MICHELANGELO BUONARROTI (LITALIAN, 1475 - 1564) DRAWINGS \ ÃÐÀÔÈÊÀ ÌÈÊÅËÀÍÄÆÅËÎ |

Ìèêåëà́íäæåëî Áóîíàððî́òè - âåëèêèé èòàëüÿíñêèé ñêóëüïòîð, õóäîæíèê, àðõèòåêòîð, ïîýò, ìûñëèòåëü. Îäèí èç âåëè÷àéøèõ ìàñòåðîâ ýïîõè Ðåíåññàíñà.
Íåñîìíåííî, ãåíèåì äåëàåò òàëàíòëèâîãî ÷åëîâåêà íåïîáåäèìàÿ êîìáèíàöèÿ êà÷åñòâ – òàëàíò è òðóäîëþáèå. Ýòè êà÷åñòâà â âûñøåé ñòåïåíè áûëè ïðèñóùè Ìèêåëàíäæåëî. Îòëîæèâ â ñòîðîíó êèñòè è êðàñêè, îí äî êîíöà æèçíè íå ðàññòàâàëñÿ ñ ñàíãèíîé (êðàñíîâàòûì ìåëêîì) è èòàëüÿíñêèì êàðàíäàøîì.
Ìèêåëàíäæåëî Áóîíàððîòè
Study of a head, the Marchioness of Pescara, c.1525-8,
black chalk on paper,
British Museum, London.
 òâîð÷åñêîé äåÿòåëüíîñòè Ìèêåëàíäæåëî ðèñóíêó áûëî îòâåäåíî îñîáîå ìåñòî: ïî íåêîòîðûì ñâèäåòåëüñòâàì Ìèêåëàíäæåëî ñ÷èòàë åãî «åäèíñòâåííûì èñêóññòâîì, ÷àñòüþ êîòîðîãî ÿâëÿþòñÿ âñå îñòàëüíûå èñêóññòâà è èç êîòîðîãî îíè ïðîèñòåêàþò». íåìàëîé ñòåïåíè áëàãîäàðÿ Ìèêåëàíäæåëî ðèñóíîê, áûâøèé ðàíåå âñïîìîãàòåëüíûì ñðåäñòâîì, â ïåðèîä Âûñîêîãî Âîçðîæäåíèÿ ñòàíîâèòñÿ ñàìîñòîÿòåëüíûì æàíðîì.
Michelangelo,
Count of Canossa (Study for Warrior’s Head), 1550-1580
Michelangelo Buonarroti
«Çåíîáèÿ» \ Zenobia, Queen of Palmyra, c.1520-25,
charcoal on paper,
Uffizi, Florence, Italy.
Îáðàç ëåãåíäàðíîé öàðèöû Ïàëüìèðû, ïîòåðïåâøåé ïîðàæåíèå â ñîïåðíè÷åñòâå ñ Ðèìîì, ïðèâëåêàë âíèìàíèå ìíîãèõ Ðåíåññàíñíûõ õóäîæíèêîâ. Âûñîêîîáðàçîâàííàÿ ñâîáîäîëþáèâàÿ êðàñàâèöà ïðåêðàñíî âëàäåëà ãðå÷åñêèì, ëàòèíñêèì è äðåâíåãðå÷åñêèì ÿçûêàìè. Îðãàíèçîâàííûé åþ êóëüòóðíûé êðóæîê ïîñåùàëè ãðå÷åñêèå ëèòåðàòîðû è ôèëîñîôû. Ñâî¸ âîñõèùåíèå ïðåêðàñíûì îáðàçîì «öàðèöû ïóñòûíè» Ìèêåëàíäæåëî âûðàçèë â ïîäàðî÷íîì ðèñóíêå «Çåíîáèÿ».
Zenobia, Queen of Palmyra, c.1520-25
Ìèêåëàíäæåëî Áóîíàððîòè
Head of Cleopatra, c.1533-4,
black chalk on paper,
Casa Buonarroti, Florence, Italy.
Èíîãäà ïðåäíàçíà÷åíèå åãî ïîäàðî÷íûõ ðèñóíêîâ áûëî ñîâåðøåííî íåîáû÷íûì – â êà÷åñòâå ó÷åáíûõ ïîñîáèé. Ñðåäè íèõ – ðèñóíîê «Êëåîïàòðà», ïî êîòîðîìó äðóã Ìèêåëàíäæåëî Òîììàçî Êàâàëüåðè ó÷èëñÿ ðèñîâàòü.
Michelangelo Buonarroti
Head of Cleopatra, c.1533-4(detail)
Ïîðòðåò Êëåîïàòðû
Ìèêåëàíäæåëî Áóîíàððîòè.
«Ïüåòà» tudy for a Pieta, c.1540,
black chalk on paper, Isabella
Stewart Gardener Museum, Boston, MA, USA.
Ìèêåëàíäæåëî áûë ãëóáîêî âåðóþùèì êàòîëèêîì. Âñþ æèçíü åãî òâîð÷åñòâî áûëî òåñíî ñâÿçàíî ñ Öåðêîâüþ. Ïîñòåïåííî ó õóäîæíèêà ñôîðìèðîâàëîñü ñâî¸ ïðåäñòàâëåíèå î õðèñòèàíñòâå, î ÷¸ì ñâèäåòåëüñòâóþò íåêîòîðûå åãî ðèñóíêè. Äðóæáà ñ ïîýòåññîé Âèòòîðèåé Êîëîííà, êîòîðàÿ èíòåðåñîâàëàñü âîïðîñàìè ðåëèãèè, îáîñòðèëà åãî ðåëèãèîçíûå ÷óâñòâà.  1540-õ ãîäàõ ïîÿâèëàñü ñåðèÿ ðèñóíêîâ íà ðåëèãèîçíûå ñþæåòû, ìíîãèå èç êîòîðûõ áûëè ïîñâÿùåíû Âèòòîðèè.
Madonna and Child
1522-25
Black and red chalk, pen and brown ink on brownish paper, 541 x 396 mm
Casa Buonarroti, Florence
Michelangelo Buonarroti
Portrait of Andrea Quartesi, c.1532
Madonna and Child with the Infant St John (recto)
c. 1532
Black chalk, 317 x 210 mm
Royal Collection, Windsor
Ìèêåëàíäæåëî áûë ïðåêðàñíûì ðèñîâàëüùèêîì. Åãî ìàñòåðñòâî áûëî òàêèì âûñîêèì, ÷òî ñòàëî ýòàëîíîì äëÿ ìíîãèõ ïîêîëåíèé õóäîæíèêîâ. Èíòåðåñóÿñü, ïðåæäå âñåãî, ôîðìîé è îáú¸ìîì, îí ÷àñòî ïðåäïî÷èòàë èçîáðàæàòü äåòàëè (òîðñû, ðóêè, ãîëîâû) è âûáèðàë ñàìûå ñëîæíûå ðàêóðñû è æåñòû, ÷òîáû ïåðåäàòü áîðüáó ìàòåðèè è äóõà. Äëÿ ñîçäàíèÿ ïëàñòè÷åñêîé âûïóêëîñòè ôîðì íàðÿäó ñ êîíòóðîì Ìèêåëàíäæåëî èñïîëüçîâàë ïåðåêð¸ñòíóþ øòðèõîâêó.
Michelangelo Buonarroti
Estudios para la Sibila de Libia 1511-1512
~ Metropolitan Museum of Art ~ New York
Head of a Woman (recto)
1540-43
Black chalk, 212 x 142 mm
Royal Collection, Windsor
Michelangelo Buonarroti
«Èäåàëüíàÿ ãîëîâà»
Study of an ideal head, c.1516, r
ed chalk on paper,
Ashmolean Museum, Oxford, UK.
Study of an Inclined Head
1529-30
Red chalk, 355 x 270 mm
Casa Buonarroti, Florence
Ãðàâþðà ñ óòåðÿííîé êàðòèíû Ìèêåëàíäæåëî.
1530, 30x40 ñì.
Áðèòàíñêèé ìóçåé.
Êîïèÿ 16 âåêà ñ óòåðÿííîé êàðòèíû Ìèêåëàíäæåëî Ëåäà è Ëåáåäü 1530 ãîäà.

