäó îí ïîñòóïèë â Àêàäåìèþ ðèñîâàíèÿ Ìèääåëáóðãà (Drawing Academy of Middelburg), ãäå ó÷èëñÿ ó Àáðàõàìà Êðàéñòåíà. Áàðåíä Êîðíåëèñ íå ñòàë ìàðèíèñòîì, êàê åãî îòåö. Óæå â 1822 ãîäó, íà âûñòàâêå â åãî ðîäíîì ãîðîäå Middelburg, ãäå îí âûñòàâèë øåñòü ïåéçàæåé, ñòàëî ÿñíî, êàêîé æàíð îí ïðåäïî÷èòàåò. Ïåðååõàâ â Àìñòåðäàì â 1822 ãîäó, ó÷èëñÿ â òå÷åíèå ÷åòûðåõ ëåò â Êîðîëåâñêîé àêàäåìèè èñêóññòâ Koninklijke Academie van Beeldende Kunsten ó Æàíà Îãþñòåíà Äîâèëÿ è ó ßíà Âèëëåìà Ïèííåìàíà.

Selbstportrait (1825, Rijksprentenkabinet, Amsterdam)
Îí ñîñðåäîòî÷èëñÿ íà çèìíèõ è ëåòíèõ ëåñíûõ ïåéçàæàõ. Êàê è äðóãèå ðîìàíòè÷åñêèå õóäîæíèêè, òàêèå êàê Êàñïàð Äàâèä Ôðèäðèõ, Êóêêóê ïèñàë êðîøå÷íûå ôèãóðêè íà ôîíå âåëè÷åñòâåííîé ïðèðîäû, ïðîòèâîïîñòàâëÿÿ íè÷òîæåñòâî ÷åëîâåêà âåëè÷èþ òâîðåíèÿ.

Barend Cornelis Koekkoek, Landschaft bei Beek (1828)
Ýòà òåìà áûëà ïîïóëÿðíîé â Çîëîòîì âåêå è ñòàëà îñíîâíûì èñòî÷íèêîì âäîõíîâåíèÿ äëÿ õóäîæíèêîâ äåâÿòíàäöàòîãî âåêà. Äâà ãîäà íàõîæäåíèÿ â ñåëüñêîé ìåñòíîñòè Hilversum (1826-1827), â êîòîðîé îáîñíîâàëàñü êîëîíèÿ õóäîæíèêîâ, ïîäòâåðäèëè ïðàâèëüíîñòü âûáðàííîãî èì ïóòè. Ïåéçàæè, íàïèñàííûå â Hilversum áûëè âîñïðèíÿòû áëàãîñêëîííî.  1829 ãîäó Àìñòåðäàìñêîå îáùåñòâî Ôåëèêñà Ìåðèòèñà (Felix Meriti) íàãðàäèëî îäèí èç åãî ëåòíèõ ïåéçàæåé çîëîòîé ìåäàëüþ.
 1832 ãîäó Êóêêóê ñòàë ÷ëåíîì Êîðîëåâñêîé àêàäåìèè õóäîæåñòâ â Àìñòåðäàìå.
 1833 ãîäó îí æåíèëñÿ íà Ýëèçå Òåðåçå (1814-1881), äî÷åðè åãî äàâíåãî ó÷èòåëÿ è äðóãà Æàíà Îãþñòåíà Äîâèëÿ. Ýëèçà Òåðåçà Êóêêóê-Äîâèëü áûëà õóäîæíèöåé, ðèñîâàëà, â îñíîâíîì, íàòþðìîðòû.

Jean Augustin Daiwaille (1786–1850). Portrait of Elise Therese Koekkoek, born Daiwaille, by her father Jean Augustin Daiwaille (circa 1835, B.C. Koekkoek-Haus)
Ó Áàðåíäà Êîðíåëèñà è Ýëèçû Òåðåçû áûëî ïÿòü äî÷åðåé, äâå èç êîòîðûõ òîæå ñòàëè õóäîæíèöàìè:
Àäåëü Êóêêóê (1838-1919), ðèñîâàëà ïåéçàæè è, ïðîäîëæàÿ òðàäèöèþ ìàòåðè, íàòþðìîðòû;

Adèle Koekkoek. Stilleven met bloemen en fruit (1873, Kleef, Haus Koekkoek)
Ìàðèÿ Ëóèçà Êóêêóê (1840-1910), ñïåöèàëèçèðîâàëàñü, êàê è åå îòåö, íà ïåéçàæàõ:

