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Ñîçäàí: 31.03.2014
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Íàïèñàíî: 25


MICHELANGELO BUONARROTI (LITALIAN, 1475 - 1564) DRAWINGS \ ÃÐÀÔÈÊÀ ÌÈÊÅËÀÍÄÆÅËÎ

Ïîíåäåëüíèê, 07 Àïðåëÿ 2014 ã. 12:35 + â öèòàòíèê
Öèòàòà ñîîáùåíèÿ lomovolga Michelangelo Buonarroti (Litalian, 1475 - 1564) Drawings \ Ãðàôèêà Ìèêåëàíäæåëî

 

 

 

Ìèêåëà́íäæåëî Áóîíàððî́òè - âåëèêèé èòàëüÿíñêèé ñêóëüïòîð, õóäîæíèê, àðõèòåêòîð, ïîýò, ìûñëèòåëü. Îäèí èç âåëè÷àéøèõ ìàñòåðîâ ýïîõè Ðåíåññàíñà.

Íåñîìíåííî, ãåíèåì äåëàåò òàëàíòëèâîãî ÷åëîâåêà íåïîáåäèìàÿ êîìáèíàöèÿ êà÷åñòâ – òàëàíò è òðóäîëþáèå. Ýòè êà÷åñòâà â âûñøåé ñòåïåíè áûëè ïðèñóùè Ìèêåëàíäæåëî. Îòëîæèâ â ñòîðîíó êèñòè è êðàñêè, îí äî êîíöà æèçíè íå ðàññòàâàëñÿ ñ ñàíãèíîé (êðàñíîâàòûì ìåëêîì) è èòàëüÿíñêèì êàðàíäàøîì.

 

Ìèêåëàíäæåëî Áóîíàððîòè
Study of a head, the Marchioness of Pescara, c.1525-8,
black chalk on paper,
British Museum, London.


 

 

 òâîð÷åñêîé äåÿòåëüíîñòè Ìèêåëàíäæåëî ðèñóíêó áûëî îòâåäåíî îñîáîå ìåñòî: ïî íåêîòîðûì ñâèäåòåëüñòâàì Ìèêåëàíäæåëî ñ÷èòàë åãî «åäèíñòâåííûì èñêóññòâîì, ÷àñòüþ êîòîðîãî ÿâëÿþòñÿ âñå îñòàëüíûå èñêóññòâà è èç êîòîðîãî îíè ïðîèñòåêàþò». íåìàëîé ñòåïåíè áëàãîäàðÿ Ìèêåëàíäæåëî ðèñóíîê, áûâøèé ðàíåå âñïîìîãàòåëüíûì ñðåäñòâîì, â ïåðèîä Âûñîêîãî Âîçðîæäåíèÿ ñòàíîâèòñÿ ñàìîñòîÿòåëüíûì æàíðîì. 

 

 

Michelangelo,
Count of Canossa (Study for Warrior’s Head), 1550-1580

 

 

Michelangelo Buonarroti

«Çåíîáèÿ» \ Zenobia, Queen of  Palmyra, c.1520-25,
charcoal on paper,
Uffizi, Florence, Italy.

 

 

Îáðàç ëåãåíäàðíîé öàðèöû Ïàëüìèðû, ïîòåðïåâøåé ïîðàæåíèå â ñîïåðíè÷åñòâå ñ Ðèìîì, ïðèâëåêàë âíèìàíèå ìíîãèõ Ðåíåññàíñíûõ õóäîæíèêîâ. Âûñîêîîáðàçîâàííàÿ ñâîáîäîëþáèâàÿ êðàñàâèöà ïðåêðàñíî âëàäåëà ãðå÷åñêèì, ëàòèíñêèì è äðåâíåãðå÷åñêèì ÿçûêàìè. Îðãàíèçîâàííûé åþ êóëüòóðíûé êðóæîê ïîñåùàëè ãðå÷åñêèå ëèòåðàòîðû è ôèëîñîôû. Ñâî¸ âîñõèùåíèå ïðåêðàñíûì îáðàçîì «öàðèöû ïóñòûíè» Ìèêåëàíäæåëî âûðàçèë â ïîäàðî÷íîì ðèñóíêå «Çåíîáèÿ».

