Öèòàòà ñîîáùåíèÿ Î_ñåáå_-_Ìîë÷ó
Ïðåðàôàýëèñòû
Ïðåðàôàýëèòèñòû ÎÑÒÎÐÎÆÍÎ! ÒÐÀÔÈÊ!!!
Óèëüÿì Õîëìàí Õàíò,
Äæîí Ýâåðåòò Ìèëëå,
Ìýäîêñ Áðàóí,
Ýäâàðä Á¸ðí-Äæîíñ,
Óèëüÿì Ìîððèñ,
Àðòóð Õüþç,
Óîëòåð Êðåéí,
Äæîí Óèëüÿì Óîòåðõàóñ
Ðîññåòòè Äàíòå Ãàáðèýëü
Ïðåðàôàýëèòèçì -
(àíãë. Pre-Raphaelitism) — íàïðàâëåíèå â àíãëèéñêîé
ïîýçèè è æèâîïèñè âî âòîðîé ïîëîâèíå XIX âåêà,
îáðàçîâàâøååñÿ â íà÷àëå 50-õ ãîäîâ
ñ öåëüþ áîðüáû ïðîòèâ óñëîâíîñòåé
âèêòîðèàíñêîé ýïîõè,
àêàäåìè÷åñêèõ òðàäèöèé
è ñëåïîãî ïîäðàæàíèÿ
êëàññè÷åñêèì îáðàçöàì.
Íà÷àëîì ðàçâèòèÿ ïðåðàôàýëèòèçìà áûëî âîçíèêíîâåíèå
òàê íàçûâàåìîãî «Áðàòñòâà ïðåðàôàýëèòîâ», ñîñòîÿâøåãî ïåðâîíà÷àëüíî
èç ñåìè «áðàòüåâ»: Äæ. Ý. Ìèëëå, Õîëìàíà Õàíòà (1827—1910),
Äàíòå Ãàáðèýëÿ Ðîññåòòè, åãî ìëàäøåãî áðàòà Ìàéêëà Ðîññåòòè,
Òîìàñà Âóëíåðà è æèâîïèñöåâ Ñòèâåíñà è Äæåéìñà Êîëëèíñîíà.
Äî ïîÿâëåíèÿ Áðàòñòâà ïðåðàôàýëèòîâ ðàçâèòèå áðèòàíñêîãî èñêóññòâ îïðåäåëÿëîñü
ãëàâíûì îáðàçîì äåÿòåëüíîñòüþ Êîðîëåâñêîé Àêàäåìèè õóäîæåñòâ.
Ïðåðàôàýëèòû îòêàçàëèñü îò àêàäåìè÷åñêèõ ïðèíöèïîâ ðàáîòû è ñ÷èòàëè,
÷òî âñ¸ íåîáõîäèìî ïèñàòü ñ íàòóðû.
Îíè âûáèðàëè â êà÷åñòâå ìîäåëåé äðóçåé èëè ðîäñòâåííèêîâ.
Óèëüÿì Õîëìàí Õàíò

Bianca

A Converted British Family Sheltering a Christian Missionary from the persecution of the Druids

Amaryllis

Claudio and Isabella

The Eve of St Agnes

The Finding of the Saviour in the Temple

The Light of the World

The Lady of Shalott

The Hireling Shepherd

The Scapegoat

The Shadow of Death

The Ship

The Triumph of the Innocents

Valentine Rescuing Sylvia from Proteus

The Ponte Vecchio
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Äæîí Ýâåðåòò Ìèëëå

Cymon and Iphigenia (detail). 1848.
The Makins collection

Ferdinand Lured by Ariel. 1849.

Lorenzo and Isabella. 1849.
The Walker Art Gallery, Liverpool

James Wyatt and His Granddaughter Mary. 1849.
Private collection

Christ in the House of His Parents. 1849.
Tate Gallery, London

The Bridesmaid. 1851.
Fitzwilliam Museum, Cambridge

The Woodman's Daughter. 1851.
The Guildhall Art Gallery

Mariana. 1851.
The Makins collection

The Return of the Dove to the Ark. 1851.
Ashmolean Museum, Oxford

Ophelia. 1851-1852.
Tate Gallery, London

John Ruskin. 1854.
Private collection

Waiting. 1854
City of Birmingham Museum and Art Gallery

The Blind Girl. 1856.
Birmingham City Museum and Art Gallery

Autumn Leaves. 1856.
Manchester City Art Galleries, Manchester

A Dream of the Past; Sir Isumbras at the Ford. 1857.
Lady Lever Art Gallery

My Second Sermon. 1864.
Victoria & Albert Museum, London

Apple Blossoms. 1859.
Lady Lever Art Gallery

Chill October. 1879.
Private collection
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Ôîðä Ìýäîêñ Áðàóí

