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Ñîçäàí: 25.06.2019
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Âòîðíèê, 09 Ôåâðàëÿ 2021 ã. 14:10 + â öèòàòíèê
Öèòàòà ñîîáùåíèÿ Ðàñêàòîâ Ôèëèïïî Ïàëèööè (Filippo Palizzi), 1818-1899. Èòàëèÿ

 

Ôèëèïïî Ïàëèööè (èòàë. Filippo Palizzi; 16 èþíÿ 1818, Âàñòî, Àáðóööî — 11 ñåíòÿáðÿ 1899, Íåàïîëü) — èòàëüÿíñêèé õóäîæíèê; âòîðîé èç áðàòüåâ Ïàëèööè.

Æèë â Àáðóööî äî 1837 ãîäà, ñ äåòñòâà èìåë ñïîñîáíîñòè ê èñêóññòâó è ó÷àñòâîâàë â èçãîòîâëåíèè ôèãóðîê äëÿ ðîæäåñòâåíñêèõ âåðòåïîâ â öåðêâÿõ.  1837 ãîäó ïîñòóïèë â Íåàïîëèòàíñêóþ àêàäåìèþ õóäîæåñòâ, íî âñêîðå ïîêèíóë å¸ è ïåðåø¸ë ó÷èòüñÿ â ÷àñòíóþ øêîëó Äæóçåïïå Áîíîëèñà. Ïîìèìî æèâîïèñè ìíîãî çàíèìàëñÿ ôîòîãðàôèåé è íåðåäêî èñïîëüçîâàë ñäåëàííûå èì ñíèìêè êàê íàáðîñêè äëÿ áóäóùèõ êàðòèí.  1855 ãîäó óåõàë âî Ôðàíöèþ, ãäå æèë åãî ñòàðøèé áðàò Äæóçåïïå, âïîñëåäñòâèè æèë â Áåëüãèè è Íèäåðëàíäàõ; â Ïàðèæ âåðíóëñÿ â 1863 ãîäó.  1861 ãîäó ñòàë îäíèì èç îñíîâàòåëåé îáùåñòâà Naples Società Promotrice di Belle Arti, â 1878 ãîäó îñíîâàë â Íåàïîëå Ìóçåé ïðîìûøëåííîãî èñêóññòâà (íûíå íîñÿùèé åãî èìÿ — Museo artistico industriale Filippo Palizzi), êîòîðûé âîçãëàâèë ñïóñòÿ äâà ãîäà, è õóäîæåñòâåííóþ øêîëó ïðè í¸ì. Æèë è ðàáîòàë â Íåàïîëå äî êîíöà æèçíè.

Ïàëèööè ðèñîâàë ïîëîòíà èñòîðè÷åñêîãî æàíðà, ïîðòðåòû, ïåéçàæè, ðàáîòàë òàêæå â àíèìàëèñòè÷åñêîì è áûòîâîì æàíðàõ. Äëÿ åãî òâîð÷åñòâà áûëè õàðàêòåðíû îòõîä îò òðàäèöèé àêàäåìèçìà è ïåðåõîä ê ðåàëèçìó. Íà ïðîòÿæåíèè ñâîåé æèçíè îí ó÷àñòâîâàë âî ìíîãèõ õóäîæåñòâåííûõ âûñòàâêàõ, èìåë ìíîæåñòâî íàãðàä è ñîñòîÿë ïî÷¸òíûì ÷ëåíîì ðàçëè÷íûõ åâðîïåéñêèõ õóäîæåñòâåííûõ àêàäåìèé. Åãî êàðòèíû âûñòàâëåíû â ìóçåÿõ Ðèìà, Íåàïîëÿ è äðóãèõ èòàëüÿíñêèõ ãîðîäîâ.

 

Äåâóøêà íà ñêàëå â Ñîððåíòî (Girl on the rock in Sorrento)_îê.1871_õ.,ì._54.8 õ 79.5_×àñòíîå ñîáðàíèå

 

Ïîïóãàè â òðîïè÷åñêîé îðàíæåðåå (Parrots in a tropical glasshouse)_1879_õ.,ì._128.3 x 128.3_×àñòíîå ñîáðàíèå

 

Âîçâðàùåíèå ñ ïàñòáèùà (Return from the pasture)_õ.,ì._22 õ 35_×àñòíîå ñîáðàíèå

 

Âîçâðàùåíèå ñ ïîëåé (Return from the Fields)_îê.1875_õ.,ì._50 õ 74_×àñòíîå ñîáðàíèå

 

Ãàðèáàëüäè (Garibaldi)_1860_õ.,ì._83 x 65_Áóýíîñ-Àéðåñ, Íàö ìóçåé èçîáðàçèòåëüíûõ èñêóññòâ

 

Ïðèíö Ôîíäè â ñâîèõ îõîòíè÷üèõ óãîäüÿõ (The Prince of Fondi at his Hunting Lodge)_1867_õ.,ì._94 õ 133.4_õ.,ì._×àñòíîå ñîáðàíèå

 

Ïðèíö - òîé-ñïàíèåëü â ïåéçàæå (Prince - A Toy Spaniel in a landscape)_1855_õ.,ì._32.5 x 44.5_õ.,ì._×àñòíîå ñîáðàíèå

 

Çàäóì÷èâàÿ äåâóøêà íà ðàñêîïêàõ Ïîìïåè (Girl pensive in the Excavations of Pompeii)_1865_õ.,ì._×àñòíîå ñîáðàíèå

 

Çàäóì÷èâàÿ äåâóøêà íà ðàñêîïêàõ Ïîìïåè (Girl pensive in the Excavations of Pompeii)_1870_õ.,ì._119.5 õ 86_×àñòíîå ñîáðàíèå

 

Ïåéçàæ ñ îâöàìè Landscape with sheeps)_õ.,ì._26 x 37.3_×àñòíîå ñîáðàíèå

 

Òàáóí ëîøàäåé (A Herd Of Horses)_1876_õ.,ì._56 õ 78_×àñòíîå ñîáðàíèå

 

×åðåç ñòåíó (Over The Wall)_1865_õ.,ì._48.5 õ 35_×àñòíîå ñîáðàíèå

 

Ïîñëå ïîòîïà, âûõîä æèâîòíûõ èç êîâ÷åãà (After the Flood, the Exit of the Animals from the Ark)_1867_õ.,ì._104.5 x 150.5_×àñòíîå ñîáðàíèå

 

Ïîñëå ïîòîïà, âûõîä æèâîòíûõ èç êîâ÷åãà (After the Flood, the Exit of the Animals from the Ark)_õ.,ì._78.7 x 92.7_×àñòíîå ñîáðàíèå

 

Ïàñòóøêè ñ êîðîâàìè (Cowherds with cows) (àòð)_õ.,ì._50 õ 60_×àñòíîå ñîáðàíèå

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