Maria Louise Koekkoek. Scenery with four people
Ïëîñêèå ëàíäøàôòû ãîëëàíäñêîé ñåëüñêîé ìåñòíîñòè íå ìîãëè óäîâëåòâîðèòü ðîìàíòè÷åñêóþ äóøó Êóêêóêà. Îí ïèñàë â 1841 ãîäó «Íàøå îòå÷åñòâî íå ìîæåò ïîõâàñòàòüñÿ ñêàëàìè, âîäîïàäàìè, âûñîêèìè ãîðàìè èëè ðîìàíòè÷åñêèìè äîëèíàìè. Ãîðäóþ, âîçâûøåííóþ ïðèðîäó íå ñëåäóåò èñêàòü â íàøåé ñòðàíå».
 ïîèñêàõ ðîìàíòèêè, ëåòîì 1834 ãîäà îí ïåðååõàë â Êëåâå, ñòàðóþ ñòîëèöó ãåðöîãñòâà â Ãåðìàíèè, ãäå îí íàøåë ñâîé èäåàë ïðèðîäû â ðàéîíå Ahr, Ðåéíà è Ðóðà. Çäåñü îí è ïðîâåäåò îñòàòîê ñâîåé æèçíè è íàïèøåò ñâîè ëó÷øèå ïåéçàæè.
Çäåñü âñêîðå åãî êàðòèíû çàïîëíèëè áîëüøèå äóáû, èçâèëèñòûå äîðîæêè è ïàíîðàìíûå âèäû, íà÷èíàÿ îò îáøèðíûõ ðå÷íûõ äîëèí äî èäèëëè÷åñêèõ âèäîâ ëåñà.  åãî êàðòèíàõ ïðåâîñõîäíî ñî÷åòàëîñü âûïèñûâàíèå ìåëü÷àéøèõ äåòàëåé è ïåðåäà÷à ñîñòîÿíèÿ àòìîñôåðû. Îí ÷àñòî äðàìàòèçèðîâàë ñâîè äåðåâüÿ, êàê ñðåäñòâî ïîä÷åðêíóòü íè÷òîæåñòâî ÷åëîâåêà ïî ñðàâíåíèþ ñ ïðèðîäîé.
 1839 ã. îí ïîëó÷èë çîëîòûå ìåäàëè íà âûñòàâêàõ â Áðþññåëå è Ãààãå.