Work

Romeo and Juliet


Take your Son, Sir!", 1851 (unfinished)
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Ýäâàðä Á¸ðí-Äæîíñ

"Ñíàðÿæåíèå Ïåðñåÿ" 1885
Íàöèîíàëüíàÿ ãàëåðåÿ, Ëîíäîí

"Ëþáîâü ñðåäè ðóèí" 1893
Ãàëåðåÿ Òåéò, Ëîíäîí

"Ïðèêîâàííàÿ Àíäðîìåäà"
1885-1888

"Ïàí è Ïñèõåÿ"
1870-1872

"Çëîâåùàÿ ãîëîâà Ìåäóçû Ãîðãîíû"
1885

"Áèòâà Ïåðñåÿ ñ äðàêîíîì"
1878

"Îõîòíè÷üè óãîäüÿ Êóïèäîíà" 1885

"Ïîñëåäíèé ñîí êîðîëÿ Àðòóðà" 1881-1898

"Êîëåñî Ôîðòóíû"
1875-1883

"Êîðîëü Êîôåòóà è íèùàÿ" 1880-1884

"Äðåâî ïðîùåíèÿ"
1881-1882

"Áëàãîâåùåíüå"
1876-1879

"Äàíàÿ è ìåäíûé çàìîê"
1888

"Ìàðèÿ Çýìáýêî"
1870

"Àôðîäèòà è Ãàëàòåÿ"
1868-1878

"Âèôëååìñêàÿ çâåçäà"
1887-1890

"Øèïîâíèê. Ñïÿùàÿ ïðèíöåññà"
1870-1890

"Øèïîâíèê. Çàêîëäîâàííûé ëåñ"
1870-1890
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Ìîððèñ Óèëüÿì


åäèíñòâåííàÿ çàâåðøåííàÿ êàðòèíà
"Êîðîëåâà Ãèíåâðà", 1858ã.,
Ãàëåðåÿ Òýéò, Ëîíäîí
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Õüþç Àðòóð

April Love
Tate Gallery, London/Art Resource

Beauty and the Beast

Ophelia and He Will Not Come Again

Mariana at the window

Overthrowing of the Rusty Knight

Good Night

Ophelia

A Music Party

Endymion

Home From the Sea

In the Grass

Knight of the Sun

La Belle Dame Sans Merci

Overthrowing of the Rusty Knight

Picking up seaweed

Returning Home
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Êðåéí Óîëòåð

Justice Journal (1885),

Poser äëÿ Áðèòàíèè,
Justice Journal (1910)









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Óîòåðõàóñ Äæîí Óèëüÿì

Ophelia 1894.

The Lady of Shalott, 1888
Ãàëåðåÿ Òýéò, Ëîíäîí

"Ïðåêðàñíàÿ Ðîçàìóíäà" 1917
Íàö. ãàëåðåÿ Âèêòîðèè, Ìåëüáóðí

"Ìàãè÷åñêèé êðóã" 1886
Ãàëåðåÿ Òåéò, Ëîíäîí

"Íåðåèäà" 1901, Êîðîëåâñêàÿ àêàäåìèÿ èñêóññòâà, Ëîíäîí

"Àðèàäíà" 1898
×àñòíàÿ êîëëåêöèÿ

"ßñîí è Ìåäåÿ" 1890
×àñòíàÿ êîëëåêöèÿ

"Ïàíäîðà, îòêðûâàþùàÿ ëàðåö" 1896

"Ãèëàñ è íèìôû"
1890

"Ýõî è Íàðöèññ"
1890

"Öèðöåÿ, çàâëåêàþùàÿ Îäèññåÿ" 1891
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Ðîññåòòè Äàíòå Ãàáðèýëü

Beata Beatrix

TheDayDream, 1880

Åëåíà Òðîÿíñêàÿ, 1863 ã.

Âåíåðà Âåðòèêîðäèÿ, 1864-68 ãã.

Ïàíäîðà

The Girlhood of Mary Virgin. 1849.

Ecce Ancilla Domini ("The Annunciation"). 1850.

The First Anniversary of the Death of Beatrice: Dante Drawing the Angel. 1853

The Last Meeting of Lancelot and Guinevere. 1854

The Blue Closet. 1857

Dantis Amor. 1860.

1864

Astarte Syriaca. 1877.

La Donna della Finestra. 1879

The Blesse Damozel. 1875-1878

La Bella Mano. 1875

La Donna della Fiamma. 1870
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