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360° panorama by Santiago Ribas - 360portugal. Click the image to open the interactive version.
Walls covered with tiles from the 18th century, Renaissance altarpiece, in the center a niche with the image of Na Sra da Piedade from the same century. XVIII. To S.Caetano square and to the right S.Catarina. On the floor two tombs, together. On the left. a door gave access to the stairs that led to the old Casa do Cabido.
360° panorama by Santiago Ribas - 360portugal. Click the image to open the interactive version.
Casa do Cabido, attached to the cloister and the Cathedral, is an archaizing building from the first quarter of the century. XVIII. On the upper floor there are remarkable religious sculptures (from the 14th to the 18th centuries). In the old room of the registry office, you can see tile panels by Vital Rifarto. In the large chapter room there is a mass ceiling with paintings by Giovani Battista Pachini (1737), representing fourteen moral allegories, arranged around S. Miguel, patron of Cabido. The tile panels were manufactured in Lisbon, containing hunting scenes. On the middle floor, consisting of four vaulted rooms, the Cathedral's "treasure" is exposed. In nine large showcases you can see objects of jewelery, vestments and liturgical books, related to the cathedral cult.
360° panorama by Kent Johnson. Click the image to open the interactive version.
The boardwalk and Fairy Bower Sea Pool at Cabbage Tree Bay Aquatic Reserve, Many, Sydney
360° panorama by Jon Jasper. Click the image to open the interactive version.
Group resting at the large alcove overhang in the upper reaches of the Ashdown Gorge.
360° panorama by Jon Jasper. Click the image to open the interactive version.
Jon Jasper checking out the 80-ft drop into Rattlesnake Creek in the Ashdown Gorge Wilderness.
360° panorama by Jon Jasper. Click the image to open the interactive version.
Jon Jasper admiring the view after descending through the Rattlesnake Creek Waterfall during August rainfall.
360° panorama by Jon Jasper. Click the image to open the interactive version.
Jon Jasper enjoying a stroll at the main confluence of Ashdown Creek and Rattlesnake Creek. A few hours later I returned to this confluence in raging flood. Look for the link to the later taken photo of the Ashdown Creek in flood.
360° panorama by Jon Jasper. Click the image to open the interactive version.
Just imagine emerging at your only exit out to see your path in a raging flood. This is the confluence to Ashdown Gorge just after a flash flood. I tried to calmly take this photo to buy some time before actually wading through this chaos.
360° panorama by Kent Johnson. Click the image to open the interactive version.
View towards Balmain from the 'Stargazer Lawn' stairs at Brangaroo Reserve, Millers point, Sydney. The park is built on reclaimed industrial waterfront land with the coastline returned to it's pre-European settlement form.
360° panorama by Kent Johnson. Click the image to open the interactive version.
The 'reclaimed' foreshore at Burangaroo, Millers Point, looking out to Walsh Bay and North Sydney. Former cargo wharf returned to the parkland and the pre settlement form of the shoreline, though with a contemporary twist; all those sandstone blocks.
360° panorama by Santiago Ribas - 360portugal. Click the image to open the interactive version.
On the way towards Ribeira do Porto, the Infante D. Henrique Square offers several points of interest. The square is in the historic center of the city and around it are the Stock Exchange Palace, that is owned by Porto Commercial Association, the old Ferreira Borges Market, which is today occupied by Hard Club (an arts and entertainment centre), the churches of S~ao Nicolau and S~ao Francisco de Assis and, of course, the statue of the Infante Henrique (Prince Henry the Navigator). The monument is by Tom'as Costa and was erected in 1894. It consists of the statue of the Prince standing next to a globe. There are two sculptural groups at the base of the monument. One represents a figure of Victory leading two steeds and two Tritons, to commemorate the triumph of Portuguese navigations. The other is a female figure, symbolizing the Faith of the Discoveries. At the base, notice the bas-reliefs depicting the capture of Ceuta and showing the Infante in the Sagres Promontory.
360° panorama by Gary Davies. Click the image to open the interactive version.
Carsluith Castle is a typical 15th-century three-storey, rectangular towerhouse that was popular with Scottish gentry at the time. It was extensively remodelled in the 1560s, becoming an L-plan with the addition of a new tower. It remained occupied until 1748, after which it was used as a farm outbuilding and fell into ruin.
360° panorama by Santiago Ribas - 360portugal. Click the image to open the interactive version.
The works portrayed in this room, done in oil on canvas, by Marques de Oliveira in 1890, have as their theme the traditional works of Roman civilization. Of note, in addition to the magnificent pavement carved with exotic woods of Brazilian and African origin, the marble fireplace by sculptor Teixeira Lopes, where, on its side columns, female statuettes stand out and, inside, in wrought iron, allegories the Douro River and commerce.
360° panorama by Santiago Ribas - 360portugal. Click the image to open the interactive version.
The Portrait Room decorated in the style of Louis XVI, this room pays homage to the last six kings of the Braganca Dynasty. What stands out most in this space is undoubtedly its floor with a rare visual effect of illusory depth. With this symbolic tribute, the Commercial Association of Porto thanked D. Maria II for the donation of the ruins of the extinct Convento de S. Francisco. The table displayed in this room, the work of the Portuguese carver Zeferino Jos'e Pinto, took three years to complete and received an honorable mention at the Universal Exhibition in Paris in 1867