 

 

Zenobia, Queen of  Palmyra, c.1520-25

 

 Ìèêåëàíäæåëî Áóîíàððîòè

Head of Cleopatra, c.1533-4,
black chalk on paper,
Casa Buonarroti, Florence, Italy.

 

Èíîãäà ïðåäíàçíà÷åíèå åãî ïîäàðî÷íûõ ðèñóíêîâ áûëî ñîâåðøåííî íåîáû÷íûì – â êà÷åñòâå ó÷åáíûõ ïîñîáèé. Ñðåäè íèõ – ðèñóíîê «Êëåîïàòðà», ïî êîòîðîìó äðóã Ìèêåëàíäæåëî Òîììàçî Êàâàëüåðè ó÷èëñÿ ðèñîâàòü.

 

Michelangelo Buonarroti

Head of Cleopatra, c.1533-4(detail)

Ïîðòðåò Êëåîïàòðû

 

«Ïîðòðåò Êëåîïàòðû»

 

 Ìèêåëàíäæåëî Áóîíàððîòè. 
 «Ïüåòà» tudy for a Pieta, c.1540,
black chalk on paper, Isabella
Stewart Gardener Museum, Boston, MA, USA.

 

 

 

Ìèêåëàíäæåëî áûë ãëóáîêî âåðóþùèì êàòîëèêîì. Âñþ æèçíü åãî òâîð÷åñòâî áûëî òåñíî ñâÿçàíî ñ Öåðêîâüþ. Ïîñòåïåííî ó õóäîæíèêà ñôîðìèðîâàëîñü ñâî¸ ïðåäñòàâëåíèå î õðèñòèàíñòâå, î ÷¸ì ñâèäåòåëüñòâóþò íåêîòîðûå åãî ðèñóíêè. Äðóæáà ñ ïîýòåññîé Âèòòîðèåé Êîëîííà, êîòîðàÿ èíòåðåñîâàëàñü âîïðîñàìè ðåëèãèè, îáîñòðèëà åãî ðåëèãèîçíûå ÷óâñòâà.  1540-õ ãîäàõ ïîÿâèëàñü ñåðèÿ ðèñóíêîâ íà ðåëèãèîçíûå ñþæåòû, ìíîãèå èç êîòîðûõ áûëè ïîñâÿùåíû Âèòòîðèè.

 

 

Madonna and Child
1522-25
Black and red chalk, pen and brown ink on brownish paper, 541 x 396 mm
Casa Buonarroti, Florence

 

 

Michelangelo Buonarroti

Portrait of Andrea Quartesi, c.1532

 

 

Madonna and Child with the Infant St John (recto)
c. 1532
Black chalk, 317 x 210 mm
Royal Collection, Windsor

 

Ìèêåëàíäæåëî áûë ïðåêðàñíûì ðèñîâàëüùèêîì. Åãî ìàñòåðñòâî áûëî òàêèì âûñîêèì, ÷òî ñòàëî ýòàëîíîì äëÿ ìíîãèõ ïîêîëåíèé õóäîæíèêîâ. Èíòåðåñóÿñü, ïðåæäå âñåãî, ôîðìîé è îáú¸ìîì, îí ÷àñòî ïðåäïî÷èòàë èçîáðàæàòü äåòàëè (òîðñû, ðóêè, ãîëîâû) è âûáèðàë ñàìûå ñëîæíûå ðàêóðñû è æåñòû, ÷òîáû ïåðåäàòü áîðüáó ìàòåðèè è äóõà. Äëÿ ñîçäàíèÿ ïëàñòè÷åñêîé âûïóêëîñòè ôîðì íàðÿäó ñ êîíòóðîì Ìèêåëàíäæåëî èñïîëüçîâàë ïåðåêð¸ñòíóþ øòðèõîâêó.