Charles Baugniet printed by P. Degobert published by Société des Beaux-Arts. Portrait of Barend Cornelis Koekkoek (1803-1862), (1839, Den Haag, RKD (Collectie Iconografisch Bureau))
 1841 ã. Êóêêóê, áóäó÷è äîñòàòî÷íî óâàæàåìûì ñðåäè ñâîèõ êîëëåã õóäîæíèêîì, ðåøèë èçäàòü ó÷åáíèê äëÿ ñòóäåíòîâ «Herinneringen en Mededeelingen van eenen Landschapsschilder («Âîñïîìèíàíèÿ è èíôîðìàöèÿ äëÿ õóäîæíèêîâ-ïåéçàæèñòîâ»), â êîòîðîì îí âûðàçèë ìûñëü, ÷òî õóäîæíèê äîëæåí, ïðåæäå âñåãî, îñòàâàòüñÿ âåðíûì ïðèðîäå, ïîñðåäñòâîì òùàòåëüíîãî íàáëþäåíèÿ è ñòðîãîãî ðèñóíêà. Ýòà îðèãèíàëüíàÿ ðàáîòà ïðèíÿëà ôîðìó íåòîðîïëèâîãî ïóòåøåñòâèÿ ïî Ðåéíó.
 òîì æå ãîäó, ïî ìíîãî÷èñëåííûì ïðîñüáàì ìîëîäûõ õóäîæíèêîâ, ñòðåìÿùèõñÿ ïîëó÷èòü õóäîæåñòâåííîå îáðàçîâàíèå, Êóêêóê îñíîâàë ñîáñòâåííóþ àêàäåìèþ æèâîïèñè Zeichen Collegium. Îí ñîâåòîâàë ñâîèì ó÷åíèêàì èçó÷àòü ïðèðîäó, âíèìàòåëüíî íàáëþäàòü çà èçìåíåíèÿìè ñâåòà íà ðàññâåòå è íà çàêàòå è çà çàðîæäåíèåì áóðè. Êðîìå òîãî, îí ïðåïîäàåò ñâîèì ñòóäåíòàì ìàñòåðñòâî ãîëëàíäñêèõ õóäîæíèêîâ ñåìíàäöàòîãî âåêà. Ïî åãî ñòîïàì ïîøëè ìíîãèå õóäîæíèêè è ñðåäè íèõ - Ôðåäåðèê Ìàðèíóñ Êðóçåìàí, Ëþäîâèê Èîõàííåñ Êëåéí è Èîãàíí Áåðíãàðä Êëîìáåêê, êîòîðûé ïîñëå ñìåðòè õóäîæíèêà âîçãëàâèë îñíîâàííóþ èì Àêàäåìèþ èñêóññòâ.
 1842—1848 ãîäàõ Êóêêóê ïîñòðîèë â öåíòðå Êëåâå «Äâîðåö õóäîæíèêîâ» ñ ìàñòåðñêîé (Äîì Êóêêóê).
Ïîñëå åãî ñìåðòè â 1862 ãîäó äîì è áîëüøàÿ ÷àñòü åãî îáñòàíîâêè áûëè ïðîäàíû íà àóêöèîíå â Àìñòåðäàìå.  1902 ãîäó íåìåöêèé âðà÷ Õàíñ âàí Àêåð ïðèîáðåë è ðàñøèðèë ýòó ñîáñòâåííîñòü, äîáàâèâ ïðèñòðîéêó ê äîìó è îáíîâèâ åãî èíòåðüåð â ñòèëå ìîäåðí. Ê ñ÷àñòüþ, äîì îñòàëñÿ ïðàêòè÷åñêè íåïîâðåæäåííûì âî âðåìÿ âòîðîé ìèðîâîé âîéíû, âïîñëåäñòâèè îí áûë èñïîëüçîâàí â êà÷åñòâå ìýðèè, â çàëàõ êîòîðîé â òå÷åíèè íåñêîëüêèõ ëåò ïðîâîäèëèñü åæåãîäíûå âûñòàâêè Àññîöèàöèè õóäîæíèêîâ Êëåâå. Ñ 1960 ãîäà îí ñòàë Ãîðîäñêîé ìóçååì, à â 1997 îí áûë âîçâðàùåí ñòàòóñ ðåçèäåíöèè õóäîæíèêà.

Haus Koekkoek, Kleve

Der Goldene Salon im B.C. Koekkoek-Haus

Der Treppenaufgang des B.C. Koekkoek-Hauses mit der Büste von B.C. Koekkoek von J.N. van Gelder
Çäàíèå, ïîñòðîåííîå â ñòèëå íèäåðëàíäñêîãî ðîìàíòèçìà, ÿâëÿåòñÿ íûíå õóäîæåñòâåííûì ìóçååì è îäíèì èç êðàñèâåéøèõ àðõèòåêòóðíûõ ïàìÿòíèêîâ ñåðåäèíû XIX ñòîëåòèÿ â íåìåöêîì Ðåéíëàíäå è ïðèëåãàþùèõ ê íåìó ðàéîíàõ Íèäåðëàíäîâ.
 1843 ãîäó Êóêêóê ïîëó÷èë çîëîòóþ ìåäàëü Ïàðèæñêîãî ñàëîíà.
 1856 ã. ñòàë ïî÷¸òíûì ÷ëåíîì Áåëüãèéñêîãî îáùåñòâà àêâàðåëèñòîâ â Áðþññåëå, à â 1861 — ïî÷¸òíûì ÷ëåíîì Àêàäåìèè õóäîæåñòâ Ñàíêò-Ïåòåðáóðãà.
Çà ñâîè çàñëóãè â îáëàñòè æèâîïèñè Á. Ê. Êóêêóê ñòàë êàâàëåðîì:
îðäåíà Íèäåðëàíäñêîãî ëüâà (1839; ðûöàðü), áåëüãèéñêîãî îðäåíà Ëåîïîëüäà I (1842), ôðàíöóçñêîãî îðäåíà Ïî÷¸òíîãî ëåãèîíà (1843) è ïðóññêîãî îðäåíà Êðàñíîãî îðëà (1844).
 1859 ã. õóäîæíèêà ðàçáèë ïàðàëè÷ è ÷åðåç òðè ãîäà îí óìåð (5 àïðåëÿ 1862 ã.) â ñâîåì ëþáèìîì ãîðîäå Êëåâå.
Êóêêóê ïî ïðàâó ñ÷èòàåòñÿ ñàìûì ñîâåðøåííûì ïåéçàæèñòîì ãîëëàíäñêîãî ðîìàíòèçìà, ïî ÷üåé ñêðóïóëåçíî èçÿùíîé æèâîïèñè ñâåðÿþòñÿ ðàáîòû åãî ñîâðåìåííèêîâ.

