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Ó÷àñòíèê ñîîáùåñòâ (Âñåãî â ñïèñêå: 3) Gallery_Modern_Art Ôýíòåçè_è_íå_òîëüêî Âêóñíî_Áûñòðî_Íåäîðîãî
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 -Ñòàòèñòèêà

Ñòàòèñòèêà LiveInternet.ru: ïîêàçàíî êîëè÷åñòâî õèòîâ è ïîñåòèòåëåé
Ñîçäàí: 15.07.2008
Çàïèñåé: 914
Êîììåíòàðèåâ: 67
Íàïèñàíî: 1197


Áåç çàãîëîâêà

Ïîíåäåëüíèê, 27 Îêòÿáðÿ 2008 ã. 15:33 + â öèòàòíèê
Öèòàòà ñîîáùåíèÿ Î_ñåáå_-_Ìîë÷ó Ïðåðàôàýëèñòû



Ïðåðàôàýëèòèñòû
ÎÑÒÎÐÎÆÍÎ! ÒÐÀÔÈÊ!!!

Óèëüÿì Õîëìàí Õàíò,
Äæîí Ýâåðåòò Ìèëëå,
Ìýäîêñ Áðàóí,
Ýäâàðä Á¸ðí-Äæîíñ,
Óèëüÿì Ìîððèñ,
Àðòóð Õüþç,
Óîëòåð Êðåéí,
Äæîí Óèëüÿì Óîòåðõàóñ
Ðîññåòòè Äàíòå Ãàáðèýëü

Ïðåðàôàýëèòèçì -
(àíãë. Pre-Raphaelitism) — íàïðàâëåíèå â àíãëèéñêîé
ïîýçèè è æèâîïèñè âî âòîðîé ïîëîâèíå XIX âåêà,
îáðàçîâàâøååñÿ â íà÷àëå 50-õ ãîäîâ
ñ öåëüþ áîðüáû ïðîòèâ óñëîâíîñòåé
âèêòîðèàíñêîé ýïîõè,
àêàäåìè÷åñêèõ òðàäèöèé
è ñëåïîãî ïîäðàæàíèÿ
êëàññè÷åñêèì îáðàçöàì.


Íà÷àëîì ðàçâèòèÿ ïðåðàôàýëèòèçìà áûëî âîçíèêíîâåíèå
òàê íàçûâàåìîãî «Áðàòñòâà ïðåðàôàýëèòîâ», ñîñòîÿâøåãî ïåðâîíà÷àëüíî
èç ñåìè «áðàòüåâ»: Äæ. Ý. Ìèëëå, Õîëìàíà Õàíòà (1827—1910),
Äàíòå Ãàáðèýëÿ Ðîññåòòè, åãî ìëàäøåãî áðàòà Ìàéêëà Ðîññåòòè,
Òîìàñà Âóëíåðà è æèâîïèñöåâ Ñòèâåíñà è Äæåéìñà Êîëëèíñîíà.
Äî ïîÿâëåíèÿ Áðàòñòâà ïðåðàôàýëèòîâ ðàçâèòèå áðèòàíñêîãî èñêóññòâ îïðåäåëÿëîñü
ãëàâíûì îáðàçîì äåÿòåëüíîñòüþ Êîðîëåâñêîé Àêàäåìèè õóäîæåñòâ.
Ïðåðàôàýëèòû îòêàçàëèñü îò àêàäåìè÷åñêèõ ïðèíöèïîâ ðàáîòû è ñ÷èòàëè,
÷òî âñ¸ íåîáõîäèìî ïèñàòü ñ íàòóðû.
Îíè âûáèðàëè â êà÷åñòâå ìîäåëåé äðóçåé èëè ðîäñòâåííèêîâ.
Óèëüÿì Õîëìàí Õàíò

Bianca


A Converted British Family Sheltering a Christian Missionary from the persecution of the Druids


Amaryllis


Claudio and Isabella


The Eve of St Agnes


The Finding of the Saviour in the Temple


The Light of the World


The Lady of Shalott


The Hireling Shepherd


The Scapegoat


The Shadow of Death


The Ship


The Triumph of the Innocents


Valentine Rescuing Sylvia from Proteus


The Ponte Vecchio

_________________________________________

Äæîí Ýâåðåòò Ìèëëå

Cymon and Iphigenia (detail). 1848.
The Makins collection


Ferdinand Lured by Ariel. 1849.