 

 

 

Michelangelo Buonarroti
Estudios para la Sibila de Libia 1511-1512
~ Metropolitan Museum of Art ~ New York

 

 

Head of a Woman (recto)
1540-43
Black chalk, 212 x 142 mm
Royal Collection, Windsor

 

Michelangelo Buonarroti

«Èäåàëüíàÿ ãîëîâà»
Study of an ideal head, c.1516, r
ed chalk on paper,
Ashmolean Museum, Oxford, UK. 

 

Study of an Inclined Head
1529-30
Red chalk, 355 x 270 mm
Casa Buonarroti, Florence

 

Ãðàâþðà ñ óòåðÿííîé êàðòèíû Ìèêåëàíäæåëî.

1530, 30x40 ñì.
Áðèòàíñêèé ìóçåé.
Êîïèÿ 16 âåêà ñ óòåðÿííîé êàðòèíû Ìèêåëàíäæåëî Ëåäà è Ëåáåäü 1530 ãîäà.

 

Tityus

 

 

 

Battle of Cascina

 

The fall of Phaethon

 

Michelangelo

 

Michelangelo

 

Michelangelo

 

Studies of grotesque heads 1530
Red chalk, 255 x 350 mm
British Museum, London

 

Michelangelo

 

Michelangelo

 

Michelangelo

 

Madonna and Child with the Infant St John (recto)
1529-30
Red chalk, 290 x 204 mm
Muse du Louvre, Paris

 

 

The Holy Family with the Infant St John (verso)
1529-30
Red chalk, 290 x 204 mm
Muse du Louvre, Paris

 

St Anne with the Virgin and the Christ Child
c. 1505
Pen, 254 x 177 mm
Ashmolean Museum, Oxford

 

 

Madonna and Child with the Infant St John
c. 1533
Black chalk, 314 x 200 mm
British Museum, London

 

 

Bust of the Virgin in Profile, the Child Reclining on a Cushion
1503-04
Pen and brown ink, 282 x 210 mm
Staatliche Museen, Berlin

 

 

Michelangelo,
Satyr's Head,
Louvre

 

 

Michelangelo

 

Vittoria Colonna

Petrarch and Michelangelo.
Here are posts from Leah, Fabiola, Brian and Katie

 

 

+ bonus

 

Michelangelo
Detail from The Prophet Ezekie fresco — 1508-12,
Sistine Chapel 

 

 

Òâîðåíüå ìîæåò ïåðåæèòü òâîðöà:
Òâîðåö óéäåò, ïðèðîäîé ïîáåæäåííûé,
Îäíàêî îáðàç, èì çàïå÷àòëåííûé,
Âåêàìè áóäåò ñîãðåâàòü ñåðäöà.
ß òûñÿ÷àìè äóø æèâó â ñåðäöàõ
Âñåõ ëþáÿùèõ, è, çíà÷èò, ÿ íå ïðàõ,
È ñìåðòíîå ìåíÿ íå òðîíåò òëåíüå.
© Ìèêåëàíäæåëî

 

 

 Michelangelo
Detail from The Prophet Ezekie fresco — 1508-12,
Sistine Chapel

 

 

 

 

 

 

 


Ïîíðàâèëîñü: 1 ïîëüçîâàòåëþ

lomovolga   îáðàòèòüñÿ ïî èìåíè Ïîíåäåëüíèê, 07 Àïðåëÿ 2014 ã. 12:59 (ññûëêà)
subole, Áëàãîäàðþ Âàñ çà öèòèðîâàíèå âñåõ ïîñòîâ, õîðîøåãî äíÿ!
Îòâåòèòü Ñ öèòàòîé Â öèòàòíèê
 

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