Portretbuste B.C. Koekkoek, Museum Haus Koekkoek, Kleef, Kleve

replica of the original buste of Barend Cornelis Koekkoek at the Koekkoekplatz in Kleve. The original is in the museum at the same square and was made by Johan Nicolaas van Gelder in 1844. This replica dates from 2006.

Landschap bij opkomende regenbui (1825 - 1829, Rijksmuseum Amsterdam)

A Summer Landscape With Travellers On A Path. (1826)

Landschap met boerderij

Heuvelachtig landschap

Õîëìèñòûé ïåéçàæ ñ ôèãóðàìè

Winter in het gool (1828)

Zomer Zomerlandschap (1830, Teylers Museum, Haarlem)
Zomerlandschap (1830, Teylers Museum, Haarlem)

A panoramic summer landscape with travellers and a castle ruin in the distance (1835)

View of a Park (1835, The Hermitage, St. Petersburg)

Boswandeling

A Figure Walking His Dog on a Path in a Winter Landscape (1834)

Winter Landscape (1835-1838, Rijksmuseum Amsterdam)

A Winter Landscape With Skaters On A Frozen Waterway And Peasants By A Farm In The Foreground

Chateau in Winter

Dutch landscape

Winter

Winterlandschap (1837, Teylers Museum, Haarlem)

Cattle by a Stream

Countryfolk Cattle and Goats on a Mountain Path

Peasants on a Path by a River

Resting on the Way to Pasture

The Ferry Crossing

Bosachtig landschap bij de zee

Bostafereel met herder

Bostafereel

Figures in a Winter Landscape (1842)

Cows In A Sunlit Meadow (1839)

Gezicht op het Kastanjewoud bij Beek

A herdsman and his cattle resting under an oak tree, a ruin in the distance

Paysage Montagneux Avec Chapelle

Landschap met watermolen en veedrijvende boeren

Old Amsterdam

Rijnlandschap

Schafstall Landschaft mit Schafstall

Sommerlandschaft

Ölstudie zur Großen Buche vor Schloss Moyland (1840)

A Cart on a Country Road in Summertime

The storm (1840, Collectie Rademakers)

Forest In Winter (1842)

Zomerlandschap met een burcht

Zuyder Zee

A castle on a river, between trees (1845, Amsterdam Museum)

Eifel landscape with little church (1845, Collectie Rademakers))

A portrait of an elegant young lady.(1846)

Winters bosgezicht met bevroren beek (1846)

Bosgezicht. Forest View (1848, Rijksmuseum Amsterdam)

A Panoramic Rhenish Landscape With Peasants Conversing On A Track In The Morning Sun

A Wooded Landscape With Figures Along A Stream (1846)

An Extensive River Landscape With Travellers

Boslandschap Met Kapel sous Bois

Italian Landscape (1848, Rijksmuseum Amsterdam)

A Traveller and A Herdsman in a Mountainous Landscape (1848)

Old oak at the edge of a wood (1849)

Rhine landscape in the evening (1849, Collectie Rademakers)

THE APPROACHING STORM

Landscape (1853, Museum Sheffield)

Travellers On A Path In An Extensive Rhineland Landscape (1853)

Skaters On Waterway (1854)

Landschap met eikenbomen en ruïne (1855)

A Coming Storm (Museum Sheffield)

The Ruined Castle (1857)

Waldlandschaft mit Hirten und Vieh (ft./1857)
Ññûëêè:
https://en.wikipedia.org/wiki/Barend_Cornelis_Koekkoek
https://rkd.nl/en/explore#query=B.C. Koekkoek
http://www.bbc.co.uk/arts/yourpaintings/paintings/search/painted_by/barend-cornelis-koekkoek_artists
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