Lorenzo and Isabella. 1849.
The Walker Art Gallery, Liverpool

James Wyatt and His Granddaughter Mary. 1849.
Private collection

Christ in the House of His Parents. 1849.
Tate Gallery, London

The Bridesmaid. 1851.
Fitzwilliam Museum, Cambridge

The Woodman's Daughter. 1851.
The Guildhall Art Gallery

Mariana. 1851.
The Makins collection

The Return of the Dove to the Ark. 1851.
Ashmolean Museum, Oxford

Ophelia. 1851-1852.
Tate Gallery, London

John Ruskin. 1854.
Private collection

Waiting. 1854
City of Birmingham Museum and Art Gallery

The Blind Girl. 1856.
Birmingham City Museum and Art Gallery

Autumn Leaves. 1856.
Manchester City Art Galleries, Manchester

A Dream of the Past; Sir Isumbras at the Ford. 1857.
Lady Lever Art Gallery

My Second Sermon. 1864.
Victoria & Albert Museum, London

Apple Blossoms. 1859.
Lady Lever Art Gallery

Chill October. 1879.
Private collection

_________________________________________

Ôîðä Ìýäîêñ Áðàóí

Work


Romeo and Juliet




Take your Son, Sir!", 1851 (unfinished)

_________________________________________

Ýäâàðä Á¸ðí-Äæîíñ

"Ñíàðÿæåíèå Ïåðñåÿ" 1885
Íàöèîíàëüíàÿ ãàëåðåÿ, Ëîíäîí


"Ëþáîâü ñðåäè ðóèí" 1893
Ãàëåðåÿ Òåéò, Ëîíäîí


"Ïðèêîâàííàÿ Àíäðîìåäà"
1885-1888


"Ïàí è Ïñèõåÿ"
1870-1872


"Çëîâåùàÿ ãîëîâà Ìåäóçû Ãîðãîíû"
1885


"Áèòâà Ïåðñåÿ ñ äðàêîíîì"
1878


"Îõîòíè÷üè óãîäüÿ Êóïèäîíà" 1885


"Ïîñëåäíèé ñîí êîðîëÿ Àðòóðà" 1881-1898


"Êîëåñî Ôîðòóíû"
1875-1883


"Êîðîëü Êîôåòóà è íèùàÿ" 1880-1884


"Äðåâî ïðîùåíèÿ"
1881-1882


"Áëàãîâåùåíüå"
1876-1879


"Äàíàÿ è ìåäíûé çàìîê"
1888


"Ìàðèÿ Çýìáýêî"
1870


"Àôðîäèòà è Ãàëàòåÿ"
1868-1878


"Âèôëååìñêàÿ çâåçäà"
1887-1890


"Øèïîâíèê. Ñïÿùàÿ ïðèíöåññà"
1870-1890


"Øèïîâíèê. Çàêîëäîâàííûé ëåñ"
1870-1890

_________________________________________

Ìîððèñ Óèëüÿì



åäèíñòâåííàÿ çàâåðøåííàÿ êàðòèíà
"Êîðîëåâà Ãèíåâðà", 1858ã.,
Ãàëåðåÿ Òýéò, Ëîíäîí

_________________________________________

Õüþç Àðòóð

April Love
Tate Gallery, London/Art Resource

Beauty and the Beast


Ophelia and He Will Not Come Again


Mariana at the window


Overthrowing of the Rusty Knight


Good Night


Ophelia


A Music Party


Endymion


Home From the Sea


In the Grass


Knight of the Sun


La Belle Dame Sans Merci


Overthrowing of the Rusty Knight


Picking up seaweed


Returning Home

_________________________________________

Êðåéí Óîëòåð

Justice Journal (1885),


Poser äëÿ Áðèòàíèè,
Justice Journal (1910)


















_________________________________________

Óîòåðõàóñ Äæîí Óèëüÿì

Ophelia 1894.


The Lady of Shalott, 1888
Ãàëåðåÿ Òýéò, Ëîíäîí

"Ïðåêðàñíàÿ Ðîçàìóíäà" 1917
Íàö. ãàëåðåÿ Âèêòîðèè, Ìåëüáóðí


"Ìàãè÷åñêèé êðóã" 1886
Ãàëåðåÿ Òåéò, Ëîíäîí


"Íåðåèäà" 1901, Êîðîëåâñêàÿ àêàäåìèÿ èñêóññòâà, Ëîíäîí


"Àðèàäíà" 1898
×àñòíàÿ êîëëåêöèÿ


"ßñîí è Ìåäåÿ" 1890
×àñòíàÿ êîëëåêöèÿ


"Ïàíäîðà, îòêðûâàþùàÿ ëàðåö" 1896


"Ãèëàñ è íèìôû"
1890


"Ýõî è Íàðöèññ"
1890


"Öèðöåÿ, çàâëåêàþùàÿ Îäèññåÿ" 1891

_________________________________________

Ðîññåòòè Äàíòå Ãàáðèýëü

Beata Beatrix



TheDayDream, 1880


Åëåíà Òðîÿíñêàÿ, 1863 ã.


Âåíåðà Âåðòèêîðäèÿ, 1864-68 ãã.


Ïàíäîðà


The Girlhood of Mary Virgin. 1849.


Ecce Ancilla Domini ("The Annunciation"). 1850.


The First Anniversary of the Death of Beatrice: Dante Drawing the Angel. 1853


The Last Meeting of Lancelot and Guinevere. 1854


The Blue Closet. 1857


Dantis Amor. 1860.


1864


Astarte Syriaca. 1877.


La Donna della Finestra. 1879


The Blesse Damozel. 1875-1878


La Bella Mano. 1875


La Donna della Fiamma. 1870
___________________________________
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