Tityus

Battle of Cascina
The fall of Phaethon
Michelangelo
Michelangelo
Michelangelo
Studies of grotesque heads 1530
Red chalk, 255 x 350 mm
British Museum, London
Michelangelo
Michelangelo
Michelangelo
Madonna and Child with the Infant St John (recto)
1529-30
Red chalk, 290 x 204 mm
Muse du Louvre, Paris
The Holy Family with the Infant St John (verso)
1529-30
Red chalk, 290 x 204 mm
Muse du Louvre, Paris
St Anne with the Virgin and the Christ Child
c. 1505
Pen, 254 x 177 mm
Ashmolean Museum, Oxford
Madonna and Child with the Infant St John
c. 1533
Black chalk, 314 x 200 mm
British Museum, London
Bust of the Virgin in Profile, the Child Reclining on a Cushion
1503-04
Pen and brown ink, 282 x 210 mm
Staatliche Museen, Berlin
Michelangelo,
Satyr's Head,
Louvre
Michelangelo
Vittoria Colonna
Petrarch and Michelangelo.
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Michelangelo
Detail from The Prophet Ezekie fresco — 1508-12,
Sistine Chapel
Òâîðåíüå ìîæåò ïåðåæèòü òâîðöà:
Òâîðåö óéäåò, ïðèðîäîé ïîáåæäåííûé,
Îäíàêî îáðàç, èì çàïå÷àòëåííûé,
Âåêàìè áóäåò ñîãðåâàòü ñåðäöà.
ß òûñÿ÷àìè äóø æèâó â ñåðäöàõ
Âñåõ ëþáÿùèõ, è, çíà÷èò, ÿ íå ïðàõ,
È ñìåðòíîå ìåíÿ íå òðîíåò òëåíüå.
© Ìèêåëàíäæåëî
Michelangelo
Detail from The Prophet Ezekie fresco — 1508-12,
Sistine Chapel

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