ДОМИКИ НА ДЕРЕВЬЯХ ОТ STEPHANIE PUI-MUN LAW. УРОКИ АКВАРЕЛИ.

Среда, 30 Декабря 2015 г. 20:40 + в цитатник

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Домики на деревьях от Stephanie Pui-Mun Law. Уроки Акварели.

Домики на деревьях. Уроки Акварели.

Художница: Stephanie Pui-Mun Law.

Уроки из Книги

"Dreamscapes Fantasy Worlds: Create Engaging Scenes and Landscapes..."

Картинки увеличиваются.

Как открыть картинку:

1 способ: навести курсор на картинку -> нажать правую кнопку мышки -> выбрать «Открыть картинку в новой вкладке» -> для увеличения картинки, нажимаем на нее

2 способ: нажать на картинку -> 4195696_23 (282x118, 25Kb) -> "Открыть оригинал"

Вступление "Душа Дерева"

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Урок № 1.

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1. Background Wash

Use a 1/2-inch (12mm) flat brush and lay a graded wash into the background. Start with a mixture of Prussian Blue and Viridian Green at the top left and blend it down into Naples Yellow in the bottom. Don't worry about keeping the buildings white; just try to avoid the windows so that the stained glass light shining through in later steps will be more brilliant.

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2. Tree

Mix Burnt Umber and Prussian Blue and start with a no. 4 round brush to glaze the tree's branches and foliage. Switch to smaller round brushes nos. 0-2 for the thinner branches and to trail off into delicate twigs.

Use a no. 4 round and drybrush a mixture of Sap Green and Burnt Umber in the ground.

Wet the lower right side of the sky and dot a hazy stand of distant trees wet-in-wet with a no. 2 round brush, using the same mixture.

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3. Detailing the Tree

Use a no. 0 round brush and a mixture of Burnt Umber and Prussian Blue to paint textures and on the tree. Afterward, run a slightly dampened 1/2-inch (12mm) flat brush lightly over the textures to smooth and blend them.

Use the same mixture of colors with the 1/2-inch (12mm) flat and gently drybrush some feathery grass in the foreground.

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4. Treehouses

Use a no. 1 round brush and paint a glaze of Burnt Umber on the houses, painting around the windows. Leave white for highlights. After the initial glaze, use a no. 0 round brush with Payne's Gray to add shadows and definition.

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5. Stained Glass Colors

Use a no. 0 round brush and carefully dot in the colors for the stained glass using Sap Green, Lemon Yellow and Prussian Blue. Leave white along the edges of the tiny panes and try to keep the color in the centers.

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6 Definition on the Stained Glass

Use a no. 0 round with Prussian Blue and trace the leading around the stained glass panes. Lightly brush with a damp no. 2 round outward from the edges of the circles into the surrounding brown.

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7. Final Glints of Highlights

Using a white gel pen, sparingly add the barest touches of highlights along the sides of the base of the tree trunk, the edges of the rocks down below and the detailing on the buildings.

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Урок № 2

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1. Background Sky

Use a no. 4 round brush and paint a light glaze with a Lemon Yellow and Naples Yellow mixture in the background. Blend a little bit of Cadmium Orange in the lower left area and a little bit of Ultramarine Violet in the upper right. Paint around the branches, but it's not necessary to keep them entirely white.

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2. Textures

Use a no. 4 round brush. Paint a glaze of Cadmium Orange in the leafy areas of the tree. Sprinkle the wet paint with salt. While that is drying, drybrush with Burnt Umber to add some base texture to the tree trunk. Brush the salt crystals off the background when the paint has dried.

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3. Leaves

Using nos. 0,1 and 2 brushes and a varying mixture of Cadmium Yellow and Cadmium Orange, paint around the sketched leaves. Blend out with water into the surrounding initial textures created by the salt. Trail off the ends of the branches with a no. 0 round for small twigs.

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4. Add More Color

Use a no. 2 round brush and glaze Alizarin Crimson onto more distant branches and leaves, leaving the underlayers showing through for highlights. Take a no. 0 round brush with Payne's Gray to add some fine shadow bits to the leaves.

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5. Glaze the Tree Trunk

Mix Naples Yellow with a little bit of Ultramarine Violet and glaze the tree trunk with a no. 4 round to blend in the dry-brush textures a little bit. Add more Ultramarine Violet to the mixture as you trail out into the branches.

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6. Shadows

Add shadowy crevices to the tree with a no. 0 round using a mixture of Prussian Blue and Burnt Umber. Use the textures that were created initially by the drybrush to guide you.

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7. Blending the Shadows

Use a stiff-bristled no. 2 round and with a slightly damp tip, scrub lightly at the highlights of the trunk texture, softening and blending the darkened crevices.

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8. Buildings

Mix Cerulean Blue with Ultramarine Violet and glaze the buildings with a no. 2 round.

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9. Final Details

Using a no. 0 round brush and a more concentrated mixture of Cerulean Blue and Ultramarine Violet, paint the fine details on the buildings. Darken the windows and add the shadows under the eaves. For the far right cluster of buildings, add a little bit of Alizarin Crimson to the mixture.

Use a no. 1 round brush and glaze the larger leaves with Lemon Yellow.

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